This week [September 20 - 28, 2014] in avant garde cinema
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NEW FILM/VIDEO: NON-FEATURE:
===========================
"Time Transformed (after Magritte)" by David Koblesky
http://www.hi-beam.net/cgi-bin/ann.pl?type=newwork&readfile=545.ann
NEW CALLS FOR ENTRIES:
=====================
Newport Beach Film Festival (Newport Beach, CA; Deadline: September 19, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1729.ann
Multidisciplinary residency art call
(Tondela,Viseu,Portugal; Deadline: February 15, 2015)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1730.ann
Flatpack Film Festival (Birmingham, UK; Deadline: December 22, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1731.ann
DEADLINES APPROACHING:
=====================
Slamdance Film Festival (Los Angeles, CA; Deadline: October 09, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1711.ann
Black Maria Film Festival (Jersey City, NJ, USA; Deadline: October 15, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1713.ann
the8fest (Toronto, Canada; Deadline: September 30, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1718.ann
FLEXFest (Gainesville, FL, USA; Deadline: October 25, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1724.ann
Dallas Medianale (Dallas, Texas, USA; Deadline: October 06, 2014)
http://www.hi-beam.net/cgi-bin/ann.pl?type=calls&readfile=1726.ann
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THIS WEEK'S PROGRAMS (SUMMARY):
==============================
* Film As Film: the Cinema of Gregory Markopoulos [September 20, 02138]
* The Tabloid With Luc Sante, Part of What You
Get Is What You See: [September 20, Brooklyn, New York 11211]
* Vinegar Syndrome! Selections From the Epfc
Film Library [September 20, Los Angeles, California]
* Haack By Philip Anagnos [September 20, Los Angeles]
* Lines & Nodes, Program 2: Peter Bo Rappmund
[September 20, New York, New York]
* Lines & Nodes, Program 4: Circulations [September 20, New York, New York]
* Hypnosis Display: Grouper and Paul Clipson
[September 20, Portland, Oregon]
* Anomalies From the Archive: Technicolor
N.G./Orphans West [September 20, San Francisco, California]
* A Pact With the Process: 20 Years of Film
Farm [September 20, Toronto, Ontario]
* Film As Film: the Cinema of Gregory Markopoulos [September 21, 02138]
* Film As Film: the Cinema of Gregory Markopoulos [September 21, 02138]
* Connectivity Through Cinema With Bill Brand
In Person [September 21, Brooklyn, New York 11211]
* Future Tense [September 21, Los Angeles, California]
* Mm Serra Presents: Notes On the Lower East
Side [September 21, New York, New York 10016]
* Lines & Nodes, Program 6: Water & Power [September 21, New York, New York]
* Notes and Sketches Etc. Program 3 [September 21, New York, New York]
* Film As Film: the Cinema of Gregory Markopoulos [September 22, 02138]
* Persistence of Revision [September 22, Brooklyn, New York 11222]
* Headspace: Conceptual Film and video [September 23, Berkeley, California]
* Headspace: Conceptual Film and video [September 23, Berkeley, California]
* Excinema, Edition Two [September 23, Seattle]
* Free 16mm Dada Night Film Event!!! [September 24, Harrisburg, PA]
* Lux Critical Forum [September 25, Brooklyn, New York]
* Jennifer Reeder: A Million Miles Away [September 25, Chicago, Illinois]
* La Air: Amy Lee Ketchum [September 25, Los Angeles, California]
* Essential Cinema: Classics of the Twenties
[September 26, New York, New York]
* Your Day Is My Night By Lynne Sachs *Rsvp By
E-Mail Only* [September 26, New York, New York]
* Ercatx iii [September 27, Austin, TX]
* New Works Salon [September 27, Los Angeles, California]
* Essential Cinema: George and Mike Kuchar
Program [September 27, New York, New York]
* Martinez Autumn Sun + the Uprising + Black
Bloc/Street Fightin [September 27, San Francisco, California]
* Daredevils [September 27, Washington, DC]
* Film As Film: the Cinema of Gregory Markopoulos [September 28, 02138]
* Essential Cinema: Owen Land Program [September 28, New York, New York]
* Essential Cinema: Christopher Maclaine
Program [September 28, New York, New York]
Events are sorted by CITY within each DATE.
----------------------------
SATURDAY, SEPTEMBER 20, 2014
----------------------------
9/20
02138: Harvard Film Archive
http://hcl.harvard.edu/hfa
7pm, 24 Quincy Street
FILM AS FILM: THE CINEMA OF GREGORY MARKOPOULOS
Film as Film: The Collected Writings of Gregory J. Markopoulos is an
indispensable new publication which brings together over 90 different
texts written by the filmmaker between 1950 and 1992. In these essays,
Markopoulos chronicles the burgeoning New American Cinema scene and
responds to auteurs such as Dreyer, Bresson and Mitzoguchi. He also
writes in detail on the genesis of his own films and the early work of
Robert Beavers. The most individualistic and poetic texts are devoted to
his aspirations for the medium of film, and the speculative project of
Temenos. To celebrate the publication, a discussion between its editor
Mark Webber, the scholar P. Adams Sitney and filmmaker Robert Beavers
will follow the screening of Gammelion, Markopoulos' elegant film of the
castle of Roccasinibalda, which employs an intricate system of fades to
extend five minutes of footage to an hour of viewing time. This
inventive technique, in which brief images appear amongst measures of
black and clear frames, was a crucial step towards the structure his
monumental, final work. Eniaios is represented in the season by
Hagiographia II, in which the filmmaker returns to his Hellenic roots to
film the Byzantine city of Mistra in the Peloponnese, and by Genius (a
version of Faust featuring David Hockney, Leonore Fini, Daniel Henry
Kahnweiler) and his 1975 portrait of the artists Gilbert and George. The
Harvard Film Archive presents six evenings of films with special guests
from September 19 through October 5. Introduction by Robert Beavers
Monday September 22 at 7pm A Christmas Carol US 1940, 8mm, b/w, 5 min
Christmas U.S.A. US 1949, 16mm, b/w, silent, 8 min Du sang, de la
volupté et de la mort US 1947 48, 16mm, color, 70 min
9/20
Brooklyn, New York 11211: UnionDocs
http://www.uniondocs.org
7:30pm in EDT, 322 Union Ave
THE TABLOID WITH LUC SANTE, PART OF WHAT YOU GET IS WHAT YOU SEE:
Before there was an Internet, or even television, there was the tabloid.
It was a newspaper, but it was also a personal-size billboard. You could
walk through the city and catch the news just by looking at what people
were reading, and-\-\well before the 24-hour news cycle-\-\you could
track events through the day by the successive editions that hit the
stands. Luc Sante will talk about the history of tabloids, the poetry of
the Railroad Gothic typeface, the many permutations of the half-sheet,
the pleasures and dangers of public hysteria, the heritage of the
punk-rock handbill, the silent shout and the urban central nervous
system, among other things. He will show slides. Luc Sante first
encountered the tabloid as a pedestrian walking by the newsstands in New
York City. Showing his personal archives of images from tabloids and
other materials, and beginning with memories from his childhood in the
60's, he will share his own perception of this culture. He will also
tell us how the tabloid has been used in movies and pop art and its
place in the news ecosystem of today. Luc Sante is the author of Low
Life, Evidence, The Factory of Facts, Kill All Your Darlings, and Folk
Photography. He has translated Félix Fénéon's
Novels in Three Lines. He is a frequent contributor to The New York
Review of Books and teaches writing and the history of photography at
Bard College. The Other Paris will be published next year.
9/20
Los Angeles, California: Echo Park Film Center
http://www.echoparkfilmcenter.org/
8 pm, 1200 N. Alvarado St.
VINEGAR SYNDROME! SELECTIONS FROM THE EPFC FILM LIBRARY
$5 / A monthly grab bag of short educational and ephemeral films,
plumbing the depths of EPFC's impressive 16mm library. For enthusiasts
of found footage and collage films, it's a great way to learn what kinds
of films are available at the Film Center--the weird, the cool, the
good, the bad, the ugly. All films selected purely by title around a
specific theme. We won't be previewing any films, so we'll be just as
surprised as you guys... This month: BAD FEELINGS! Come prepared to
watch high-drama driving school films, alarmist public advisory films
distributed by local police, over-the-top films about diseases and
animal attacks, among cinematic other curiosities. Casual viewing
environmentfeel free to laugh, talk, and comment on the movies as we
screen them. And we'll watch as many films as we can cram into a 90
minute screening session.
9/20
Los Angeles: Slamdance Film Festival
slamdance.com
9pm, Downtown Independent Theater / 251 S. Main Street
HAACK BY PHILIP ANAGNOS
On 9.20 @ 9pm, Slamdance Film Festival presents HAACK by Philip Anagnos,
a look into the underground world of Bruce Haack, a genius and musical
futurist whose past work continues to garner recognition with time.
Haack was an early pioneer of electronic music, handmade electronics,
and circuit bending. The event takes place at the Downtown Independent
(downtownindependent.com), and you can RSVP on Facebook now
(https://www.facebook.com/events/1515584858658671/). Accompanying the
film will be a live cameo performance by Money Mark, a producer and
musician who has worked with the Beastie Boys, Sean Lennon, Omar
Rodriguez-Lopez, and Die Antwoord.
9/20
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
3:00 pm, 32 2nd Ave.
LINES & NODES, PROGRAM 2: PETER BO RAPPMUND
D.A. Pennebaker DAYBREAK EXPRESS (1953, 4 min, 16mm) Pennebaker crafted
this frenetic collage of Manhattan's 3rd Avenue El two years before it
was decommissioned in 1955. As he tracks the elevated train's path, the
linear geometry of mass transit morphs into dizzying circles. Hunter
Snyder BRIDGE TENDER (2013, 8 min, digital video) Documents an elaborate
yet mundane infrastructural ritual, as a manually operated swing bridge
is opened and closed, allowing pleasure boats to pass. Snyder describes
it as "a study of the confluences of monotony, choreography, and
spectacle in labor." Peter Bo Rappmund TECTONICS (2012, 60 min, digital
video) Rappmund's films are hyperreal travelogues, built from time-lapse
animations of precisely framed landscapes. TECTONICS surveys the
US-Mexico border from the Gulf of Mexico to the Pacific Ocean.
Rappmund's colorful and enveloping portrait shows the border as an
enigmatic shapeshifter. In some places it is a highly militarized
juggernaut, a sublime canyon, or a vast desert expanse. But it is also a
haphazard bricolage of irrigation ditches, dilapidated roadblocks, and
unimposing fence fragments. Total running time: ca. 75 min.
9/20
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:30 pm, 32 2nd Ave.
LINES & NODES, PROGRAM 4: CIRCULATIONS
Len Lye TRADE TATTOO (1937, 5 min, 16mm) One of Lye's many works
commissioned by Britain's General Post Office, TRADE TATTOO transforms
"the rhythm of work-a-day Britain" into a psychedelic play of shapes and
surface textures. Mathieu Kleyebe Abonnenc AN ITALIAN FILM (AFRICA
ADDIO) (2012, 28 min, digital video) With metallurgical process as
historical excavation, Abonnenc's video revisits the colonial extraction
and plundering of copper from the Congo. Bouchra Khalili THE SEAMAN
(2012, 10 min, digital video) In this meditation on migration,
globalized labor, and the maritime, the mechanized choreography of the
port of Hamburg's container terminal is filled with the musings of a
Filipino seaman whose home is but an annual port of call. Ralph Keene
PERSIAN STORY (1951, 20 min, video) This fascinating industrial,
commissioned by the Anglo-Iranian Oil Company, is a paean to the utopian
potentials of petroleum and a glimpse at pre-revolutionary Iran. Made in
the midst of the nationalization of Iran's oil industry, PERSIAN STORY
traces the extraction of oil from Iran's hinterland "where there was
nothing" to the city of Abadan, a "temple to the 20th century god of
oil." Thanks to the BP Video Library and Mona Damluji. Additional films
to be announced. Total running time: ca. 100 min.
9/20
Portland, Oregon: TBA:14 at the Portland Institute of Contemorary Art
http://pica.org/event/paul-clipson-liz-harris/
8:30pm, Portland State University (PSU): Lincoln
Performance Hall, 1620 SW Park, Portland, OR 97201
HYPNOSIS DISPLAY: GROUPER AND PAUL CLIPSON
HYPNOSIS DISPLAY is an original live sound and 16mm film collaboration
between experimental vocalist and musician Grouper (Liz Harris) and
filmmaker Paul Clipson. Utilizing a slipstream of sound and imagery from
the vast natural and urban landscapes of America, HYPNOSIS DISPLAY
envelops viewers towards connections to landscape, environment, and
place. Neither image nor sound takes precedencethe two interact and
intertwine while preserving a sense of discovery that field recordings
and in-camera edited film rushes yield. Commissioned by Opera North
Projects. U.S. premiere.
9/20
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30 PM, 992 Valencia St.
ANOMALIES FROM THE ARCHIVE: TECHNICOLOR N.G./ORPHANS WEST
Surfing the wave of fascination with analog media and its steam-punk
processes, comes now a couple of the country's smartest film archivists
to not only perform their 16mm "exploded view" of a Technicolor lab
error, but also to introduce jaw-dropping discoveries from today's
burgeoning folk-archive scene. Vets of both the Orphans confabs and the
infamous Bastards pow-wow, Walter Forsberg and John Klacsmann apply
their considerable media-archeological expertise to this most unusual
collection of kino-curiosities: choice artifacts from the Prelinger
Archives (Electro-Shock Therapy), SF Media Archive (Knowledge Industry),
A/V Geeks (Exercise Sauna), and Other Cinema's own local repository
(bed-wetting, pay-phone pilfering). PLUS Bill Morrison's and David
Sherman's respective odes to the Library of Congress, Salise Hughes'
Yugoslavian Home Movies, lost-and found--news footage of The Beatles at
Candlestick, and more! Come early for free beer and the book-launch of
Forsberg's Starvation Memoir.
9/20
Toronto, Ontario: Pleasure Dome
http://www.pdome.org/
7:30pm, 401 Richmond Street West
A PACT WITH THE PROCESS: 20 YEARS OF FILM FARM
Saturday, September 20 - 7:30 PM, 401 Richmond Street west COURTYARD -
(Rain location: CineCycle, 129 Spadina Ave.) - $5 Pleasure Dome Members/
Students - $8 Regular Admission - Pleasure Dome is delighted to present
a program of works from Philip Hoffman's independent imaging retreat, or
"film farm," in celebration of the process-based artisanal film
workshop's 20 anniversary. Since 1994, film Farm has been reimagining
film production and pedagogy with a focus on process-based artistic
practices, driven not by commerce but rather by exploration,
materiality, conviviality, and mindfulness. - The pastoral landscapes
and structures of rural Ontario set the scene for these experiments,
which embrace imperfection and grit in the pursuit of surprises both
affective and aesthetic. in this programme of films and videos, we
celebrate labour and craft, contingency and chance, and personal
expression through the poetics of process.
--------------------------
SUNDAY, SEPTEMBER 21, 2014
--------------------------
9/21
02138: Harvard Film Archive
http://hcl.harvard.edu/hfa
4:30pm, 24 Quincy Street
FILM AS FILM: THE CINEMA OF GREGORY MARKOPOULOS
Film as Film: The Collected Writings of Gregory J. Markopoulos is an
indispensable new publication which brings together over 90 different
texts written by the filmmaker between 1950 and 1992. In these essays,
Markopoulos chronicles the burgeoning New American Cinema scene and
responds to auteurs such as Dreyer, Bresson and Mitzoguchi. He also
writes in detail on the genesis of his own films and the early work of
Robert Beavers. The most individualistic and poetic texts are devoted to
his aspirations for the medium of film, and the speculative project of
Temenos. To celebrate the publication, a discussion between its editor
Mark Webber, the scholar P. Adams Sitney and filmmaker Robert Beavers
will follow the screening of Gammelion, Markopoulos' elegant film of the
castle of Roccasinibalda, which employs an intricate system of fades to
extend five minutes of footage to an hour of viewing time. This
inventive technique, in which brief images appear amongst measures of
black and clear frames, was a crucial step towards the structure his
monumental, final work. Eniaios is represented in the season by
Hagiographia II, in which the filmmaker returns to his Hellenic roots to
film the Byzantine city of Mistra in the Peloponnese, and by Genius (a
version of Faust featuring David Hockney, Leonore Fini, Daniel Henry
Kahnweiler) and his 1975 portrait of the artists Gilbert and George. The
Harvard Film Archive presents six evenings of films with special guests
from September 19 through October 5. Introduction by Mark Webber and Roy
Grundmann Sunday September 21 at 4:30pm Galaxie US 1966, 16mm, color, 82
min
9/21
02138: Harvard Film Archive
http://hcl.harvard.edu/hfa
7pm, 24 Quincy Street
FILM AS FILM: THE CINEMA OF GREGORY MARKOPOULOS
Film as Film: The Collected Writings of Gregory J. Markopoulos is an
indispensable new publication which brings together over 90 different
texts written by the filmmaker between 1950 and 1992. In these essays,
Markopoulos chronicles the burgeoning New American Cinema scene and
responds to auteurs such as Dreyer, Bresson and Mitzoguchi. He also
writes in detail on the genesis of his own films and the early work of
Robert Beavers. The most individualistic and poetic texts are devoted to
his aspirations for the medium of film, and the speculative project of
Temenos. To celebrate the publication, a discussion between its editor
Mark Webber, the scholar P. Adams Sitney and filmmaker Robert Beavers
will follow the screening of Gammelion, Markopoulos' elegant film of the
castle of Roccasinibalda, which employs an intricate system of fades to
extend five minutes of footage to an hour of viewing time. This
inventive technique, in which brief images appear amongst measures of
black and clear frames, was a crucial step towards the structure his
monumental, final work. Eniaios is represented in the season by
Hagiographia II, in which the filmmaker returns to his Hellenic roots to
film the Byzantine city of Mistra in the Peloponnese, and by Genius (a
