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** This week [July 8 - 16, 2017] in avant garde cinema
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Contact: Pairs: Amy Dickson / Jamie Jenkinson (#anchor3) [July 10, London,
England]
Events are sorted alphabetically BY CITY within each DATE.
This week's programs (summary):
* Risco Cinema - Screen Tests (#anchor1) [July 8, Rio de Janeiro]
* Shapeshifters Cinema Presents Konrad Steiner With Josephine Torio, Benjamin
Tinker and Tatiana Luboviski-Acosta (#anchor2) [July 9, Oakland]
* Contact: Pairs: Amy Dickson / Jamie Jenkinson (#anchor3) [July 10, London,
England]
* In the Jungle, Directed By Stephanie Barber (#anchor4) [July 11, Baltimore,
Maryland 21201]
* The Film Sense and the Painting Sense (#anchor5) [July 11, Brooklyn, New York
11222]
* Newfilmmakers (#anchor6) [July 12, New York, NY]
* Soda_jerk &Quot;Hollywood Burn&Quot; Screening &Amp; Ted Carey Performance
(#anchor7) [July 13, Austin, Texas 78701]
* Anna Biller Double Feature!: viva (#anchor8) [July 13, New York, NY]
* Anna Biller Double Feature!: the Love Witch (#anchor9) [July 13, New York, NY]
* 20th Anniversary Screening James Fotoupolus' "Zero" (#anchor10) [July 14,
Brooklyn, New York]
* Go Nightclubbing!: Downtown New York 1977-80: Program 1 (#anchor11) [July 14,
New York, NY]
* Go Nightclubbing!: Downtown New York 1977-80: Program 2: Suicide (#anchor12)
[July 15, New York, NY]
* Go Nightclubbing!: Downtown New York 1977-80: Program 3 (#anchor13) [July 16,
New York, NY]
* Go Nightclubbing!: Downtown New York 1977-80: Program 4 (#anchor14) [July 16,
New York, NY]
NEW CALLS FOR ENTRIES:
ASG Animation Festival (Oakland, CA; Deadline: July 09, 2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e6d3b4f814&e=4e65756555
DEADLINES APPROACHING:
ASG Animation Festival (Oakland, CA; Deadline: July 09, 2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=ae093f784a&e=4e65756555
SATURDAY, JULY 8, 2017
7/8
Rio de Janeiro: Risco Cinema
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=16eb6e3923&e=4e65756555
17h, Av. Infante Dom Henrique, 85 - Parque do Flamengo, Rio de Janeiro, Brazil
RISCO CINEMA - SCREEN TESTS
Program designed from the junction of films created in dialogue with the device
of the Warhol's Screen Tests. Perfomance of the Eta Aquarídea Collective + Live
Soundtrack (Felipe Zenícola and Lucas Pires)
SUNDAY, JULY 9, 2017
7/9
Oakland: Shapeshifters Cinema
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9a0a359ec2&e=4e65756555
7:30-10PM, 511 48th St.
SHAPESHIFTERS CINEMA PRESENTS KONRAD STEINER WITH JOSEPHINE TORIO, BENJAMIN
TINKER AND TATIANA LUBOVISKI-ACOSTA
This program will feature examples of three kinds of collaborative film and
performer interaction from different ongoing projects. Projects presented
include Suite for Face which consists of extracts and abstractions from films
where stars emote without speech with a performance by Tatiana
Luboviski-Acosta, Neo-benshi, an ongoing series of pieces with live narration
set to excerpts from commercial films, changing the meaning of the images with
performances by Konrad Steiner and Peril, a sequence of dances on the fault
line edge of ocean that runs from Point Arena through San Francisco to Monterey
Bay with a live music composition by All My Senses Rebel (Josephine Torio and
Benjamin Tinker).
MONDAY, JULY 10, 2017
7/10
London, England: Contact
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2318ea6557&e=4e65756555
19:30, The Depot, 38 Upper Clapton Rd, E5 8BQ
CONTACT: PAIRS: AMY DICKSON / JAMIE JENKINSON
Amy Dickson and Jamie Jenkinson have both made substantial series of video
works with mobile phones, usually with single takes that suggest an intuitive
and spontaneous approach to shooting - a mode which they consider intrinsic to
their medium. They resist reshooting and post-production. Hence their work
foregrounds and promotes the act of looking, embracing a certain amount of
wandering and the potential for 'errors'. At the same time, the eye that they
each bring to their work involves ways of composing a moving image that is
practised and honed. In addition, they also often set out to explore strategies
that exercise resolution, exposure, focus or the misuse of 'apps' and automatic
camera settings. The world that they find close to hand - whether gardens,
farmyards, local parks, bedrooms or city streets - is where they go looking.
