Ryan, An outstanding current example is filmmaker/photographer Richard Mosse's film called "The Enclave" shot on 16mm Kodak Aerochrome color infra-red film from the war ravaged Eastern Congo. Shot on the last Super 16mm camera manufactured, the Arriflex 416, i.e.
http://nofilmschool.com/2013/06/infrared-cinematography-documentary-the-enclave/ http://www.richardmosse.com/works/the-enclave/ Richard Mosse's infrared 16mm supplier is a German gentleman named Dean (http://www.tarquinius.de/). As of Feb. 28, 2014 he is still selling his 400ft rolls of 16mm Aerochrome from 2011 at $800 US a pop. Check out my correspondence from last fall. Cheers, Nicholas ---------- Forwarded message ---------- From: 120 aerochrome <aerochr...@live.de> Date: Mon, Sep 9, 2013 at 1:58 AM Subject: RE: Regarding 16mm Aerochrome film. To: nkov...@gmail.com Hi, No i bought it Form a large production that had left over stock. Dean Www.bennici.Net > Date: Sun, 8 Sep 2013 20:28:18 -0400 > Subject: Regarding 16mm Aerochrome film. > From: nkov...@gmail.com > To: aerochr...@live.de > > Hi, > > It is with great interest that I came upon your web site regarding > 16mm Aerochrome motion picture film as per Richard Mosse's incredible > documentary. Did you manually cut and reperf from a larger batch > (2011)? i.e. http://www.tarquinius.de/index.html > > Regards, > > Nicholas Kovats > Toronto, Canada On Thu, May 1, 2014 at 11:46 AM, Ryan Marino <ryandmar...@gmail.com> wrote: > Not to change topics but does anyone know if infrared film is available in > 16mm? > > > thanks, > ryan > > > On Thu, May 1, 2014 at 11:42 AM, Gene Youngblood <ato...@comcast.net> wrote: >> >> The opening of Mikael Kalatozov’s “I Am Cuba” (1964). It’s a narrative >> feature, but the camera moves are as experimental as it gets, pre-digital. >> >> It isn’t film and it isn’t infrared, but Bill Viola’s “The Passing” (1991) >> has night vision scenes that look infrared (only better), especially in the >> Joshua Tree sequence. >> >> From: Heath Iverson >> Sent: Thursday, May 01, 2014 9:06 AM >> To: Experimental Film Discussion List >> Subject: [Frameworks] Infrared Film in Experimental Cinema >> >> Hi Frameworkers, >> >> I've been trying to think of films made using infrared sensitive film >> stock, especially color stocks like Kodak's Aerochrome III. At the moment, >> the only examples I can think of are Richard Mosse's The Enclave (2013) and >> a section from Oliver Stone's Alexander. Surely there must be more? >> >> Best, >> Heath >> >> -- >> Heath Iverson >> PhD Student, Film Studies >> University of St Andrews >> 99 North Street >> St. Andrews, KY16 9AD >> Scotland, UK >> >> >> ________________________________ >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > > > -- > www.ryanmarino.com > www.imminentfrequencies.com > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks