I'm a bit late on this thread, but quite a few of my films were done primarily on optical printers.
Fallen Flags - various techniques ... edited in camera on the oxberry optical printer using Brian Eno's oblique strategies at every transition to determine effect, technique, and next shot in the edit (image choice and duration)... i saw this film as an improvisation on the optical printer. 3part Harmony: composition in RGB #1 - colour separation 3 passes edited in camera on an oxberry optical printer - this was the opposite of an improvisation on the printer as it was meticulously planned out. Knowledge of Good and Evil - another optical printer improvisation using oblique strategies Mechanical Memory - was done on a JK optical printer Turning was edited in camera and done on a JK optical printer (not many effects though) Amanda Dawn Christie -------------------------------- 506-871-2062 www.amandadawnchristie.ca ama...@amandadawnchristie.ca _______________________________ On 2014-08-11, at 9:23 PM, John Woods wrote: > John Kneller does great work and IIRC he mainly works with 8mm that he blows > up using his own equipment: > > http://www.cfmdc.org/user/8323 > > I'll also promote the work of my friend C.J. Brabant, whose colourful 35mm > films originated from 8 and 16mm film and he then processed and printed after > hours at the Vancouver Technicolor where he worked. All his works are online, > my favourite is "In Earth" > > http://www.cjbrabant.com/ > > > On Friday, August 8, 2014 4:35:30 PM, Caryn Cline <carynycl...@gmail.com> > wrote: > > > Dear Frameworkers, > > As always, your collective minds are amazing. Thank you all for your > suggestions, lists, curricula, links and insights. I have my work cut out > for me to find and screen these films, but that is one of the things I like > best. > > What would I do without you? > > CC > > > On Wed, Aug 6, 2014 at 9:06 AM, Caryn Cline <carynycl...@gmail.com> wrote: > Dear Frameworkers, > > If I were going to undertake a series of screenings showcasing optical > printer techniques, what work would you recommend? What is the best work for > understanding the cinematic potential in optical printing? Are there any > texts that could be included? I'm asking for my own enlightenment and to > take my own OP work to another level, but I might also try to put together a > public screening at some point. > > Many thanks, as always, for your thoughts and advice. > > CC > > -- > Caryn Cline > Experimental Filmmaker & Teacher > vimeo.com/carynyc > Co-producer & cinematographer, Acts of Witness > www.actsofwitness.com > > > > > > > -- > Caryn Cline > Experimental Filmmaker & Teacher > vimeo.com/carynyc > Co-producer & cinematographer, Acts of Witness > www.actsofwitness.com > > > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks
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