version of Faust featuring David Hockney, Leonore Fini, Daniel Henry
Kahnweiler) and his 1975 portrait of the artists Gilbert and George. The
Harvard Film Archive presents six evenings of films with special guests
from September 19 through October 5. Introduction by Mark Webber and Roy
Grundmann Sunday September 21 at 4:30pm Galaxie US 1966, 16mm, color, 82
min
9/21
Brooklyn, New York 11211: CPR-Center for Performance Research
7pm, 361 Manhattan Ave
CONNECTIVITY THROUGH CINEMA WITH BILL BRAND IN PERSON
MONO NO AWARE is proud to present the work of Bill Brand (BB Optics) as
part of Septembers Connectivity Through Cinema screening series. You are
invited to join us for this very special in person screening of work
from the 1970s and 1980s all on 16mm film. Bill Brand's films, videos
and art installations have been exhibited extensively in the US and
abroad in museums, film festivals and microcinemas. His 1980
Masstransiscope, an animated mural installed in the New York City
subway, is in the MTA Arts for Transit permanent collection. Bill Brand
lives in New York City and is Professor of Film and Photography at
Hampshire College in Amherst, Massachusetts as well as Adjunct Professor
of Film Preservation at New York University's Moving Image Archiving and
Preservation graduate program. His company BB Optics specializes in
archival film preservation of small gauge films and films by artists. In
2006 he was named an Anthology Film Archives Film Preservation Honoree
and given a month long retrospective to celebrate BB Optics' 30th
anniversary. Screening program: ANGULAR MOMENTUM (1973) 16mm, color,
sound, 20 minutes ZIP TONE CAT TUNE (1972) 16mm, color, silent, 8
minutes STILL AT WORK (1975) 16mm, color, sound, 4 minutes SPLIT
DECISION (1979) 16mm, color, sound, 15 minutes TRACY'S FAMILY FOLK
FESTIVAL (1983) 16mm, color, sound, 8 minutes Brand's films and videos
have been featured at museums including Museum of Modern Art, Whitney
Museum, National Gallery of Art, and Shanghai Duolun Museum of Modern
Art as well as at major film festivals including the Berlin Film
Festival, New Directors/ New Films Festival, Tribeca Film Festival and
Rotterdam Film Festival.
9/21
Los Angeles, California: Filmforum
http://www.lafilmforum.org/
7:30 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd.
FUTURE TENSE
Curated by Tom Leeser, Future Tense is a collection of video and sonic
works that can be seen to represent these parallel futures through
abstraction, performance and narrative. These eight time based works
consist of animation, found footage, spoken word, performance,
electronic music and sound. Included in the Filmforum show are three
works by sound artists and composers, Justin Asher, Stephanie Cheng
Smith, and Gregory Lenczycki. Each of these three sound artists used
NASA footage as a basis for creating new electronic music compositions.
There are two works by visual artist and composer Kadet Kuhne that
incorporates the elements of body performance, endurance and electronic
music. Kerstin Larissa Hovland's two works employ computer animation to
produce a synthesis of "visual movement with a musical impulse." The
final video fuses Claire Phillips' science fiction short story with Tom
Leeser's manipulation of found footage from a NASA shuttle launch. All
the work share a common interest and critique of technology and its role
in fostering impossible futures that can only be imagined. Never
realized.
9/21
New York, New York 10016: Filmmakers Co-op
7:00pm in EDT, 475 Park Ave South 6th Floor
MM SERRA PRESENTS: NOTES ON THE LOWER EAST SIDE
September 21st, 7:00pm - 10:00pm Sixth and Avenue B Garden Admission:
Free! Program Includes: Notes from the Lower East Side (The View from
Ludlow Street) A film by Peggy Ahwesh and MM Serra - 2010, video, color,
sound, 30 min. World Premiere. Art Parade - 2007, video, color, sound, 5
min. Chop Off - 2008, video, color, sound, 6 min. B*tch Beauty - 2011,
video, color, sound, 7 min. Breathe Deep: Crystallum - 2011, video,
color, sound, 5 min. Work in Progress MM Serra is an experimental
filmmaker, curator, author and the executive Director of the
Film-Makers' Cooperative. Titillating, sumptous and always subversive,
Serra's films focus on alternative cultures and intimate moments. They
are simultaneously eye-opening and awe inducing.
9/21
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
5:30 pm, 32 2nd Ave.
LINES & NODES, PROGRAM 6: WATER & POWER
Sarah Christman GOWANUS CANAL (2014, 7 min, 16mm) In this otherworldly
portrait of an otherwise familiar locale, Christman combines elegant
observations of the Gowanus Canal by day iridescent oil-slicks and
bargemen going about their work with works by artist and environmental
researcher Jenifer Wightman. Pat O'Neill WATER AND POWER (1989, 60 min,
35mm. Print courtesy of the Academy Film Archive.) The first of
O'Neill's late 35mm features, and widely regarded as the filmmaker's
masterpiece, this is an epic retelling of the push-and-pull for
resources between Los Angeles and the neighboring Owens Valley Desert.
Using characteristically intricate optical printer techniques and
time-lapse photography, O'Neill densely collages images of urban and
desert locations and simultaneously renders present-day L.A. and the
West's prehistory to create a uniquely palimpsestic sense of space and
time. Additional films to be announced. Total running time: ca. 95 min.
9/21
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:00 pm, 32 2nd Ave.
NOTES AND SKETCHES ETC. PROGRAM 3
Jonas Mekas is widely acknowledged as the father of the 'diary film',
and today he continues to keep his video camera constantly at his side,
recording his daily experience with a peerlessly poetic eye. While he
continues to produce and release 'official' works from the footage he
produces, he also values this material precisely for its informal,
unprocessed, unfinished qualities. On each calendar we screen one
program of Mekas's ongoing video diaries, an opportunity to see his
'notes & sketches' in their purest state. "This program is a
continuation of the ongoing video notes and sketches that I make with my
video camera as I go through my life. They are casual, and of little
importance, with no pretentions to art, cinema art or any art, but I
feel an urge to share them with my friends." J.M.
