For those not in LA or not familiar with the New Beverly, it's a longtime, beloved local rep house that still does classic double feature programming, mostly on 35mm. In fact, they only got a DCP-ready projector a few months ago for the first time.
Quentin Tarantino has been the benevolent landlord of the New Bev for seven years now. He bought the building to save it from being turned into condos when Sherman Torgan, the New Bev's programmer/operator died. Since then, Michael Torgan (Sherman's son) has continued to run the New Bev in the tradition of his dad, as a classic rep house, and Tarantino paid for a bunch of upgrades to help them out. Anyway, on the heels of Tarantino being one of the high-profile directors who essentially made an ultimatum to the studios about continuing to support 35mm and Kodak, this news (via an interview with Tarantino) showed up in the LA Weekly: http://www.laweekly.com/publicspectacle/2014/09/05/quentin-tarantino-on-his-new-role-running-the-shows-at-new-beverly-cinema I thought it'd be relevant here, because although the New Bev hasn't traditionally shown any experimental work, this is a particularly big commitment to film-only exhibition (including 16mm) in 2014. Mark T
_______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks
