On Sep 19, 2014, at 7:50 PM, Scott Dorsey <klu...@panix.com> wrote: > Why do this?
Long long ago it was easy to get 16mm workprint of 35mm camera negative (at LA labs like CFI). Blow-up workprint? Not a common thing. As Alain suggested, Metropolis was one of the labs specializing in direct blowups to print, but I believe he’s also correct in saying that Jack doesn’t do traditional opticals anymore. At the risk of being heretical, if you want to see this S16 footage on a big screen, you could do a high quality scan and project it digitally. Apparently that’s the coming thing unless your initials are QT. Jeff Kreines Kinetta j...@kinetta.com kinetta.com
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