To extend that thought a bit: book publishers often take into account potential classroom sales. So there’s more of a predictable market for books covering avant garde film “classics” or earlier experimental film periods than the immediate one. And there’s a certain overlaps with “artist media” or “artist video” work, esp. in the gallery art world were it seems almost a requirement now to be part of a show.
Chuck Kleinhans On Dec 6, 2016, at 12:30 PM, Adam Hyman <[email protected]<mailto:[email protected]>> wrote: There are lots of articles; any reason why it needs to be a book? Best, Adam From: Michael Betancourt <[email protected]<mailto:[email protected]>> Reply-To: "Experimental Film Discussion List <[email protected]<mailto:[email protected]>>" <[email protected]<mailto:[email protected]>> Date: Tue, 6 Dec 2016 13:22:28 -0500 To: "Experimental Film Discussion List <[email protected]<mailto:[email protected]>>" <[email protected]<mailto:[email protected]>> Subject: Re: [Frameworks] Books on Contemporary Experimental Film Thanks to everyone who suggested readings. I'm going to be busy :) It is a bit of a disappointment (but not really a surprise, since there is so much good work being made everywhere) to see that none of the readings are specifically about what's been happening in the US. Michael Betancourt Savannah, GA USA michaelbetancourt.com<https://urldefense.proofpoint.com/v2/url?u=http-3A__michaelbetancourt.com&d=CwMFAg&c=yHlS04HhBraes5BQ9ueu5zKhE7rtNXt_d012z2PA6ws&r=y2hybOip15_0MHKsie4eMM743nBh00sLtx4-ahFzSmg&m=pJQLCe5bvZZqEiiYUYs23A7oKnFp34ndC9vwUnI7TQc&s=B8HEXGDbD4NOHnGFhXeqrNYAtyRsWD_oWLGflh1GoAU&e=> twitter.com/cinegraphic<https://urldefense.proofpoint.com/v2/url?u=http-3A__twitter.com_cinegraphic&d=CwMFAg&c=yHlS04HhBraes5BQ9ueu5zKhE7rtNXt_d012z2PA6ws&r=y2hybOip15_0MHKsie4eMM743nBh00sLtx4-ahFzSmg&m=pJQLCe5bvZZqEiiYUYs23A7oKnFp34ndC9vwUnI7TQc&s=Eoy7-rQH_PZrpWz3pX5fwgHS1FRZA1WSDLlRDMgvpb0&e=> | vimeo.com/cinegraphic<https://urldefense.proofpoint.com/v2/url?u=http-3A__vimeo.com_cinegraphic&d=CwMFAg&c=yHlS04HhBraes5BQ9ueu5zKhE7rtNXt_d012z2PA6ws&r=y2hybOip15_0MHKsie4eMM743nBh00sLtx4-ahFzSmg&m=pJQLCe5bvZZqEiiYUYs23A7oKnFp34ndC9vwUnI7TQc&s=qg4EFOxQtfeb_yarhnpLLbetrW6FUug1sChXGXIfI9g&e=> www.cinegraphic.net<https://urldefense.proofpoint.com/v2/url?u=http-3A__www.cinegraphic.net&d=CwMFAg&c=yHlS04HhBraes5BQ9ueu5zKhE7rtNXt_d012z2PA6ws&r=y2hybOip15_0MHKsie4eMM743nBh00sLtx4-ahFzSmg&m=pJQLCe5bvZZqEiiYUYs23A7oKnFp34ndC9vwUnI7TQc&s=iVtJ_JDEAkxMkC5g-_IPVaX0stHxqDKmbaXN0z9xSlw&e=> | the avant-garde film & video blog _______________________________________________ FrameWorks mailing list [email protected]<mailto:[email protected]> https://mailman-mail5.webfaction.com/listinfo/frameworks<https://urldefense.proofpoint.com/v2/url?u=https-3A__mailman-2Dmail5.webfaction.com_listinfo_frameworks&d=CwMFAg&c=yHlS04HhBraes5BQ9ueu5zKhE7rtNXt_d012z2PA6ws&r=y2hybOip15_0MHKsie4eMM743nBh00sLtx4-ahFzSmg&m=pJQLCe5bvZZqEiiYUYs23A7oKnFp34ndC9vwUnI7TQc&s=oaa0ClTay9Ee-Z3AQGOF7PUobf1lZpCEYHNxNJN10WE&e=> _______________________________________________ FrameWorks mailing list [email protected]<mailto:[email protected]> https://urldefense.proofpoint.com/v2/url?u=https-3A__mailman-2Dmail5.webfaction.com_listinfo_frameworks&d=CwIGaQ&c=yHlS04HhBraes5BQ9ueu5zKhE7rtNXt_d012z2PA6ws&r=y2hybOip15_0MHKsie4eMM743nBh00sLtx4-ahFzSmg&m=pJQLCe5bvZZqEiiYUYs23A7oKnFp34ndC9vwUnI7TQc&s=oaa0ClTay9Ee-Z3AQGOF7PUobf1lZpCEYHNxNJN10WE&e=
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