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** This week [January 10 - 18, 2015] in avant garde cinema
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Events are sorted alphabetically BY CITY within each DATE.
This week's programs (summary):
* Space Material / Immaterial Place: Jeremy Moss In Person (#anchor1) [January
10, Austin, TX]
* Opening For Peephole Cinema Brooklyn At Uniondocs (#anchor2) [January 11,
Brooklyn, New York 11211]
* A Series of Mysteries: the 52nd Ann Arbor Film Festival Traveling Tour,
Digital Program A (#anchor3) [January 11, Los Angeles, California]
* Shapeshifters Cinema Presents Keith and Geoff Evans (#anchor4) [January 11,
Oakland]
* Writings On Artists' Moving Image. Salon Discussion. (#anchor5) [January 12,
London, England]
* Giuseppe Makes A Movie: Ny Premiere Run! (#anchor6) [January 15, New York,
New York 10003]
* Providence &Amp; Friends At Uniondocs (#anchor7) [January 17, Brooklyn, New
York 11211]
* The Vanquishing of the Witch Baba Yaga (#anchor8) [January 18, Austin, Texas
78701]
* Bella vista (#anchor9) [January 18, Los Angeles, California]
SATURDAY, JANUARY 10, 2015
1/10
Austin, TX: Experimental Response Cinema
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9a0695cec7&e=4e65756555
8pm, GrayDUCK Gallery, 2213 East Cesar Chavez Street
SPACE MATERIAL / IMMATERIAL PLACE: JEREMY MOSS IN PERSON
Filmmaker Jeremy Moss, whose work has screened around the globe from the
Crossroads Film Festival in San Francisco to the Arkipel International
Documentary and Experimental Film Festival in Indonesia, brings to Austin a
60-minute program of recent moving image work. In the summer of 2011, Moss
began expanding beyond his narrative training to fully explore expressionistic
structural tendencies and its application to place and the moving body,
creating the Super8 surrealist documentary THOSE INESCAPABLE SLIVERS OF
CELLULOID, the abstract hand-made 16mm films produced at the Independent
Imaging Retreat, THE SIGHT and CICATRIX, the dance for camera pieces in
collaboration with choreographer Pamela Vail, (UN)TETHERED, CHROMA, and THAT
DIZZYING CREST, and the essay film in collaboration with writer Erik Anderson,
THE BLUE RECORD. As a program, these works cohesively embody an immersive
optical and sonic experience reveling in cinema’s capacity for both meditative
expression and the
rigors of formal experimentation.
SUNDAY, JANUARY 11, 2015
1/11
Brooklyn, New York 11211: UnionDocs
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6:00pm, 322 Union Ave
OPENING FOR PEEPHOLE CINEMA BROOKLYN AT UNIONDOCS
Please join us for the opening reception of Peephole Cinema Brooklyn Screening
Dark Matter. Followed by the screening From Deep: An Essay in Three Parts at
7:30 - $9 Hosted by UnionDocs Center for Documentary Art 322 Union Ave. in
Brooklyn
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Peephole Cinema is a new public screening site at UnionDocs that can be
visited anytime day or night. Peephole Cinema is located between the glass
windows on the black metal door on the UnionDocs storefront. Films will change
every two months. Films on View by Sarah Christman Matt Town Carolyn Lazard
Curated by Toby Lee.
1/11
Los Angeles, California: Filmforum
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7:30 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd.
A SERIES OF MYSTERIES: THE 52ND ANN ARBOR FILM FESTIVAL TRAVELING TOUR, DIGITAL
PROGRAM A
Filmforum dives into its 40th anniversary year with our second show of the
week, highlights of contemporary works from around the world. The Ann Arbor
Film Festival Traveling Tour gives Los Angeles audiences a chance to see the
best new experimental films and digital works. Program A features nine films
including Mystery, the short narrative by Spanish filmmaker (and AAFF favorite)
Chema García Ibarra; Cut, the most recent film by German artists Matthias
Muller and Christoph Girardet; Michael Robinson’s The Dark, Krystle, which
brilliantly repurposes the 80s television program Dynasty; Broken Tongue,
Mónica Savirón’s animated collaboration with poet Tracie Morris; Kevin Jerome
Everson’s Fe26, a portrait of two men scrapping copper in Cleveland (52 AAFF
Jury Award); Gowanus Canal, Sarah Christman’s beautifully abstracted depiction
of one of the most contaminated urban waterways in the United States (52 AAFF
Gil Omenn Art & Science Award); Mountain in Shadow, Lois Patiño’s
sublime film of skiers set in immense mountainous landscapes; the ecstatic,
recursive animation Division by Dutch artist Johan Rijpma (52 AAFF Barbara
Aronofsky Latham Award for Emerging Experimental Video Artist); and 52 AAFF
audience favorite Suchy Pion (Dry Standpipe) by Polish artist Wojciech
Bąkowski, a collage of home videos condensed into blocks of abstraction with a
wry, melancholy confessional narration. Tickets: $10 general, $6
students/seniors; free for Filmforum members. Available by credit card in
advance from Brown Paper Tickets at
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or at the door.
1/11
Oakland: Shapeshifters Cinema
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8-9PM, Temescal Art Center, 511 48th St.
SHAPESHIFTERS CINEMA PRESENTS KEITH AND GEOFF EVANS
Keith Evans is an activist who has been working and performing in the Bay Area
for 25 years. His artworks are translation systems, fascination devices,
extra-cinematic experiences that reveal the phenomenon and the idea of cinema
as an ecology and system, one that is unfixed and accreting, neither nostalgic
nor utopian. Collaborator Geoff Evans is an Oaklander who has been involved in
many musical projects for 25 years. "the mantle degassed our water" is another
in a series of Evans' para-naturalist cinema systems--an arrangement of
near-working and functioning pieces of electronic equipment and formats
including super-8, video arrays, record players, 3/4" tape md cassettes casio
and guitar as well as objects found in field research used to explore the
para-cinamatic. Together they are a device and a hazard of set-ups that
embraces the mechanical, mercurial and unique perceptual relationships between
these things; their relationships in space as well as on the screen. "the
mantle degassed our water" is evocative of the elemental transformative forces
at work inside the earth. This electromagnetic device becomes a para-cinematic
journey to the underworld where, locked within rare and highly compressed
mineral arrangements, is more water than resides on the surface. Stratigraphies
and veils flatten and blur into highlights. Spectral screens carry the images,
glaciers score a path of stained glass. Process gives way to image and process
again. The sound and space integrate the vision while the key component of
curiosity illuminates this fascination device.
MONDAY, JANUARY 12, 2015
1/12
London, England: BFI Southbank
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18.30pm., BFI Reuben Library, BFI Southbank.SE1 8XT.
WRITINGS ON ARTISTS' MOVING IMAGE. SALON DISCUSSION.
Our expert panel considers which are the key writings and texts on artists’
moving image, which have been overlooked, which are personal favourites?
Followed by Q+A. Guests include BENJAMIN COOK – Director LUX international arts
agency for the support and promotion of artists’ moving image practice and the
ideas that surround it whose activities include publishing on the web, DVD, and
books including a forthcoming volume of writings by Ian White, LUCY REYNOLDS –
writer on artists moving image who runs the MRES ART: Moving Image course at
Central St Martins, ELIZABETH FREY - BFI Shop (buyer artists’ moving image),
WILLIAM FOWLER - Curator Artists’ Moving Image BFI National Archive programmer
of BFI Southbank seasons including Derek Jarman, Jeff Keen and Bruce Lacey and
co-curator of Essential Experiments and the forthcoming season, Cinema Born
Again: Visionary Independent Cinema from the 70s at BFI Southbank in April.
Hosted by Peter Todd, BFI Reuben Library. Details and
bookings at
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4c94ef95fc&e=4e65756555.
Tickets £6.50.
THURSDAY, JANUARY 15, 2015
1/15
New York, New York 10003: Anthology Film Archives
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7pm, 32 Second Ave (@2nd Street)
GIUSEPPE MAKES A MOVIE: NY PREMIERE RUN!
NEW YORK THEATRICAL PREMIERE RUN! While the rest of America sleeps, DIY
filmmaker/musician Giuseppe Andrews (a one-time teen actor in INDEPENDENCE DAY
and DETROIT ROCK CITY) has made over 30 experimental features with titles like
DOILY'S SUMMER OF FREAK OCCURRENCES, TRAILER TOWN, and UTOPIA BLUES, set in
some demented alternate universe (i.e. Ventura, California) populated by
real-life alcoholics and drug addicts, trash-talking senior citizens and
trailer park residents dressed in cow outfits and costume-shop wigs, acting out
booze-fueled vignettes of severe psychosis filtered through Giuseppe's John
Waters-meets-Harmony Korine-meets-Werner Herzog sensibility. With GIUSEPPE
MAKES A MOVIE, Adam Rifkin has created a wildly surreal, outrageously funny,
and strangely touching portrait of a truly Outsider Artist, as he follows
Giuseppe and his seriously impaired troupe on the production of his latest
2-day opus, GARBANZO GAS, starring Vietnam Ron as a cow given a weekend reprieve
from the slaughterhouse at the local motel. Beyond the sun-stroked Theater of
the Absurd madness of Giuseppe's vision, there is a remarkable and endearing
sense of family among the director, his amiably bonkers dad Ed, patient
girlfriend Mary, Sir Bigfoot George, and the rest of his surreal Trailer Park
rep company. As skate-punk Spit sagely observes about Giuseppe's movies:
"They're just like, nothing really makes any sense, and I don't know, that's
kinda how reality is, and nobody really cares to accept that."
SATURDAY, JANUARY 17, 2015
1/17
Brooklyn, New York 11211: UnionDocs
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7:30pm, 322 Union Ave
PROVIDENCE & FRIENDS AT UNIONDOCS
Magic Lantern presents Providence & Friends, a broad sampling of recent New
England film, video & multimedia performance. This past summer, Magic Lantern
put out a call for its first submission-based program. They were interested in
seeing contemporary work by local artists in the vicinity of Providence,
Boston, and New Haven, and in bringing this work to the attention of others in
a timely celebration of regional filmmaking. All of the artists featured in
Providence & Friends are, or were until very recently, based in the area.
Providence & Friends ranges from small, unpretentious 8mm love letters to the
most advanced digital manipulations, from beautiful abstractions to politicized
travelogues, and from the finished form of recorded media to the contingencies
of live performance. Its scope is as big as Providence is small. Featuring
works by Sarah Abu Abdallah, Alexander Dupuis, Dave Fischer, Tara & Gordon
Nelson, Mariya Nikiforova, Adrian Randall, Deirde Sargent, Asha
Tamirisa, Derek Taylor, Arvid Tomayko-Peters, Matthew Underwood, Freddie Wiss.
SUNDAY, JANUARY 18, 2015
1/18
Austin, Texas 78701: Alamo Drafthouse Ritz
5:00pm, 320 E 6th St
THE VANQUISHING OF THE WITCH BABA YAGA
Following fairy-tales and personal memories like a trail of breadcrumbs, The
Vanquishing of the Witch Baba Yaga descends into Eastern Europe's haunted
woodlands to uncover the secrets and bloody histories that shape our
understanding of man's place in nature. Programmed by Tommy Swenson. "In her
singular assemblage of disparate aesthetic strands, and her radical disregard
for conventional modes of storytelling, Oreck may most fully embody another,
far more exciting interpretation of the label of a new director or a new film,
that of fresh filmmaker creating an altogether new kind of art." - Jordan
Cronk, Fandor The Vanquishing of the Witch Baba Yaga by Jessica Oreck 73 min /
digital / sound / 2014 Within a dense forest there lingers a sense of sinister
foreboding, remnants of a nearly forgotten story, where the fairy tales of
childhood persist within the subconscious. For generations of Slavic peoples,
this fear manifested itself in the form of the mythical witch Baba Yaga -
to roam too near her hut perched on chicken legs was to risk being roasted for
her dinner. In spite of this culturally ingrained dread, the turbulance of war,
famine, and destruction that stain the pages of Eastern European history led to
the witch's figurative vanquishing. Refugees fled to her woods for shelter,
nourishment and sanctuary, and in so doing, reshaped an entire culture's
perception of nature. This transition was slow and unconcious, and is best told
through the stories of the region - the memories of those who experienced
periods of warfare first-hand as well as the recollections that have passed
generation to generation. To bring these stories to life, we have merged
countless accounts into a single, unified narrative - an animated fairy tale
that gathers history, folklore, and memory into one. This fairy tale is
intertwined with an anthropological exploration of modern day, post-conflict
Eastern Europe. Combining these elements, The Vanquishing is about more
than a single moment in history. It is about the accumulation of history, the
accumulation of repetitive action, the retelling of stories retold, the
retention of belief, and the unconscious osmosis of ideas. It is a study of
collective memory and the sociology of fear, imagination and survival.
1/18
Los Angeles, California: Filmforum
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7:30 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd.
BELLA VISTA
Vera Brunner-Sung ("Common Ground" - screened at Filmforum in 2009) returns to
Filmforum with her first feature film, Bella Vista, shot in her new home state,
Montana. A quiet portrait of a peripatetic schoolteacher and her newest flock
of energetic students, Brunner-Sung finds the cinematic connections between
internal emotions and external landscapes, where loneliness and Big Sky country
feed each other, and how other people can disrupt a life’s course. Tickets: $10
general admission; $6 students (with ID)/seniors; free for Filmforum members.
Tickets available in advance at
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