This week [July 12 - 18, 2014] in avant garde cinema

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ITEM FOR SALE:
=============
Great Blondino Postet
http://www.hi-beam.net/cgi-bin/ann.pl?type=sale&readfile=39.ann

NEW CALLS FOR ENTRIES:
=====================
MADATAC (Madrid, SPAIN; Deadline: September 08, 2014)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1714.ann

DEADLINES APPROACHING:
=====================
Antimatter [Media Art] (Victoria, BC, Canada; Deadline: July 25, 2014)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1684.ann
Festival of (In)appropriation (Los Angeles, CA; Deadline: August 01, 2014)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1703.ann
Lone Star Film Festival (Fort Worth, Tx, USA; Deadline: August 16, 2014)
 http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1704.ann

THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* Gravity Spells: Bay Area New Music and Expanded Cinema Art, Program 2 [July 12, Berkeley, CA]
 *  Marie Losier & Friends - A Reunion Screening [July 12, Brooklyn, New York]
 *  Origins [July 12, Washington, DC]
* Under the Underground: the M.U.F.F. Salon Des RefuséS [July 13, Brooklyn, New York]
 *  Shapeshifters Cinema Presents Elise Baldwin [July 13, Oakland]
* Brakhage, Brakhage, Brakhage! Program 3: Hand-Painted Films [July 13, San Francisco, California]
 *  Sweet California [July 13, Washington, DC]
 *  New Works Salon [July 17, Los Angeles, California]
 *  Films By Moira Tierney Permutations, Ends &Amp; Odds For Your
    Consideration *2 Night Event!* [July 17, New York, NY]
* Off the Screen: Madison Brookshire—selected Works [July 17, San Francisco, CA]
 *  Weirdo Animation & Root Beer Floats [July 18, Los Angeles, California]


Events are sorted by CITY within each DATE.

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SATURDAY, JULY 12, 2014
-----------------------

7/12
Berkeley, CA: Kala Art Institute
7:00pm, 2990 San Pablo Ave.

 GRAVITY SPELLS: BAY AREA NEW MUSIC AND EXPANDED CINEMA ART, PROGRAM 2
  Gravity Spells: Bay Area New Music and Expanded Cinema Art, Program 2,
  Saturday, July 12, 7-9pm - Kala Art Institute in partnership with the
  San Francisco Cinematheque present Gravity Spells: Bay Area New Music
  and Expanded Cinema Art. - This series is curated and organized by Kala
  Fellowship Artist John Davis - Admission is free with a suggested
  donation of $5 – $20. - This is the secondin a four
  part series taking place every Saturday evening in July. This unique
  performance series celebrates the release of a limited edition hand-made
  gatefold double LP of music paired with four DVD's of original film
  featuring collaborations by: Craig Baldwin with Maggi Payne\; Paul
  Clipson with Tashi Wada\; Lawrence Jordan with John Davis and Kerry
  Laitala with Ashley Bellouin & Ben Bracken. The publication includes
  a 50-page booklet of writing and images bound in a hand-made letterpress
  cover. - Program 2 Participating Artists: Mark Wilson with Marielle
  Jakobsons, Andy Puls, Keith Evans, Lawrence Jordan with John Davis -
  Copies of the edition of 100 publication release will be available for
  purchase at the four shows, or can be purchased online here:
  http://bimodalpress.com/editions.html.

7/12
Brooklyn, New York: The Picture Show
http://thepictureshow.org
8:00pm, 226 Green St.

 MARIE LOSIER & FRIENDS - A REUNION SCREENING
  Back from Europe for only a few weeks, film portrait artist Marie Losier
  invites her friends to share the screen with her in this evening of
  experimental short works to celebrate her return. The evening includes:
  Marie Losier, PEACHES + JESPER JUST, and HERMAPHRODITE. Also featuring
  Joel Schlemowitz, IN SPRINGTIME; Peggy Ahwesh, COLLECTIONS; Jeanne
  Liotta, PROPERTY; Jonathan Caouette, DES TICS ET DES TOCS; Moira
  Tierney, YOU STILL BELONG; Dima Dubson, WORK-IN-PROGRESS; Bradley Eros,
  EAU DE CINEMA  {an avant ad} and SEANCE (the trailer); Rachael & Gabriel
  Guma, \VENICE/ /FLORENCE\ |ROME|. $5 gets you a night of surprises!

