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** This week [November 5 - 13, 2016] in avant garde cinema
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Mono X : A Roll For Peter - Peter Hutton Tribute Program (#anchor8) [November
9, New York, New York]
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DEADLINES APPROACHING:
Winter Film Awards (New York NY USA; Deadline: November 15, 2016)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=15f192b585&e=4e65756555
Oscillation Transia (USA; Deadline: November 12, 2016)
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CALL FOR ENTRIES: NO DEADLINE:
The Journal of Short Film (Location: Columbus, Ohio, USA; No entry deadline)
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Magmart (Location: napoli; No entry deadline)
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Events are sorted alphabetically BY CITY within each DATE.
This week's programs (summary):
* Dreamlands: Expanded - Ken Jacobs (#anchor1) [November 5, Brooklyn, New York]
* Mono X : Look For Me (#anchor2) [November 5, New York, New York]
* Nov.5: J.Grimonprez’ Shadow World + Smash Trump+ (#anchor3) [November 5, San
Francisco, California]
* Flowers of the Sky: Films By Janie Geiser, In Person (#anchor4) [November 6,
Austin, Texas 78752]
* Mono X : Children On the Edge of Itchy-Tectonics - Taiwanese New Experimental
Films (#anchor5) [November 6, New York, New York]
* Do You See What I See? No. (#anchor6) [November 7, Portland, Oregon]
* Site Specific W/ Introduction By David Dinnell (#anchor7) [November 7, San
Francisco, California 94110]
* Mono X : A Roll For Peter - Peter Hutton Tribute Program (#anchor8) [November
9, New York, New York]
* Perpetual Motion, Program Five: Spectres (#anchor9) [November 9, San
Francisco, California]
* Tony Conrad Tribute! Tony Conrad: Completely In the Present + Weyant's Tony
Becomes A Buddha (#anchor10) [November 9, Tucson]
* Time and Tide. A Tribute To Peter Hutton - Program One (#anchor11) [November
10, Cambridge, Massachusetts]
* Mono X : Western Disturbances (#anchor12) [November 10, New York, New York]
* Films and videos By John Duncan, Artist In Person 11th November 8:00pm
(#anchor13) [November 11, Austin, Texas 78702]
* Dreamlands: Expanded - Kurt Schwerdtfeger (#anchor14) [November 11, Brooklyn,
New York]
* Dreamlands: Expanded - Kurt Schwerdtfeger (#anchor15) [November 11, Brooklyn,
New York]
* Time and Tide. A Tribute To Peter Hutton - Program Two (#anchor16) [November
11, Cambridge, Massachusetts]
* Light Field - Program 2 (#anchor17) [November 11, San Francisco, California]
* Light Field - Program 1 (#anchor18) [November 11, San Francisco, California]
* In Search of the Exile / Stuff Feature Presentation (#anchor19) [November 12,
Corpus Christi, Texas 78404]
* Mono X : Cinema 16 (#anchor20) [November 12, New York, New York]
* Mono X : Bolex Rex-5 and Hand Processing Demo (#anchor21) [November 12, New
York, New York]
* Nov.12: Adam Curtis’ Bitter Lake + Putin + Poitras + Brecke (#anchor22)
[November 12, San Francisco, California]
* Light Field - Program 3 (#anchor23) [November 12, San Francisco, California]
* Light Field - Program 4 (#anchor24) [November 12, San Francisco, California]
* Light Field - Program 5 (#anchor25) [November 12, San Francisco, California]
* Time and Tide. A Tribute To Peter Hutton - Program Three (#anchor26)
[November 13, Cambridge, Massachusetts]
* Shapeshifters Cinema Presents Facing West Shadow Opera (#anchor27) [November
13, Oakland]
* Light Field - Program 6 (#anchor28) [November 13, San Francisco, California]
* Light Field - Program 7 (#anchor29) [November 13, San Francisco, California]
* Light Field - Program 8 (#anchor30) [November 13, San Francisco, California]
SATURDAY, NOVEMBER 5, 2016
11/5
Brooklyn, New York: Microscope Gallery
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=ba64c0739c&e=4e65756555
7:30, 1329 Willoughby Ave, 2B
DREAMLANDS: EXPANDED - KEN JACOBS
Ken Jacobs’ “Black Space” is an exploration of a completely black room,
intended as an actualization of the theoretical “black space” needed for
optimal film projection. The piece was conceived and first performed in the
mid-70s and has only previously been presented twice in the past 40 years.
