My 2 films De Luce 1: Vegetare and De Luce 2: Architectura include an excerpt from Robert Grosseteste's text De Luce (On Light) as does Hollis Frampton's Zorn's Lemma.
My films are available streaming on fandor.com and from Canyon Cinema and FilmMakers Coop. On Jan 27, 2017, at 4:00 AM, frameworks-requ...@jonasmekasfilms.com wrote: > Send FrameWorks mailing list submissions to > frameworks@jonasmekasfilms.com > > To subscribe or unsubscribe via the World Wide Web, visit > https://mailman-mail5.webfaction.com/listinfo/frameworks > or, via email, send a message with subject or body 'help' to > frameworks-requ...@jonasmekasfilms.com > > You can reach the person managing the list at > frameworks-ow...@jonasmekasfilms.com > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of FrameWorks digest..." > > > Today's Topics: > > 1. New Art Book and Screening by Doris Schmid (Klaus W. Eisenlohr) > 2. experimental films with philosophical text? (Ben Ogrodnik) > 3. Re: experimental films with philosophical text? (Kian Bergstrom) > 4. Re: 16mm E6 - Wittner vs. Agfa (Sean Weitzel) > 5. Re: 16mm E6 - Wittner vs. Agfa (Sean Weitzel) > 6. Re: experimental films with philosophical text? (John Sundholm) > 7. Film & Analog Video Gear in Chicago - Make Me an Offer I > Can't Refuse (LJ Frezza) > 8. Re: Film & Analog Video Gear in Chicago - Make Me an Offer I > Can't Refuse (Julian Antos) > 9. Re: Film & Analog Video Gear in Chicago - Make Me an Offer I > Can't Refuse (Julian Antos) > 10. Re: Film & Analog Video Gear in Chicago - Make Me an Offer I > Can't Refuse (Sceptics skept) > 11. Re: experimental films with philosophical text? (Kolberg, Sarah) > 12. Re: experimental films with philosophical text? (Dave Tetzlaff) > 13. Call for papers and films on Animated Documentary (Sarah Bliss) > 14. Re: experimental films with philosophical text? (Albert Alcoz) > 15. Re: experimental films with philosophical text? (Steve Polta) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Thu, 26 Jan 2017 14:30:38 +0100 > From: "Klaus W. Eisenlohr" <kl...@richfilm.de> > To: Frameworks List <frameworks@jonasmekasfilms.com> > Subject: [Frameworks] New Art Book and Screening by Doris Schmid > Message-ID: <a06240801d4afaa5a4275@[192.168.2.102]> > Content-Type: text/plain; charset="iso-8859-1" ; format="flowed" > > Join the Crowdfunding for the new book by Doris Schmid. > > TONIGHT, Doris Schmid will present her video > "Projektionen" at the Urban Research screening > "Private Affair": http://directorslounge.net and > she will be personally present at Z-Bar and talk > about her new book after the screening. > > Her book "Projektionen" will feature an > elaborated interview of her by Klaus W. > Eisenlohr, conceived on the occasion of her > Directors Lounge Screening in 2014. > > https://wemakeit.com/projects/projektionen > More infos: > About the book: https://www.facebook.com/dorisschmidartistbook/ > About the screening: > http://urban-research.eu/DL2016/framesUR-PrivateAffair.html > > ----- > Klaus W. Eisenlohr > Team Directors Lounge > -- > > Klaus W. Eisenlohr, Osnabrücker Str. 25, D-10589 Berlin, Germany > > > > email: kl...@richfilm.de > and film production: http://www.richfilm.de > > > phone: int.- 49 - 30 - 3409 5343 (BERLIN) > > > ------------------------------ > > Message: 2 > Date: Thu, 26 Jan 2017 14:20:45 -0500 > From: Ben Ogrodnik <ben.ogrod...@gmail.com> > To: frameworks@jonasmekasfilms.com > Subject: [Frameworks] experimental films with philosophical text? > Message-ID: > <cansqqa1qqr6cuv5gug6c_ha2tnhraom3c7ohgxf7t2ikyrj...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Hi all, > > Can you recommend to me any experimental, avant-garde films that examine > key works/thinkers of Western continental or analytical philosophy? > > The type of film I'm interested in is not a film that can be analyzed > through a philosophical lens, but rather one in which a philosophical text > makes some kind of direct appearance (through a quotation, intertitle, > etc.) For instance, one example might be the 16mm film *Valley Fever* by > Stephanie Beroes, 1986, which features a woman reading lengthy excerpts > from Maurice Merleau-Ponty's phenomenological thought. > > I am currently working on a list of experimental films united by a common > interest in visualizing philosophical texts. Alas, this subfield is not my > main area of expertise, so your help is greatly appreciated. > > Thanks so much! > > Sincerely, > Ben > > > > -- > Ben Ogrodnik > PhD student > K. Leroy Irvis Fellow > Department of Film Studies // History of Art and Architecture > University of Pittsburgh > b...@pitt.edu > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20170126/02e1aebb/attachment-0001.html> > > ------------------------------ > > Message: 3 > Date: Thu, 26 Jan 2017 13:27:41 -0600 > From: Kian Bergstrom <kian.bergst...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] experimental films with philosophical text? > Message-ID: > <CACPLBNYrS7syjYewnCQi+Z=s9nbLkBgFROD-K9uQM=zar-m...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Péter Forgács' _Wittgenstein Tractatus_ springs to mind. > > -Kian > > On Thu, Jan 26, 2017 at 1:20 PM, Ben Ogrodnik <ben.ogrod...@gmail.com> > wrote: > >> Hi all, >> >> Can you recommend to me any experimental, avant-garde films that examine >> key works/thinkers of Western continental or analytical philosophy? >> >> The type of film I'm interested in is not a film that can be analyzed >> through a philosophical lens, but rather one in which a philosophical text >> makes some kind of direct appearance (through a quotation, intertitle, >> etc.) For instance, one example might be the 16mm film *Valley Fever* by >> Stephanie Beroes, 1986, which features a woman reading lengthy excerpts >> from Maurice Merleau-Ponty's phenomenological thought. >> >> I am currently working on a list of experimental films united by a common >> interest in visualizing philosophical texts. Alas, this subfield is not my >> main area of expertise, so your help is greatly appreciated. >> >> Thanks so much! >> >> Sincerely, >> Ben >> >> >> >> -- >> Ben Ogrodnik >> PhD student >> K. Leroy Irvis Fellow >> Department of Film Studies // History of Art and Architecture >> University of Pittsburgh >> b...