--------------------------
MONDAY, SEPTEMBER 22, 2014
--------------------------
9/22
02138: Harvard Film Archive
http://hcl.harvard.edu/hfa
7pm, 24 Quincy Street
FILM AS FILM: THE CINEMA OF GREGORY MARKOPOULOS
Film as Film: The Collected Writings of Gregory J. Markopoulos is an
indispensable new publication which brings together over 90 different
texts written by the filmmaker between 1950 and 1992. In these essays,
Markopoulos chronicles the burgeoning New American Cinema scene and
responds to auteurs such as Dreyer, Bresson and Mitzoguchi. He also
writes in detail on the genesis of his own films and the early work of
Robert Beavers. The most individualistic and poetic texts are devoted to
his aspirations for the medium of film, and the speculative project of
Temenos. To celebrate the publication, a discussion between its editor
Mark Webber, the scholar P. Adams Sitney and filmmaker Robert Beavers
will follow the screening of Gammelion, Markopoulos' elegant film of the
castle of Roccasinibalda, which employs an intricate system of fades to
extend five minutes of footage to an hour of viewing time. This
inventive technique, in which brief images appear amongst measures of
black and clear frames, was a crucial step towards the structure his
monumental, final work. Eniaios is represented in the season by
Hagiographia II, in which the filmmaker returns to his Hellenic roots to
film the Byzantine city of Mistra in the Peloponnese, and by Genius (a
version of Faust featuring David Hockney, Leonore Fini, Daniel Henry
Kahnweiler) and his 1975 portrait of the artists Gilbert and George. The
Harvard Film Archive presents six evenings of films with special guests
from September 19 through October 5. Introduction by Robert Beavers
Monday September 22 at 7pm A Christmas Carol US 1940, 8mm, b/w, 5 min
Christmas U.S.A. US 1949, 16mm, b/w, silent, 8 min Du sang, de la
volupté et de la mort US 1947 48, 16mm, color, 70 min
9/22
Brooklyn, New York 11222: Light Industry
http://www.lightindustry.org/
7:30pm in EDT, 155 Freeman St
PERSISTENCE OF REVISION
Lipman notes. "These strings double as the fabric of archival
artworks-illusions indistinguishable from a reality that can't be
defined." At the heart of tonight's program will be Lipman's
multimedia presentation "Passing Shadows," which tells the
story of the explosive collaboration between Cassavetes and Charles
Mingus, a historic attempt to bridge musical and cinematic
improvisation. Through an integration of film clips, texts, rare
archival audio, and still photographs, it examines the artists' unique
approaches to composition in their respective forms, illuminating the
oppositional nature of jazz to mainstream cultural production and, in
turn, the complexities of race relations in 1950s America. Tickets -
Pay-what-you-wish ($7 suggested donation), available at door. Please
note: seating is limited. First-come, first-served. Box office opens at
7pm.
---------------------------
TUESDAY, SEPTEMBER 23, 2014
---------------------------
9/23
Berkeley, California: Department of Art Practice,
University of California at Berkeley
http://art.berkeley.edu/events/event/headspace-conceptual-film-and-video-screening-92314/
7:30 pm, 142 Dwinelle Hall, UC Berkeley Campus
HEADSPACE: CONCEPTUAL FILM AND VIDEO
Features: Theresa Hak Kyung Cha, Stephen Laub, Jim Melchert, Mark
Thompson. Co-hosted by the Department of Art Practice and Department of
Film & Media Studies in conjunction with Scores for a Room: David Haxton
and Jim Melchert, on view at the Worth Ryder Art Gallery at UC Berkeley,
116 Kroeber Hall, September 17October 17, 2014. This public program
features short film and video work by four UC Berkeley alums associated
with Bay Area conceptual art and performance in the 1970s. Jim Melchert,
Untitled, 1973, 16mm film, color, sound, 3 min., courtesy the artist;
Stephen Laub, Spheres, video, color, sound, 3 min., courtesy the artist;
Theresa Hak Kyung Cha, Permutations, 1976, 16mm transferred to video,
b&w, silent, 10 min., courtesy of Electronic Arts Intermix, Inc., New
York; Mark Thompson, Immersion, 1973-76, 16mm transferred to HD video,
color, 5.1 Dolby Surround Sound, 30 min., courtesy the artist. Guest
curated by Tanya Zimbardo. Jim Melchert and Mark Thompson in person!
9/23
Berkeley, California: Department of Art Practice,
University of California at Berkeley
http://art.berkeley.edu/events/event/headspace-conceptual-film-and-video-screening-92314/
7:30 pm, 142 Dwinelle Hall, UC Berkeley Campus
HEADSPACE: CONCEPTUAL FILM AND VIDEO
Features: Theresa Hak Kyung Cha, Stephen Laub, Jim Melchert, Mark
Thompson. Co-hosted by the Department of Art Practice and Department of
Film & Media Studies in conjunction with Scores for a Room: David Haxton
and Jim Melchert, on view at the Worth Ryder Art Gallery at UC Berkeley,
116 Kroeber Hall, September 17October 17, 2014. This public program
features short film and video work by four UC Berkeley alums associated
with Bay Area conceptual art and performance in the 1970s. Jim Melchert,
Untitled, 1973, 16mm film, color, sound, 3 min., courtesy the artist;
Stephen Laub, Spheres, video, color, sound, 3 min., courtesy the artist;
Theresa Hak Kyung Cha, Permutations, 1976, 16mm transferred to video,
b&w, silent, 10 min., courtesy of Electronic Arts Intermix, Inc., New
York; Mark Thompson, Immersion, 1973-76, 16mm transferred to HD video,
color, 5.1 Dolby Surround Sound, 30 min., courtesy the artist. Guest
curated by Tanya Zimbardo. Jim Melchert and Mark Thompson in person!