“Complete darkness and we only acknowledge sensation, what we feel and hear and
see, and not what we know…flashes of light leave 3D images lingering on our
retinas as they join the other sensations, as does my disembodied guiding
voice.” – Ken Jacobs, 2016. The evening concludes with a presentation and Q&A
with the artist. This performance is one in a series of expanded cinema events
organized by Microscope in collaboration with the Whitney Museum of American
Art as part of the exhibition Dreamlands: Immmersive Cinema & Art, 2015-2016.
General admission $15.Students & Members $10. Tickets available at the link
above.
11/5
New York, New York: MONO NO AWARE
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d68528c072&e=4e65756555
Performance at 7pm, Center for Performance Research: 361 Manhattan Ave,
Brooklyn, NY 11211
MONO X : LOOK FOR ME
MONO NO AWARE is excited to present the world premiere expanded cinema
performance LOOK FOR ME by Lucy Kerr as part of our community curated cinema
arts festival, MONO X. LOOK FOR ME (2016) is a multimedia project intersecting
a two channel film and a live performance. The film component of this work was
shot on 16mm using an Arri S camera. Portions of the film were hand processed
and the footage was edited digitally. The music accompanying this piece is an
original score by Clay Wilson and Jack Leahy composed on analog synthesizers
and recorded on a reel to reel tape machine. LOOK FOR ME is a visual portrait
of a female figure in conversation with her memory. The performer on stage is
multiplied through the projected images of herself in distant landscapes. This
work is inspired by Simone de Beauvoir’s notion of ambiguity, in which a person
is painted as being both subject and object. In LOOK FOR ME, the figure is
extracted from herself as other than herself. The audience is
invited to witness the performer as if she is looking at herself through the
lens of her imagination. LOOK FOR ME is co-presented by DFA, CPR and MONO NO
AWARE. Produced by MONO NO AWARE with the help of ColorLab, MD
11/5
San Francisco, California: Other Cinema
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9152bb3c9f&e=4e65756555
8:00 PM, 992 Valencia St.
NOV.5: J.GRIMONPREZ’ SHADOW WORLD + SMASH TRUMP+
Kick-starting our Scritti Politti specials, 2 Saturdays straddling the US
election: the West Coast theatrical premiere of Johan (Dial HISTORY)
Grimonprez’ searing indictment of the sleeeazy underworld of global weapons
dealers, and the corrupt political/military leaders awash in their slush-funded
kick-backs and call-girls! Based on Andrew Feinstein’s book and with help from
Eduardo Galeano, Seymour Hersch, Chris Hedges, and Jeremy Scahill, this
archive-heavy assemblage is preceded bya brillrally of feisty political satire,
crystallizing our collective anxiety on the eve of this Presidential fiasco:
Bryan Boyce’s Stupidity and WrestleMania Inauguration, Martha Colburn’s Drumpf
and Hillary Hip-Hop, Mark Boswell’s Trust But Verify, and Hoover/Scantlebury’s
Survival Oblivious. Early show-time to smash the Trump piñata! *8PM
SUNDAY, NOVEMBER 6, 2016
11/6
Austin, Texas 78752: Experimental Response Cinema
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=41071cc44f&e=4e65756555
5:15 PM 7:15 PM, Alamo Draft House Ritz, 6th & San Jacinto
FLOWERS OF THE SKY: FILMS BY JANIE GEISER, IN PERSON
Janie Geiser is a multidisciplinary artist whose practice includes performance,
film, installation, and visual art. Geiser's work is known for its
recontextualization of abandoned images and objects, its embrace of artifice,
and its sense of suspended time. "Geiser gives voice to the reaches of the
unconscious, pointing to the abandoned splendor that exists prior to the rules
of society and language." -Holly Willis, Res, 2004 Experimental Response Cinema
is proud to welcome Janie Geiser for an in-person screening of her lush and
complex film and digital video works, most made within the last five years,
including her most recent work, Flowers of the Sky which just premiered at the
New York Film Festival. She will follow the screening with a q&a. PROGRAM:
Kriminalistik (digital film, 2014, 4 minutes); Ghost Algebra (16mm/finished on
digital, 2009, 9 minutes); Kindless Villain (16mm film/finished on digital,
2010, 5 minutes); The Floor of the World (16mm film/digital print,
2010, 11 minutes); Arbor (16mm film/digital print, 2012, 8 minutes); The
Hummingbird Wars (digital film, 2015, 8 minutes); Cathode Garden (digital film,
2015, 8 minutes); Flowers of the Sky (digital film, 2016, 9:15 minutes).
11/6
New York, New York: MONO NO AWARE
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=317d3e87ed&e=4e65756555
Doors at 7 pm, Screening at 8 pm, Ace Hotel - Liberty Hall: 20 West 29th St,
New York, NY, 10001
MONO X : CHILDREN ON THE EDGE OF ITCHY-TECTONICS - TAIWANESE NEW EXPERIMENTAL
FILMS
MONO NO AWARE is excited to present Children on the edge of itchy-tectonics :
Taiwanese New Experimental Films as part of our community curated cinema arts
festival, MONO X .This program is a collection of the younger generation of
Taiwanese experimental films. It is the New York premiere of Dooll Chao, Lin
Mao, Kaire Wang, 王鈞, Ya-Ting Hsu, Huang Ya-Li, Ye Mimi, Tzu-An Wu, Yin-Ju Chen,
HSU Tsen-chu, and Lin Shih-Chieh. Locates in the tight corner between
geographical and cultural political plate tectonics, the island rides on the
eruption dynamics which converges as well as destructs. These millennials
filmmakers grow up from the rise and fall of Taiwanese New Wave Cinema, and the
dilemmas of the contemporary moving images: forms, media, and
institutionalization… While date lines vanishes, cross-national transferring
turned common, they emerge from the foundation of transformations, friction and
tickling between these gaps are here to stay. Co-presented by Tzu-An Wu, Wen
Hsu,
L/Y, The Other Cinema and MONO NO AWARE.
MONDAY, NOVEMBER 7, 2016
11/7
Portland, Oregon: Oregon Department of Kick ASs
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b2f73466af&e=4e65756555
7 p.m., Hollywood Theatre 4122 N.E. Sandy Blvd.
DO YOU SEE WHAT I SEE? NO.
Vanessa Renwick, of The Oregon Department of Kick Ass, will premiere four brand
spanking new videos this evening. - Strabismus - Public Service Announcement -
Eclipse - NEXT LEVEL FUCKED UP Also live sets by her musical collaborators,
Marisa Anderson!, Sam Coomes! and Michael Hurley!!!
11/7
San Francisco, California 94110: Artists Television Access
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=625ebaec00&e=4e65756555
7:30 PM - 10 PM PST, 992 Valencia St
SITE SPECIFIC W/ INTRODUCTION BY DAVID DINNELL
Monday, Nov 7 Doors at 7pm | screening at 7:30pm Site Specific - new works by
Seamus Harahan, Mike Hoolboom, Helena Girón and Samuel Delgado, Gabriela
Golder, Kevin J Everson, John Skoog, and Ralitsa Doncheva. An incident on a
Belfast street; the search for the last living witch on the island of
Lanzarote; the extraction and movement of salt from the Atacama Desert of
northern Chile to the streets of Boston; a hand-built fortified bunker in rural
Sweden- this program of eight recent non-fiction films from N. Ireland, Canada,
Spain, Argentina, Chile, Bulgaria, Sweden and the US take a specific location
as their point of departure. Introduction by guest programmer David Dinnell. MR
AND MRS COMPOST (2013, 1.5 min, N. Ireland), Seamus Harahan. UNTITLED (2016, 8
min, Canada), Mike Hoolboom. NEITHER GOD NOR SANTA MARIA (2015, 12 min, Spain),
Helena Girón and Samuel Delgado. TIERRA QUEMADA (2016, 8 min, Argentina/Chile),
Gabriela Golder. FUNDIR (2016, 22 min, US/Chile), Allison
Cekela. EARS, NOSE AND THROAT (2016, 10 min, US), Kevin Jerome Everson. REDUIT
(REDOUBT) (2014, 14 min, Sweden), John Skoog. BABA DANA TALKS TO THE WOLVES
(2015, 10 min, Bulgaria/Canada), Ralitsa Doncheva.
WEDNESDAY, NOVEMBER 9, 2016
11/9
New York, New York: MONO NO AWARE
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e2c543ebf0&e=4e65756555
Doors at 7pm, Screening at 8 pm, Gowanus Darkroom: 119 8th St, Brooklyn, NY
11215
MONO X : A ROLL FOR PETER - PETER HUTTON TRIBUTE PROGRAM
Peter Hutton’s contemplative, visually arresting landscape and urban films
invite us to take our time within silent cinematic tableaux of place, so that
we may discover the beauty of overlooked moments. His carefully composed
long-duration shots, whether of city, nature, sea or factory, remind us the
wonder we can discover in the familiar. As we observe with patience, humility
and vulnerability, Peter’s work offers us a sanctuary from the frantic, goal
oriented state of current visual culture. Organized and assembled by Jennifer
Reeves and Mark Street, presented by MONO NO AWARE. New York Premiere of films
by contributing filmmakers: Eve Heller, Christopher Harris, Kathryn Ramey,
Roddy Bogowa, the organizing filmmakers, and others.
11/9
San Francisco, California: San Francisco Cinematheque
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=67e256bc9c&e=4e65756555
8:00 PM, 2665 Mission Street
PERPETUAL MOTION, PROGRAM FIVE: SPECTRES
Program Five: Spectres features Karry Laitala's The City Luminous: Electric
Salome (featuring dancer/choreographer Jenny Stulberg and with live soundtrack
by Voicehandler) which celebrates the innovations of Loie Fuller. The
Tehran-born, Brooklyn-based Raha Raissnia performs Mneme-3 and Litany, two
performance works for 16mm film, projected slides and hand-painted screens
accompanied by a live soundtrack by Panagiotis Mavridis, performed on hand-made
instruments, incorporating vocals,and more.Finally, John Davis’ The Dreaming
Skull canters on parallels between the known and the unknown,the corporeal and
the metaphysical.
11/9
Tucson: Exploded View Microcinema
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4b06454487&e=4e65756555
7:30, 197 E Toole Ave
TONY CONRAD TRIBUTE! TONY CONRAD: COMPLETELY IN THE PRESENT + WEYANT’S TONY
BECOMES A BUDDHA
Since the early 1960s, Tony Conrad's films and compositions have been the stuff
of legend. His development and practice of Just Intonation and Minimalism
through his work with Stockhausen and La Monte Young and his pivotal role in
the formation of The Velvet Underground has been incredibly influential. Tony
Conrad: Completely in the Present by Tyler Hubby examines the pioneering life
and works of this amazing artist, musician, activist and educator. Opening the
show will be Glenn Weyant conducting “TONY BECOMES A BUDDHA”. Weyant’s original
score is built upon sound ideas and philosophical ruminations put forth by Tony
Conrad for an orchestra of amplified bowed guitars, cellos, violins, violas .
These include but are not limited to: just intonation, 60-cycle amplifier
ground hum tuning, improvisation, drone, noise, piezo amplification, harmonics
and slavish Pythagorean demagoguery deconstruction. Orchestra is: Glenn Weyant,
Samantha Bounkeua, Robert Villa, Sophie Gibson-Rush,
Adam Cooper-Terán, Nik Rayne, Grant Beyschau, Connor Gallaher, Richard Young,
John Melillo, Miguel Urbina, Jake Sorgen and Vicki Brown!!
THURSDAY, NOVEMBER 10, 2016
11/10
Cambridge, Massachusetts: Harvard Film Archive
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=007c4b12f0&e=4e65756555
7PM, 24 Quincy Street
TIME AND TIDE. A TRIBUTE TO PETER HUTTON - PROGRAM ONE
INTRODUCED BY ALFRED GUZZETTI Screening Room (excerpt) Directed by Robert
Gardner US 1977, digital video, color, 10 min July '71 in San Francisco, Living
at Beach Street, Working at Canyon Cinema, Swimming in the Valley of the Moon
Directed by Peter Hutton US 1971, 16mm, b/w, silent, 35 min New York Portrait I
Directed by Peter Hutton US 1979, 16mm, b/w, silent, 16 min Boston Fire
Directed by Peter Hutton US 1979, 16mm, b/w, silent, 8 min
11/10
New York, New York: MONO NO AWARE
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a19bce76fb&e=4e65756555
Doors at 6:30pm, Screening at 7:30pm, Maysles Cinema & Documentary Center: 343
Malcolm X Blvd, New York, NY, 10027
MONO X : WESTERN DISTURBANCES
A guide in how to not find what you weren't really looking for, Western
Disturbances is a feature-length performance, multi-media, personal documentary
film exposing the inherent folly in expectation as seen through the filmmaker's
attempt to document the 2015 South Asian Monsoon. This program will open with a
series of 16mm films entitled, Raining Ragas nos 1-6. Inspired by the
structured yet highly improvisational style of the Indian raga, these six rolls
of 16mm film, shot and edited in-camera, perform the filmic plea of a musical
raining raga in hopes of inducing the monsoon. Shot in Kerala and West Bengal
during the weak and delayed onset of the 2015 South Asian monsoon, Raining
Ragas Nos. 1-6 reveal the anticipation, frustration, and confusion in awaiting
the unpredictable weather system. Co-presented by Maysles and MONO NO AWARE New
York Premiere of feature-length documentary performance film by Alex Cunningham.
FRIDAY, NOVEMBER 11, 2016
11/11
Austin, Texas 78702: Experimental Response Cinema
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b4ec315dc4&e=4e65756555
8 PM, First Street Studio, 2400 E Cesar Chavez Suite 202
FILMS AND VIDEOS BY JOHN DUNCAN, ARTIST IN PERSON 11TH NOVEMBER 8:00PM
Films and Videos by John Duncan, Artist In Person 11th November 8:00pm. Phantom
(16 minutes) 1985 Intransitive Verbs (8 minutes) 1977 The Glistening (28
minutes) 2012 Root (10 minutes) 2014 Caged (5 minutes) 2015 Winter Polar Circle
(25 minutes) 2012 Experimental Response Cinema are proud to present a program
of film and video works by John Duncan. With John Duncan in attendance to
present the works. John Duncan has operated for decades at the cutting edge of
performance, video, experimental music, installation, pirate radio and
television. He has played a pivotal role in the development of performance art
in Los Angeles, of experimental music as a member of LAFMS, of Japanese noise
and pirate radio in Tokyo. Duncan's work in experimental music continues to
have a lasting influence as his art overall continues to be honed, refined,
sharpened.
11/11
Brooklyn, New York: Microscope Gallery
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=07e2f93076&e=4e65756555
7:30, 1329 Willoughby Ave, 2B
DREAMLANDS: EXPANDED - KURT SCHWERDTFEGER
“Reflektorische Farblichtspiele” (Reflecting Color-Light-Play) Performed by
Lary 7 In 1922 at the home of Vassily Kandinsky, a then 25-year-old artist Kurt
Schwerdtfeger debuted his “Reflecting Color-Light-Play”, today considered a
seminal work of the Weimar Bauhaus movement and of 20th century sculpture. The
work was last performed in 1966 in a re-staging begun two years earlier and
overseen by the artist himself before his death later that year. This current
rendition features a newly built apparatus and a visual score based on the 1966
presentation as well as original documents. “While conceptualizing a shadow
play titled “Days of Genesis” for a Lantern Festival it seemed necessary to use
not only shadow figures but color shapes on black as well. At that very moment
I perceived the idea of color-light plays in abstract form with free-moving,
superimposed shapes of colored light moving in time.” – Kurt Schwerdtfeger,
1962. This performance is one in a series of expanded
cinema events organized by Microscope in collaboration with the Whitney Museum
of American Art as part of the exhibition Dreamlands: Immmersive Cinema & Art,
2015-2016. General admission $15. Students & Members $10. Tickets available at
the link above.
11/11
Brooklyn, New York: Microscope Gallery
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e1ec0ee365&e=4e65756555
7:30, 1329 Willoughby Ave, 2B
DREAMLANDS: EXPANDED - KURT SCHWERDTFEGER
“Reflektorische Farblichtspiele” (Reflecting Color-Light-Play) Performed by
Lary 7 In 1922 at the home of Vassily Kandinsky, a then 25-year-old artist Kurt
Schwerdtfeger debuted his “Reflecting Color-Light-Play”, today considered a
seminal work of the Weimar Bauhaus movement and of 20th century sculpture. The
work was last performed in 1966 in a re-staging begun two years earlier and
overseen by the artist himself before his death later that year. This current
rendition features a newly built apparatus and a visual score based on the 1966
presentation as well as original documents. “While conceptualizing a shadow
play titled “Days of Genesis” for a Lantern Festival it seemed necessary to use
not only shadow figures but color shapes on black as well. At that very moment
I perceived the idea of color-light plays in abstract form with free-moving,
superimposed shapes of colored light moving in time.” – Kurt Schwerdtfeger,
1962. This performance is one in a series of expanded
cinema events organized by Microscope in collaboration with the Whitney Museum
of American Art as part of the exhibition Dreamlands: Immmersive Cinema & Art,
2015-2016. General admission $15. Students & Members $10. Tickets available at
the link above.
11/11
Cambridge, Massachusetts: Harvard Film Archive
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=57ae0c1455&e=4e65756555
7PM, 24 Quincy Street
TIME AND TIDE. A TRIBUTE TO PETER HUTTON - PROGRAM TWO
Florence Directed by Peter Hutton US 1975, b/w, silent, 8 min At Sea Directed
by Peter Hutton US 2007, 16mm, color, silent, 60 min
11/11
San Francisco, California: Light Field
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=13a8e3dd0d&e=4e65756555
9:00pm, The Lab - 2948 16th Street
LIGHT FIELD - PROGRAM 2
350 MYA,Terra Long (2016, 5 min, 16mm) Resin, Kimberly Forero-Arnias (2016, 16
min, 16mm) Despedida (Farewell), Alexandra Cuesta (2013, 10 min, 16mm)
Composite/De-Composited, Eva la Cour (2015, 3 min, 16mm) Sleeping District,
Tinne Zenner (2014, 12 min, 16mm) Remembering the Pentagons, Azadeh Navai
(2015, 23 min, 16mm)
11/11
San Francisco, California: Light Field
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=90da5f6bc9&e=4e65756555
7:00pm, The Lab - 2948 16th Street
LIGHT FIELD - PROGRAM 1
Hay Algo Y Se Va, Kimberly Forero-Arnias (2014, 3 min, 16mm) Energize, Pablo
Valencia (2013, 1 min, super 8mm) Toxic Shock, Vanessa Renwick (1983, 3 min,
16mm) Spotlight on a Brick Wall, Alee Peoples & Mike Stoltz (2016, 8 min, 16mm)
Hotel Cartograph, Scott Stark (1983, 12 min, 16mm) Narcissi, Shiloh Cinquemani
(2013, 3 min, 16mm) Blue, Shiloh Cinquemani (2013, 3 min, 16mm) Roundtrip,
Philippe Leonard (2014, 3 min, 16mm) Late Light, Matt Whitman (2015, 3 min,
16mm) THEM APPLES, Adam R. Levine (2016, 3 min, 16mm) If You Can't See My
Mirrors, I Can't See You, Alee Peoples (2016, 12 min, 16mm) Tune In, Esther
Johnson (2006, 14 min, 16mm)
SATURDAY, NOVEMBER 12, 2016
11/12
Corpus Christi, Texas 78404: South Texas Underground Film
11 AM - 12:15 PM, Del Mar College Wolfe Recital Hall, 3402 ayers st
IN SEARCH OF THE EXILE / STUFF FEATURE PRESENTATION
South Texas Underground Film is proud to present this collection of short Films
of the 5th Annual STUFF 2016 Film Festival at Del Mar College. Feature
Presentation: In Search of the Exile - Clara Pais & Daniel Fawcett - Europe IN
SEARCH OF THE EXILE (2016) is a visionary cinematic experience, a doorway into
a dreamworld where reality morphs and transforms before our eyes. In this film
a lone figure wanders through a mysterious wilderness while hounded by spectres
and unseen forces. This is a solitary journey, a path of exile and hardship
that leads beyond the abyss to where reality loses its mask of concreteness and
shows its true fluid face. The Wanderer is assailed by enigmatic figures and
creatures that dance across the screen, reality is only momentarily graspable
before disintegrating into a sea of colour, texture and abstraction. Each step
forwards demands complete submission in order to find harmony in the tension of
opposites. Drawing upon their interest in cinema's
connections to ritual, alchemy and mythology, Daniel Fawcett & Clara Pais have
created a cinematic experience that is akin to a mystical vision. IN SEARCH OF
THE EXILE is a ritual of submission and a challenge to the viewer's
expectations of cinematic narrative and form. clip:
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166014547
11/12
New York, New York: MONO NO AWARE
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7pm, 99 Scott: 99 Scott Ave, Brooklyn, NY, 11237
MONO X : CINEMA 16
For this evening, Cinema 16 matches eight films with a commissioned score
written and played live by New York musicians Simone and Amedeo Pace of Blonde
Redhead. Curated by Cinema 16’s founder Molly Surno. The films selected by
Surno address issues of legacy, lifespan, and decay both materially and
conceptually. The films include Norman McLauren’s A Phantasy of Color (1952),
Jordan Belson’s Chakra (1972), Malcom La Grice’s Berlin Horse (1970), Sarah
Petty’s Furies (1981), Charles + Ray Eames’ Power of Ten (1977), Naomi Uman’s
Removed (1999), Adam Beckett’s Flesh Flows (1974), and Scott Bartlett’s OffOn
(1968). Original score by Simone and Amedeo Pace of Blonde Redhead. Curated by
Molly Surno of C16, presented by MONO NO AWARE.
11/12
New York, New York: MONO NO AWARE
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7747335650&e=4e65756555
Doors at 12pm, Demo at 1pm, Alice Austen House: 2 Hylan Blvd, Staten Island,
NY, 10305
MONO X : BOLEX REX-5 AND HAND PROCESSING DEMO
MONO NO AWARE is excited to hold a Bolex Rex-5 and Hand Processing Demo as part
of our community curated cinema arts festival, MONO X. Have fun with the art of
traditional photography! Honoring Alice Austen's 150th Birthday, this program
will provide the opportunity for exploration of the art of traditional
photography and motion picture film thanks to MONO NO AWARE. Activities include
hands-on demonstrations, the “Camera Doctor” who can advise on how to get your
vintage cameras back up and running, an exhibition of pinhole camera
collections, and a selection of vintage cameras to use. Co-presented by ORWO
North America **Free 35mm rolls to the first 10 visitors!**
11/12
San Francisco, California: Other Cinema
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=14c41292bf&e=4e65756555
8:00 PM, 992 Valencia St.
NOV.12: ADAM CURTIS’ BITTER LAKE + PUTIN + POITRAS + BRECKE
Our second round of Poli-Sci-Cinema mirrors last week’s: A half-hour of
political “briefs” sets up a long-form compilation-doc...in tonight’s case,
Curtis’ recent, riveting Bitter Lake! Experimental collage-cum-critical essay,
our fave avant-garde broadcaster takes on the tangled triangle of power
relations between the US, Afghanistan, and Saudi Arabia. Curtis manages to
connect all the dots—and then some—in this spot-on demonstration of TV-archival
research turned to anti-imperialist ends. Not shown outside the UK because of
copyrights, this sneak peek affords a blinding light on the Endless War of our
generation. OPENING are Mark Brecke’s (in person) Lost Leader (on Somalia),
Laura Poitras’ Death of a Prisoner (on Guantanamo), Dana O’Keefe’s Vladimir
Putin in Deep Concentration, and CGB’s 35mm live-mix C.I.A.S.U.X. *8PM
11/12
San Francisco, California: Light Field
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3982d39a5d&e=4e65756555
5:00pm, The Lab - 2948 16th Street
LIGHT FIELD - PROGRAM 3
AS WITHOUT SO WITHIN, Manuela De Laborde (2016, 25 min, 16mm) Potemkin Village,
Eva la Cour (2015, 3 min, 16mm) Rock Roll, Josh Guilford (2015, 3 min, 16mm)
Traces, Erin Weisgerber (2014, 5 min, 16mm) Vaseline, Malic Amalya & Nathan
Hill (2016, 7 min, 16mm) Iron Condor, Meredith Lackey (2015, 10 min, 16mm) New
York Portrait, Chapter I, Peter Hutton (1979, 16 min, 16mm)
11/12
San Francisco, California: Light Field
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e4927b7794&e=4e65756555
7:00pm, The Lab - 2948 16th Street
LIGHT FIELD - PROGRAM 4
Ceol (Ruinsong), Ben Balcom (2016, 5 min, 16mm) Parallel Inquiries, Christina C
Nguyen (2016, 10 min, 16mm) The Bellouin Sequence, Rick Bahto (2008, 3 min,
16mm) The Past is Past [but there is something I now I regret like I was about
to do it], Josh Lewis (2015, 7 min, 2x 16mm) Blue Line Chicago, Richard Tuohy &
Dianna Barrie (2014, 10 min, 16mm) Reckless Eyeballing, Christopher Harris
(2004, 14 min, 16mm) Prima Materia, Charlotte Pryce (2015, 3 min, 16mm) Speech
Memory, Caroline Key (2007, 23 min, 16mm)
11/12
San Francisco, California: Light Field
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=229860ec50&e=4e65756555
9:00pm, The Lab - 2948 16th Street
LIGHT FIELD - PROGRAM 5
Guest curated by David Dinnell Under the Shadow of Marcus Mountain, Robert
Schaller (2011, 6 min, 16mm) Kiri, Sakumi Hagiwara (1972, 8 min, 16mm) The
Image World, Adele Horne (2008, 6 min, 16mm) Point de Gaze, Jodie Mack (2012, 5
min, 16mm) Zone of Total Eclipse , Mika Taanila (2006, 6 min, 2x 16mm) Filter
Beds, Guy Sherwin (1998, 9 min, 16mm) Lunar Almanac, Malena Szlam (2013, 4 min,
16mm) Cinematographie, Philipp Fleischmann (2009, 6 min, 2x 16mm) Red Shift,
Emily Richardson (2001, 4 min, 16mm) Apotheosis, Yoko Ono & John Lennon (1970,
18 min, 16mm)
SUNDAY, NOVEMBER 13, 2016
11/13
Cambridge, Massachusetts: Harvard Film Archive
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a25533d55a&e=4e65756555
5PM, 24 Quincy Street
TIME AND TIDE. A TRIBUTE TO PETER HUTTON - PROGRAM THREE
INTRODUCTION BY FERN SILVA New York Portrait, Chapter II Directed by Peter
Hutton 1981, 16mm, b/w, silent, 16 min Study of A River Directed by Peter
Hutton US 1997, 16mm, b/w, silent, 16 min Time and Tide Directed by Peter
Hutton US 2000, 16mm, color, silent, 35 min
11/13
Oakland: Shapeshifters Cinema
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7:30-10PM, Temescal Art Center, 511 48th St. Oakland
SHAPESHIFTERS CINEMA PRESENTS FACING WEST SHADOW OPERA
Facing West Shadow Opera hybridizes art forms to create unique performances,
each akin to a live graphic novel with euphoria-inducing chamber music. Facing
West Shadow Opera is a collective of artists, puppeteers, filmmakers and
musicians hybridizing art forms to create magical acts of rebellion as small
scale experimental art that is sustainable in the current gold rush climate of
the Bay Area. FWSO combines analog shadow theatre with original animation,
video projection of found footage and Baroque Opera performed live. FWSO
depicts stories drawn from the cultural, political, and natural history of
California and the American West, re-imagined with unique visual storytelling
to create surprising experiences for the audience by seamlessly combining the
old and the new. The current FWSO production is a live Baroque puppet opera
exploring queer poet Walt Whitman’s obsession with the traveling operas of the
wild west and gold rush era. Part of the program will also include two
shorts by FWSO Artistic Director Lydia Greer, Hysteria, a new short video, and
an excerpt from her animation, A Self Made House.
11/13
San Francisco, California: Light Field
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=1db21cde43&e=4e65756555
2:00pm, Artists' Television Access - 992 Valencia Street, San Francisco, CA
LIGHT FIELD - PROGRAM 6
Guest curated by David Dinnell Blue Loop, July, Mike Gibisser (2014, 5 min,
16mm) Observation, Yamazaki Hiroshi (1975, 10 min, 16mm) Gradual Speed, Els van
Riel (2013, 52 min, 16mm)
11/13
San Francisco, California: Light Field
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=209a020ce0&e=4e65756555
4:30pm, Roxie Theater - 3125 16th Street, San Francisco, CA
LIGHT FIELD - PROGRAM 7
Swamp Donkey, Sweet Sight, Colin Brant (2016, 4 min, 16mm) (I)FRAME, Karissa
Hahn & Andrew Kim (2016, 11 min, 35mm) Solitary Acts (4,5,6), Nazlı Dinçel
(2015, 25 min, 16mm) Luna e Santur, Joshua Gen Solondz (2016, 11 min, 35mm)
Events in a Cloud Chamber, Ashim Ahluwalia (2016, 21 min, 35mm) The Kiss, Luis
Macías (2014, 9 min, 35mm)
11/13
San Francisco, California: Light Field
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b34caec726&e=4e65756555
TBA, undisclosed location
LIGHT FIELD - PROGRAM 8
Conical Solid, Anthony McCall (1974, 10 min, 16mm) Line Describing a Cone,
Anthony McCall (1973, 30 min, 16mm)
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