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** This week [July 15 - 23, 2017] in avant garde cinema
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Summer of Love Experiments: Perceptual Expansion (#anchor2) [July 16, Los
Angeles, California]
Side/Walk/Shuttle and Other 16mm Works By Ernie Gehr (#anchor12eg) [July 21,
San Francisco, California]
Light Movement 23: Open Doors. Curated By Ute Aurand (Berlin) and Peter Todd
(London) (#anchor13) [July 23, Berlin, Germany]
Beth Block: A Few Things To Share Before I Hit the Road (#anchor14) [July 23,
Los Angeles, California]
NEW FILM/VIDEO: NON-FEATURE:
"COSMIC POPSICLE" by Dina Yanni
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=fb8e828408&e=4e65756555
NEW CALLS FOR ENTRIES:
ASG Animation Festival (Oakland, CA; Deadline: July 09, 2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=bc479b6e36&e=4e65756555
DEADLINES APPROACHING:
Coop Microcinema (Nashville, TN; Deadline: August 18, 2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9fac67d9d6&e=4e65756555
Light Field (San Francisco, CA ; Deadline: August 15, 2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2e39d409a0&e=4e65756555
Events are sorted alphabetically BY CITY within each DATE.
This week's programs (summary):
* Go Nightclubbing!: Downtown New York 1977-80: Program 2: Suicide (#anchor1)
[July 15, New York, NY]
* Summer of Love Experiments: Perceptual Expansion (#anchor2) [July 16, Los
Angeles, California]
* Go Nightclubbing!: Downtown New York 1977-80: Program 3 (#anchor3) [July 16,
New York, NY]
* Go Nightclubbing!: Downtown New York 1977-80: Program 4 (#anchor4) [July 16,
New York, NY]
* Ko Nakajima Part 2: Mt. Fuji Complete 90-Minute Version (#anchor5) [July 17,
Brooklyn, New York]
* An Evening With Ernie Gehr (#anchor6) [July 19, Berkeley, California 94704]
* Newfilmmakers (#anchor7) [July 19, New York, NY]
* Jonathas De andrade Presents Bodanzky and Senna's Iracema (#anchor8) [July
20, Brooklyn, New York 11222]
* Downtown At Sundown (#anchor9) [July 20, San Diego, California 92101]
* Cinema Arts: An Ernie Gehr Variety Show (#anchor10) [July 20, San Francisco,
California 94111]
* Black Maria Film Festival At Upstate Films (#anchor11) [July 21, Rhinebeck,
NY]
* Side/Walk/Shuttle and Other 16mm Works By Ernie Gehr (#anchor12eg) [July 21,
San Francisco, California]
* Films By Harry Gruyaert (#anchor12) [July 22, New York, NY]
* Light Movement 23: Open Doors. Curated By Ute Aurand (Berlin) and Peter Todd
(London) (#anchor13) [July 23, Berlin, Germany]
* Beth Block: A Few Things To Share Before I Hit the Road (#anchor14) [July 23,
Los Angeles, California]
* Jean Gaumy (#anchor15) [July 23, New York, NY]
* 16mm Cyanotype Workshop (#anchor16) [July 23, Washington, District of
Columbia 20012]
SATURDAY, JULY 15, 2017
7/15
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4926a800fe&e=4e65756555
8:00 PM, 32 Second Avenue
GO NIGHTCLUBBING!: DOWNTOWN NEW YORK 1977-80: PROGRAM 2: SUICIDE
MARTIN REV IN PERSON! Conventional wisdom tells us that punk began in 1975 or
76. Not for Suicide, a punk band since 1970. Innovators Alan Vega and Martin
Rev put forth the model for the synth duos that went on to dominate the 80s -
but with their own unmatched style and legendary use of drum machines, organs,
and synths. Travel back in time with us for this SUICIDE LIVE show. Followed by
a Q&A with Martin Rev, as well as Pat Ivers and Emily Armstrong! Total running
time: ca. 45 min + Q&A.
SUNDAY, JULY 16, 2017
7/16
Los Angeles, California: Filmforum
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e4ea24a8cb&e=4e65756555
7:30 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd
SUMMER OF LOVE EXPERIMENTS: PERCEPTUAL EXPANSION
We commemorate the 50th anniversary of the radical cultural upheaval with an
assortment of mind-blowing (as intended) short underground films. These films
used a variety of tactics to manifest or assist with perceptual expansion and
experience found in sex, drugs, music, and art. Some pursue idea of psychedelia
(Third Eye Butterfly; Doppler Effect: Version II) others express openness in
sexuality (Fuses); and others try to capture some of the spirit of group
revelry, drug-taking and celebration (Letter to D.H. in Paris; Be-In: 1967).
