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** This week [June 18 - 26, 2016] in avant garde cinema
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Storm De Hirsch: "Third Eye Butterfly and Other Films" (#anchor6)
NEW FILM/VIDEO: NON-FEATURE:
"EXTRATERRITORIAL" by Ж
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"Garden of Eden" by Λrthvr
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"Transmission" by Ʌrthvr
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"Eleven" by Ʌrthvr
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NEW CALLS FOR ENTRIES:
INTE CINEMA FESTIVAL (Rome, Italy; Deadline: August 20, 2016)
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Boston Underground Film Festival (Cambridge, MA, USA; Deadline: January 09,
2017)
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2016 Transient Visions: Festival of the Moving Image (Johnson City, NY, USA;
Deadline: July 31, 2016)
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P.O.V. International Shortfilm Festival (Berlin, Germany; Deadline: August 31,
2016)
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the8fest (Toronto, Canada; Deadline: September 30, 2016)
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The 23rd National Juried Exhibition (Salisbury, MD 21801; Deadline: July 01,
2016)
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Consumer Grade Film Fest (Carbondale, IL, USA; Deadline: August 01, 2016)
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MONO NO AWARE X (Brooklyn, NY, USA; Deadline: September 16, 2016)
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DEADLINES APPROACHING:
Shriekfest Film Festival (Los Angeles, CA USA; Deadline: July 10, 2016)
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Edinburgh Short Film Festival (Edinburgh; Deadline: June 27, 2016)
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Antimatter [Media Art] (Victoria, BC, Canada; Deadline: July 22, 2016)
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L'Alternativa, 23rd Barcelona Independent Film Festival (Barcelona, Spain;
Deadline: July 01, 2016)
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Bandini International Film Festival (Los Angeles, CA, USA; Deadline: June 23,
2016)
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Festival of (In)appropriation #9 (Los Angeles, CA, USA; Deadline: July 01, 2016)
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The 23rd National Juried Exhibition (Salisbury, MD 21801; Deadline: July 01,
2016)
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Events are sorted alphabetically BY CITY within each DATE.
This week's programs (summary):
* Sound / Film Performance By FéLicia Atkinson & Paul Clipson (#anchor1) [June
18, Carsac-Aillac]
* Ocff 2016: Cinema 16 Shorts Block (#anchor2) [June 18, Dallas, TX]
* Essential Cinema: Maya Deren (#anchor3) [June 18, New York, New York]
* Re-Visions: Led Zeppelin Played Here (#anchor4) [June 18, New York, New York]
* Re-Visions: Jeff's People (#anchor5) [June 18, New York, New York]
* Storm De Hirsch: "Third Eye Butterfly and Other Films" (#anchor6) [June 19,
Brooklyn, New York]
* Erc Presents Festival of (In)Appropriation (#anchor7) [June 21, Austin, TX]
* Screening of Evan Mann's Short Films (#anchor8) [June 22, Austin, Texas 78702]
* Young Moon (With Films By Paul Clipson), Eternal Drag, Kokomo Hum (#anchor9)
[June 22, San Francisco, California]
* Erc Presents: Set Organized By Liz Rodda + Joey Fauerso (#anchor10) [June 23,
Austin, TX]
* Green Screen Film Series: Takashi Murakami Jellyfish Eyes (#anchor11) [June
24, Austin, TX]
* Super8 En Plein Air: A Super8 Workshop From Milano To Lake Como Mountains
Landscape (#anchor12) [June 24, Milano - Italy]
* I See Festival Program 1 (#anchor13) [June 25, New York, New York]
* I See Festival Program 2 (#anchor14) [June 25, New York, New York]
* I See Festival Program 3 (#anchor15) [June 26, New York, New York]
SATURDAY, JUNE 18, 2016
6/18
Carsac-Aillac: Hydraphonies Festival
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10pm, Saint-Caprais Church, Le Bourg 24200 Carsac-Aillac
SOUND / FILM PERFORMANCE BY FéLICIA ATKINSON & PAUL CLIPSON
As part of the first Hydraphonies Festival, featuring musical concerts and
audiovisual performances over two days, Félicia Atkinson and Paul Clipson
present a sound and 16mm presentation of music, voice and multi-layered
celluloid.
