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http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5ea441844c&e=4e65756555 ** This week [April 16 - 24, 2016] in avant garde cinema ------------------------------------------------------------ Enter your event announcements by going to the Flicker Weekly Listing Form (http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b5e7c77584&e=4e65756555) . To receive the weekly listing via email: Subscribe (http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2494cc99ce&e=4e65756555) . To unsubscribe see the link at the bottom of this email. Degrees of Limitation 4/20 (#anchor12) NEW CALLS FOR ENTRIES: WNDX Festival of Moving Image (Winnipeg, Manitoba, Canada; Deadline: June 01, 2016) http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=485b717777&e=4e65756555 ARTErra (Portugal; Deadline: April 30, 2016) http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c79019e372&e=4e65756555 X SHORTini Film Festival 2016 (Augusta, Italy; Deadline: May 15, 2016) http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=ead410d8d5&e=4e65756555 Flamingo Film Festival (Fort Lauderdale; Deadline: April 15, 2016) http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e7e3a5be7b&e=4e65756555 DEADLINES APPROACHING: ARTErra (Portugal; Deadline: April 30, 2016) http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=21b2c1b91f&e=4e65756555 X SHORTini Film Festival 2016 (Augusta, Italy; Deadline: May 15, 2016) http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e13e7cb0f5&e=4e65756555 Events are sorted alphabetically BY CITY within each DATE. This week's programs (summary): * When the Eye Quakes. the Cinema of Paolo Gioli - Filmmaker In Person (#anchor1) [April 16, Cambridge, Massachusetts] * Panel: “Is the Medium the Message?” (#anchor2) [April 16, Minneapolis, Minnesota] * Exhibition: Beyond the Frame (#anchor3) [April 16, Minneapolis, Minnesota] * Rick Prelinger's No More Road Trips + (#anchor4) [April 16, San Francisco, California] * Other Species, Other Times: New video Art From India (#anchor5) [April 17, Austin, TX] * When the Eye Quakes. the Cinema of Paolo Gioli - Filmmaker In Person (#anchor6) [April 17, Cambridge, Massachusetts] * Land's Red - Paolo Gioli In Person (Room B-04) (#anchor7) [April 17, Cambridge, Massachusetts] * Saul Levine: Notes of the World (#anchor8) [April 17, Los Angeles, California] * Cold Worm (Time, Auto-Corrected) (#anchor9) [April 17, Los Angeles, California] * Cellular Cinema Xii: Roger Beebe, Multi-Projector Mayhem (#anchor10) [April 17, Minneapolis, Minnesota] * Margaret Tait. (#anchor11) [April 18, Buenos Aires, Argentina] * The Moon Returns At Dawn (#anchor12) [April 20, Buffalo, New York] * Visiting Filmmakers: Eric Stewart, Taylor Dunne, Kalpana Subramanian (#anchor13) [April 22, Durham, NC] * Silent Lights: Super 8 and 16mm Films By Paul Clipson (#anchor14) [April 22, San Francisco, California] * Banksy Does New York + Howze's Stencil Nation + (#anchor15) [April 23, San Francisco, California] * La Merma: Revolutionary Punk Rock From Nogales, Sonora Documentary Film & La Merma Live!! (#anchor16) [April 23, Tucson, AZ] * David Domingo: A Super 8 Odyssey (#anchor17) [April 24, Los Angeles, California] SATURDAY, APRIL 16, 2016 4/16 Cambridge, Massachusetts: Harvard Film Archive http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=86b893710a&e=4e65756555 7PM, 24 Quincy Street WHEN THE EYE QUAKES. THE CINEMA OF PAOLO GIOLI - FILMMAKER IN PERSON Commutations With Mutation (Commutazioni con mutazione) Composed using three different formats that have been made to co-exist: super-8, 16mm and 35mm on a single 16mm support, clear leader. The variations in size caused the original framelines to overlap, subjecting them—and with them their images—to a singular diabolical rhythm. – Paolo Gioli Italy 1969, 16mm, b/w & color, silent, 7 min According to My Glass Eye (Secondo il mio occhio di vetro) The semi-scientific character of this work is in some degree due to the stereo-stroboscopic visual mechanism employed in its making. The careful and paradoxical loading up of profiles alternating between negative and positive is aligned along the axis of a soundtrack of super-synchronized percussions, giving rise to a complexity which can be deciphered only by an attentiveness of the degree required for a visual psychological test. – PG Italy 1971, 16mm, b/w, 11 min Pinhole-film (The Man Without A Movie Camera) [Film stenopeico (L’uomo senza macchina da presa)] This film, as the Vertovian title indicates, was made without a movie camera, more precisely with a device custom-made to restore to images freedom from optics and mechanics. The act of substituting my device for a traditional movie camera is part of a project I have continued from that moment on towards weaning myself from a consumer technology, a toxin to pure creativity. This strange movie camera is a simple little hollow tube, one centimeter thick, two centimeters wide... with two reels to hold 16mm film pulled manually causing alternations of time and space. The images enter simultaneous through 150 holes distributed along one side in proximity to each frame, that come to make up 150 tiny pinhole cameras, also called stenopeic from the Greek stenos = narrow and from the stem op- from oráo = to see. – PG Italy 1973/1981/1989, 16mm, b/w & color, silent, 13 min When the Eye Quakes (Quando l’occhio trema) It all started with the notorious Buñuelian sliced eyeball, that surprises us every time! The anxiety of the incision is transformed into a saccadic, uncontrolled anxiety precisely of the eye and its pupil. – PG Italy 1991, 16mm, b/w, silent, 11 min The Perforated Cameraman (L’operatore perforato) Italy 1979, 16mm, b/w, silent, 9 min Filmarilyn This brief film, it seems to me to exist, finally, as if it I had found it somewhere completely forgotten, as if it had been some unsuccessful pre-cinematic experiment. – PG Italy 1992, 16mm, b/w, silent, 9 min 4/16 Minneapolis, Minnesota: Cellular Cinema at MSPFF 1pm, St. Anthony Main Theatre, 115 Main St. SE PANEL: “IS THE MEDIUM THE MESSAGE?” Featuring visiting artists from across the country: Lori Felker, Robert Todd, Roger Beebe & Robert Schaller. 4/16 Minneapolis, Minnesota: Cellular Cinema at MSPFF 3-10pm, St. Anthony Main Theatre, 115 Main St. SE EXHIBITION: BEYOND THE FRAME Throughout the afternoon and evening of Saturday, April 16th, CC hosts a lineup of top-tier experimental filmmakers from across the US. Like at a music festival, each filmmaker will have an hour-long “set” to show a selection of their own work, much of which is multi-projector, includes live performance and/or music elements. 3pm: Sam Hoolihan, John Marks & Crystal Myslajek (Minneapolis, MN) 4pm: Robert Schaller (Boulder, CO) 5pm: Lori Felker (Chicago, IL) {dinner break} 7pm: Robert Todd (Boston, MA) 8pm: Trevor Adams & Mike Hallenbeck (Minneapolis, MN) 9pm: Roger Beebe (Columbus, OH) 4/16 San Francisco, California: Other Cinema http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=02d2520bbf&e=4e65756555 8:30, ATA Gallery 992 Valencia Street RICK PRELINGER’S NO MORE ROAD TRIPS + Conscientiously caretaking the Cultural Commons, our Genial Helmsman Rick Prelinger graces the gallery once again with his open-hearted audience-participatory feature. His Lost Landscapes screenings are legendary for their communal memory-sharing and respect for the “human scale” of the amateur. Here Rick stitches and hitches a dream-ride through the American Century out of a collection of 9,000 personal travelogs filmed 1924-1979, its narrative tracing a composite auto journey from Atlantic to Pacific. Viewers supply the track with out-loud commentary, not only revealing stories embedded in the landscapes, but also speculating on what we do now, with the necessity of a fossil-fuel halt at hand. Come early for eye-poppers from OC’s own library, including the dazzling Car of Your Dreams, the Grand Canyon in 3-D, and the West Coast launch of Incite#6, the “Forever” issue, with free