@pitt.edu >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20170126/9c8dddd5/attachment-0001.html> > > ------------------------------ > > Message: 4 > Date: Thu, 26 Jan 2017 11:28:23 -0800 > From: Sean Weitzel <panaf...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] 16mm E6 - Wittner vs. Agfa > Message-ID: > <CAL4hNLbcf=jr0jznh7zgcrcq5vxdkykyrcw-0yx5bpw+7cx...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > I shot a roll of the agfa/wittner and had it processed at Dwayne's Photo. I > was really unhappy with the green cast. I'm planning to try some old > Ektachrome VNF thats been frozen since new. Anyone have experience with > 7250 or 2283 and processing it as E6? > > On Wed, Jan 25, 2017 at 10:36 AM, Amanda Thomson <tea.ama...@gmail.com> > wrote: > >> Hi Dan, >> >> I've also shot 3383 in camera. The main thing to keep in mind (aside from >> it needing lots of light) is that it's expecting the orange mask of colour >> negative so it makes everything super blue if processed in E6 (1st dev >> 1min, 2nd dev 2 mins, blix 2 mins, stab 30 sec). You can put orange >> filters in your camera to compensate. Alternately if processed to negative >> its orange. >> >> I've also used the Agfa/Wittner/Aviphot stock it's quite grainy, which >> seems especially noticable when transfered digitally. It has an orange >> brownish leaning. I'm curious to shoot some green now though. >> >> Amanda >> >> On Tue, Jan 24, 2017 at 4:00 AM, <frameworks-requ...@jonasmekasfilms.com> >> wrote: >> >>> Send FrameWorks mailing list submissions to >>> frameworks@jonasmekasfilms.com >>> >>> To subscribe or unsubscribe via the World Wide Web, visit >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> or, via email, send a message with subject or body 'help' to >>> frameworks-requ...@jonasmekasfilms.com >>> >>> You can reach the person managing the list at >>> frameworks-ow...@jonasmekasfilms.com >>> >>> When replying, please edit your Subject line so it is more specific >>> than "Re: Contents of FrameWorks digest..." >>> >>> Today's Topics: >>> >>> 1. 16mm E6 - Wittner vs. Agfa (Dan Anderson) >>> 2. Re: 16mm E6 - Wittner vs. Agfa (Pip Chodorov) >>> 3. Re: 16mm E6 - Wittner vs. Agfa (Scott Dorsey) >>> 4. Elmo Xenon CX-350 (Michael Walsh) >>> 5. Re: Elmo Xenon CX-350 (Francisco Torres) >>> 6. Re: 16mm E6 - Wittner vs. Agfa (Ryder White) >>> 7. Re: Elmo Xenon CX-350 (Michael Walsh) >>> >>> >>> ---------- Forwarded message ---------- >>> From: Dan Anderson <bcfilmf...@gmail.com> >>> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >>> Cc: >>> Date: Mon, 23 Jan 2017 11:48:37 -0600 >>> Subject: [Frameworks] 16mm E6 - Wittner vs. Agfa >>> Hey all, >>> >>> Wondering if there are any E6 color reversal enthusiasts here that have >>> used Wittner Chrome 200D and/or Agfa Aviphot 200D ?? >>> >>> Looked for tests on YouTube, and the Wittner looks better, although it's >>> hard to judge due to different types of footage and transfer qualities.. >>> I'm interested in using it for optical printing and maybe in-camera... >>> Hand-developing if I get ambitious. >>> >>> And for extra credit.. Anyone ever try using Kodak 3383 print stock in a >>> camera? >>> >>> Thanks!! >>> >>> >>> ---------- Forwarded message ---------- >>> From: Pip Chodorov <framewo...@re-voir.com> >>> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >>> Cc: >>> Date: Mon, 23 Jan 2017 18:54:02 +0100 >>> Subject: Re: [Frameworks] 16mm E6 - Wittner vs. Agfa >>> Hey Dan, >>> Wittner repackaged Agfa's stock, so it's exactly the same stuff. >>> This was originally designed for arial photography, perhaps for mapmaking >>> or topography. >>> Therefore it has a certain look and is especially receptive to green. >>> I doubt it will look good in the optical printer (you will need a CTB >>> filter because it's balanced for daylight). Hand developing is easy in E6. >>> -Pip >>> >>> >>> >>> At 11:48 -0600 23/01/17, Dan Anderson wrote: >>> >>>> Hey all, >>>> >>>> Wondering if there are any E6 color reversal enthusiasts here that have >>>> used Wittner Chrome 200D and/or Agfa Aviphot 200D ?? >>>> >>> >>> >>> >>> ---------- Forwarded message ---------- >>> From: Scott Dorsey <klu...@panix.com> >>> To: frameworks@jonasmekasfilms.com >>> Cc: >>> Date: Mon, 23 Jan 2017 13:00:46 -0500 >>> Subject: Re: [Frameworks] 16mm E6 - Wittner vs. Agfa >>> I think the Wittner and Agfa films are the same film off of one big jumbo >>> that was released a couple years back. When it is gone it is likely gone. >>> >>> 3383 is very slow but if you can stand one or two seconds per frame it >>> could be interesting. >>> --scott >>> >>> >>> >>> ---------- Forwarded message ---------- >>> From: Michael Walsh <sliderulebl...@gmail.com> >>> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >>> Cc: >>> Date: Mon, 23 Jan 2017 09:14:37 -0900 >>> Subject: [Frameworks] Elmo Xenon CX-350 >>> Hello All, >>> I have a 16mm Elmo Xenon CX-350 projector. The amplifier is not working >>> and I'm wondering where to send out for repair. >>> Any leads appreciated! >>> -Michael Walsh >>> >>> >>> ---------- Forwarded message ---------- >>> From: Francisco Torres <fjtorre...@gmail.com> >>> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >>> Cc: >>> Date: Mon, 23 Jan 2017 15:18:45 -0400 >>> Subject: Re: [Frameworks] Elmo Xenon CX-350 >>> where are you located? >>> >>> 2017-01-23 14:14 GMT-04:00 Michael Walsh <sliderulebl...@gmail.com>: >>> >>>> Hello All, >>>> I have a 16mm Elmo Xenon CX-350 projector. The amplifier is not working >>>> and I'm wondering where to send out for repair. >>>> Any leads appreciated! >>>> -Michael Walsh >>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> FrameWorks@jonasmekasfilms.com >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>>> >>> >>> >>> ---------- Forwarded message ---------- >>> From: Ryder White <ryder.wh...@gmail.com> >>> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >>> Cc: >>> Date: Mon, 23 Jan 2017 11:21:08 -0800 >>> Subject: Re: [Frameworks] 16mm E6 - Wittner vs. Agfa >>> Hey Dan, >>> >>> I've shot and processed a few rolls of the Agfa aviphot and like Pip says >>> hand processing in E6 is very doable. I found it to be a pretty tolerant >>> stock for that, but then again my QC is not very exacting so take that with >>> a grain of salt. >>> >>> I know of a few people who have used 3383 as a camera stock, myself >>> included, and it is worth experimenting with since it's so (comparatively) >>> cheap. Rate it around 6 asa and treat it more like a tungsten stock. If you >>> get outside in the bright sun with a fast lens you might be able to shoot >>> it at something close to 24fps. It's also possible to cross process it to a >>> positive in E6. Getting a standard, well-balanced image is not something >>> I've been able to do with 3383 (could also be my processing, as mentioned >>> before) but it's very well-suited to abstraction... >>> >>> Cheers, >>> >>> R >>> >>> On Mon, Jan 23, 2017 at 10:00 AM, Scott Dorsey <klu...@panix.com> wrote: >>> >>>> I think the Wittner and Agfa films are the same film off of one big jumbo >>>> that was released a couple years back. When it is gone it is likely >>>> gone. >>>> >>>> 3383 is very slow but if you can stand one or two seconds per frame it >>>> could be interesting. >>>> --scott >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> FrameWorks@jonasmekasfilms.com >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>> >>> >>> >>> ---------- Forwarded message ---------- >>> From: Michael Walsh <sliderulebl...@gmail.com> >>> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >>> Cc: >>> Date: Mon, 23 Jan 2017 10:25:14 -0900 >>> Subject: Re: [Frameworks] Elmo Xenon CX-350 >>> The projector and I are located in Anchorage Alaska >>> >>> On Mon, Jan 23, 2017 at 10:18 AM, Francisco Torres <fjtorre...@gmail.com> >>> wrote: >>> >>>> where are you located? >>>> >>>> 2017-01-23 14:14 GMT-04:00 Michael Walsh <sliderulebl...@gmail.com>: >>>> >>>>> Hello All, >>>>> I have a 16mm Elmo Xenon CX-350 projector. The amplifier is not working >>>>> and I'm wondering where to send out for repair. >>>>> Any leads appreciated! >>>>> -Michael Walsh >>>>> >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> FrameWorks@jonasmekasfilms.com >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>>> >>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> FrameWorks@jonasmekasfilms.com >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> >> >> -- >> >> https://vimeo.com/amandat >> http://www.irisfilmcollective.com >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20170126/8901de70/attachment-0001.html> > > ------------------------------ > > Message: 5 > Date: Thu, 26 Jan 2017 11:31:20 -0800 > From: Sean Weitzel <panaf...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] 16mm E6 - Wittner vs. Agfa > Message-ID: > <CAL4hNLajC+bnhyaL3qNRsmCi7TE=pc4rijtwufq89poxms7...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Also keep in mind the Agfa/Wittner 200D is a polyester base. Some people > don't like risking it in their camera in the event of a jam causing damage > as well as the base being slightly thinner could affect critical focus. I > shot it in an Auricon CineVoice with a 25mm Lytar and had no issues. > > On Thu, Jan 26, 2017 at 11:28 AM, Sean Weitzel <panaf...@gmail.com> wrote: > >> I shot a roll of the agfa/wittner and had it processed at Dwayne's Photo. >> I was really unhappy with the green cast. I'm planning to try some old >> Ektachrome VNF thats been frozen since new. Anyone have experience with >> 7250 or 2283 and processing it as E6? >> >> On Wed, Jan 25, 2017 at 10:36 AM, Amanda Thomson <tea.ama...@gmail.com> >> wrote: >> >>> Hi Dan, >>> >>> I've also shot 3383 in camera. The main thing to keep in mind (aside >>> from it needing lots of light) is that it's expecting the orange mask of >>> colour negative so it makes everything super blue if processed in E6 (1st >>> dev 1min, 2nd dev 2 mins, blix 2 mins, stab 30 sec). You can put orange >>> filters in your camera to compensate. Alternately if processed to negative >>> its orange. >>> >>> I've also used the Agfa/Wittner/Aviphot stock it's quite grainy, which >>> seems especially noticable when transfered digitally. It has an orange >>> brownish leaning. I'm curious to shoot some green now though. >>> >>> Amanda >>> >>> On Tue, Jan 24, 2017 at 4:00 AM, <frameworks-requ...@jonasmekasfilms.com> >>> wrote: >>> >>>> Send FrameWorks mailing list submissions to >>>> frameworks@jonasmekasfilms.com >>>> >>>> To subscribe or unsubscribe via the World Wide Web, visit >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> or, via email, send a message with subject or body 'help' to >>>> frameworks-requ...@jonasmekasfilms.com >>>> >>>> You can reach the person managing the list at >>>> frameworks-ow...@jonasmekasfilms.com >>>> >>>> When replying, please edit your Subject line so it is more specific >>>> than "Re: Contents of FrameWorks digest..." >>>> >>>> Today's Topics: >>>> >>>> 1. 16mm E6 - Wittner vs. Agfa (Dan Anderson) >>>> 2. Re: 16mm E6 - Wittner vs. Agfa (Pip Chodorov) >>>> 3. Re: 16mm E6 - Wittner vs. Agfa (Scott Dorsey) >>>> 4. Elmo Xenon CX-350 (Michael Walsh) >>>> 5. Re: Elmo Xenon CX-350 (Francisco Torres) >>>> 6. Re: 16mm E6 - Wittner vs. Agfa (Ryder White) >>>> 7. Re: Elmo Xenon CX-350 (Michael Walsh) >>>> >>>> >>>> ---------- Forwarded message ---------- >>>> From: Dan Anderson <bcfilmf...@gmail.com> >>>> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >>>> Cc: >>>> Date: Mon, 23 Jan 2017 11:48:37 -0600 >>>> Subject: [Frameworks] 16mm E6 - Wittner vs. Agfa >>>> Hey all, >>>> >>>> Wondering if there are any E6 color reversal enthusiasts here that have >>>> used Wittner Chrome 200D and/or Agfa Aviphot 200D ?? >>>> >>>> Looked for tests on YouTube, and the Wittner looks better, although >>>> it's hard to judge due to different types of footage and transfer >>>> qualities.. I'm interested in using it for optical printing and maybe >>>> in-camera... Hand-developing if I get ambitious. >>>> >>>> And for extra credit.. Anyone ever try using Kodak 3383 print stock in a >>>> camera? >>>> >>>> Thanks!! >>>> >>>> >>>> ---------- Forwarded message ---------- >>>> From: Pip Chodorov <framewo...