9/23
Seattle: Emerald Reels
http://www.emeraldreels.com/satellites.htm
7:00 pm, Grand Illusion Cinema
EXCINEMA, EDITION TWO
Join us Tuesday Sept 23rd for our 2nd installment of EXcinema. Our North
American Edition will include filmmakers from Canada, Mexico, and the
USA. We will have 16mm projection, found footage, 3D adventures (with
glasses), and a multiple projector performance. Includes works by Rafael
Balboa, Jon Behrens, Caryn Cline, Scott Fitzpatrick, Salise Hughes, Reed
O'Beirne, and Eric Ostrowski. EXcinema is a quarterly screening series
that highlights works that fall between the cracks of traditional
cinema. The series aims to provide a meeting place for filmmakers and
audiences who want to experience and discuss the best of the outer
limits of cinema. EXcinema at Grand Illusion Cinema, 1403 NE 50th St.,
Seattle, WA 98105 | 23 Sept, 7pm | http://excinemaseattle.blogspot.com/
-----------------------------
WEDNESDAY, SEPTEMBER 24, 2014
-----------------------------
9/24
Harrisburg, PA: Moviate: The Phillips Museum of Art-F&M College
7:30pm, Sally Mather Gibson Curriculum Gallery
FREE 16MM DADA NIGHT FILM EVENT!!!
The Phillips Museum of Art At Franklin & Marshall College, Presents
a rare 'One Night Only' film program projected - entirely in 16mm film!
- Showing Wednesday September 24, 2014, Starts Promptly at 7:30pm,
Steinman College Center @ The Phillips Museum of Art. - College Avenue,
Lancaster, PA - Films Include: - Anemic Cinema, 1926 - An experimental
film by Marcel Duchamp, the film depicts whirling animated
drawingswhich Duchamp called Rotoreliefs, a phase of Duchamp's
spinning works. To make the optical "play toys" he painted
designs on flat cardboard circles and spun them on a phonograph
turntable that when spinning the flat disks appeared 3-dimensional. -
The Seashell & The Clergyman, 1928 - An experimental French film
directed by Germaine Dulac, based on Antonin Artaud's screenplay about a
priest who lusts after a General's wife. - Ghosts Before Breakfast,
1928, An animated short film directed by Hans Richter, utilizing stop
motion for some of its effect and live action for others. The film does
not present a coherent narrative, but includes a number of seemingly
arbitrary images. - Ballet Mechanic, 1923-24 - A Dadaist post-Cubist art
film conceived, written, and co-directed by the artist Fernand
Léger in collaboration with the filmmaker Dudley Murphy (with
cinematographic input from Man Ray). It is considered one of the
masterpieces of early experimental filmmaking. - Co-Sponsored by the
Department of Theatre, Dance, Film - Projection by Moviate - Free and
open to the public
----------------------------
THURSDAY, SEPTEMBER 25, 2014
----------------------------
9/25
Brooklyn, New York: Millennium Film Workshop
http://www.millenniumfilm.org/
8pm, 119 Ingraham, (enter on Johnson Ave near the corner of Porter Avenue)
LUX CRITICAL FORUM
Participants of the 2013/14 LUX Critical Forum present a selection of
new works. LUX13 consists of 15 artists who came together in May 2013 as
part of Critical Forum London 2013-14: a discussion group initiated by
LUX offering a monthly meeting space for one year to artists working
with the moving-image, who are no longer in education. Each meeting
consisted of two members presenting an aspect of their practice. This
has included discussing work-in-progress, sharing texts, considering
broader theoretical ideas, and viewing works from the LUX archive.
Continuing the group's process of discursive exchange, each artist has
made a work that is no longer than three minutes in response to a word
or phrase provided by another member of the group.??
Participants: Katriona Beales/See Yourself from one Angle at a Time |
Giles Bunch/"We all live, as far as we know, in the present, and the
present in Napal, Tokyo or on Mars can sometimes seem nearer than
yesterday morning in one's kitchen" | Jackie Castellano/Sandwich Sarah
Filmer/Isolation in the Workplace Katherine Fishman/Trolls Patrick
Goddard/Short Cuts Liz Helman/Light Christopher Matthews /Precari
Katherine Meynell/Kissing Kim Pace/To Wander Sam
Playford-Greenwell/Racket Annelore Schneider/A Meaningful Space Vanessa
Scully/Akeru Nicola Stephanie/The universe next door Neasa Terry/Reflect
Yourself
9/25
Chicago, Illinois: Conversations at the Edge
http://www.saic.edu/cate
18:00, Gene Siskel Film Center, 164 N. State, Chicago, Illinois 60601
JENNIFER REEDER: A MILLION MILES AWAY
Jennifer Reeder in person! Jennifer Reeder's pop-noir films explore
women's experiences in breakups, breakdowns, and new beginnings. The
award-winning Chicago artist presents four recent shorts and a preview
of her latest project, Blood Below the Skin. A Million Miles Away (2014)
listens in on the bedroom conversations of teenage girls as they forge
bonds over absent parents and bad friends before culminating in a moving
school choir rendition of Judas Priest's "You've Got Another Thing
Comin'." The discovery of a teenage girl's dead body sets the tone for
the Forevering Trilogy (Seven Songs About Thunder, 2010; Tears Cannot
Restore Her: Therefore I Weep, 2010; and I Will Rise If Only to Hold You
Down, 2011), which unspools melancholy and darkly humorous stories about
a pregnant woman, a distraught sign language interpreter, and a family
on the verge of dissolution. 201014, USA, multiple formats, ca 90 min +
discussion. CATE is FREE to SAIC students with a valid student ID $11
General Public $6 Film Center members $7 Students $5 SAIC faculty and
staff and Art Institute of Chicago staff
9/25
Los Angeles, California: Echo Park Film Center
http://www.echoparkfilmcenter.org/
8 pm, 1200 N. Alvarado St.
LA AIR: AMY LEE KETCHUM
LA AIR is an artist-in-residence program that invites Los Angeles
filmmakers to utilize EPFC resources in creating a new work over a
four-week period. Amy Lee Ketchum will present her project Dreaming Los
Angeles which will use Italo Calvino's story Invisible Cities as a point
of inspiration to visualize the dream-like qualities of Los Angeles. The
film mixes field recordings, hand-drawn animation, and Super 8 footage
taken in locations around the city. Amy will also be screening a
selection of her previous films as well as works by filmmakers who have
informed her artistic practice including Sergei Eisenstein and Yuri
Norstein. Free event!
--------------------------
FRIDAY, SEPTEMBER 26, 2014
--------------------------
9/26
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
7:30 pm, 32 2nd Ave.
