Projection of Barbara Rubin's Christmas on Earth (1963) is meant to be accompanied by local radio at full volume.
Vertov's Enthusiasm is radio, but I take it to be shortwave. Radio is a crucial unifying presence in Jennings's Listen to Britain and to a lesser extent in Diary for Timothy. Several early Benning films, e.g. the radio preacher VO in Landscape Suicide. Radio is a major element throughout his United States of America (1975). There must be something from Godard when he was doing sound-driven cinema, but can't remember; Godard's a good place to look for radio anyway. Michael Snow did works for radio, but that's radio.
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