@re-voir.com> >>>> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >>>> Cc: >>>> Date: Mon, 23 Jan 2017 18:54:02 +0100 >>>> Subject: Re: [Frameworks] 16mm E6 - Wittner vs. Agfa >>>> Hey Dan, >>>> Wittner repackaged Agfa's stock, so it's exactly the same stuff. >>>> This was originally designed for arial photography, perhaps for >>>> mapmaking or topography. >>>> Therefore it has a certain look and is especially receptive to green. >>>> I doubt it will look good in the optical printer (you will need a CTB >>>> filter because it's balanced for daylight). Hand developing is easy in E6. >>>> -Pip >>>> >>>> >>>> >>>> At 11:48 -0600 23/01/17, Dan Anderson wrote: >>>> >>>>> Hey all, >>>>> >>>>> Wondering if there are any E6 color reversal enthusiasts here that have >>>>> used Wittner Chrome 200D and/or Agfa Aviphot 200D ?? >>>>> >>>> >>>> >>>> >>>> ---------- Forwarded message ---------- >>>> From: Scott Dorsey <klu...@panix.com> >>>> To: frameworks@jonasmekasfilms.com >>>> Cc: >>>> Date: Mon, 23 Jan 2017 13:00:46 -0500 >>>> Subject: Re: [Frameworks] 16mm E6 - Wittner vs. Agfa >>>> I think the Wittner and Agfa films are the same film off of one big jumbo >>>> that was released a couple years back. When it is gone it is likely >>>> gone. >>>> >>>> 3383 is very slow but if you can stand one or two seconds per frame it >>>> could be interesting. >>>> --scott >>>> >>>> >>>> >>>> ---------- Forwarded message ---------- >>>> From: Michael Walsh <sliderulebl...@gmail.com> >>>> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >>>> Cc: >>>> Date: Mon, 23 Jan 2017 09:14:37 -0900 >>>> Subject: [Frameworks] Elmo Xenon CX-350 >>>> Hello All, >>>> I have a 16mm Elmo Xenon CX-350 projector. The amplifier is not working >>>> and I'm wondering where to send out for repair. >>>> Any leads appreciated! >>>> -Michael Walsh >>>> >>>> >>>> ---------- Forwarded message ---------- >>>> From: Francisco Torres <fjtorre...@gmail.com> >>>> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >>>> Cc: >>>> Date: Mon, 23 Jan 2017 15:18:45 -0400 >>>> Subject: Re: [Frameworks] Elmo Xenon CX-350 >>>> where are you located? >>>> >>>> 2017-01-23 14:14 GMT-04:00 Michael Walsh <sliderulebl...@gmail.com>: >>>> >>>>> Hello All, >>>>> I have a 16mm Elmo Xenon CX-350 projector. The amplifier is not working >>>>> and I'm wondering where to send out for repair. >>>>> Any leads appreciated! >>>>> -Michael Walsh >>>>> >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> FrameWorks@jonasmekasfilms.com >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>>> >>>> >>>> >>>> ---------- Forwarded message ---------- >>>> From: Ryder White <ryder.wh...@gmail.com> >>>> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >>>> Cc: >>>> Date: Mon, 23 Jan 2017 11:21:08 -0800 >>>> Subject: Re: [Frameworks] 16mm E6 - Wittner vs. Agfa >>>> Hey Dan, >>>> >>>> I've shot and processed a few rolls of the Agfa aviphot and like Pip >>>> says hand processing in E6 is very doable. I found it to be a pretty >>>> tolerant stock for that, but then again my QC is not very exacting so take >>>> that with a grain of salt. >>>> >>>> I know of a few people who have used 3383 as a camera stock, myself >>>> included, and it is worth experimenting with since it's so (comparatively) >>>> cheap. Rate it around 6 asa and treat it more like a tungsten stock. If you >>>> get outside in the bright sun with a fast lens you might be able to shoot >>>> it at something close to 24fps. It's also possible to cross process it to a >>>> positive in E6. Getting a standard, well-balanced image is not something >>>> I've been able to do with 3383 (could also be my processing, as mentioned >>>> before) but it's very well-suited to abstraction... >>>> >>>> Cheers, >>>> >>>> R >>>> >>>> On Mon, Jan 23, 2017 at 10:00 AM, Scott Dorsey <klu...@panix.com> wrote: >>>> >>>>> I think the Wittner and Agfa films are the same film off of one big >>>>> jumbo >>>>> that was released a couple years back. When it is gone it is likely >>>>> gone. >>>>> >>>>> 3383 is very slow but if you can stand one or two seconds per frame it >>>>> could be interesting. >>>>> --scott >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> FrameWorks@jonasmekasfilms.com >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>> >>>> >>>> >>>> ---------- Forwarded message ---------- >>>> From: Michael Walsh <sliderulebl...@gmail.com> >>>> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> >>>> Cc: >>>> Date: Mon, 23 Jan 2017 10:25:14 -0900 >>>> Subject: Re: [Frameworks] Elmo Xenon CX-350 >>>> The projector and I are located in Anchorage Alaska >>>> >>>> On Mon, Jan 23, 2017 at 10:18 AM, Francisco Torres <fjtorre...@gmail.com >>>>> wrote: >>>> >>>>> where are you located? >>>>> >>>>> 2017-01-23 14:14 GMT-04:00 Michael Walsh <sliderulebl...@gmail.com>: >>>>> >>>>>> Hello All, >>>>>> I have a 16mm Elmo Xenon CX-350 projector. The amplifier is not >>>>>> working and I'm wondering where to send out for repair. >>>>>> Any leads appreciated! >>>>>> -Michael Walsh >>>>>> >>>>>> _______________________________________________ >>>>>> FrameWorks mailing list >>>>>> FrameWorks@jonasmekasfilms.com >>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>> >>>>>> >>>>> >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> FrameWorks@jonasmekasfilms.com >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>>> >>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> FrameWorks@jonasmekasfilms.com >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>>> >>> >>> >>> -- >>> >>> https://vimeo.com/amandat >>> http://www.irisfilmcollective.com >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20170126/f8ac451a/attachment-0001.html> > > ------------------------------ > > Message: 6 > Date: Thu, 26 Jan 2017 21:24:54 +0000 > From: John Sundholm <john.sundh...@ims.su.se> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] experimental films with philosophical text? > Message-ID: <1485465893945.47...@ims.su.se> > Content-Type: text/plain; charset="iso-8859-1" > > if plato fits your definition check michael snow's 'so is this'. > > ________________________________ > Från: FrameWorks <frameworks-boun...@jonasmekasfilms.com> för Kian Bergstrom > <kian.bergst...@gmail.com> > Skickat: den 26 januari 2017 20:27 > Till: Experimental Film Discussion List > Ämne: Re: [Frameworks] experimental films with philosophical text? > > Péter Forgács' _Wittgenstein Tractatus_ springs to mind. > > -Kian > > On Thu, Jan 26, 2017 at 1:20 PM, Ben Ogrodnik > <ben.ogrod...@gmail.com<mailto:ben.ogrod...@gmail.com>> wrote: > Hi all, > > Can you recommend to me any experimental, avant-garde films that examine key > works/thinkers of Western continental or analytical philosophy? > > The type of film I'm interested in is not a film that can be analyzed through > a philosophical lens, but rather one in which a philosophical text makes some > kind of direct appearance (through a quotation, intertitle, etc.) For > instance, one example might be the 16mm film Valley Fever by Stephanie > Beroes, 1986, which features a woman reading lengthy excerpts from Maurice > Merleau-Ponty's phenomenological thought. > > I am currently working on a list of experimental films united by a common > interest in visualizing philosophical texts. Alas, this subfield is not my > main area of expertise, so your help is greatly appreciated. > > Thanks so much! > > Sincerely, > Ben > > > > -- > Ben Ogrodnik > PhD student > K. Leroy Irvis Fellow > Department of Film Studies // History of Art and Architecture > University of Pittsburgh > b...@pitt.edu<mailto:b...@pitt.edu> > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com<mailto:FrameWorks@jonasmekasfilms.com> > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20170126/34e3a575/attachment-0001.html> > > ------------------------------ > > Message: 7 > Date: Thu, 26 Jan 2017 15:48:00 -0600 > From: LJ Frezza <ljfre...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: [Frameworks] Film & Analog Video Gear in Chicago - Make Me an > Offer I Can't Refuse > Message-ID: > <cacrahqhmcuwvq9mmgmtnv0by-qxlkyiq9xqempyebka_-qz...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > hello framedwellers. i've got a sizable lot of celluloid film & analog > video gear for your purchasing pleasure: > > 2 Moviescop Desktop 16mm Film Viewers (one needs a new lightbulb - but buy > them both in case you need parts down the road) > 1 Samsung VHS Camcorder (battery's shot, but works with wall adapter - > pretty much every battery for cameras of this era is dead at this point) > 1 Panasonic Handicam Hi-8 Camcorder (FREE, but maybe non-working) > 1 Singer Instaload 16mm Film Projector (formerly owned by the NYC Board of > Education) > 1 Set of Film Rewinds (Made in Chicago, Illinois) > 1 Pristine 16mm Guillotine Splicer (Made in Italy - Molto Bene) > 1 16mm Cement Splicer (for conforming film negatives - very pro) > 1 Digital Video Mixer (from a bygone era - lots of nostalgic transitions) > 2 16mm Split Reels > 3 16mm Conventional Reels > 4 Sets of Stereo Computer Speakers (speak up, i can't hear you) > 1 16mm Film Titled "Universe" (featuring sick animations and narration > by William > Shatner <https://www.facebook.com/williamshatner/>) > > also for leisure: > 1 SNES Video Game Console (with 2 controllers, as well as Super Mario > All-Stars & Donkey Kong Country) > > MAKE ME AN OFFER ON ANYTHING YOU WANT. > my primary motivation isn't turning a profit, so much as making sure this > gear gets to a good home (having said that, i'm underemployed, so money is > nice). > > see you soon. > > -LJ > > -- > LJFREZZA.COM <http://ljfrezza.com> / 904.762.8300 > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20170126/2ed6a93a/attachment-0001.html> > > ------------------------------ > > Message: 8 > Date: Thu, 26 Jan 2017 15:56:30 -0600 > From: Julian Antos <jul...@chicagofilmsociety.org> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] Film & Analog Video Gear in Chicago - Make > Me an Offer I Can't Refuse > Message-ID: > <CAFw6h=fzw7wup_lyocl9sasoqy2omzb0up2mdsvs9w5gpyj...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Hi LJ, > > I can use the splicer and the shatner film. Is $75 ok? > > Best, > > Julian > > On Thu, Jan 26, 2017 at 3:48 PM, LJ Frezza <ljfre...@gmail.com> wrote: > >> hello framedwellers. i've got a sizable lot of celluloid film & analog >> video gear for your purchasing pleasure: >> >> 2 Moviescop Desktop 16mm Film Viewers (one needs a new lightbulb - but buy >> them both in case you need parts down the road) >> 1 Samsung VHS Camcorder (battery's shot, but works with wall adapter - >> pretty much every battery for cameras of this era is dead at this point) >> 1 Panasonic Handicam Hi-8 Camcorder (FREE, but maybe non-working) >> 1 Singer Instaload 16mm Film Projector (formerly owned by the NYC Board of >> Education) >> 1 Set of Film Rewinds (Made in Chicago, Illinois) >> 1 Pristine 16mm Guillotine Splicer (Made in Italy - Molto Bene) >> 1 16mm Cement Splicer (for conforming film negatives - very pro) >> 1 Digital Video Mixer (from a bygone era - lots of nostalgic transitions) >> 2 16mm Split Reels >> 3 16mm Conventional Reels >> 4 Sets of Stereo Computer Speakers (speak up, i can't hear you) >> 1 16mm Film Titled "Universe" (featuring sick animations and narration by >> William >> Shatner <https://www.facebook.com/williamshatner/>) >> >> also for leisure: >> 1 SNES Video Game Console (with 2 controllers, as well as Super Mario >> All-Stars & Donkey Kong Country) >> >> MAKE ME AN OFFER ON ANYTHING YOU WANT. >> my primary motivation isn't turning a profit, so much as making sure this >> gear gets to a good home (having said that, i'm underemployed, so money is >> nice). >> >> see you soon. >> >> -LJ >> >> -- >> LJFREZZA.COM <http://ljfrezza.com> / 904.762.8300 <(904)%20762-8300> >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > > -- > Julian Antos > Chicago Film Society > www.chicagofilmsociety.org <http://www.northwestchicagofilmsociety.org/> > 773 827 8991 <(773)%20827-8991> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20170126/f9f53643/attachment-0001.html> > > ------------------------------ > > Message: 9 > Date: Thu, 26 Jan 2017 15:56:53 -0600 > From: Julian Antos <jul...@chicagofilmsociety.org> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] Film & Analog Video Gear in Chicago - Make > Me an Offer I Can't Refuse > Message-ID: > <CAFw6h=efnfmqqp5vocayawe+randmtrdbyvhggguhyl9ro6...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > oops, didn't mean to send to the group. > > On Thu, Jan 26, 2017 at 3:56 PM, Julian Antos <jul...@chicagofilmsociety.org >> wrote: > >> Hi LJ, >> >> I can use the splicer and the shatner film. Is $75 ok? >> >> Best, >> >> Julian >> >> On Thu, Jan 26, 2017 at 3:48 PM, LJ Frezza <ljfre...@gmail.com> wrote: >> >>> hello framedwellers. i've got a sizable lot of celluloid film & analog >>> video gear for your purchasing pleasure: >>> >>> 2 Moviescop Desktop 16mm Film Viewers (one needs a new lightbulb - but >>> buy them both in case you need parts down the road) >>> 1 Samsung VHS Camcorder (battery's shot, but works with wall adapter - >>> pretty much every battery for cameras of this era is dead at this point) >>> 1 Panasonic Handicam Hi-8 Camcorder (FREE, but maybe non-working) >>> 1 Singer Instaload 16mm Film Projector (formerly owned by the NYC Board >>> of Education) >>> 1 Set of Film Rewinds (Made in Chicago, Illinois) >>> 1 Pristine 16mm Guillotine Splicer (Made in Italy - Molto Bene) >>> 1 16mm Cement Splicer (for conforming film negatives - very pro) >>> 1 Digital Video Mixer (from a bygone era - lots of nostalgic transitions) >>> 2 16mm Split Reels >>> 3 16mm Conventional Reels >>> 4 Sets of Stereo Computer Speakers (speak up, i can't hear you) >>> 1 16mm Film Titled "Universe" (featuring sick animations and narration by >>> William >>> Shatner <https://www.facebook.com/williamshatner/>) >>> >>> also for leisure: >>> 1 SNES Video Game Console (with 2 controllers, as well as Super Mario >>> All-Stars & Donkey Kong Country) >>> >>> MAKE ME AN OFFER ON ANYTHING YOU WANT. >>> my primary motivation isn't turning a profit, so much as making sure this >>> gear gets to a good home (having said that, i'm underemployed, so money is >>> nice). >>> >>> see you soon. >>> >>> -LJ >>> >>> -- >>> LJFREZZA.COM <http://ljfrezza.com> / 904.762.8300 <(904)%20762-8300> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> >> >> -- >> Julian Antos >> Chicago Film Society >> www.chicagofilmsociety.org <http://www.northwestchicagofilmsociety.org/> >> 773 827 8991 <(773)%20827-8991> >> >> > > > -- > Julian Antos > Chicago Film Society > www.chicagofilmsociety.org <http://www.northwestchicagofilmsociety.org/> > 773 827 8991 <(773)%20827-8991> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20170126/58ef1602/attachment-0001.html> > > ------------------------------ > > Message: 10 > Date: Thu, 26 Jan 2017 22:10:53 +0000 > From: Sceptics skept <scept...@hotmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] Film & Analog Video Gear in Chicago - Make > Me an Offer I Can't Refuse > Message-ID: > > <bn1pr04mb263eb6d04bb91d91109ad09c7...@bn1pr04mb263.namprd04.prod.outlook.com> > > Content-Type: text/plain; charset="utf-8" > > > > Evangelos Samaras > > On Jan 26, 2017, at 4:57 PM, Julian Antos > <jul...@chicagofilmsociety.org<mailto:jul...@chicagofilmsociety.org>> wrote: > > oops, didn't mean to send to the group. > > On Thu, Jan 26, 2017 at 3:56 PM, Julian Antos > <jul...@chicagofilmsociety.org<mailto:jul...@chicagofilmsociety.org>> wrote: > Hi LJ, > > I can use the splicer and the shatner film. Is $75 ok? > > Best, > > Julian > > On Thu, Jan 26, 2017 at 3:48 PM, LJ Frezza > <ljfre...@gmail.com<mailto:ljfre...@gmail.com>> wrote: > > hello framedwellers. i've got a sizable lot of celluloid film & analog video > gear for your purchasing pleasure: > > 2 Moviescop Desktop 16mm Film Viewers (one needs a new lightbulb - but buy > them both in case you need parts down the road) > 1 Samsung VHS Camcorder (battery's shot, but works with wall adapter - pretty > much every battery for cameras of this era is dead at this point) > 1 Panasonic Handicam Hi-8 Camcorder (FREE, but maybe non-working) > 1 Singer Instaload 16mm Film Projector (formerly owned by the NYC Board of > Education) > 1 Set of Film Rewinds (Made in Chicago, Illinois) > 1 Pristine 16mm Guillotine Splicer (Made in Italy - Molto Bene) > 1 16mm Cement Splicer (for conforming film negatives - very pro) > 1 Digital Video Mixer (from a bygone era - lots of nostalgic transitions) > 2 16mm Split Reels > 3 16mm Conventional Reels > 4 Sets of Stereo Computer Speakers (speak up, i can't hear you) > 1 16mm Film Titled "Universe" (featuring sick animations and narration by > William Shatner<https://www.facebook.com/williamshatner/>) > > also for leisure: > 1 SNES Video Game Console (with 2 controllers, as well as Super Mario > All-Stars & Donkey Kong Country) > > MAKE ME AN OFFER ON ANYTHING YOU WANT. > my primary motivation isn't turning a profit, so much as making sure this > gear gets to a good home (having said that, i'm underemployed, so money is > nice). > > see you soon. > > -LJ > > -- > LJFREZZA.COM<http://ljfrezza.com> / 904.762.8300<tel:(904)%20762-8300> > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com<mailto:FrameWorks@jonasmekasfilms.com> > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > -- > Julian Antos > Chicago Film Society > www.chicagofilmsociety.org<http://www.northwestchicagofilmsociety.org/> > 773 827 8991<tel:(773)%20827-8991> > > > > > -- > Julian Antos > Chicago Film Society > www.chicagofilmsociety.org<http://www.northwestchicagofilmsociety.org/> > 773 827 8991<tel:(773)%20827-8991> > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com<mailto:FrameWorks@jonasmekasfilms.com> > https://mailman-mail5.webfaction.com/listinfo/frameworks > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20170126/101a643d/attachment-0001.html> > > ------------------------------ > > Message: 11 > Date: Thu, 26 Jan 2017 22:24:13 +0000 > From: "Kolberg, Sarah" <skolb...@buffalo.edu> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] experimental films with philosophical text? > Message-ID: > <855ea5b1aa0245b5ab5c0ac588f09...@mbx-ls6.itorg.ad.buffalo.edu> > Content-Type: text/plain; charset="utf-8" > > Ben – > > You may wish to look at Hollis Frampton’s Zorn’s Lemma (the final section) – > which references (however obliquely) the 11th C philosopher Robert > Grosseteste, a medieval cosmologist and philosopher who wrote “On light and > the beginning of forms, which was meant to offer a metaphor of the > visible/tangible world as an symbol of the spiritual world. > > ~ sarah > > > > > > > From: FrameWorks [mailto:frameworks-boun...@jonasmekasfilms.com] On Behalf Of > Ben Ogrodnik > Sent: Thursday, January 26, 2017 2:21 PM > To: frameworks@jonasmekasfilms.com > Subject: [Frameworks] experimental films with philosophical text? > > Hi all, > Can you recommend to me any experimental, avant-garde films that examine key > works/thinkers of Western continental or analytical philosophy? > > The type of film I'm interested in is not a film that can be analyzed through > a philosophical lens, but rather one in which a philosophical text makes some > kind of direct appearance (through a quotation, intertitle, etc.) For > instance, one example might be the 16mm film Valley Fever by Stephanie > Beroes, 1986, which features a woman reading lengthy excerpts from Maurice > Merleau-Ponty's phenomenological thought. > I am currently working on a list of experimental films united by a common > interest in visualizing philosophical texts. Alas, this subfield is not my > main area of expertise, so your help is greatly appreciated. > > Thanks so much! > Sincerely, > Ben > > > > -- > Ben Ogrodnik > PhD student > K. Leroy Irvis Fellow > Department of Film Studies // History of Art and Architecture > University of Pittsburgh > b...@pitt.edu<mailto:b...@pitt.edu> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20170126/76376178/attachment-0001.html> > > ------------------------------ > > Message: 12 > Date: Thu, 26 Jan 2017 15:03:15 -0800 > From: Dave Tetzlaff <djte...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] experimental films with philosophical text? > Message-ID: <f93337ec-f6b1-442a-8e0d-51a21eedb...@gmail.com> > Content-Type: text/plain; charset=utf-8 > > i guess I’m the first to mention the obvious: Michael Snow, "Rameau's Nephew > by Diderot" > > > ------------------------------ > > Message: 13 > Date: Thu, 26 Jan 2017 19:10:45 -0500 > From: Sarah Bliss <bl...@sarahblissart.com> > To: frameworks@jonasmekasfilms.com > Subject: [Frameworks] Call for papers and films on Animated > Documentary > Message-ID: <6cf349be-a90a-4bdb-9e27-0e35d7916...@sarahblissart.com> > Content-Type: text/plain; charset="utf-8" > > Hi Folks, > > Especially for those working in animated doc: > > A friend and colleague is organizing this very interesting symposium on > Animated Documentary in London. See below for info on the call for papers > and films. > > Please share. > > Sarah Bliss > http://www.SarahBlissArt.com > >> Begin forwarded message: >> >> From: Cinesthetic feasts <comment-re...@wordpress.com> >> Subject: [Spam] :[New post] Ecstatic Truth: Lessons of Darkness and Light >> Date: January 26, 2017 at 1:52:13 PM EST >> To: bl...@sarahblissart.com >> Reply-To: Cinesthetic feasts >> <comment+76u6ttzfwz2h1xkr1c_1...@comment.wordpress.com> >> >> Respond to this post by replying above this line >> New post on Cinesthetic feasts >> >> <https://cinestheticfeasts.wordpress.com/author/terezast/> >> Ecstatic Truth: Lessons of Darkness and Light >> <https://cinestheticfeasts.wordpress.com/2017/01/26/ecstatic-truth-lessons-of-darkness-and-light/>by >> Tereza Stehlikova <https://cinestheticfeasts.wordpress.com/author/terezast/> >> I am pleased to announce the call for papers for the next animated >> documentary symposium at the Royal College of Art, London, which I am >> helping to organise and also programme. >> >> Ecstatic Truth: Lessons of Darkness and Light >> “Fact creates norms, and truth illumination” Werner Herzog >> >> Date: Saturday 27th May, 2017 >> Location: Lecture Theatre 1, Darwin Building, Royal College of Art, >> Kensington Gore >> >> <https://cinestheticfeasts.files.wordpress.com/2017/01/kostnice.jpg>Image >> from Jan Svankmajer's Ossuary. >> >> The second animated documentary symposium at the RCA is back! >> >> We want to continue with the examination of how animation can contribute to, >> challenge and push the boundaries of what documentary film can be. We will >> consider animation in the most expanded sense and are interested in >> proposals that may question and redefine the frontiers of animation itself. >> We can also confirm that Annabelle Honess Roe, author of ‘Animated >> Documentary’, will be one of our keynote speakers. >> >> In the last symposium, one of the themes that emerged was one of archaeology >> and excavation. According to Herzog: “There are deeper strata of truth in >> cinema, and there is such a thing as poetic, ecstatic truth. It is >> mysterious and elusive, and can be reached only through fabrication and >> imagination and stylization.” >> >> We invite speakers to present projects that roam the landscape (whether real >> or imagined), dig beneath the surface, penetrate through the sediments of >> our understanding of reality, explore vertical time of poetry, examine >> hidden histories, project visions of future, or trace new connections >> between concepts, use fabrication and imagination to touch upon vital >> issues: whether these are social, political, philosophical, or personal. >> >> At a time of polarised political views and a deep sense of division, it >> seems to be a relevant moment to question the concept of darkness and light, >> aesthetically, politically, ethically, imaginatively. How can our work be of >> relevance, help us understand where we have been, where we are, and where we >> might go? How can the notion of ecstatic truth cast light on the shadowy >> concept of post-truth and what contribution can animated documentary bring >> to this debate? How can animation documentary, in its most expanded form, >> illuminate us? >> >> We are opening this call for paper to PhD students, researchers (within >> animation but also beyond), filmmakers and other practitioners, who use >> animation as part of their methodology, their way of trying to understand >> the world. >> >> Proposed themes: >> >> Deeper Strata >> Vertical time and poetic image, landscape and memory, shared or personal >> history, embodiment >> >> Visions of Future >> Imagination and fabrication, science-fiction, art & science dialogue, role >> of technology >> >> Lessons of Darkness and Light >> Human condition, social issues, society, social commentary, religious or >> spiritual, re-contextualising documentary footage, post-truth/ecstatic >> truth/animated form, expressive and experiential forms of conveying meaning, >> questions of subjectivity etc. >> >> Proposals should be for either: >> – a 20 minute conference paper; >> – an alternative discussion/presentation format as appropriate for >> practice-based research (this can include practice based work in a form of >> short films, images etc.) >> >> To submit your proposal or any related questions please contact dr Tereza >> Stehlikova: >> >> tereza.stehlik...@network.rca.ac.uk >> <mailto:tereza.stehlik...@network.rca.ac.uk> >> The deadline for submissions is 7th April 2017. >> >> >> Last year's Ecstatic Truth symposium was recorded and is available online >> here: >> https://vimeo.com/album/4054843 <https://vimeo.com/album/4054843> >> >> >> Tereza Stehlikova <https://cinestheticfeasts.wordpress.com/author/terezast/> >> | January 26, 2017 at 6:39 pm | Tags: animated documentary >> <https://cinestheticfeasts.wordpress.com/?tag=animated-documentary>, >> animation research >> <https://cinestheticfeasts.wordpress.com/?tag=animation-research>, ecstatic >> truth <https://cinestheticfeasts.wordpress.com/?tag=ecstatic-truth>, herzog >> <https://cinestheticfeasts.wordpress.com/?tag=herzog>, Royal College of Art >> <https://cinestheticfeasts.wordpress.com/?tag=royal-college-of-art>, >> symposium <https://cinestheticfeasts.wordpress.com/?tag=symposium> | >> Categories: Animation <https://cinestheticfeasts.wordpress.com/?cat=1807> | >> URL: http://wp.me/p3D0sf-ot <http://wp.me/p3D0sf-ot> >> Comment >> <https://cinestheticfeasts.wordpress.com/2017/01/26/ecstatic-truth-lessons-of-darkness-and-light/#respond> >> See all comments >> <https://cinestheticfeasts.wordpress.com/2017/01/26/ecstatic-truth-lessons-of-darkness-and-light/#comments> >> Like >> <https://cinestheticfeasts.wordpress.com/2017/01/26/ecstatic-truth-lessons-of-darkness-and-light/?like_actor=79176344&like_hmac=1880a731afc8c2a26795b4d2a00776db&postid=1517&like=1&source=sub_email> >> Unsubscribe >> <https://subscribe.wordpress.com/?key=e8899453ad2ae233a5c0439415e46bef&email=bliss%40sarahblissart.com&b=LdVBD%7C09ci%5Dp%2C4C%2B%264DSPv6ptafbrdTSmu-%5BNdq6ppoTHYZHfA%5D> >> to no longer receive posts from Cinesthetic feasts. >> Change your email settings at Manage Subscriptions >> <https://subscribe.wordpress.com/?key=e8899453ad2ae233a5c0439415e46bef&email=bliss%40sarahblissart.com>. >> >> Trouble clicking? Copy and paste this URL into your browser: >> https://cinestheticfeasts.wordpress.com/2017/01/26/ecstatic-truth-lessons-of-darkness-and-light/ >> >> <https://cinestheticfeasts.wordpress.com/2017/01/26/ecstatic-truth-lessons-of-darkness-and-light/> >> Thanks for flying with WordPress.com <https://wordpress.com/> >> > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20170126/4aee997b/attachment-0001.html> > > ------------------------------ > > Message: 14 > Date: Fri, 27 Jan 2017 08:37:56 +0100 > From: Albert Alcoz <albertal...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] experimental films with philosophical text? > Message-ID: > <CA+NAz+yWvGg83rLXehekGmm5e58HHJzJTmrC=56ifzzikhv...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Hello, > > *Wittgenstein* (1993) by Derek Jarman could be useful. There are some texts > by the philospopher recited by the characters. > https://www.youtube.com/watch?v=IIu70Jo38eo > > *Dromosphäre* (2010) by Thorsten Fleisch begins with a quotation of Paul > Virilio about speed: > https://vimeo.com/8067013 > > On another level, I recommend watching the beginning of this film by Peter > Rose, named *Pressures of the Text* (1983): > https://vimeo.com/48773390 > > Would like to read more suggestions here! > > Albert > > On Fri, Jan 27, 2017 at 12:03 AM, Dave Tetzlaff <djte...@gmail.com> wrote: > >> i guess I’m the first to mention the obvious: Michael Snow, "Rameau's >> Nephew by Diderot" >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > > > -- > http://visionaryfilm.net/ <http://www.visionaryfilm.net/> > http://albertalcoz.com/ <http://www.albertalcoz.com/> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20170127/11be62b5/attachment-0001.html> > > ------------------------------ > > Message: 15 > Date: Thu, 26 Jan 2017 23:58:25 -0800 > From: Steve Polta <steve.po...@gmail.com> > To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com> > Subject: Re: [Frameworks] experimental films with philosophical text? > Message-ID: > <CAEbiOLA2YsTN_Sv7sL7WCmQjsfhmho=g-3meyst-5audixq...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > *Daniel Barnett's White Heart* "takes off from a series of Wittgensteinian > monologues." > http://canyoncinema.com/catalog/film/?i=152 > *Daniel Eisenberg's Displaced Person* incorporates a radio lecture by > Claude Levi-Strauss. > http://canyoncinema.com/catalog/film/?i=823 > *Barbara Sternberg's Like a Dream that Vanishes* features an on-screen > exegesis by philosopher (not the filmmaker) John Davis on Hume's > consideration of miracles. > http://www.barbarasternberg.com/Films/Like%20a%20Dream.htm > > All are, in my opinion, very interesting films. > > Steve Polta > > > On Thu, Jan 26, 2017 at 11:37 PM, Albert Alcoz <albertal...@gmail.com> > wrote: > >> Hello, >> >> *Wittgenstein* (1993) by Derek Jarman could be useful. There are some >> texts by the philospopher recited by the characters. >> https://www.youtube.com/watch?v=IIu70Jo38eo >> >> *Dromosphäre* (2010) by Thorsten Fleisch begins with a quotation of Paul >> Virilio about speed: >> https://vimeo.com/8067013 >> >> On another level, I recommend watching the beginning of this film by Peter >> Rose, named *Pressures of the Text* (1983): >> https://vimeo.com/48773390 >> >> Would like to read more suggestions here! >> >> Albert >> >> On Fri, Jan 27, 2017 at 12:03 AM, Dave Tetzlaff <djte...@gmail.com> wrote: >> >>> i guess I’m the first to mention the obvious: Michael Snow, "Rameau's >>> Nephew by Diderot" >>> _______________________________________________ >>> FrameWorks mailing list >>> FrameWorks@jonasmekasfilms.com >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> >> >> >> -- >> http://visionaryfilm.net/ <http://www.visionaryfilm.net/> >> http://albertalcoz.com/ <http://www.albertalcoz.com/> >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20170126/66c47f59/attachment-0001.html> > > ------------------------------ > > Subject: Digest Footer > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > ------------------------------ > > End of FrameWorks Digest, Vol 80, Issue 23 > ****************************************** _______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