7/12
Washington, DC: National Gallery of Art
http://www.nga.gov
2:30pm, National Mall between 3rd and 9th Streets, West Building Lecture Hall

 ORIGINS
  From Vault to Screen: Canyon Cinema 16 mm: PROGRAM 1: Origins. Short,
  lyrical films from Canyon's beginnings featuring work by the
  organization's founding members, including Have You Thought of Talking
  to the Director? (Bruce Baillie, 1962); Angel Blue Sweet Wings (Chick
  Strand, 1966); My Name Is Oona (Gunvor Nelson, 1969); and Hot
  Leatherette (Robert Nelson, 1967), among others. (Total running time
  approximately 95 minutes)

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SUNDAY, JULY 13, 2014
---------------------

7/13
Brooklyn, New York: The Picture Show
http://thepictureshow.org
1:00pm - 1:00am, 226 Green St.

 UNDER THE UNDERGROUND: THE M.U.F.F. SALON DES REFUSéS
  The Picture Show presents Under the Underground: the M.U.F.F. Salon des
  Refusés. This is a marathon screening in which no one who was rejected
  from the Milwaukee Underground Film Festival this year is denied screen
  time for at least one of their works. Admission is FREE for the entire 9
  hours of films. Here we stand, here we screen. What was once a solitary
  experience of rejection has become, through a funny faux pas, a building
  of community. A few months ago I received another rejection from a film
  festival via email. This particular letter, from the Milwaukee
  Underground Film Festival (M.U.F.F.), like most of the others, was a
  generic stock-email. The kind whose cut-copy-paste, all-too-familiar
  template phrasing made one's heart preemptively sink, not having read
  the lines we've all read too many times, but already knowing what they
  will say. But there is the funny bit to the otherwise-familiar story. To
  read this email, I had to scroll… and scroll… and scroll… down what
  seemed to be over a hundred CC'd email names that were listed in the
  same message. Here for all to see, in a list for all to see, were my
  peers, my mentors, my friends, those whose work I've seen and loved, or
  was just becoming familiar with. Here, in CC list form, was a group of
  like-minded people, all getting rejected from the same festival. In a
  slightly impulsive and facetious moment, I REPLIED ALL (except of
  course, deleting the sender's email from this list) and suggested, for
  all of us who weren't given the courtesy of a BCC private rejection, to
  screen the works here at The Picture Show. This sparked off an
  email-thread of filmmakers writing and responding to each other. The
  thread became, as Anna Swanson would later write: "what community looks
  like." Featuring films by Josh Weissbah, Kathryn Ramey, Neil Needleman,
  Peter Wareing, NERZ-KG, Andrea Marquez, and many, many more.

7/13
Oakland: Shapeshifters Cinema
http://shapeshifterscinema.com/
8-9PM, 511 48th St. Oakland

 SHAPESHIFTERS CINEMA PRESENTS ELISE BALDWIN
  Elise Baldwin is an intermedia performer and sound artist whose live
  cinematic works center around themes of natural history, collective
  memory and relationships between technology and the natural world. Using
  custom software instruments, physical props and circuitry, she often
  combines and manipulates original and archival recordings. She will be
  performing The Philosophy of Storms, inspired by a fascination with
  early American meteorology, storm watching and our cultural evolution
  from a faith-based society to a scientific one and Theater of Plants, a
  film that is microcosmic in scale yet expansively metaphoric in its
  examination of time, growth and decay.

