Leighton Pierce has made a career of finding ways to “overcome the cut” as he once put it, primarily by using very complex systems of superimposition. Some of his work can be found on his Vimeo channel. There’s of course a long history of superimposition in experimental cinema—“Fall of the House of Usher” and “Lot in Sodom” are both early masterpieces in that idiom—but I’m supposed to be grading, so I really can’t fall down this rabbit hole now!
Best, Roger On Apr 17, 2014, at 9:50 PM, Kerekes Anna <[email protected]<mailto:[email protected]>> wrote: Dear Franworkers, I appeal to your expertise on superposition as editing practice. As an artist, I’m working on an installation project which calls me to set up a taxonomy of superposition in the field of moving images (film, video, digital moving images). I would very much appreciate your references relevant to this topic. Thanks in advance for any suggestions you might have, All the best, Anna Kerekes - Anna Kerekes<http://www.linkedin.com/pub/anna-kerekes/2b/257/292> +1 (438) 886-0824 [email protected]<mailto:[email protected]> _______________________________________________ FrameWorks mailing list [email protected]<mailto:[email protected]> https://mailman-mail5.webfaction.com/listinfo/frameworks
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