Albert Alotta’s Peacemeal captures one of the war protests, the essential
underpinning of the events of the year. Les Blank’s God Respects Us When We
Work But He Loves Us When We Dance and Sam Erenberg’s Elysian Park II were both
filmed at the same event, the Easter Sunday Love-In in Los Angeles’s Elysian
Park in 1967, but take radically different approaches to making sense of joyful
events of the day. Apropos of San Francisco and Malanga dive
into the possibilities of film form and structure, using repetitions, filters,
and other strategies, while other filmmakers those as part of a way to find a
cinematic correlate to revelry and drug states.
7/16
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=726028b1cb&e=4e65756555
5:45 PM, 32 Second Avenue
GO NIGHTCLUBBING!: DOWNTOWN NEW YORK 1977-80: PROGRAM 3
JAY DEE DAUGHERTY IN PERSON! GREATEST HITS This program hits the bases with the
very best performances from fan faves like Divine, The Cramps, Richard Hell and
the Voidoids, Levi and the Rockats, the Go-Go's, and more. INTERVIEWS Culled
from their collection of 25 interviews with musicians, writers, and scene
makers, this program finds Ivers and Armstrong talking with Jay Dee Daugherty
and Lenny Kaye (Patti Smith Group), Walter Lure (The Heartbreakers), James
Chance (Contortions), Jeff Magnum and Cheetah Chrome (Dead Boys), and Richard
Lloyd (Television). Followed by a Q&A with Jay Dee Daugherty, from the Patti
Smith Group, as well as Pat Ivers and Emily Armstrong! Total running time: ca.
85 min.
7/16
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=f854bd7750&e=4e65756555
8:00 PM, 32 Second Avenue
GO NIGHTCLUBBING!: DOWNTOWN NEW YORK 1977-80: PROGRAM 4
NO WAVE AND BEYOND Not for the meek, this program features Downtown's most
cutting-edge artists, from Velvet Underground veteran John Cale on his Sabotage
tour to rare footage of James Chance and the Contortions, and Teenage Jesus and
the Jerks at the Paradise Garage in 1978. No Wave superstars DNA, the Lounge
Lizards, and Sun Ra round out the noise fest. NIGHT OF THE LIVING DEAD BOYS
JEFF MAGNUM IN PERSON! Join us for a program that features a legendary live
concert by the Dead Boys at CBGB's in 1977, at the height of their power! This
is American punk at its most raw, honest, and urgent. Followed by a Q&A with
Dead Boys bassist Jeff Magnum, as well as Pat Ivers and Emily Armstrong! Total
running time: ca. 85 min.
MONDAY, JULY 17, 2017
7/17
Brooklyn, New York: Microscope Gallery
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e7102fe53b&e=4e65756555
7:30pm, 1329 Willoughby Ave2B
KO NAKAJIMA PART 2: MT. FUJI COMPLETE 90-MINUTE VERSION
Introduced by Mia Nakai. Microscope Gallery presents as the final night in a
two-part series of works by the Japanese video and computer animation pioneer
Ko Nakajima the full 90-minute version of his most well known work “Mt. Fuji”,
made in 1984. While the 20-minute version has previously screened in the US –
including in the 1986 program “New Video: Japan” as part of “Close Up of Japan,
New York 1985-86” at the Museum of Modern Art and the subsequent traveling
program, among others – the original version of the work has rarely, if ever,
been shown in the US. A 7-minute long “short version” also exists. “Mt. Fuji”
involves animations and computer graphic manipulations of hundreds of
photographs of the Japan’s highest mountain and cultural icon generated on the
“aniputer”, a portable machine designed by Nakajima and created in
collaboration with the Japan Victor Company (JVC) in 1982. This personal
animation computer allowed him to manipulate, combine, distort, superpose, and
embed images within computer generated objects moving through the
three-dimensional plane of imagery shot in real life. “Mt. Fuji” is also the
first in a cycle of three stand-alone works by Nakajima, each representing
Taoist elements, with Mount Fuji signifying Earth. Two other works “Dolmen”
(1987) representing Stone and “Rangitoto” (1988) representing Fire, were
screened in Part 1 of this series. More info: www.microscopegallery.com.
i...@microscopegallery.com. tel: 347.925.1433. Admission $8, Students & Members
$6. Jefferson St L (exit Starr St).
WEDNESDAY, JULY 19, 2017
7/19
Berkeley, California 94704: Berkeley Art Museum & Pacific Film Archive
7pm, 2155 Center St
AN EVENING WITH ERNIE GEHR
Ernie Gehr in person. As part of Canyon Cinema's fiftieth anniversary
celebrations, Ernie Gehr, one of the leading figures of the American
avant-garde, makes a rare trip to the Bay Area to present a selection of his
recent digital films. All works are presented in the digital format. Picture
Taking (2010, 10min, color) Autumn (2017, 30min, color) Transport (2015, 21min,
color) A Commuter's Life (What a Life!) (2014, 20min, color)
7/19
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=836f2c723e&e=4e65756555
6:00 PM, 32 Second Avenue
NEWFILMMAKERS
For full program listings, visit www.newfilmmakers.com.
THURSDAY, JULY 20, 2017
7/20
Brooklyn, New York 11222: Light Industry
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4f65c501c2&e=4e65756555
7:30pm, 155 Freeman St
JONATHAS DE ANDRADE PRESENTS BODANZKY AND SENNA'S IRACEMA
Introduced by Jonathas de Andrade Iracema, Jorge Bodanzky and Orlando Senna,
1975, digital projection, 90 mins Jorge Bodanzky and Orlando Senna's Iracema:
Uma Transa Amazônica lifts its name from José de Alencar's 1865 novel Iracema,
one of the foundational texts of Brazilian literature. Alencar's Iracema-her
name an anagram for "America"-is a virginal indigenous maiden who falls in love
with a noble Portuguese explorer; in a romanticized allegory of the nation's
genesis, the couple produce a child who represents a new Brazilian people. Made
under the 1970s military dictatorship, Bodanzky and Senna's Iracema presents,
by contrast, an unsparing vision of late-20th-century Brazil, ravaged by the
ruthless domination of human beings and the unfettered destruction of nature.
The titular character (movingly portrayed by nonprofessional actor Edna de
Cássia) is reimagined as a teenager of mixed native and European heritage who
moves from the countryside to the city, where she
becomes a sex worker. Before long she is picked up by a cynical truck driver
named Tião Brasil Grande (Paulo César Perério), who transports lumber across
the rapidly expanding Trans-Amazonian Highway. When Tião tires of Iracema's
company he abandons her at a roadside brothel, only to encounter her by chance
months later. The interval, he discovers, has taken a heavy toll on the young
woman, whom the world has made bitter, bedraggled, and resigned to her fate.
Inspired by neorealism as well as the films of John Cassavetes and Jean Rouch,
the directors constructed Iracema by enacting a road-movie scenario inside
everyday settings, combining artifice and documentary to yield a richly
atmospheric parable whose lessons still maintain a grim relevance. Though the
work was banned in its own country until 1980, it has since become regarded as
one of the major films of its era, and its influence continues to resonate
among a younger generation of artists and filmmakers in Brazil,
such as Jonathas de Andrade, who is likewise discovering new possibilities for
fiction embedded in social reality.
7/20
San Diego, California 92101: Museum of Contemporary Art San Diego
8 PM PDT, 1100 & 1001 Kettner Blvd
DOWNTOWN AT SUNDOWN
At the SDSU Downtown Gallery, enjoy an evening of film screenings with
California-based artist Lana Z. Caplan. Caplan is a photographer and video
artist whose work investigates the notion of place through experimental digital
techniques inherent to the technology she uses. Four short videos will be
screened at 5:30, 6:30, and 7:30 PM. Grab your friends and head downtown to
explore all the Core Columbia neighborhood has to offer!
7/20
San Francisco, California 94111: Exploratorium
7:30, Pier 15 Embarcadero at Green St
CINEMA ARTS: AN ERNIE GEHR VARIETY SHOW
Making a rare trip to San Francisco, Ernie Gehr joins us to present a screening
of new works-four moving image landscape considerations. Tonight, Gehr will
present recent works and other surprises that are screening for the first time
in San Francisco. FEATURING Photographic Phantoms (2013, 27 min., color, b&w,
sound) Brooklyn Series (2014, 12 min., color, sound) Mist I & II (2014, 10
min., color, silent) Waterfront Follies (2008, 39 min., color, sound) Presented
in conjunction with Canyon Cinema 50, this event is part of a yearlong series
of programming in celebration of the 50th anniversary of Canyon Cinema's
incorporation.
FRIDAY, JULY 21, 2017
7/21
Rhinebeck, NY: Black Maria Film Festival
www.blackmaria.org
8:15PM, Upstate Films, 6415 Montgomery St., Rhinebeck, NY
BLACK MARIA FILM FESTIVAL AT UPSTATE FILMS
The Black Maria Film Festival’s 36th Annual Festival tour, returns this year on
Friday evening, July 21st at 8:15PM to Upstate Films, 6415 Montgomery St.,
Rhinebeck, NY, to present some of the most engaging short films of 2017. The
program will be presented in-person by festival director, Jane Steuerwald, and
features a collection of stellar works touring with the festival this season.
The selections include animation, narrative, and documentary films from the top
award-winning works chosen by the festival jury. Immediately following the
screening, Jane Steuerwald will conduct a Q & A with the audience. Filmmaker,
Nathan Pancione, will be present to discuss his film at the Q & A. Join us at
the Liberty Public House next door to continue the conversation and for drinks
after the show (cash bar). The Black Maria Film Festival has generous support
from New Jersey State Council on the Arts, NJ City University, and the Hudson
County Office of Cultural and Heritage Affairs. The
Festival attracts and nationally showcases the works of highly accomplished
independent filmmakers and is a project of the Thomas A. Edison Media Arts
Consortium, an independent non-profit organization in residence at NJ City
University’s Department of Media Arts. Black Maria was founded in 1981 as a
tribute to Thomas Edison’s development of the motion picture at his laboratory,
dubbed the “Black Maria” film studio, the first in the world, in West Orange,
NJ. The Black Maria Film Festival was awarded the New Jersey State Council on
the Arts Citation for Excellence for eight years. For further information,
contact Upstate Films, 6415 Montgomery St./Route 9, Rhinebeck, NY, 12572,
845-876-2515,
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5c902c5f62&e=4e65756555
or festival director Jane Steuerwald, j...@blackmariafilmfestival.org,
201-200-2043, www.blackmaria.org.
7/21
San Francisco, California: Roxie Theater
6pm, 16th St. & Valencia
SIDE/WALK/SHUTTLE AND OTHER 16MM WORKS BY ERNIE GEHR
Canyon Cinema as part of their 50th anniversary celebration has partnered with
The Exploratorium and Berkeley Art Museum & Pacific Film Archive to bring Ernie
Gehr to San Francisco to present works for the first time since 2010. This
Little Roxie screening is the only program of the three featuring Gehr’s 16mm
work, presenting four films spanning from the mid-seventies into the nineties.
16mm works to be screened are: SHIFT (1972-74) 9 min. Color. Sound. MIRAGE
(1981) 10 min. Color. Silent. REAR WINDOW (1986/91) 10 min. Color. Silent.
SIDE/WALK/SHUTTLE (1991) 40 min. Color. Sound.
SATURDAY, JULY 22, 2017
7/22
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d6bf935561&e=4e65756555
7:30 PM, 32 Second Avenue
FILMS BY HARRY GRUYAERT
Harry Gruyaert's moving-image works are not simply films made by an artist
better known as a photographer but are themselves a kind of hybrid of
photography and cinema. Whether juxtaposing his own photography and footage
with imagery from the works of one of his central influences (Michelangelo
Antonioni), combining still photography with recorded sound, or, as in his
famous TV SHOTS, photographing news footage off a TV screen and then
re-presenting the images in the form of a film, Gruyaert's cinematic work
exists somewhere at the very border of the two media. MOSCOW (1989-2009 2015,
6.5 min, digital) TRIBUTE TO ANTONIONI / VARIATIONS SOUS INFLUENCE (2007, 17.5
min, digital) EDGES (RIVAGES) (2007, 4 min, digital) TV SHOTS (2015, 9.5 min,
digital) SASKIA & MARIEKE (GROWING UP) (2015, 15.5 min, digital) Total running
time: ca. 60 min.