7/13
San Francisco, California: Yerba Buena Center for the Arts
2pm, 3rd and Mission Streets

 BRAKHAGE, BRAKHAGE, BRAKHAGE! PROGRAM 3: HAND-PAINTED FILMS
  Late in his life, Brakhage made a number of hand-painted films. These
  are among his most glorious and extreme works, exploding with color and
  movement. Program includes Autumnal, Earthen Aerie, Spring Cycle,
  Shockingly Hot, Cloud Chamber, The Lion and the Zebra Make God's Raw
  Jewels, Stately Mansions Did Decree, and Seasons [with Phil Solomon].
  (1993-2002, 60 min, 16mm)

7/13
Washington, DC: National Gallery of Art
http://www.nga.gov
4pm, National Mall between 3rd and 9th Streets, West Building Lecture Hall

 SWEET CALIFORNIA
  From Vault to Screen: Canyon Cinema 16 mm: PROGRAM 2: Sweet California .
  "I'm definitely not interested in passing along intellectual information
  about California. There's plenty of that everywhere. I'm trying to get
  at some feeling state" — Robert Nelson. A personal, intricate essay
  about his home state, Tijuana to Hollywood via Death Valley is the first
  half of Nelson's travelogue Suite California Stops & Passes (1976). It
  is followed by other films about Californian culture and environment
  including Hard Core Home Movie by Greta Snider (1989) on the '80s punk
  scene in San Francisco; Pasadena Freeway Stills (Gary Beydler, 1974);
  Degrees of Limitation (Scott Stark, 1982); and L.A. Carwash (Janis
  Lipzin, 1975), among others. (Total running time approximately 100
  minutes)

-----------------------
THURSDAY, JULY 17, 2014
-----------------------

7/17
Los Angeles, California: Echo Park Film Center
http://www.echoparkfilmcenter.org/
8 pm, 1200 N. Alvarado St.

 NEW WORKS SALON
  The New Works Salons series is a casual forum for the presentation and
  discussion of new works in film and video, with local and visiting
  artists in-person to introduce their work. Geoffrey Sexton is an
  abstract painter, musician and filmmaker. Geoffrey explores video with
  an emphasis on textures and individualistic video frames, thus honing a
  signature feel and movement to the frames of his videos. His videos
  offer a transcendence in the abstract, urging viewers to feel free to be
  led by their less categorical consciousness. Geoffrey's work has
  increasingly integrated his illuminated, water-based paintings, by means
  such as portioning them into macro sectioned image sequences. Tempe Hale
  will show Pick Up the Stick, a documentary short inspired by footage
  shot on a road trip in which my brother suffers a mental breakdown. The
  film is a mix of original road trip footage, interviews and
  improvisation, which explores de-personalization and dramatizes our
  collective memory. Audrey Wolski is an image-maker based in Montréal,
  who enjoys making their own films, often opting for abstraction and
  small-scale production methods as well as working cinematography for
  narrative fictions. The contrast between analog and digital
  moving-images is a concern: both methods are thus mixed, in an attempt
  to create dissonant dialogue. They will show two works,
  Tramage/rhodopsine, a reflective portrait of our changing psyche caused
  by the digital age, and Germe, a brief exploration of the 2012 Quebec
  student strike using artisanal moving-image techniques such as
  rephotography and hand painting to communicate intimacies within a
  larger political context as well as the changing nature of memory.
  Walter Vargas will show his new 16mm film Full House sans the cast, a
  reexamination of a house and what is home; uncles included.

7/17
New York, NY: Filmmakers Co-op
7:30pm, 475 Park Ave S.

 FILMS BY MOIRA TIERNEY PERMUTATIONS, ENDS & ODDS FOR YOUR
 CONSIDERATION *2 NIGHT EVENT!*
  *2 Night Event!* - Thursday, July 17 & 24, 7:30, Film-Makers'
  Cooperative, 475 Park Avenue South, 6th Foor (at 32nd St.) $10 Suggested
  Donation - - The Coop will present two programs of films by Moira
  Tierney, including old, new and hot-off-the-press work, all shot and
  most screened in Super 8mm and 16mm, with a small sampling of work by
  Solus Collective alumni. - Moira Tierney studied at University College
  Dublin and l'Ecole Nationale d'Arts de Cergy-Paris. Her films are
  distributed by Third World Newsreel and the Film-Makers Cooperative in
  New York and the Collectif Jeune Cinema in Paris. She is also co-founder
  of the Irish film collective SOLUS. - Organized by Tanya Small -

7/17
San Francisco, CA: San Francisco Cinematheque
http://www.sfcinematheque.org
7:00pm, The Exploratorium, Pier 15

 OFF THE SCREEN: MADISON BROOKSHIRE—SELECTED WORKS
  Los Angeles-based film artist Madison Brookshire presents an extended
  program of his cinematic works, concluding with his ambitious,
  cameraless Color Series. Exploring the tactile elements of the cinematic
  experience, Brookshire's films often feature light play that, while
  seemingly simple, produces complex, unexpected physical reactions
  through experiments with framing and duration. - The first half of the
  program will present three shorter works: Veils, Passage, and Five
  Lines. Following a short Q&A, Brookshire will introduce Color
  Series*. - Featuring: Five Lines (2012, 16 minutes, digital video and
  live musical performance) - A spot of sunlight moves over five
  hand-drawn lines, transforming the screen into a subtly shifting musical
  score. Five Lines will feature a live score performed by Ben Bracken,
  Madison Brookshire, Ezra Buchla, Heather Lockie and Laura Steenberge. -
  - Veils (Part 1) (2013, 15 minutes, 16mm) - A handmade, paint-soaked
  film allows evaporation, dust, crystallization, mold, and more to inform
  the image. Stained with pigment and saturated with time, the result is a
  turbulent palimpsest with many layers and textures visible at once, each
  moving with its own rhythm. - Passage (2011, 13 minutes, with Tashi
  Wada\; two 16mm films, overlapping double projection) - Symmetrical 16mm
  films overlap to produce colors, sounds and structures not found in
  either individual film, inviting viewers to engage multiple modes of
  time and attention. - Color Series (2010, 74 minutes, 16mm, silent) "A
  series of six films that form one work. Each film fades between colors.
  They are made without a camera, using only the lights of the printing
  process at the lab. The fades are slow enough that they engage the
  viewer in a dialogue about the border between the work and his or her
  own perception of it. The subject of the work is duration and color is
  the medium through which we experience it. The converse is also true:
  the subject is color and duration is the medium. The effect is a direct
  experience of time and vision." —MB - *Color Series will begin at
  approximately 8pm. - Madison Brookshire is a Los Angeles-based artist
  and filmmaker. He frequently collaborates with musicians and composers,
  such as Tashi Wada and Mark So. He has screened his work at the Toronto
  International Film Festival, the New York Film Festival, International
  Film Festival Rotterdam, Migrating Forms, Los Angeles Filmforum, REDCAT,
  and the Hammer Museum. - LINKS,
  http://www.sfcinematheque.org/screenings/off-the-screen-madison-brookshi
  re-selected-works/ -
  http://www.exploratorium.edu/visit/calendar/madison-brookshire-july-17-2
  014, http://madisonbrookshire.com -
  https://www.facebook.com/events/751908388165721/

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FRIDAY, JULY 18, 2014
---------------------

7/18
Los Angeles, California: Echo Park Film Center
http://www.echoparkfilmcenter.org/
8 pm, 1200 N. Alvarado St.

 WEIRDO ANIMATION & ROOT BEER FLOATS
  Enjoy a summer night with Ice Cold Root Beer Floats and strange
  animation from around the world! Czech stop motion novelties! American
  hand drawn wonders from the 1930's! Macabre rarities from Poland! And
  more! Join filmmakers Cosmo Segurson and John Cannizzaro as they share
  the best and strangest cartoons from their own collections, with some
  unusual findings from right here in the Film Center's 16mm library.
  Bring the kids, or better yet, get a babysitter and make a night of it!

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