Hi everybody, If you live in the Montreal area here is a workshop for you. On Saturday, April 30th, at the studios of the Main Film Co-op on St. Laurent Blvd I will be hosting a hand made direct-to-film 35mm experimental workshop. This theoretical and practical workshop will allow participants to discover and explore various experimental practices of drawings on film. They will use traditional techniques to create their own animated works. The participants will have the opportunity to learn more about my work as well. Additionally, we will look at simple digitization methods to capture images as computer files. * Note that the workshop will be given in English.
Objective: The participant discovers experimental practice of animation. Here is the event link: https://www.eventbrite.ca/e/workshop-experimental-animation-on-film-with-steven-woloshen-tickets-24658473157 Thanks, I hope to see you there. For more info, contact Main Film at 514 845 7442 between 10:00 am and 5:00 pm on Tuesday to Friday. film lives, Steven Woloshen https://scratchatopia.wordpress.com/ > From: frameworks-requ...@jonasmekasfilms.com > Subject: FrameWorks Digest, Vol 71, Issue 22 > To: frameworks@jonasmekasfilms.com > Date: Tue, 19 Apr 2016 12:00:30 +0000 > > Send FrameWorks mailing list submissions to > frameworks@jonasmekasfilms.com > > To subscribe or unsubscribe via the World Wide Web, visit > https://mailman-mail5.webfaction.com/listinfo/frameworks > or, via email, send a message with subject or body 'help' to > frameworks-requ...@jonasmekasfilms.com > > You can reach the person managing the list at > frameworks-ow...@jonasmekasfilms.com > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of FrameWorks digest..." > > > Today's Topics: > > 1. Re: Giuseppe,s birds @ 2016 DOCM VISON DU REEL (c...@termite.org) > 2. Evaluating old 16 mm prints (Robert Withers) > 3. Re: Evaluating old 16 mm prints (Scott Dorsey) > 4. Re: Evaluating old 16 mm prints (Dominic Angerame) > 5. Re: Evaluating old 16 mm prints (Dominic Angerame) > 6. David Domingo (aka Stanley Sunday) US tour - super 8 from > Spain! (Adam Hyman) > 7. Re: Evaluating old 16 mm prints (Jeff Kreines) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Mon, 18 Apr 2016 11:23:34 -0400 > From: <c...@termite.org> > To: "'Experimental Film Discussion List'" > <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] Giuseppe,s birds @ 2016 DOCM VISON DU REEL > Message-ID: <137401d19986$473bbde0$d5b339a0$@termite.org> > Content-Type: text/plain; charset="utf-8" > > I think this is the correct link: > > https://www.visionsdureel.ch/media-film/film/show/giuseppes-birds > > > > c. > > > > From: Elizabeth McMahon [mailto:elizmcma...@gmail.com] > Sent: Sunday, April 17, 2016 5:18 AM > To: Fabienne Gautier <gautier.fabie...@free.fr>; Experimental Film Discussion > List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] Giuseppe,s birds @ 2016 DOCM VISON DU REEL > > > > Dear Fabienne, > > > > Clicking on the link say, "sorry, this page doesn't exist." I want very much > for it to exist! > > > > See screen shot. > > > > All My Best, > > Elizabeth McMahon > > > > > > > Elizabeth > > > > On Sun, Apr 17, 2016 at 5:08 AM, Fabienne Gautier <gautier.fabie...@free.fr > <mailto:gautier.fabie...@free.fr> > wrote: > > > > > > > GIUSEPPE'S BIRDS @ 2016 DOC OUTLOOK INTERNATIONAL MARKET > > > > <http://us2.campaign-archive1.com/?u=72ac7cfe56bb9b8c08d14d005&id=10412952c4&e=e90a1d7b31> > View this email in your browser > > > > > > <http://free.us2.list-manage.com/track/click?u=72ac7cfe56bb9b8c08d14d005&id=72b834cdfa&e=e90a1d7b31> > > > > > > > > > <http://free.us2.list-manage.com/track/click?u=72ac7cfe56bb9b8c08d14d005&id=8f9a15c02f&e=e90a1d7b31> > GIUSEPPE'S BIRDS selected for the Media Library of the > > > Film Festival in Nyon, Switzerland > > > > > <http://free.us2.list-manage.com/track/click?u=72ac7cfe56bb9b8c08d14d005&id=7107409ffe&e=e90a1d7b31> > https://www.visionsdureel.ch/media-film/film/show/giuseppes-birds > > > > > Visions du Réel > Festival International de cinéma Nyon > DOC OUTLOOK INTERNATIONAL MARKET > Place du Marché 2, 1260 Nyon, Suisse > T <tel:%2B41%2022%20365%2022%2062> +41 22 365 22 62 > > > > > > > > > <http://free.us2.list-manage.com/track/click?u=72ac7cfe56bb9b8c08d14d005&id=56b28d26da&e=e90a1d7b31> > > > > > > > > > > <http://free.us2.list-manage.com/track/click?u=72ac7cfe56bb9b8c08d14d005&id=3a9608aa80&e=e90a1d7b31> > > > > > > > <http://free.us2.list-manage.com/track/click?u=72ac7cfe56bb9b8c08d14d005&id=a56f6e0533&e=e90a1d7b31> > > > > > > > <http://free.us2.list-manage2.com/track/click?u=72ac7cfe56bb9b8c08d14d005&id=57e863f5e3&e=e90a1d7b31> > > > > > > > <http://free.us2.list-manage.com/track/click?u=72ac7cfe56bb9b8c08d14d005&id=8310b9b6c1&e=e90a1d7b31> > > > > > > > <http://free.us2.list-manage.com/track/click?u=72ac7cfe56bb9b8c08d14d005&id=3a9f636b7d&e=e90a1d7b31> > > > > > > > <http://free.us2.list-manage2.com/track/click?u=72ac7cfe56bb9b8c08d14d005&id=c875cdf79b&e=e90a1d7b31> > > > > > > > Copyright © 2016,Fabienne Gautier All rights reserved. > > > > > mailing address is: > <mailto:gautier.fabie...@free.fr> gautier.fabie...@free.fr > > Want to change how you receive these emails? > You can > <http://free.us2.list-manage1.com/profile?u=72ac7cfe56bb9b8c08d14d005&id=648512cff7&e=e90a1d7b31> > update your preferences or > <http://free.us2.list-manage1.com/unsubscribe?u=72ac7cfe56bb9b8c08d14d005&id=648512cff7&e=e90a1d7b31&c=10412952c4> > unsubscribe from this list > > > > > > > > > > > > > This email was sent to <mailto:frameworks@jonasmekasfilms.com> > frameworks@jonasmekasfilms.com > > <http://free.us2.list-manage2.com/about?u=72ac7cfe56bb9b8c08d14d005&id=648512cff7&e=e90a1d7b31&c=10412952c4> > why did I get this? > <http://free.us2.list-manage1.com/unsubscribe?u=72ac7cfe56bb9b8c08d14d005&id=648512cff7&e=e90a1d7b31&c=10412952c4> > unsubscribe from this list > <http://free.us2.list-manage1.com/profile?u=72ac7cfe56bb9b8c08d14d005&id=648512cff7&e=e90a1d7b31> > update subscription preferences > Fabienne Gautier · 13 rue calmels · Paris - · France > > > <http://www.mailchimp.com/monkey-rewards/?utm_source=freemium_newsletter&utm_medium=email&utm_campaign=monkey_rewards&aid=72ac7cfe56bb9b8c08d14d005&afl=1> > > > > > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com> > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20160418/b0be7bb5/attachment-0001.html> > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: ~WRD000.jpg > Type: image/jpeg > Size: 823 bytes > Desc: not available > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20160418/b0be7bb5/attachment-0006.jpg> > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: image006.jpg > Type: image/jpeg > Size: 4112 bytes > Desc: not available > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20160418/b0be7bb5/attachment-0007.jpg> > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: image007.jpg > Type: image/jpeg > Size: 860 bytes > Desc: not available > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20160418/b0be7bb5/attachment-0008.jpg> > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: image008.jpg > Type: image/jpeg > Size: 843 bytes > Desc: not available > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20160418/b0be7bb5/attachment-0009.jpg> > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: image009.jpg > Type: image/jpeg > Size: 359 bytes > Desc: not available > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20160418/b0be7bb5/attachment-0010.jpg> > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: image010.jpg > Type: image/jpeg > Size: 332 bytes > Desc: not available > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20160418/b0be7bb5/attachment-0011.jpg> > > ------------------------------ > > Message: 2 > Date: Mon, 18 Apr 2016 15:48:15 -0400 > From: Robert Withers <withe...@earthlink.net> > To: frameworks@jonasmekasfilms.com > Subject: [Frameworks] Evaluating old 16 mm prints > Message-ID: <84d1d52e-9df2-4513-9474-5af20b728...@earthlink.net> > Content-Type: text/plain; charset=us-ascii > > Hello all, > What's the best way to evaluate old 16 mm prints, sound and picture? > For example, for color shift, print quality, etc. > I use to have a 4-plate Steenbeck editing machine that was very easy on film > and had both magnetic and optical sound paths. Is that still the most > practical? > I can still hand-inspect film (and use a Moviscop viewer) for dirt, > scratches, splices, missing sections, etc., but can't tell if a print really > looks and sounds good. > Projectors? Viewers? > I imagine expensive scanners work well for picture, at least. > Thanks for any thoughts, > Robert Withers > > rob...@withersworks.com > WithersWorks.com > > > > > > ------------------------------ > > Message: 3 > Date: Mon, 18 Apr 2016 15:51:31 -0400 > From: Scott Dorsey <klu...@panix.com> > To: frameworks@jonasmekasfilms.com > Subject: Re: [Frameworks] Evaluating old 16 mm prints > Message-ID: <57153ac3.+r09gntoxmcadbkk%klu...@panix.com> > Content-Type: text/plain; charset=us-ascii > > The steenbeck is probably the best way to see what is going on. > > You can also project with a projector that is very light on film, like the > older B&H 300-series projectors with the sapphire guides. > > Expensive scanners are great for transferring prints, but the process is > rather slow just for evaluating them. > --scott > > > > ------------------------------ > > Message: 4 > Date: Mon, 18 Apr 2016 13:00:18 -0700 > From: Dominic Angerame <dominic.anger...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] Evaluating old 16 mm prints > Message-ID: > <cajtamyxdba5pn71y4h2bm0f5g3sv277hkg2nu19_rbu-1pc...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > I have been inspecting the prints in the library of the SF Art Institute > for the past year. I have found that the magnasync viewers are the best. > The screen is much larger and scratches, dust, dirt, etc are more > definable. They are not cheap and difficult to find. If you need editing > equip email me off the list. I still have some items. > > DA > > On Mon, Apr 18, 2016 at 12:51 PM, Scott Dorsey <klu...@panix.com> wrote: > > > The steenbeck is probably the best way to see what is going on. > > > > You can also project with a projector that is very light on film, like the > > older B&H 300-series projectors with the sapphire guides. > > > > Expensive scanners are great for transferring prints, but the process is > > rather slow just for evaluating them. > > --scott > > > > _______________________________________________ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com > > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20160418/1e9d0d97/attachment-0001.html> > > ------------------------------ > > Message: 5 > Date: Mon, 18 Apr 2016 13:01:31 -0700 > From: Dominic Angerame <dominic.anger...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] Evaluating old 16 mm prints > Message-ID: > <CAJtamYWVjeuyen1KwpJQK9=9pnsp4yl-b2qkvcgs-v00hee...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > I have been inspecting the prints in the library of the SF Art Institute > for the past year. I have found that the magnasync viewers are the best. > The screen is much larger and scratches, dust, dirt, etc are more > definable. They are not cheap and difficult to find. This is the poor > man's way of goding things. A flatbed may scratch especially in rewind or > fast forward, etc. If you need editing equip email me off the list. I still > have some items. > > DA > > On Mon, Apr 18, 2016 at 12:48 PM, Robert Withers <withe...@earthlink.net> > wrote: > > > Hello all, > > What's the best way to evaluate old 16 mm prints, sound and picture? > > For example, for color shift, print quality, etc. > > I use to have a 4-plate Steenbeck editing machine that was very easy on > > film and had both magnetic and optical sound paths. Is that still the most > > practical? > > I can still hand-inspect film (and use a Moviscop viewer) for dirt, > > scratches, splices, missing sections, etc., but can't tell if a print > > really looks and sounds good. > > Projectors? Viewers? > > I imagine expensive scanners work well for picture, at least. > > Thanks for any thoughts, > > Robert Withers > > > > rob...@withersworks.com > > WithersWorks.com > > > > > > > > _______________________________________________ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com > > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20160418/b9d517cd/attachment-0001.html> > > ------------------------------ > > Message: 6 > Date: Mon, 18 Apr 2016 13:14:46 -0700 > From: Adam Hyman <a...@lafilmforum.org> > To: "Experimental Film Discussion List > <frameworks@jonasmekasfilms.com>" <frameworks@jonasmekasfilms.com> > Subject: [Frameworks] David Domingo (aka Stanley Sunday) US tour - > super 8 from Spain! > Message-ID: <d33a8d5f.3b85b%a...@lafilmforum.org> > Content-Type: text/plain; charset="utf-8" > > David Domingo tours the next two weeks, appearing at Anthology in NY, Los > Angeles Filmforum; Cinema Project in Portland OR; and Northwest Film Forum > in Seattle. Catch him if you can! > > > Here is the Filmforum focused email. Anthology is April 21; Cinema Project > is April 25; NW Film Forum is April 28. > > > Sunday, April 24, 2016, 7:30pm > Los Angeles Filmforum presents > David Domingo: A Super 8 Odyssey > At the Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd., Los Angeles > CA 90028 > > David Domingo in person from Spain! All Los Angeles premieres! > > This spring, David Domingo, one of Spain’s most important underground > filmmakers, embarks on his first U.S. tour, organized by Los Angeles > Filmforum. He is presenting his unique super-8 films (in super-8mm!) with > us this evening. In his films, Domingo, aka Stanley Sunday lets his > imagination run wild and exposes his own fantastic universe through a highly > iconoclast and hilarious associative cascade. His personal imagery includes > a series of popular artifacts and icons such as Disney films, Michael > Jackson, picture-card albums, comic-book superheroes, cassettes… There is > also a homoerotic imagery and a series of recurring motifs with an explicit > sexual symbology, such as the phallic Frankfurt Weiner, which has become his > trademark. By combining footage taken from classic films or B-movies with > his own shootings, and abstract moments with life-action scenes played by > his own “star-system”, David Domingo deconstructs normal hierarchies and > cause-effect approaches in order to generate a continuous flow of images > which create surprising and enigmatic associations. > > > Tickets: $10 general; $6 students/seniors; free for Filmforum members. > > Available in advance from Brown Paper Tickets at http://daviddomingo.bpt.me > or at the door. > > > > Made possible through the generous support of Acción Cultural Española > (AC/E) <http://www.accioncultural.es> > > > > > David Domingo has additional screenings at Anthology Film Archives, New York > <http://anthologyfilmarchives.org/film_screenings/calendar?view=list&month=0 > 4&year=2016#showing-45565> ; Cinema Project, Portland OR > <https://cinemaproject.org/archive/screenings/2016/spring/a-super-8-odyssey- > films-of-david-domingo> ; and Northwest Film Forum, Seattle > <https://www.nwfilmforum.org/live/page/calendar/3886> . > > > > Special thanks to José Manuel Gómez Vidal, Gloria Vilches, Mia Ferm, > Courtney Sheehan, Jed Rapfogel > > > Screening: > A Super 8 Odyssey: A program of David Domingo’s splendorous Super 8 films > > Súper 8 (Super 8) (1996, color, sound, 7:44) > > La mansión acelerada (The Speedy Mansion) (1997, b&w, sound, 10 min.) > > Desayunos y meriendas (Breakfast and Snacks) (2002, color, sound, 7 min.) > > Rayos y centellas (What the…!) (2004, color, sound, 3:52) > > Película sudorosa (Sweaty Movie) (2009, color/b&w, sound, 18 min.) > > A Movie that Portrays the Wonders of the World as Seen Through the Eyes of a > Cat (Disney Attraction Highlights Nº 1) (2009, color/b&w, sound, 5 min.) > > David Domingo (aka Stanley Sunday, aka Davidson) was born in Valencia in > 1973. He is currently based in Barcelona. Through 18 short films, 3 > feature-length videos (including his personal vision of Disney´s Bambi and > The Exorcist. The Musical), plenty of music videos for independent bands, > crazy live performances of Super 8 and 16 mm screenings, and his > quinquennial fanzine “One day in the life of Jonas Mekas”, he has become one > of the main underground film makers in Spain. In his early days he just > used a VHS camera and player to make remakes, found footage films and > homemade short films starred by his sister and grandmother. However, he soon > turned to Super8, the format most of his work is filmed on. He shows a deep > knowledge of avant-garde and experimental film tradition, paying homage to > the films by Bruce Conner, Andy Warhol, Iván Zulueta, Kenneth Anger or the > Kuchar Brothers through quotations and references. > After broadening his horizons through the incursion in 16 mm filmmaking, > more recently he has started to use digital technology, which has enabled > him to go beyond by finding new textures and possibilities. > David Domingo’s films have been screened and exhibited in some of the main > museums, art centers and film festivals in Spain, such as Xcèntric (the > cinema of the Center for Contemporary Culture in Barcelona), Museo Nacional > Centro de Arte Reina Sofía, Centro de Arte Dos de Mayo and La Casa Encendida > in Madrid, Centro Galego de Artes da Imaxe and S(8) Mostra de cine > periférico in Coruña, Sitges International Fantastic Film Festival of > Catalonia or Valencia´s Festival Cinema Jove. > The program “A Super 8 Odyssey” shows his most emblematic Super 8 films, > starting with his acclaimed first short film, Super 8 (1996), which was > chosen as part of the traveling film program “From ecstasy to rapture. 50 > years of the other Spanish cinema”, curated by the Contemporary Culture > Center from Barcelona (CCCB), and screened at the ACMI (Australian Centre > for the Moving Image, Melbourne, Australia), Anthology Film Archives (NYC, > USA), National Gallery of Art (Washington DC, USA), Tiff Cinematheque > (Toronto, Canada), Pacific Cinematheque (Vancouver, Canada), Národní filmový > archiv in Prague (Czech Republic), Jeu de Paume (Paris, France), Tate Modern > (London, UK), Wro Art Center (Wroclaw, Poland), or National Gallery of Art > (Vilnius, Lituania), amongst many other venues. www.stanleysunday.com > <http://www.stanleysunday.com> > --------------------------- > This program is supported by the Los Angeles County Board of Supervisors > through the Los Angeles County Arts Commission; the Department of Cultural > Affairs, City of Los Angeles; and Bloomberg Philanthropies. We also depend > on our members, ticket buyers, and individual donors. > > > > Los Angeles Filmforum is the city’s longest-running organization dedicated > to weekly screenings of experimental film, documentaries, video art, and > experimental animation. 2016 is our 41st year. > > > Coming Soon to Los Angeles Filmforum: > > April 24 - David Domingo, super 8 from Spain, at the Egyptian Theatre > > May 12 – Tacita Dean, at MOCA > > May 15 – To Be Announced > > > Memberships available, $70 single, $115 dual, or $50 single student > Contact us at lafilmfo...@yahoo.com. > Find us online at http://lafilmforum.org. > Become a fan on Facebook and follow us on Twitter @LosAngFilmforum! > > > > > > > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20160418/7a634e84/attachment-0001.html> > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: B13B3259-725F-4A57-8FA2-E43684A286A5.png > Type: image/png > Size: 6263 bytes > Desc: not available > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20160418/7a634e84/attachment-0003.png> > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: 5BA37D91-B3AB-476E-A8B3-F9867B5A4993.png > Type: image/png > Size: 1995 bytes > Desc: not available > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20160418/7a634e84/attachment-0004.png> > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: 7B528E35-D69C-4CF3-998F-F6BEC48BA736.png > Type: image/png > Size: 4547 bytes > Desc: not available > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20160418/7a634e84/attachment-0005.png> > > ------------------------------ > > Message: 7 > Date: Mon, 18 Apr 2016 16:21:46 -0500 > From: Jeff Kreines <j...@kinetta.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] Evaluating old 16 mm prints > Message-ID: <e67db330-1402-405e-9f06-79f027233...@kinetta.com> > Content-Type: text/plain; charset="utf-8" > > I love Steenbecks but they can easily ruin shrunken prints due to the wrap of > then picture sprocket. As Dominic mentioned, the Moviola Magnasync 16mm > viewer (like a larger Moviskop) is pretty good. But projection or Steenbecks > can rip your perfs. Be careful. > > Jeff Kreines > Kinetta > j...@kinetta.com > kinetta.com > > > On Apr 18, 2016, at 3:01 PM, Dominic Angerame <dominic.anger...@gmail.com> > > wrote: > > > > I have been inspecting the prints in the library of the SF Art Institute > > for the past year. I have found that the magnasync viewers are the best. > > The screen is much larger and scratches, dust, dirt, etc are more > > definable. They are not cheap and difficult to find. This is the poor > > man's way of goding things. A flatbed may scratch especially in rewind or > > fast forward, etc. If you need editing equip email me off the list. I still > > have some items. > > > > DA > > > >> On Mon, Apr 18, 2016 at 12:48 PM, Robert Withers <withe...@earthlink.net> > >> wrote: > >> Hello all, > >> What's the best way to evaluate old 16 mm prints, sound and picture? > >> For example, for color shift, print quality, etc. > >> I use to have a 4-plate Steenbeck editing machine that was very easy on > >> film and had both magnetic and optical sound paths. Is that still the most > >> practical? > >> I can still hand-inspect film (and use a Moviscop viewer) for dirt, > >> scratches, splices, missing sections, etc., but can't tell if a print > >> really looks and sounds good. > >> Projectors? Viewers? > >> I imagine expensive scanners work well for picture, at least. > >> Thanks for any thoughts, > >> Robert Withers > >> > >> rob...@withersworks.com > >> WithersWorks.com > >> > >> > >> > >> _______________________________________________ > >> FrameWorks mailing list > >> FrameWorks@jonasmekasfilms.com > >> https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > _______________________________________________ > > FrameWorks mailing list > > FrameWorks@jonasmekasfilms.com > > https://mailman-mail5.webfaction.com/listinfo/frameworks > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20160418/5392faac/attachment-0001.html> > > ------------------------------ > > Subject: Digest Footer > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > ------------------------------ > > End of FrameWorks Digest, Vol 71, Issue 22 > ******************************************
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