SUNDAY, JULY 23, 2017
7/23
Berlin, Germany: Light Movement
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=e29c59efb5&e=4e65756555
8.00pm, Spektrum, Bürknerstraße 12,
LIGHT MOVEMENT 23: OPEN DOORS. CURATED BY UTE AURAND (BERLIN) AND PETER TODD
(LONDON)
Every year or two Ute Aurand and Peter Todd meet up to continue a filmic
conversation. OPEN DOORS is their third public program curated together. A film
by the Orcadian filmmaker Margaret Tait is often shown as a reference to how
Aurand and Todd's joint interest in her work fIrst brought them together. In
OPEN DOORS they have selected films in which the filmmakers' observations and
feelings become visible beyond obvious narratives. Films - Leaden Echo and the
Golden Echo. Margaret Tait, 1955, 6.5min, 16mm. Part 1 - Room Window Sea Sky,
Peter Todd, 2014, 3min, 16mm, silent; Among The Eucalyptuses, Robert Beavers,
2017, 4min, 16mm, silent; Venedig Dezember 2011, Renate Sami, 2012, 4,5min,
colour, digital; Napkins, Joanna Margaret Paul, 1975, 3,5mins, S8 to digital
file, silent; For You, Peter Todd, 2000, 2mins, silent. Part Two -
Mädchen/Girls, Helga Fanderl, 1995, 2 min, S8, silent; Philipp's 60th
Birthday, Ute Aurand, 2014, 5,5min, 16mm; Envios 26, Jeannette Munoz, 2013,
6min, 16mm, silent; Elegy, Anthea Kennedy, Ian Wiblin, 2001, 3min, digital;
Four Diamonds, Ute Aurand, 2016, 4.5min, 16mm. Thanks to CIRCUIT, LUX, The
Estate of Joanna Margaret Paul, Alex Pirie and The Estate of Margaret Tait.
7/23
Los Angeles, California: Filmforum
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7cc38be37b&e=4e65756555
7:30 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd
BETH BLOCK: A FEW THINGS TO SHARE BEFORE I HIT THE ROAD
Filmforum welcomes back the filmmaker (and our former board president) Beth
Block for one more grand screening before she relocates to the grand state of
Hawaii. Starting with her optical printer masterpiece Film Achers, and
including her digital masterpiece Successive Approximations to the Goal we’ll
also have a chance to see other recent digital work that has not yet graced our
screen, and get a sneak preview of a work-in-progress. Hawaii’s gain will be
our Los Angeles’s loss, but join us as we celebrate her ongoing inspiration and
relentless innovation. Tickets: $10 general admission; $6 students (with
ID)/seniors; free for Filmforum members. Tickets available at
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c424bc87b8&e=4e65756555
or at the door For more event information: www.lafilmforum.org, or 323-377-7238
7/23
New York, NY: Anthology Film Archives
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=44ddfaf9ab&e=4e65756555
6:45 PM, 32 Second Avenue
JEAN GAUMY
French artist Jean Gaumy has moved back and forth between still photography and
filmmaking. These three films suggest the range of subjects he's documented in
his moving-image works. THE SMOKING HOUSE depicts a group of women in Normandy,
engaged in filleting and gutting herring. JEAN-JACQUES is the result of two
years documenting the small farming town of Octeville-sur-Mer, in Normandy,
through the eyes of the so-called 'village idiot' Jean-Jacques. ON THE ROWANLEA
TRAWLER reveals the activities taking place on the decks of a trawler, the
subject of one of Gaumy's photo books as well. THE SMOKING HOUSE / LA BOUCANE
(1984, 36 min, video) JEAN-JACQUES (1987, 52 min, 16mm) ON THE ROWANLEA TRAWLER
(1992, 4 min, video, b&w, silent) Total running time: ca. 95 min.
7/23
Washington, District of Columbia 20012: Rhizome DC
11am-4pm, 6950 Maple St NW
16MM CYANOTYPE WORKSHOP
Sunday July 23rd, 11- 4pm Instructor: Margaret Rorison In this workshop,
participants will work with this 19th Century photographic process in
combination with 16mm film to create their own cyanotype film loops.
Participants will work with 16mm film that has been previously coated in
cyanotype solution, creating photograms by placing objects over the UV
sensitive film, exposing the film to sunlight, then rinsing the film in water
to develop beautiful blue patterns and forms. Participants are encouraged to
bring their own objects to this workshop. Anything with interesting shapes,
edges and forms that they would like to use. Examples include leaves, lace,
safety pins, rubber bands, nails - anything that will create patterns and forms
- and sound! Along one side of the 16mm filmstrip, there is a margin reserved
for the optical soundtrack. Through this DIY process, we will be creating
patterns of light and dark that will spill over onto the margin reserved for
sound, and the
16mm projector will read these patterns of light and dark and translate them
into sound. Workshop includes pre-coated cyanotype 16mm film and photogram
materials, but feel free to bring your own objects to work with! Margeret
Rorison is the co-founder and curator of Baltimore's Sight Unseen Screening
series since 2012.
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