ESSENTIAL CINEMA: CLASSICS OF THE TWENTIES
Fernand Léger & Dudley Murphy BALLET MÉCANIQUE (1924, 19 min, 35mm, b&w,
silent. Preserved by Anthology Film Archives.) René Clair & Francis
Picabia ENTR'ACTE (1924, 22 min, 35mm, b&w) Man Ray LE RETOUR À LA
RAISON (1923, 2 min, 16mm, b&w, silent) ÉTOILE DE MER (1927, 13 min,
16mm, b&w, silent) EMAK BAKIA (1927, 18 min, 35mm, b&w, silent) Marcel
Duchamp & Man Ray ANEMIC CINEMA (1926, 7 min, 35mm, b&w, silent) Total
running time: ca. 85 min.
9/26
New York, New York: Soho House New York
8:00pm in EDT, 29 9th Ave # 35
YOUR DAY IS MY NIGHT BY LYNNE SACHS *RSVP BY E-MAIL ONLY*
The Filmmakers Co-op Presents: YOUR DAY IS MY NIGHT Directed by Lynne
Sachs 2013, 64 minutes Introduction and Q&A with Lynne Sachs
Organized by MM Serra Admission Free with Reservation RSVP REQUIRED by
E-MAIL ONLY: [email protected] Shot in the kitchens, bedrooms,
wedding halls and mahjong parlors of New York City's Chinatown, your Day
is My Night reveals the experiences of immigrant residents of a
"shift-bed" apartment. Seven performers play versions
of themselves, recalling violent upheavals, long journeys and estranged
relationships. Beds then become a stage on which autobiographical
monologues and theatrical improvisations adress themes of intimacy,
belonging, and the urban experience via the basic human need for a place
to sleep. "New York's Chinatown, a place as much spectral as
real, flickers and flares into life in this singular hybrid of
documentary, performance piece and cine-monologue. It's one of the most
musterious and magical evocations of migrant city in many a
year." -Sukhdev Sandhu, SIGHT & SOUND "Moving
and profound." - Michael Moore "A strikingly handsome,
meditative work: a mixture of reportage, dreams, memories and
playacting, which immerses you in an entire world that you might
unknowingly pass on the corner of Hester Street, unable to guess what's
behind the fifth-floor windows." -The Nation "
----------------------------
SATURDAY, SEPTEMBER 27, 2014
----------------------------
9/27
Austin, TX: Experimental Response Cinema
http://ercatx.org
8:00pm, Mass Gallery, 507 Calles St.
ERCATX III
Free! - Experimental Response Cinema is excited to present its third
showcase/salon of Austin based moving image artists! Taking the form of
a curated open-screening, this is an annual moment where we invite
artists to show their recent projects. This years edition features work
by Henna Chou & Wiley Wiggins, Bug Davidson, Raul De Lara, Jarrett
Hayman, Sarah Hill, Barna Kantor, Tom Rosenberg, Ekrem Serdar, Jeanne
Stern, Rachel Stuckey, Scott Stark and Dan Stuyck.
9/27
Los Angeles, California: Echo Park Film Center
http://www.echoparkfilmcenter.org/
8 pm, 1200 N. Alvarado St.
NEW WORKS SALON
The New Works Salons series is a casual forum for the presentation and
discussion of new works in film and video, with local and visiting
artists in-person to introduce their work. Thom Andersen will show his
new work The Tony Longo Trilogy. Dana Berman Duff will show her film
Catalogue, a silent 16mm black-and-white film that considers the time it
takes to look at desirable objects, in this case, those presented in a
successful furniture company's catalogue of knock-off designer pieces
photographed in staged rooms to imitate the style of film noir. Luciano
Piazza will show Windows by Night, which can be understood as a visual
essay on the mass phenomenon of loneliness, or, alternatively, as no
more than the life of neighbors moving through their natural urban
habitat: apartments. It explores the cinematic qualities of the city's
windows, seeing them as small screens from which a performance, both
intimate and public, is woven into a modular narrative. The protagonists
of these images are acting under their own direction, possibly oblivious
to the fact that there is another director recording them. Windows by
Night was recorded in its entirety from windows found in Buenos Aires,
New York, Caracas, Chicago, London and Rome. Plus other artists TBA! And
in our store-front window, artist Reza Monahan will install his
three-channel video work Swollen Birth Switch, of which Joseph Mattson,
author of Eat The Sun writes, "The iris pops as the rear-end bleeds, the
retina smokes the anadromous dream, but you just can't go back you can't
go back you can't back: the vagina and the whipping are one-way tunnels
when you're Switched at Birth, Swelling/Swollen Birth Switch become the
itch forever unscratched and telling, sharp, bug light at birth if the
light cuts right..."
9/27
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
8:00 pm, 32 2nd Ave.
ESSENTIAL CINEMA: GEORGE AND MIKE KUCHAR PROGRAM
All films preserved by Anthology with support from the National Film
Preservation Foundation. THE NAKED AND THE NUDE (1957, 36 min,
8mm-to-16mm blow-up, sound on CD) The oldest surviving Kuchar mini-epic,
this patriotic WWII period piece (made by high schoolers) chronicles the
desires and destinies of carnal appetites on the front line.
"Big
Rousing
Memorable! The incredible war saga of our own boys in a
Jap-infested jungle in the Botanical Gardens. Hear Lloyd Thorner sing
the title song. You'll come out whistling from both ends." G.K. PUSSY
ON A HOT TIN ROOF (1961, 14 min, 8mm-to-16mm blow-up, sound on CD) "It
glows with the embers of desire! It smokes with the revelation of men
and women longing for robust temptations that will make them sizzle into
maturity with a furnace-blast of unrestrained animalism. A film for
young and old to enjoy." G.K. BORN OF THE WIND (1962, 24 min,
8mm-to-16mm) Preserved by Anthology through the Avant-Garde Masters
program funded by the Film Foundation and administered by the National
Film Preservation Foundation. Special thanks to Cineric, Inc. "A tender
and realistic story of a scientist who falls in love with a mummy he has
restored to life
2,000 years as a mummy couldn't quench her thirst for
love!" G.K. TOOTSIES IN AUTUMN (1963, 15 min, 8mm-to-16mm blow-up,
sound on CD) Mike's cautionary tale about past-their-prime thespians
caught up in a typically Kucharian vortex of madness. Total running
time: ca. 95 min.
