https://www.youtube.com/watch?v=aJE0IrDNxsY
2015-08-17 17:36 GMT-04:00 Francisco Torres <fjtorre...@gmail.com>: > ''writing a text on filmic operations which are able to produce knowledge > about space (itself, without the support of a narration) I ask myself what > examples this comunity will come up with both for examples of reliable and > unreliable perceptual information produced through (uncut) camera > movement.'' > > Vorkapich wrote a lot about how framing and composition dealt with that > perception. > > This music video illustrates some of those concepts.... > > https://www.youtube.com/watch?v=sY5zaDZq0sc > > 2015-08-17 5:04 GMT-04:00 fred truniger <fred.truni...@gmail.com>: > >> "In fact, it appears that if he uses all the visual information that is >> available, there is no way at all of fooling a moving observer once we let >> him determine his own movements." (Julian Hochberg, In: Perception >> (Englewood Cliffs, 1964). 94.) >> >> dear frameworkers >> writing a text on filmic operations which are able to produce knowledge >> about space (itself, without the support of a narration) I ask myself what >> examples this comunity will come up with both for examples of reliable and >> unreliable perceptual information produced through (uncut) camera movement. >> classical: pans show the context of an initial shot and thus help to >> pigeonhole the space shown. there are thousands of examples in which the >> parallax produced by lateral movement helps the viewer to read the >> structure and depth of a space. by contrast, the very slow and very short >> lateral movement in Johan Lurf's films reconnaissance (AUT 2012) and >> embargo (AUT 2014) as well as in volko kamensky's film oral history (GER >> 2009) produce alienation much more than clarification. my guess is, the >> reason for this to be the speed of the movement: too high, to slow will >> produce an uneasiness which counteracts the legibility of the movement. but >> in lurf's case the use of long focal lenght contributes to the effect. >> lateral movment and long focal length together make an interesting >> combination. it seems to withhold from the viewer some of the information >> needed "to determine his own movements". the same is true for the >> combimation of frontal camera movement and zooming at the same time - but >> zooming, of course, is not a very usual physical perception of my body. >> >> any suggestions for similar or objecting examples? the simpler the >> (combination of) movements, the better. >> thank you all! >> fred >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >
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