Hi Jarrett,
I have completed numerous Super 8mm to 16mm blow ups using a JK printer in the 
past and have had great results. The main thing to take into consideration is 
the quality of the Super 8mm footage. Is it recently shot and processed film or 
is it older stock that has been sitting around for some time. You tend to have 
more problems with registration with shrunken Super 8mm. With older film I find 
you get better results if you do not rely on the digital sequencer to advance 
the film through the projector and to advance it yourself, a frame at a time. 
Its a longer process but the results are more pleasing. Having a good Super 8mm 
gate for the JK printer is also a priority. Its not hard to do this yourself 
but finding system to use may be tough. Do you have any film co-ops or film 
societies in your area, they may have one or know of where to access one.  If 
you manage to do it yourself give me a shout and I can give you some info on 
completing tests prior to shooting the final blow up, you will need to complete 
a few exposure tests, etc. prior to filming.
Good luck! Stay on film! 

Roger D. WilsonFilm Scientist613 324 - 
Without failure you can never achieve success. I have based my process and my 
career as an experimental film artist on this statement; and I welcome it as it 
pushes me forward as an artist to try something different, something new. 

Date: Fri, 6 Dec 2013 21:58:57 -0600
From: jfhay...@gmail.com
To: FrameWorks@jonasmekasfilms.com
Subject: [Frameworks] super-8 to 16mm blow ups?

Hello all,

Does anyone know if Colorlab in Maryland still does blow-ups from super-8 to 
16mm? Their new website layout seems to omit this information, whereas I 
remember reading as much on the old site. If not, are there any labs in the US 
that will do 8 to 16 blow-ups?


-J. Hayman

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