The programme includes two new video-performance pieces and a single-screen
video that they will have made together on the day.
TUESDAY, JULY 11, 2017
7/11
Baltimore, Maryland 21201: Sight Unseen
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=94eba4ecd8&e=4e65756555
7pm, 3 W North Ave
IN THE JUNGLE, DIRECTED BY STEPHANIE BARBER
In The Jungle, 63m, 2017 Directed by Stephanie Barber Starring Cricket Arrison
and M.C. Schmidt Tuesday, July 11 The Parkway, Theatre 1 7PM Sight Unseen is
honored to host the Baltimore Premiere of local director, Stephanie Barber's
most recent film, In The Jungle, at The Parkway Theatre! "In The Jungle,
playfully and sorrowfully tells the tale of an unreliable narrator in a self
imposed exile. Given a grant to study the equivalent of animal cries in jungle
flora our heroine has lived for 1, 612 days deep in an unnamed jungle. This
jungle serves as an extended metaphor for excessive and continual growth and
death, fear and sustenance; a metaphorical space of chaos in which the
scientist finds solace and which stands in contrast to the human jungle of
'civilization'. Equal parts musical, performance piece and poetic lecture, In
The Jungle is a 63 minute hybridized essay film written and directed by
Stephanie Barber, starring Cricket Arrison and M.C. Schmidt, cinematography by
Mathew Robert Thompson and sets designed by Smelling Salt Amusements." -SB
7/11
Brooklyn, New York 11222: Light Industry
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6daa6cb305&e=4e65756555
7pm, 155 Freeman St
THE FILM SENSE AND THE PAINTING SENSE
7pm: A Study in Choreography for Camera, Maya Deren, 1946, 16mm, 4 mins. The
Titan: Story of Michelangelo, Curt Oertel by way of Robert Flaherty, 1950,
16mm, 67 mins. Magoo Goes Skiing, UPA, 1954, digital projection, 6 mins. 9pm:
On the Edge, Curtis Harrington, 1949, 16mm, 6 mins. Desistfilm, Stan Brakhage,
1954, 16mm, 7 mins. Blood of a Poet, Jean Cocteau, 1932, 16mm, 55 mins. Curated
by Ann Reynolds
WEDNESDAY, JULY 12, 2017
7/12
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=ec8ad112b3&e=4e65756555
6:00 PM, 32 Second Avenue
NEWFILMMAKERS
For full program listings, visit www.newfilmmakers.com.
THURSDAY, JULY 13, 2017
7/13
Austin, Texas 78701: Co-Lab Projects
8pm, 721 Congress Ave.
SODA_JERK "HOLLYWOOD BURN" SCREENING & TED CAREY PERFORMANCE
Doors at 8pm, screening at 9pm "Hollywood Burn" run time: 51 minutes Ted Carey
turntable performance at 10pm Soda_Jerk is part of the exhibition
"unrealpolitik" at DEMO Gallery, running June 10th-July 22nd, 2017 Hollywood
Burn is an anti-copyright epic constructed entirely from hundreds of samples
pirated from the Hollywood archive. It pits a righteous league of video pirates
against the evil tyrant Moses and his Copyright Commandments. Determined to
alter the present by changing the past, the pirates travel back to 1955 to
construct the ultimate weapon: an Elvis Presley video-clone.
7/13
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=80dd8a54f0&e=4e65756555
6:30 PM, 32 Second Avenue
ANNA BILLER DOUBLE FEATURE!: VIVA
ANNA BILLER DOUBLE FEATURE!$15 FOR BOTH FILMS! Regular price for one.In
conjunction with the Museum of Sex's upcoming exhibition "NSFW: Female Gaze,"
co-curated by Creators (VICE), Anthology hosts a double-bill of filmmaker Anna
Biller's VIVA and THE LOVE WITCH, on 35mm! The exhibition showcases female
artists from various disciplines who are dedicated to powerful feminine
narratives. These artists are restructuring stereotypes to explore a more
complex relationship to gender, pleasure, fantasy, and desire. Anna Biller has
established herself as one of the most exciting of contemporary independent
American filmmakers, creating lavish films with stunning Technicolor aesthetics
and strong female protagonists. Every aspect of her work is deeply researched
and considered - she makes her own costumes, set designs, props, paintings, and
scores for her films, and often stars as well. Biller produces cinema with a
focus on visual pleasure for women, referencing historical genres to
talk about female roles within culture, coding feminist ideas within cinematic
aesthetics. Special thanks to Anna Biller, Lissa Rivera (Museum of Sex), and
Marina Garcia Vasquez (Creators). For more info regarding the exhibition,
visit: www.museumofsex.com. Anna Biller VIVA (2007, 120 min, 35mm) VIVA is a
cult freak-out, retro 1970s spectacle about a bored housewife who gets sucked
into the sexual revolution. Barbi becomes a Red Riding Hood in a sea of wolves,
and quickly learns a lot more than she wanted to about the various scenes going
on in the wild 70s, including nudist camps, the hippie milieu, orgies,
bisexuality, sadism, drugs, and bohemia. Saturated with vibrant color and
exquisitely detailed in its depiction of the period, VIVA looks like a lost
film from the period, down to the campy and self-assured performances, the big
lighting, the plethora of negligées, and the delirious assortment of Salvation
Army ashtrays, lamps, fabrics, and bric-a-brac. Featuring naked
dancers, alcoholic swingers, stylish sex scenes, a sea of polyester, Hammond
organ jams, glitzy show numbers, white horses, blondes in the bathtub, gay
hairdressers, and psychedelic animation, VIVA has it all!
7/13
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=18d232b987&e=4e65756555
9:15 PM, 32 Second Avenue
ANNA BILLER DOUBLE FEATURE!: THE LOVE WITCH
ANNA BILLER DOUBLE FEATURE!$15 FOR BOTH FILMS! Regular price for one.In
conjunction with the Museum of Sex's upcoming exhibition "NSFW: Female Gaze,"
co-curated by Creators (VICE), Anthology hosts a double-bill of filmmaker Anna
Biller's VIVA and THE LOVE WITCH, on 35mm! The exhibition showcases female
artists from various disciplines who are dedicated to powerful feminine
narratives. These artists are restructuring stereotypes to explore a more
complex relationship to gender, pleasure, fantasy, and desire. Anna Biller has
established herself as one of the most exciting of contemporary independent
American filmmakers, creating lavish films with stunning Technicolor aesthetics
and strong female protagonists. Every aspect of her work is deeply researched
and considered - she makes her own costumes, set designs, props, paintings, and
scores for her films, and often stars as well. Biller produces cinema with a
focus on visual pleasure for women, referencing historical genres to
talk about female roles within culture, coding feminist ideas within cinematic
aesthetics. Special thanks to Anna Biller, Lissa Rivera (Museum of Sex), and
Marina Garcia Vasquez (Creators). For more info regarding the exhibition,
visit: www.museumofsex.com. Anna Biller THE LOVE WITCH (2016, 120 min, 35mm)The
Manhattan premiere of the 35mm print of THE LOVE WITCH!Elaine, a beautiful
young witch, is determined to find a man to love her. In her gothic Victorian
apartment she makes spells and potions, and then picks up men and seduces them.
Her spells work too well, however, and she ends up with a string of hapless
victims. When she finally meets the man of her dreams, her desperation to be
loved will drive her to the brink of insanity and murder. With a visual style
that pays tribute to Technicolor thrillers of the 1960s, THE LOVE WITCH
explores female fantasy and the repercussions of pathological narcissism. "I
wanted to make a movie about a witch, because I think that every
woman is made to feel like a witch by the men who don't understand her: that
is, mysterious, dangerous, different, abnormal." -Anna Biller
FRIDAY, JULY 14, 2017
7/14
Brooklyn, New York: Microscope Gallery
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=db84906685&e=4e65756555
7:30pm, 1329 Willoughby Ave2B
20TH ANNIVERSARY SCREENING JAMES FOTOUPOLUS' "ZERO"
Q&A w/ the artist follows the screening. Introduced by Bradley Eros.Microscope
presents the 20th anniversary screening of James Fotopoulos’ first feature film
‘’Zero” in its original format and introduced by Bradley Eros who along with
Brian Frye presented the work in its first “real screening” in the US on
November 21, 2000 at the Robert Beck Memorial Cinema (RBMC), which took place
the Lower East Side space Collective Unconscious. The nearly 2 1/2 hour long
film – shot by Fotopoulos with his 16mm Bolex camera at the age of 18 – is a
decadent story of isolation, sentimental and sexual repression where
“primordial dreams of humanoid sex and violence manifest in his [the main
character’s] everyday reality as cancer, abuse and mannequin love”, mixing
realism and dreamlike states depicted through the lyrical rhythms and
physicality of celluloid film. “Zero” features the same actor and location of
his earlier shorts “Substitute” (1994) and “Tranquility” (1995) and was
completed
in 1997 while Fotopoulos was shooting his next and break-through film
“Migrating Forms”. Described as “America’s foremost poet of sexual anxiety”,
the artist whose subsequent works range from 17 seconds to 7 hours can already
be seen in “Zero” embracing the full spectrum of filmmaking, from script
writing to shooting, production and editing, from sketching storyboards to
painting on film and building set props. This film marks the first time that
Fotopoulos altered his footage through hand-painting, scratching and color
toning, stationing for weeks at a professional lab to employ other alternative
printing techniques: A special Zero pin-back button produced for the occasion
based on the original 1997 button will be given to the audience members. Film
series of James Fotopoulos’ films take place later in July at Facets
Cinémathèque and The Nightingale in Chicago. More info:
www.microscopegallery.com. tel: 347.925.1433, i...@microscopegallery.com.
Jefferson Street L (exit Starr
Street).
7/14
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=108691625d&e=4e65756555
8:00 PM, 32 Second Avenue
GO NIGHTCLUBBING!: DOWNTOWN NEW YORK 1977-80: PROGRAM 1
PUNK Seminal performers like Iggy Pop, Johnny Thunders and the Heartbreakers,
Dead Kennedys, and Rocket from the Tombs anchor this exploration of hardcore
music with rare early Bad Brains, and the Dead Boys. NEW WAVE In 1980, from
Tokyo to Minneapolis, punk music was evolving to create New Wave. With a poppy,
electronic sound, bands like The Plastics, the Suburbs, Ballistic Kisses, Bush
Tetras, the Go-Go's, Human Sexual Response, Kid Creole and the Coconuts, Our
Daughters Wedding, Pylon, and Strange Party embodied this musical shift. Total
running time: ca. 85 min.
SATURDAY, JULY 15, 2017
7/15
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c109f46287&e=4e65756555
8:00 PM, 32 Second Avenue
GO NIGHTCLUBBING!: DOWNTOWN NEW YORK 1977-80: PROGRAM 2: SUICIDE
MARTIN REV IN PERSON! Conventional wisdom tells us that punk began in 1975 or
76. Not for Suicide, a punk band since 1970. Innovators Alan Vega and Martin
Rev put forth the model for the synth duos that went on to dominate the 80s -
but with their own unmatched style and legendary use of drum machines, organs,
and synths. Travel back in time with us for this SUICIDE LIVE show. Followed by
a Q&A with Martin Rev, as well as Pat Ivers and Emily Armstrong! Total running
time: ca. 45 min + Q&A.
SUNDAY, JULY 16, 2017
7/16
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f59269d0aa&e=4e65756555
5:45 PM, 32 Second Avenue
GO NIGHTCLUBBING!: DOWNTOWN NEW YORK 1977-80: PROGRAM 3
JAY DEE DAUGHERTY IN PERSON! GREATEST HITS This program hits the bases with the
very best performances from fan faves like Divine, The Cramps, Richard Hell and
the Voidoids, Levi and the Rockats, the Go-Go's, and more. INTERVIEWS Culled
from their collection of 25 interviews with musicians, writers, and scene
makers, this program finds Ivers and Armstrong talking with Jay Dee Daugherty
and Lenny Kaye (Patti Smith Group), Walter Lure (The Heartbreakers), James
Chance (Contortions), Jeff Magnum and Cheetah Chrome (Dead Boys), and Richard
Lloyd (Television). Followed by a Q&A with Jay Dee Daugherty, from the Patti
Smith Group, as well as Pat Ivers and Emily Armstrong! Total running time: ca.
85 min.
7/16
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=1c54e93057&e=4e65756555
8:00 PM, 32 Second Avenue
GO NIGHTCLUBBING!: DOWNTOWN NEW YORK 1977-80: PROGRAM 4
NO WAVE AND BEYOND Not for the meek, this program features Downtown's most
cutting-edge artists, from Velvet Underground veteran John Cale on his Sabotage
tour to rare footage of James Chance and the Contortions, and Teenage Jesus and
the Jerks at the Paradise Garage in 1978. No Wave superstars DNA, the Lounge
Lizards, and Sun Ra round out the noise fest. NIGHT OF THE LIVING DEAD BOYS
JEFF MAGNUM IN PERSON! Join us for a program that features a legendary live
concert by the Dead Boys at CBGB's in 1977, at the height of their power! This
is American punk at its most raw, honest, and urgent. Followed by a Q&A with
Dead Boys bassist Jeff Magnum, as well as Pat Ivers and Emily Armstrong! Total
running time: ca. 85 min.
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