Artists’ Multiples! SUNDAY, APRIL 17, 2016 4/17 Austin, TX: Experimental Response Cinema http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=16e72617e4&e=4e65756555 4:30pm, Alamo Ritz, 320 E 6th St. OTHER SPECIES, OTHER TIMES: NEW VIDEO ART FROM INDIA Experimental Response Cinema presents Other Species, Other Times: New Video Art From India a program curated by UT Professor Lalitha Gopalan and Anuj Vaidya. The screening includes videos by Sonia Khurana, Ranbir Kaleka, Munir Kabani, Nikhil Chopra, Jana Prepeluh, Neha Choksi, Tejal Shah, Sahej Rahel and Shambhavi Kaul. In a reversal of exhibition practices, this program lines up single channel video art and installations in a repertory film space, and suggests novel ways of considering bodies in movement. These bodies are neither discrete nor constant; they challenge borders and boundaries, and prefer entanglements with other species and other kinds. Varied in their consideration of the digital and in their use of performance practices, the works are primarily by artists living in Mumbai, Goa and New Delhi. 4/17 Cambridge, Massachusetts: Harvard Film Archive http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4e3140e695&e=4e65756555 7PM, 24 Quincy Street WHEN THE EYE QUAKES. THE CINEMA OF PAOLO GIOLI - FILMMAKER IN PERSON Natura obscura With 45 pinholes distributed along a 50 centimeter long hollow tube, I made this film. The purpose was to shoot the seasons... I always shot in the crepuscular half-light of dawn and dusk, since there was too much light during the day. – PG Italy 2013, 16mm, color, silent, 8 min Anonymatograph (Anonimatografo) This film was shot one frame at a time using laborious extreme optical close-ups. Anonimatograph: the reanimated image of an unknown amateur filmmaker at the beginning of the century who become conventional as he settles down, movie camera in hand, indoors and outdoors surrounded by war and by his sisters. – PG Italy 1972, 16mm, b/w, 26 min Slit-scan Figures (Il finish delle figure) Extracted from rolls of 35mm film on which I had made exposures using the photofinish technique. That is, images intended as photography, and therefore as still images. – PG Italy 2009, 16mm, b/w, silent, 9 min Children I have always been interested in the sequencing of images in books, where the possibility exists of imposing movement onto still images. – PG Italy 2008, 16mm, b/w, silent, 6 min When Bodies Touch (Quando i corpi si tòccano) A reflection on the material basis of film. Fragments of figures wander, flutter in the swirling kinetic rhythms imposed on them. – PG Italy 2012, 16mm, b/w, silent, 3 min 4/17 Cambridge, Massachusetts: Harvard Film Archive http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e77a2b59b9&e=4e65756555 4PM, 24 Quincy Street LAND'S RED - PAOLO GIOLI IN PERSON (ROOM B-04) Paolo Gioli will conduct a live experiment and demonstration, "a cinematic verification of Edwin H. Land's experiment in color perception." Using two 16mm projectors Gioli will explore the pioneering work of Land to understand how colors are created and perceived. 4/17 Los Angeles, California: Filmforum http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3173d2c818&e=4e65756555 7:30 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd., SAUL LEVINE: NOTES OF THE WORLD All films by Saul Levine; silent; originally filmed on s8 or regular 8mm and blown up to 16mm by Mr. Levine. The Big Stick (1967-73, b/w 10m); New Left Note (1968-1982, 27 min.); Whole Note (1999-2000, 10 min.) Los Angeles premiere!; Light Lick: By the Waters of Babylon: I Want to Paint It Black (2011, 12 min.) Los Angeles premiere!; Light Lick: By the Waters of Babylon: This May Be the Last Time (2011, 7 min.) Los Angeles premiere!; Light Lick: By the Waters of Babylon: Night Time Is the Right Time (2014, 3 min.) Los Angeles premiere! Tickets: $10 general; $6 students/seniors; free for Filmforum members. Available in advance from Brown Paper Tickets at http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=906a24c591&e=4e65756555 or at the door. 4/17 Los Angeles, California: Velaslavasay Panorama http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7c2f4f68e1&e=4e65756555 7pm, 1122 West 24th Street, Los Angeles, CA 90007 COLD WORM (TIME, AUTO-CORRECTED) This free program is supported in part by a grant from the Department of Cultural Affairs for the City of Los Angeles and the Wende Museum. Interested parties should RSVP by sending an email with the subject line "COLD WORM" to [email protected]. Doors will open for this event at 6:30pm. Illuminated Lecture begins promptly 7:00pm with garden reception to follow. COLD WORM (time, auto-corrected) is a presentation of slides and films from the Cold War archives of the Wende Museum, projected in their original formats. This illuminated lecture is inspired by the position of the Dutch cultural scientist Johan Huizinga, who “described the work of the historian as a performance, since the researcher is forced to make conceptions of social life, events and entities of the past by himself. A historical book is thereby a script of a performance of the historian and his conception of history” (Time, Non-representational Theory and the "Performative Turn" by Peter Dirksmeier & Ilse Helbrecht). The visual material selected for the evening oscillates between fictional document and documented fiction: are we seeing sailors on a stage, or actors on a ship? Might these be the flags of forgotten nation states or the textile project of an ideologically enthusiastic silkworm? 4/17 Minneapolis, Minnesota: Cellular Cinema at MSPFF 7pm, Bryant Lake Bowl Theater in Uptown CELLULAR CINEMA XII: ROGER BEEBE, MULTI-PROJECTOR MAYHEM At a separate venue, the Bryant Lake Bowl Theater in Uptown, we’ve invited guest artist Roger Beebe to present a solo show of his multi-projector work to close out the three day festival experience. MONDAY, APRIL 18, 2016 4/18 Buenos Aires, Argentina: BAFICI http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3d47cb95a5&e=4e65756555 Various, BAFICI [18] MARGARET TAIT. MARGARET TAIT. Focus & Homages at BAFICI 2016. 18-23rd April. Three programmes of short films and a screening of her only feature length work. Includes A Portrait of Ga, On The Mountain, Where I Am Is Here, Place of Work, Colour Poems, Land Makar, Garden Pieces, Blue Black Permanent. Programmed by Fran Gayo. Introduced by Peter Todd. Supported by British Council. http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7786c904e8&e=4e65756555 WEDNESDAY, APRIL 20, 2016 4/20 Buffalo, New York: Squeaky Wheel http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=31971c81a8&e=4e65756555 THE MOON RETURNS AT DAWN, 103 Center for the Arts THE MOON RETURNS AT DAWN Organized to rhyme with the installation of Ragnar Kjartansson’s The Visitors at the University at Buffalo Art Galleries, THE MOON RETURNS AT DAWN brings together three films that play with the idea of repetition. Much like how The Visitors gains its power from the various recitals of its enigmatic phrase, these three films variously gain their ability, humor, and structure through mechanical and human cycles. A rarely seen Canadian pre-structural masterpiece, A.K. Dewdney’s The Maltese Cross Movement takes its name from the gear that makes the series of still pictures on a film strip seem in motion. The movement of the gears animates a flurry of images, as a poem is eventually recited by the “projector”, and by extension, the film itself. An early film from Scott Stark, Degrees of Limitation has the filmmaker using the limitations of his spring-wound camera, the limit of the 2 1/2 minute roll of film in the camera, and his body: Stark winds the camera and runs up a hill, returns, winds it a bit more, and runs up a bit further, and so on, while a tension emerges on whether the cycle will reach closure. Finally, J.J. Murphy’s classic Print Generation has the filmmaker reprinting a single minute of footage over and over again, from abstraction to legibility and back again. The eye attempts to make sense of the swirling images, discovering “deep within the film emulsion itself new forms of visual pleasure” (Scott MacDonald). These three films together also function as a portrait of the apparatus of filmmaking, with Dewdney’s film focusing on the projector, Stark’s on the camera, and Murphy’s on the film stock that moves through both. FRIDAY, APRIL 22, 2016 4/22 Durham, NC: UNEXPOSED Microcinema http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=64b8ef3a92&e=4e65756555 8pm, 105 Hood St. Suite #5 VISITING FILMMAKERS: ERIC STEWART, TAYLOR DUNNE, KALPANA SUBRAMANIAN Three filmmakers from Colorado will be joining us in Durham at UNEXPOSED Microcinema to each present 45 minutes of their work! Eric Stewart, Taylor Dunne, and Kalpana Subramanian are three of the nine filmmakers we are focusing on this month at UNEXPOSED. More details on our website at www.unexposedmicrocinema.com 4/22 San Francisco, California: Artists Television Access http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f7819fb572&e=4e65756555 8pm (prompt!), 992 Valencia Street, San Francisco, CA. 94110 SILENT LIGHTS: SUPER 8 AND 16MM FILMS BY PAUL CLIPSON This evening’s programs features a selection of films screened silent for the first time, presenting the opportunity to experience these works in a new light. Film program (all screened on original Super 8mm reversal or 16mm film prints.): SPHINX ON THE SEINE (2009) Super 8mm/16mm, 9 minutes, color/B&W A poetic journey, musing on a series of brief, but enigmatic images taken from around the world: images that follow one and other, but geographically span thousands of miles and large passages of time between each cut. LIGHT FROM THE MESA (2010) Super 8mm, 7 min., color/b&w A collage of foliage, tree bark, branches and the sun woven together from trips to Alamo Square, Orlando, Florida and Rotterdam. UNION (2010) Super 8mm/16mm, sound, 14 min., color/b&w, An exploration of movement, woven into layers of time, and photographed in natural and nocturnal urban spaces, ambiguous within a confluence of lights, colors and darkness. Filmed in the parks of San Francisco with Anya Kamenskaya. ABSTEIGEND (2012) Super 8mm, B&W, 6 minutes, A walk and drive through New York and the industrial shipyards of Brooklyn and Oakland, SPEAKING CORPSE (2012) Super 8mm, color/B&W, 7.5 minutes The first part of a trilogy (with ANOTHER VOID and OTHER STATES), this multi- layered collage of night imagery envelopes the figure of a man lost within the city lights. BRIGHT MIRROR (2013) A series of movements between a figure, a landscape (the Marin Headlands), and a camera (Super 8mm), blur into something between dance and the gesture of drawing. Made as part of a Headlands Center for the Arts Residency. LIGHT YEAR (2013-2014)16mm, sound, 10 min. A commission for the San Francisco Exploratorium, this film-collage studies the water systems and architecture of the San Francisco waterfront, in abstract and formal contexts. DISPORTING WITH A SHADOW (2015) 16mm, 4 minutes, color/B&W Water, fire and oil mix into an anxious premonition read across the surface of an eye, a pond and an expressway. Filmed in Los Angeles, and San Francisco. MADE OF AIR (2014) 16mm, sound, 11 min. A dream lament for a drowned world. Filmed in London, Zurich, San Francisco, Berkeley and Napa. LIGHTHOUSE (2015) 16mm film, 5 minutes, color/B&W A study of surfaces figurative and metaphysical, with various levels and planes of a city combined and superimposed to become visual echoes, suggesting an animated city surface of grids, graphs, geometries and lines: layers of subterranean streets and shadows evoking multiple levels of consciousness. Filmed in New York, San Francisco and Hong Kong. An unintentional homage to Saul Bass. TRT: 83 minutes SATURDAY, APRIL 23, 2016 4/23 San Francisco, California: Other Cinema http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=12fa9795b3&e=4e65756555 8:30, ATA Gallery 992 Valencia Street BANKSY DOES NEW YORK + HOWZE’S STENCIL NATION + Possibly