6/18
Dallas, TX: Oak Cliff Film Festival
4 PM, 231 W. Jefferson Blvd.
OCFF 2016: CINEMA 16 SHORTS BLOCK
* Filmmakers in Attendance I'M IN PITTSBURGH AND IT'S RAINING (USA, 14 min) -
Dir. Jesse McLean Through a purposeful masking of the differentiations between
performance and acting, famous Hollywood actress and her double, character,
actual person, audience expectation, and cinema magic, this video offers a look
behind the silver screen. IN THE VICINITY (USA, 9 min) - Dir. Kelly Sears This
film incorporates the spectrum of official, covert, occult, and limitless
reconnaissance protocols into an instructional guide. PLENA STELLARUM (USA, 12
min) - Dir. Matthew Wade Neon ghosts dreaming in dead landscapes. TERRESTRIAL
(USA, 11 min) - Dir. Callum Walter A mobile device captures the trajectories of
objects liberated from and bound to land, against a backdrop of uniquely human
dissonance. A SUBWAY STORY (USA, 5 min) - Dir. Eugene Kolb Two people recount
their first meeting on the New York City subway. THE GOLDEN HOUR (USA, 7 min) -
Dir. Ross Meckfessel The stink of seaweed
permeates the streets. I've heard there's growing dissatisfaction among the
youth. Do you feel content? How often do you dream? Are you better off alone?
WOLKENSCHATTEN (Germany, 17 min) - Dir. Juan David, Gonzales Monroy, Anja
Dornieden In 1984, for three weeks in May, what appeared to be a giant cloud
shrouded the small town of Hüllen-Hüllen in darkness. Before the end of the
month the cloud had dispersed and life seemed to return to normal. One month
later, however, the town was hastily abandoned and its residents were nowhere
to be found. MAD LADDERS (USA, 10 min) - Michael Robinson A modern prophet's
visions of mythical destruction and transformation are recounted across a
turbulent geometric ceremony of rising curtains, swirling set pieces, and
unveiled idols from music television's past. Together, these parallel cults of
revelation unlock a pathway to the far side of the sun.
6/18
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=871e526f90&e=4e65756555
4:00 pm, 32 2nd Ave.
ESSENTIAL CINEMA: MAYA DEREN
4:00 PM EC: MAYA DEREN Share + Film Notes MESHES OF THE AFTERNOON (1943, 14
min, 16mm, b&w. Co-directed by Alexander Hammid. Music by Teiji Ito from 1959.)
AT LAND (1944, 15 min, 16mm, b&w, silent. Photographed by Hella Heyman and
Alexander Hammid.) A STUDY IN CHOREOGRAPHY FOR CAMERA (1945, 3 min, 16mm, b&w,
silent. By Maya Deren and Talley Beatty.) RITUAL IN TRANSFIGURED TIME (1946, 15
min, 16mm, b&w, silent. Choreographic collaboration with Frank Westbrook.
Photographed by Hella Heyman. With Rita Christiani and Frank Westbrook.) Total
running time: ca. 55 min.
6/18
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8fb767822b&e=4e65756555
6:00 pm, 32 2nd Ave.
RE-VISIONS: LED ZEPPELIN PLAYED HERE
NYC PREMIERE OF FINAL CUT! LED ZEPPELIN PLAYED HERE (2014, 81 min, video) 1969.
Man lands on the moon. Half a million strong at Woodstock. Sesame Street makes
its debut…and Led Zeppelin perform in the gym of a youth center in front of 50
confused teenagers in the Maryland suburbs of Washington, DC. Or did they?
Krulik offers his take on an enduring Maryland legend, a concert alleged to
have taken place on January 20, 1969, during the first Presidential
Inauguration of Richard Nixon. LED ZEPPELIN PLAYED HERE features interviews
with rock writers, musicians, and fans, and several who claim they were
witnessing history that night.
6/18
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e18888a134&e=4e65756555
8:30 pm, 32 2nd Ave.
RE-VISIONS: JEFF'S PEOPLE
PROGRAM 3: JEFF’S PEOPLE: Since the 1980s, Krulik has steadfastly made dozens
of captivatingly quirky video pieces documenting compellingly offbeat
characters. In all these videos, Krulik displays a raggedly energetic style
marked by a tendency simply to let the camera roll as his subjects perform for
it, a penchant for deliberately cheesy FX (wipes abound), and a genuine
affection for the eccentric personalities he chronicles. Here we present a
selection of our all-time favorite portraits of characters we are lovingly
calling “Jeff’s People.” Program includes: KING OF PORN (1996, 7 min, video)
CELEBRITY UNDERWEAR (1998/2013, 7.5 min, video) I CREATED LANCELOT LINK (1999,
15.5 min, video) PANCAKE (2000, 4.5 min, video) OBSESSED WITH JEWS (2000, 8
min, video) KING OF PORN 2: THE RETIREMENT (2000, ? min, digital) THE
PSYCHEDELIC SECRETARY (2007, 4.5 min, video) And others, including previously
unseen footage from Krulik’s portrait of DC photographer and ‘Cowboy Poet,’
Chris
Earnshaw. Total running time: ca. 80 min.
SUNDAY, JUNE 19, 2016
6/19
Brooklyn, New York: Microscope Gallery
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7:30pm, 1329 Willoughby Ave, #2B
STORM DE HIRSCH: "THIRD EYE BUTTERFLY AND OTHER FILMS"
w/ Bradley Eros. Microscope presents a rare screening of 3 films by seminal
artist Storm De Hirsch, filmmaker, poet, painter, and a co-founder of The
Film-maker’s Cooperative in New York in 1961. The program opens with De
Hirsch’s first film, “Silently, Bearing Totem of a Bird”, a rare silent Super
8mm work by the artist and to be shown in its original format. De Hirsch’s 35
minute 16mm film “The Tattooed Man” (1969), the longest piece of the screening,
was described by Stan VanDerBeek as “a major work in terms of style, structure,
graphic invention, image manipulation and symbolic ritual”. “Third Eye
Butterfly” is a double 16mm projection piece in which the two screens – at
times divided within into additional “mini-screens” causing textured
kaleidoscopic effects – blur to create a third wider frame, encouraging the
viewers to extend their vision beyond ordinary sight. Bradley Eros will project
this film according to guidelines left by the artist. Two of many recently
rediscovered paintings by De Hirsch appear in the gallery’s current group
exhibit “Off Screen." $8 admission, $6 students w/ ID. Tel.: 347 925 1433,
Jefferson St. L (exit Starr St.).
TUESDAY, JUNE 21, 2016
6/21
Austin, TX: Experimental Response Cinema
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7 PM, AFS Screening Room, 1901 E. 51st Street
ERC PRESENTS FESTIVAL OF (IN)APPROPRIATION
$10 General Admission. Works by Soda_Jerk, Orazio Leogrande, Clint Enns, Rachel
Stuckey, Kami Chisholm, Peter Freund, Battersby and Duke, Ip Yuk Yiu, Michael
Lyons & Palle Dahlstedt, Abraham Ravett. Albert Alcoz, and Ken Paul Rosenthal.
Introduced by Rachel Stuckey. Whether you call it collage, compilation, found
footage, détournement, or recycled cinema, the incorporation of already
existing media into new artworks is a practice that generates novel
juxtapositions and new meanings and ideas, often in ways entirely unrelated to
the intentions of the original makers. Such new works are, in other words,
"inappropriate." This act of (in)appropriation may even produce revelations
about the relationship between past and present, here and there, intention and
subversion, artist and critic, not to mention the "producer" and "consumer" of
visual culture itself. Founded in 2009, the Festival of (In)appropriation is a
yearly showcase of contemporary, short (20 minutes or less),
audiovisual works that appropriate existing film, video, or other media and
repurpose it in "inappropriate" and inventive ways. The show is curated by
Jaimie Baron, Lauren Berliner, and Greg Cohen.
WEDNESDAY, JUNE 22, 2016
6/22
Austin, Texas 78702: grayDUCK Gallery
7 PM - 8:30 PM, 2213 E Cesar Chavez St
SCREENING OF EVAN MANN'S SHORT FILMS
In conjunction with the Visitation show, grayDUCK will be presenting a
screening of Evan Mann's short films on Wednesday, June 22, doors open at 7pm,
films start at 7:30. Evan Mann invents imagery suggestive of cosmic forms,
cellular structures, biological architecture, sea life and other unusual
phenomena. His depictions often traverse through multiple mediums: Drawing,
sculpture, video, installation; one process feeds and grows into another:
dividing, repurposing, rearranging, recontextualizing. The content of the work
is often developed through its creation, functioning as a catalyst for Mann to
research and engage with art, science, philosophy, and religion. His use of
monochrome is tied to minimalism and serves to reference clouds, light, eggs
(birth), bones (death), and snow while bringing a formal unity to potentially
chaotic compositions.
6/22
San Francisco, California: The Chapel
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=47717480d5&e=4e65756555
8pm, 777 Valencia Street, San Francisco, CA 94110
YOUNG MOON (WITH FILMS BY PAUL CLIPSON), ETERNAL DRAG, KOKOMO HUM
An evening of musical performances by Young Moon, Eternal Drag, and Kokomo Hum.
Paul Clipson will screen 16mm films with Young Moon.
THURSDAY, JUNE 23, 2016
6/23
Austin, TX: Experimental Response Cinema
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f55077009f&e=4e65756555
2 PM, Salvage Vanguard Theater, 2803 E Manor Rd
ERC PRESENTS: SET ORGANIZED BY LIZ RODDA + JOEY FAUERSO
Experimental Response Cinema presents: SET organized by Liz Rodda and Joey
Fauerso. SET is a collaborative exhibition program by visual artists and
musicians, re-defines the moving image through the context of divergent sites
and live soundtracks. The project includes commissioned silent works by Cheryl
Donegan (NY, NY), Joey Fauerso (San Antonio, TX),Celeste Fichter (Brooklyn,
NY), Duncan Ganley (London, UK), Tatiana Istomina (NY, NY), Susan Jacobs
(Melbourne, AU), Maura Jasper (Muncie, IN), Saul Levine (Boston, MA), Liz Rodda
(Austin,TX), Luz Maria Sánchez (Mexico City, MX), Barron Sherer (Miami, FL),
and Michael Velliquette (Madison, WI) that will travel to multiple exhibition
sites accompanied by a wide range of live soundtracks. Experimental in nature,
the project considers the ways in which artists work in anticipation of an
unknown auditory response and, in turn, how musicians and performers reply to a
divergent range of imagery.
FRIDAY, JUNE 24, 2016
6/24
Austin, TX: Laguna Gloria
7 PM, Laguna Gloria 3809 West 35th Street
GREEN SCREEN FILM SERIES: TAKASHI MURAKAMI JELLYFISH EYES
Green Screen Film Series presents films in the outdoor amphitheater at Laguna
Gloria. Come early and picnic at dusk. BYO Picnics are welcome, with food and
frozen treats also available for purchase at the event from Hand Helds and POP
ART. Gates open at 7P, film at 9P. General $10 / Members FREE Tickets available
at the door. World-renowned contemporary artist Takashi Murakami makes his
feature film debut with Jellyfish Eyes. The Pokémon-influenced coming-of-age
story follows Masashi, a boy who moves to a sleepy town in the wake of an
unnatural disaster only to discover that he and his new classmates can summon
and control a menagerie of monster companions. This visual tour-de-force brings
Murakami's wildly imaginative, trademark creatures into live action. Japanese
with English subtitles, for film lovers ages 8 and up. (2013, 101 min.)http://
www.thecontemporaryaustin.o rg/event/ green-screen-film-series-je llyfish-eyes/
6/24
Milano - Italy: Spazio B**K
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8a74337f8d&e=4e65756555
19:00, Via Porro Lambertenghi 22
SUPER8 EN PLEIN AIR: A SUPER8 WORKSHOP FROM MILANO TO LAKE COMO MOUNTAINS
LANDSCAPE
For those who are around Milano - Italy, from June 24th to 26th: "Super8 en
plein air", a workshop between the city and the mountains, organized by B**K, a
bookshop in the nice Isola neighborhood, and conducted by Livio Colombo and
Giulia Vallicelli. Friday evening (in the bookshop) we will start with talks
and screenings. Saturday morning the class will go on on the train to Como
(more talks about theoretical and practical stuff) and on the funicular to
Brunate. From Brunate, while hiking (very easy path, and stunning view of Como
Lake) to "Capanna CAO" hut, the class will shoot the movie. Lunch at the hut
and back to Brunate and to Milano. On the way back: more shooting. Sunday: film
processing, editing and splicing at the bookshop. Wednesday June 29th:
screening (with live soundtrack) at B**K. All info here:
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=cd138b619c&e=4e65756555
Sorry the webpage is only in italian: use Babelfish or mail me for a
translation or more information:
ugobodibra_at_gmail.com (replace _at_ with @) You can watch works from past
B**K workshops here: www.vimeo.com/97608766, www.vimeo.com/97150170,
www.vimeo.com/134774438
SATURDAY, JUNE 25, 2016
6/25
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=26e61df505&e=4e65756555
6:00 pm, 32 2nd Ave.
I SEE FESTIVAL PROGRAM 1
The more that I see the less that I know for sure.” –John Lennon The I SEE
International Video Art Festival was founded in 2013 by the artists Constantin
Hartenstein and Clemens Wilhelm. In 2015, the second edition of the I SEE
International Video Art Festival once again revealed the latest developments in
contemporary video art. The festival began in Berlin (Germany), traveled to
Beijing, Guangzhou, Chongqing, and Shenzhen (China) to connect these five
vibrant video art scenes, and will now arrive in New York City. The festival
sets out to present groundbreaking video art works by emerging and well-known
international artists who examine the impact of technological and aesthetic
inventions. Three screening programs – THE END OF THE IMAGE AS WE KNOW IT, POST
EVERYTHING, and THE ANIMAL WITHIN – present unique artistic approaches to
animalistic instincts, the omnipresent influence of technology on society, and
concepts of post-futures. PROGRAM 1: THE END OF THE IMAGE AS WE KNOW
IT This program examines constructed digital entities and reevaluates social
norms. It bends the boundaries of original content and newly created context in
a consumer-driven reality. In treating the frame as a space to break apart
filmic forms and narratives, the works in the program look at ways to juxtapose
diverse narratives and stylistic elements. How are the images of the past
reassembled in the present? Would you like to become an alpha-male overnight?
Is the image of an old white male ruling class still adequate? How does the
experience of war change the image of home? What if there was a superhero with
the special powers of a uterus? How can your family appear more happy in
photos? Li Ran FROM TRUCK DRIVER TO THE POLITICAL COMMISSAR OF THE MOUNTED
TROOPS (2012, 9 min, digital, b&w) Constantin Hartenstein ALPHA (2014, 11 min,
digital) Julia Charlotte Richter THE SMELL OF RAIN (2015, 15 min, digital)
Bjørn Melhus I’M NOT THE ENEMY (2011, 14 min, digital) Lu Yang UTERUS
MAN (2013, 11 min, digital) OQ Rizki Resa Utama THE HAPPY FAMILY (2013, 7 min,
digital) Total running time: ca. 70 min.
6/25
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=407e26cefd&e=4e65756555
8:00 pm, 32 2nd Ave.
I SEE FESTIVAL PROGRAM 2
PROGRAM 2: THE ANIMAL WITHIN THE ANIMAL WITHIN combines videos that deal with a
new kind of wild behavior and creative expression – either within ourselves or
as a reaction to a vanishing fauna. Inspired by 17th century painting, hunting
videos on YouTube, or Hitchcockian scenarios, this program presents works that
elaborate upon spiritualism, the emotional tension between mankind and the
wilderness, and the capacity for death to act as a reminder of the animalistic
nature of our being. What do we feel after we shoot an animal? Why do birds
look at us with disinterest? What happens to the soul in the forest? What is
the difference between humans and dogs? Neozoon BUCK FEVER (2012, 6 min,
digital) Ulu Braun BIRDS (2014, 15 min, digital) Trond Ansten 17 TONES OF WHITE
(2015, 27 min, digital) Wojtek Doroszuk FESTIN (2013, 20 min, digital) Total
running time: ca. 70 min.
SUNDAY, JUNE 26, 2016
6/26
New York, New York: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=82f04b5d34&e=4e65756555
7:30 pm, 32 2nd Ave.
I SEE FESTIVAL PROGRAM 3
PROGRAM 3: POST EVERYTHING The POST EVERYTHING program points out the
relationship between innovative aesthetics that transform cultural output and
the past as a resource for the construction of the present and the future. It
reveals a world that fetishizes the new as a surplus value. A small step
forward can shake up all definitions. Can you turn a desert into a utopian
city? How do we relate to world-changing media events? Are we happy with
simulacra instead of the real things? And how can one be an artist in a
hyperreal world? Niklas Goldbach LAND OF THE SUN (2015, 12 min, digital) Franz
Reimer JUSTICE HAS BEEN DONE (2014, 8 min, digital) Clemens Wilhelm SIMULACRA
(2015, 33 min, digital) Erkka Nissinen MATERIAL CONDITIONS OF INNER SPACES
(2014, 15 min, digital) Total running time: ca. 70 min.
------------------------------------------------------------
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