If there is a punch at the head of each roll, you can use that to figure out the Keycode. I’d cut the workprint to match the digital cut. I think the old Film tools for FCP could do this, but I have never used it. Premiere, I have no clue.
Another option, if the telecine is of good quality, would be to go to Colorlab and get a 16mm (or 35mm) film out (they do B&W and color, at 5K resolution in either format). It could be less expensive than a conventional finish, though an HD telecine is a little low on resolution IMHO. > On Jan 12, 2016, at 2:41 PM, Alan Gerlach <[email protected]> wrote: > > Hello fellow frameworkers, > > I am in a bit of a workflow predicament: > > A year ago I shot 1600' of Double-X 16mm for a 25 minute film of a fellow > Artist, Chris Larson, that I assist occasionally. We sent the film out and > got a work print and telecine, under the impression that the telecine would > be used for previewing and we would cut together the workprint and then get > the negative cut from that. We did not get a KeyKode scan with the telecine. > > > Recently, Chris made a master digital cut from the telecine files using > Premiere Pro CC and now wants the negative conformed exactly to that. I am in > a different place this year and do not have time to physically conform the > workprint to the 100 cut digital master. The issue we are running into is > that we do not have KeyKode data to send to a negative cutter and the film > was telecined as two lab reels rather than four camera reels, so I have not > been able to manually change the digital timecode to match the keykode - I am > not sure if the manual timecode to keykode change is even possible in > Premiere. > > So here is my question: what is the best next step? Should I send my film > back to the lab to get re-telecined with Keykode? And is there a way to > easily conform the new telecine+keykode to the original telecine in Premiere > Pro CC and generate a frame-accurate cut list? > > Also, who's a good Negative cutter to use in the US? > > Thanks much for the help, > > Alan Gerlach > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks Jeff Kreines Kinetta [email protected] kinetta.com _______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks
