Dear John, Excuse my arrogance, but I can't help identifying very strongly what you're looking for, and «especially expanded cinema works, and more contemporary efforts, ones that split these relations even further: between image capture and image playback», with my own *We Only Guarantee The Dinosaurs*, a performance-environment piece (for lack of a better word) that has shown widely. Here you can find a bit of info about it (photos and some written impressions). I can provide more documentation if needed.
http://esperanzacollado.org/WORKS/weonlyguaranteethedinosaurs.html Best esperanza 2017-05-23 17:45 GMT+02:00 Dave Tetzlaff <djte...@gmail.com>: > Belaboring the obvioius perhaps, but Hollis Frampton ‘Critical Mass’ and > ‘(nostalgia)’ [each shot is one 100’ load]; Owen Land ‘Film in which…’; > Robert Nelson ‘Bleu Shut’; Barbara Rubin ‘Christmas on Earth’ [non fixed > image-iaage and image-sound relationships]; Michael Snow ‘<—>’... > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > -- Esperanza Collado - - - - - - - - - - - - - - www.esperanzacollado.org
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