Or Charles Aznavour’s theme in Shoot the Piano Player… > On Jun 23, 2015, at 11:56 AM, Andy Ditzler <a...@andyditzler.com> wrote: > > The player piano and its theme, recurring in Orson Welles' Touch of Evil. > > Andy Ditzler > www.filmlove.org <http://www.filmlove.org/> > www.johnq.org <http://www.johnq.org/> > > > On Thu, Jun 18, 2015 at 11:10 PM, Shashwati Talukdar <m...@shashwati.com > <mailto:m...@shashwati.com>> wrote: > I am looking for examples of the use of music and songs in films that can be > described as noir. Where music plays an integral role in moving the film > along. Mainstream examples also welcome. > > -- > regards, > > Shashwati Talukdar > 夏雪莉 > ----------------------------------- > <https://www.facebook.com/fournineandahalf> <http://vimeo.com/shashwati> > <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US> > <https://twitter.com/cinedevi> > <http://fournineandahalf.com/> > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> > https://mailman-mail5.webfaction.com/listinfo/frameworks > <https://mailman-mail5.webfaction.com/listinfo/frameworks> > > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks
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