No optical viewfinder! And the only interesting S8 film remaining is Tri-X reversal. Color neg is an abomination in S8 — a format that was based on reversal.
Also, you can get a used Aaton or Arri SR for far less than this camera costs! This camera loses the quick-loading S8 advantage — you have to pull a loop out of the cartridge to load it, and thread it manually. It’s probably a fine camera but it’s trying to make S8 something it is not. And I suspect it is not quiet enough for real sync shooting. > On Sep 24, 2015, at 1:49 PM, <ben.weinst...@mindspring.com> > <ben.weinst...@mindspring.com> wrote: > > http://www.pro8mm.com/logmar-super-8-camera.php > <http://www.pro8mm.com/logmar-super-8-camera.php> Check out this camera. > Pretty neat. Looks good for documentary filmmaking and or animation > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> > https://mailman-mail5.webfaction.com/listinfo/frameworks > <https://mailman-mail5.webfaction.com/listinfo/frameworks> Jeff Kreines Kinetta j...@kinetta.com kinetta.com
_______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks