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*Life Without Buildings: Super 8 Films by Steve Polta* *Steve Polta In Person!* *July 19th 7pm @ The Nightingale* *1084 N. Milwaukee Ave* *Co-programmed by The Chicago 8 Small Gauge Film Festival & The Nightingale* “Bay Area artist *Steve Polta *has been producing a body of films, mostly on Super 8, over the past two decades that are as exquisitely nuanced as they are rarely seen. Each film presents a narrow window onto the ordinary world, prodded by subtle observation until it yields images of ethereal beauty.” (Rick Bahto: Echo Park Film Center) “In *1997A Arrival *and *1997B* *Departure *the elements of a profoundly defocused lens distort a transit tunnel into a portal between worlds, traversed by color-spiked forms. And in *Picture Window *the picture verges on pure black, the barest hint of an image causing the screen to reverberate between a window and a surface plane. It’s the texture of the image that constitutes the film, the essence of a film, which one can reveal only by opening the window hidden in every screen.” (Brian L. Frye, *The New Science of the Cinema *in *Radical Light: Alternative Film in the San Francisco Bay Area 1945–2000.*) Steve Polta’s approach is more contemplative. A House Full of Dust finds him capturing the detailed moments of a home, foregrounding the passage of shadows, dust and light… (Chris Kennedy, Super-8 Late. Images 2009) *Program will include: * *Red Sketch (1997c)* (1997) *interval Oakland 99* (2000) *Departure (1997c)* (1997) *Picture Window (1996a)* (1996) *Minnesota Landscape* (1997) *Estuary #1* (1998) *The Berries* (2000) *Summer Rain for LMC, side A* (2007/2011) *Summer Rain for LMC, side B *(2007/2011) *A House Full of Dust* (2007) *Steve Polta*—sometime filmmaker, former San Francisco taxi driver—is the Artistic Director of San Francisco Cinematheque <http://www.sfcinematheque.org>. He holds a BA in Film Studies from UC Berkeley, an MFA in Filmmaking from the San Francisco Art Institute and a Masters of Library and Information Science degree from San Jose State University. His writings on film have been published in *INCITE! A Journal of Media and Radical Aesthetics; **Radical Light* <http://www.amazon.com/gp/product/0520249119/ref=as_li_qf_sp_asin_il_tl?ie=UTF8&camp=1789&creative=9325&creativeASIN=0520249119&linkCode=as2&tag=eatd0f-20&linkId=UK2GNDOMLUS6Y2F7>*: Alternative Film & Video in the San Francisco Bay Area 1945–2000*; and *Un**Dependently Yours* <http://www.experimentsincinema.org/#!product/prd2/3872282481/un-dependently-yours:-imagining-a-world-beyond-the>*: Imagining a World Beyond the Red Carpet*. His own films have screened in film festivals, alternative film venues all over the place, including Anthology Film Archives, Black Hole Cinematheque, the Echo Park Film Center, Chicago Filmmakers, the Images Festival, the Museum of Modern Art (New York), the New York Film Festival’s Views from the Avant-Garde, SFMOMA, Pacific Film Archive, the Pusan Film Festival the Robert Beck Memorial Cinema and the Whitney Museum of American Art. In 2014 he was awarded a Fellowship by the Andy Warhol Foundation in support of research on contemporary and historic performance cinema; a yearlong series based on this research will be presented by Cinematheque in 2016.
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