the world’s leading expert on sidewalk stencils, street art, and the Artist Known As Banksy, Russell Howze returns to SF from an international tour behind his Manic D Press publication Stencil Nation, to throw up/down a crucial visual lesson on the illegal public art of Banksy. Focusing on the Greatest Hits from his SF blitz some years back, Howze’s obsessed slide-show spills the beans on the local battle between “vandalism” and the Art world, and so sets up Chris Moukarbel’s hour doc on Banksy’s more recent, uh, “residency” in NYC. ALSO: Pussy Riot’s new music video Refugees In, shot at Banksy’s Dismaland site, and funky chunks of our own Mission School art-crimes, including clips of Twist, Margaret Kilgallen, and Bill (Bozo Texino) Daniel, whose signed(!) 847 photozine is again available, a collab with local graf-art periodical Hamburger Eyes. 4/23 Tucson, AZ: Exploded View http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2c057c96b8&e=4e65756555 7:30, 197 E Toole Ave LA MERMA: REVOLUTIONARY PUNK ROCK FROM NOGALES, SONORA DOCUMENTARY FILM & LA MERMA LIVE!! This show is a tribute to the passion & history of the venerable Sonoran (MX) punk rock band La Merma!! Opening the night is a screening of Tino Valera’s 2010 documentary La merma, 15 años de camino (The Decline 15 Years Down the Road ) which documents one of the most important punk rock bands on the northern border of Mexico and testifies to their history and outrageous journey of life in a city (Nogales, Sonora ) that “at times seems to vanish” . Three albums, numerous members and fifteen years down the road, this film is a window into the events that moved a generation hungry for identity. The second half of this evening features La Merma’s shouting out the truth and performing live and loud at EV! SUNDAY, APRIL 24, 2016 4/24 Los Angeles, California: Filmforum http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8a370ec273&e=4e65756555 7:30 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd., DAVID DOMINGO: A SUPER 8 ODYSSEY This spring, David Domingo, one of Spain’s most important underground filmmakers, embarks on his first U.S. tour, organized by Los Angeles Filmforum. He is presenting his unique super-8 films (in super-8mm!) with us this evening. In his films, Domingo, aka Stanley Sunday lets his imagination run wild and exposes his own fantastic universe through a highly iconoclast and hilarious associative cascade. His personal imagery includes a series of popular artifacts and icons such as Disney films, Michael Jackson, picture-card albums, comic-book superheroes, cassettes… There is also a homoerotic imagery and a series of recurring motifs with an explicit sexual symbology, such as the phallic Frankfurt Weiner, which has become his trademark. By combining footage taken from classic films or B-movies with his own shootings, and abstract moments with life-action scenes played by his own “star-system”, David Domingo deconstructs normal hierarchies and cause-effect approaches in order to generate a continuous flow of images which create surprising and enigmatic associations. Tickets: $10 general; $6 students/seniors; free for Filmforum members. Available in advance from Brown Paper Tickets at http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6cd2b292a9&e=4e65756555 or at the door. ------------------------------------------------------------ Let us know about your alternative film/video event! Enter your event announcements by going to the Flicker Weekly Listing Form (http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=17e081b984&e=4e65756555) . To receive the weekly listing via email, send a message to Subscribe (http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0499a597d2&e=4e65756555) . To unsubscribe see the link at the bottom of this email. http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=cab201c682&e=4e65756555 This email was sent to [email protected] (mailto:[email protected]) why did I get this? 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