Crossroads: Avant-Garde film in Pittsburgh in the 1970s, by Robert Haller, Anthology Film Archives, 2005 First Light: Abstract Light Forms, edited by Robert Haller, Anthology Film Archives, 1998 -- R. Haller
From: Andy Ditzler <[email protected]> Reply-To: Experimental Film Discussion List <[email protected]> Date: Thu, 29 Jan 2015 13:53:24 -0500 To: Experimental Film Discussion List <[email protected]> Subject: Re: [Frameworks] Books on the History of Avant-Garde film in US Steve Anker, et al, Radical Light: Alternative Film and Video in the San Francisco Bay Area, 1945-2000 Bart Testa, Back and Forth: Early Cinema and the Avant-Garde A. L. Rees et al, Expanded Cinema: Art, Performance, Film Robin Blaetz, Women¹s Experimental Cinema: Critical Frameworks Scott MacDonald's edited volumes of primary documents on Art in Cinema and Cinema 16 Robert Pike, A Critical Study of the West Coast Experimental Film Movement (UCLA dissertation, 1960) Jeffrey Skoller, Shadows, Specters, Shards: Making History in Avant-Garde Film Stephen Dwoskin, Film Is: The International Free Cinema David E. James, Allegories of Cinema -- Andy Ditzler www.filmlove.org <http://www.filmlove.org/> www.johnq.org <http://www.johnq.org/> Graduate Institute of the Liberal Arts, Emory University On Thu, Jan 29, 2015 at 1:16 PM, Michael Betancourt <[email protected]> wrote: > I'm sure I'm forgetting something, so please help! > > > Histories of avant-garde film in the United States: > > > Lewis Jacobs, ³Experimental Cinema in America 1921-1947² in The Rise of the > American Film (1948) > Roger Manvell, Experiment in the Film (1949) > > Gregory Battcock, The New American Cinema (1967) > > Sheldan Renan, An Introduction to the American Underground Film (1967) > > Parker Tyler, The Underground Film: A Critical History (1698) > > Gene Youngblood, Expanded Cinema (1970) > > David Curtis, Experimental Cinema (1971) > > Amos Vogel, Film as a Subversive Art (1976) > > P. Adams Sitney, Visionary Film (1974) > > Maureen Turin, Abstraction in Avant-Garde Films (1978/85) > > William Wees, Light Moving in Time: Studies in the Visual Aesthetics of > Avant-Garde Film (1992) > > Scott MacDonald, Avant-Garde Film Motion Studies (1993) > > James Peterson, Dreams of Chaos, Visions of Order (1994) > > Jan-Christopher Horak, Lovers of Cinema: The First American Film Avant-garde, > 1919-1945 (1998) > > Joan Hawkins, Cutting Edge: Art-Horror and the Horrific Avant-Garde (2000) > > Bruce Posner, Unseen Cinema: Early American Avant-Garde Film 1893-1941 (2001) > > Lauren Rabinovitz, Points of Resistance: Women, Power, and Politics in the New > York Avant-garde Cinema, 1943-71 (2003) > > David E. James, The Most Typical Avant-Garde: History and Geography of Minor > Cinemas in Los Angeles (2005) > > Paul Arthur, Line of Sight: American Avant-Garde Film Since 1965 (2005) > > Alexander Graf, ed., Avant-Garde Film (Avant-Garde Critical Studies 23) (2007) > > A. L. Rees, A History of Experimental Film and Video (2011) > > > Michael Betancourt > Savannah, GA USA > > > michaelbetancourt.com <http://michaelbetancourt.com> > twitter.com/cinegraphic <http://twitter.com/cinegraphic> | > vimeo.com/cinegraphic <http://vimeo.com/cinegraphic> > www.cinegraphic.net <http://www.cinegraphic.net> | the avant-garde film & > video blog > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > _______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks
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