9/27
San Francisco, California: Other Cinema
http://www.othercinema.com/
8:30 PM, 992 Valencia St.
MARTINEZ AUTUMN SUN + THE UPRISING + BLACK BLOC/STREET FIGHTIN
Morally uncompromised and masterly in doc technique, here in person is
local hero David Martinez with his award-winning diary of Oakland's
Occupy movement. In the works for years, David's compelling chronicle,
here in its West Coast premiere(!), is a riveting half-hour
re-visitation with the many faces and powerful forces of that epochal
moment in East Bay activism. CO-BILLED: Back by popular demand is The
Uprising, Peter Snowdon's cathartic compendium of Arab Spring footage,
painstakingly compiled from amateur-video and cell-phone verité posted
online! This crowd-sourced thunderbolt has shaken awake audiences around
the world in a moving demonstration of how personal communications
technology has impacted both journalism and political history itself.
ALSO: Franklin Lopez's primer on Black Bloc tactics, Doug Katelus'
Bronson/Zuckerberg mash-up, and Kelly Gallagher's musical animation for
The Coup.
9/27
Washington, DC: National Gallery of Art
http://www.nga.gov
2;30pm, between 3rd and 9th Streets NW along Constitution Avenue NW
DAREDEVILS
Baltimore-based artist Stephanie Barber's first feature is the
experimental narrative of a young writer who interviews an established
artist and continues to feel reverberations from their discussion
throughout the day. "What's set up to seem like a brief opening scene
slowly reveals itself as the main event. The easy cinematic corollary
here is My Dinner with Andre: two people sliding into the comfort of a
place of focused non-action, a location for the transmittal of intellect
and experience, a space to lengthen the second before elation goes
south. . . . The artist has to go, allowing the details of exterior life
to come into relief" Rachel Rakes. (Stephanie Barber, 2013, 83
minutes)
--------------------------
SUNDAY, SEPTEMBER 28, 2014
--------------------------
9/28
02138: Harvard Film Archive
http://hcl.harvard.edu/hfa
4:30pm, 24 Quincy Street
FILM AS FILM: THE CINEMA OF GREGORY MARKOPOULOS
Film as Film: The Collected Writings of Gregory J. Markopoulos is an
indispensable new publication which brings together over 90 different
texts written by the filmmaker between 1950 and 1992. In these essays,
Markopoulos chronicles the burgeoning New American Cinema scene and
responds to auteurs such as Dreyer, Bresson and Mitzoguchi. He also
writes in detail on the genesis of his own films and the early work of
Robert Beavers. The most individualistic and poetic texts are devoted to
his aspirations for the medium of film, and the speculative project of
Temenos. To celebrate the publication, a discussion between its editor
Mark Webber, the scholar P. Adams Sitney and filmmaker Robert Beavers
will follow the screening of Gammelion, Markopoulos' elegant film of the
castle of Roccasinibalda, which employs an intricate system of fades to
extend five minutes of footage to an hour of viewing time. This
inventive technique, in which brief images appear amongst measures of
black and clear frames, was a crucial step towards the structure his
monumental, final work. Eniaios is represented in the season by
Hagiographia II, in which the filmmaker returns to his Hellenic roots to
film the Byzantine city of Mistra in the Peloponnese, and by Genius (a
version of Faust featuring David Hockney, Leonore Fini, Daniel Henry
Kahnweiler) and his 1975 portrait of the artists Gilbert and George. The
Harvard Film Archive presents six evenings of films with special guests
from September 19 through October 5. Genius Switzerland 1970, 16mm,
color, silent, 60 min Gilbert and George Switzerland 1975, 16mm, silent,
12 min
9/28
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
4:30 pm, 32 2nd Ave.
ESSENTIAL CINEMA: OWEN LAND PROGRAM
"His remarkable faculty is as maker of images.... [T]he images he
photographs are among the most radical, super-real and haunting images
the cinema has ever given us." P. Adams Sitney, VISIONARY FILM EARLY
FILMS BY GEORGE LANDOW (ca. 1961-62, ca. 15 min, 8mm-to-16mm blow-up.
Preserved by Anthology with support from Cineric, Inc.) These films are
not part of the Essential Cinema. According to Jonas Mekas, Landow used
to show these films along with FLEMING FALOON at early screenings before
he pulled them from his repertoire. FLEMING FALOON (1963, 6 min, 16mm)
FILM IN WHICH THERE APPEAR SPROCKET HOLES, EDGE LETTERING, DIRT
PARTICLES, ETC. (1965/66, 5 min, 16mm, silent) DIPLOTERATOLOGY: BARDO
FOLLIES (1967, 7 min, 16mm, b&w, silent) THE FILM THAT RISES TO THE
SURFACE OF CLARIFIED BUTTER (1968, 9 min, 16mm, b&w) INSTITUTIONAL
QUALITY (1969, 5 min, 16mm) REMEDIAL READING COMPREHENSION (1970, 5 min,
16mm) WHAT'S WRONG WITH THIS PICTURE? (1972, 13 min, 16mm) THANK YOU
JESUS FOR THE ETERNAL PRESENT (1973, 6 min, 16mm) Total running time:
ca. 80 min.
9/28
New York, New York: Anthology Film Archives
http://www.anthologyfilmarchives.org/
6:30 pm, 32 2nd Ave.
ESSENTIAL CINEMA: CHRISTOPHER MACLAINE PROGRAM
"The few facts that are known about Maclaine are, at best, sketchy. He
was a published poet, a sort of down and out San Francisco bohemian who
later became one of the psychic casualties of that scene. His last years
were spent at Sunnyacres, a state mental hospital in Fairfield,
California. These films, along with Ron Rice's, are clearly the most
significant work to come out of the beat period." J.J. Murphy All films
preserved by Anthology Film Archives. THE MAN WHO INVENTED GOLD (1957,
14 min, 16mm) BEAT (1958, 6 min, 16mm) SCOTCH HOP (1959, 5.5 min, 16mm)
THE END (1953, 35 min, 16mm) Total running time: ca. 65 min.
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