*How Things Go *by Fischle and Weiss

Ethan Berry
HELP GOOGLE FAIL


On Mon, Aug 17, 2015 at 8:00 AM, <frameworks-requ...@jonasmekasfilms.com>
wrote:

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> Today's Topics:
>
>    1. quiet spot to edit in NYC (ev petrol)
>    2. Re: quiet spot to edit in NYC (Elizabeth McMahon)
>    3. Da-Lite Projection Screen for Sale (Ken Paul Rosenthal)
>    4. Looking for (un)reliable perceptual information   through
>       camera movement (fred truniger)
>
>
> ---------- Forwarded message ----------
> From: ev petrol <epetr...@yahoo.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Cc:
> Date: Sun, 16 Aug 2015 11:12:49 -0700
> Subject: [Frameworks] quiet spot to edit in NYC
> hey folks
> i'm looking for a quiet place to edit, from sept 5th - any leads welcome!!
> (working on my laptop & can bring table)
> cheers moira
>
> moiratierney.net
> vimeo.com/moiratierney
>
>
>
>
> ---------- Forwarded message ----------
> From: Elizabeth McMahon <elizmcma...@gmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Cc:
> Date: Sun, 16 Aug 2015 18:33:06 -0400
> Subject: Re: [Frameworks] quiet spot to edit in NYC
> Try here:
> http://www.sheepsheadbites.com/2015/07/coney-island-library-celebrates-new-state-art-tv-studio/
>
>
> Elizabeth McMahon
>
> On Sun, Aug 16, 2015 at 2:12 PM, ev petrol <epetr...@yahoo.com> wrote:
>
>> hey folks
>> i'm looking for a quiet place to edit, from sept 5th - any leads welcome!!
>> (working on my laptop & can bring table)
>> cheers moira
>>
>> moiratierney.net
>> vimeo.com/moiratierney
>>
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
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>
>
>
> --
> Elizabeth
>
>
> ---------- Forwarded message ----------
> From: Ken Paul Rosenthal <kenpaulrosent...@hotmail.com>
> To: Frameworks Postings <frameworks@jonasmekasfilms.com>
> Cc:
> Date: Sun, 16 Aug 2015 17:33:23 -0700
> Subject: [Frameworks] Da-Lite Projection Screen for Sale
> 4 x 4-foot Da-Lite standalone projection screen for sale.
> Older model, good mechanical condition.
> Screen is slightly yellowed, but projection beam would likely mitigate
> that.
> $25, first come first served.
> San Francisco pick up preferred.
>
> Ken
> <http://www.kenpaulrosenthal.com>www.kenpaulrosenthal.com
> www.whisperrapture.com
> www.maddancementalhealthfilmtrilogy.com
>
>
> ---------- Forwarded message ----------
> From: fred truniger <fred.truni...@gmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Cc:
> Date: Mon, 17 Aug 2015 11:04:46 +0200
> Subject: [Frameworks] Looking for (un)reliable perceptual information
> through camera movement
> "In fact, it appears that if he uses all the visual information that is
> available, there is no way at all of fooling a moving observer once we let
> him determine his own movements." (Julian Hochberg, In: Perception
> (Englewood Cliffs, 1964). 94.)
>
> dear frameworkers
> writing a text on filmic operations which are able to produce knowledge
> about space (itself, without the support of a narration) I ask myself what
> examples this comunity will come up with both for examples of reliable and
> unreliable perceptual information produced through (uncut) camera movement.
> classical: pans show the context of an initial shot and thus help to
> pigeonhole the space shown. there are thousands of examples in which the
> parallax produced by lateral movement helps the viewer to read the
> structure and depth of a space. by contrast, the very slow and very short
> lateral movement in Johan Lurf's films reconnaissance (AUT 2012) and
> embargo (AUT 2014) as well as in volko kamensky's film oral history (GER
> 2009) produce alienation much more than clarification. my guess is, the
> reason for this to be the speed of the movement: too high, to slow will
> produce an uneasiness which counteracts the legibility of the movement. but
> in lurf's case the use of long focal lenght contributes to the effect.
> lateral movment and long focal length together make an interesting
> combination. it seems to withhold from the viewer some of the information
> needed "to determine his own movements". the same is true for the
> combimation of frontal camera movement and zooming at the same time - but
> zooming, of course, is not a very usual physical perception of my body.
>
> any suggestions for similar or objecting examples? the simpler the
> (combination of) movements, the better.
> thank you all!
> fred
>
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