links 
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9cb1f33c8a&e=4e65756555

http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=2e2437c2fb&e=4e65756555


** This week [August 19 - 27, 2017] in avant garde cinema
------------------------------------------------------------

Enter your event announcements by going to the Flicker Weekly Listing Form 
(http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a20182ab4c&e=4e65756555)
 .

To receive the weekly listing via email: Subscribe 
(http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=711efda844&e=4e65756555)
 . To unsubscribe see the link at the bottom of this email.

link to screening (#link to screening)

NEW CALLS FOR ENTRIES:
Experiments in Cinema (Albuquerque, New Mexico USA; Deadline: November 01, 2017)
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a448abf6a1&e=4e65756555
The Film and Video Poetry Symposium (Los Angeles, Ca. USA; Deadline: December 
31, 2017)
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5671dc8b01&e=4e65756555
Pile of Bones Underground Film Festival (Regina, SK, Canada; Deadline: August 
27, 2017)
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=0d55713829&e=4e65756555

DEADLINES APPROACHING:
Pile of Bones Underground Film Festival (Regina, SK, Canada; Deadline: August 
27, 2017)
http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=84cea6dae3&e=4e65756555

Events are sorted alphabetically BY CITY within each DATE.

This week's programs (summary):
* Ata @Sfpl (Screening At Chinatown Branch) (#anchor1) [August 19, San 
Francisco, California 94108]
* Material Mortality (#anchor2) [August 19, San Francisco, California]
* Abstract visions: Strange Shorts and video Art (#anchor3) [August 26, San 
Francisco, California 94110]
* Analogica Selection (#anchor4) [August 27, Portland, Oregon]

SATURDAY, AUGUST 19, 2017

8/19
San Francisco, California 94108: Artists Television Access
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5b014b7b3b&e=4e65756555
2pm, San Francisco Public Library - Chinatown Branch, 1135 Powell St
ATA @SFPL (SCREENING AT CHINATOWN BRANCH)
The Fall of the I-Hotel (Curtis Choy, 1983) 58 minutes, color On August 4, 
1977, thousands of people surrounded the International Hotel at Kearny and 
Jackson Streets, taking a last stand against powerful real estate interests to 
try and prevent the displacement of a thriving community. The Fall of the 
I-Hotel documents the culmination of a decade-long battle to save the 
International Hotel, whose residents, mostly Filipino and Chinese seniors, 
struggled to save their homes, aided by extensive support from community 
groups, activists, and residents citywide. Filmmaker Curtis Choy beautifully 
lays out the history and way of life of the elders living in the hotel through 
interviews and archival photographs, then guides a vérité immersion in the 
protests themselves. The nighttime cinematography in particular is 
extraordinarily rich on the 16mm print we'll be showing. The film's depictions 
of evictions, police/protestor face-offs, and the forced transformation of a 
neighborhood
make The Fall of the I-Hotel as relevant as ever today. preceded by Chinatown: 
Portrait of a Working Community (Alan Ohashi, 1978) 14 minutes, color This 
production of the Association of Chinese Teachers looks beyond the neon and 
gift shops of San Francisco's densest neighborhood to examine what life is like 
for its inhabitants. A musical score by Dan Kuramoto of the jazz group 
Hiroshima and cinematography by Curtis Choy help it rise above standard 
didactics. Choy's footage of International Hotel protests gives an early 
glimpse of the topic he'd grant greater depth in The Fall of the I- Hotel. and 
Sewing Woman (Arthur Dong, 1982) 14 minutes, b/w On the surface this is a 
straightforward account of the life story of one of the many women working in 
Chinatown garment factories 35 years ago. A narration delivered over images of 
her workspace as well as an array of archival photographs tells us the 
alternately harrowing and heartwarming details of her life growing up in
pre-Communist China, her arranged marriage into a "Gold Mountain family" and 
subsequent emigration to San Francisco. But the final moments of this Oscar- 
nominated short made by a San Francisco State University student (who'd later 
go on to create many documentaries & the book Forbidden City, USA) raise more 
questions than answers about this woman's life.

8/19
San Francisco, California: Artists Television Access
http://hi-beam.us9.list-manage1.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8e29929541&e=4e65756555
8pm, 992 Valencia Street
MATERIAL MORTALITY
There are overlaps, symmetries, and echoes in the ways these makers engage 
corporeality, viscerality, and mortality as material. Every flower has (2016), 
6minutes 20 seconds dir: Sindhu Thirumalaisamy Razor’s Edge (2016), 3 minutes 
25 seconds dir: Stefani Byrd Evidence (2014), 4 minutes dir: Abigail Severance 
and Julie Tolentino Winterkill (2016), 5 minutes dir: Abigail Severance Molt 
(2016), 2 minutes dir: Heidi Kayser Loveseat (2017), 3 min 15 sec dir: Lyndsay 
Bloom The Destruction of Royal Gardens (2017), 5 minutes dir: Hermione Spriggs 
and Curtis Tamm Wolf Release (work-in-progress) 6 minutes dir: Bill Basquin 
Goats With Westin and Tyson (2016) 12 minutes dir: Angie Jennings

SATURDAY, AUGUST 26, 2017

8/26
San Francisco, California 94110: Artists' Television Access
7pm, 992 Valencia St
ABSTRACT VISIONS: STRANGE SHORTS AND VIDEO ART
Join us at Artist's Television Access in the Mission District for 2 hours of 
weird and experimental short films! The selection ranges from abstract genre 
pieces to video art from filmmakers both local and around the globe. Along with 
the showcase, we'll have live art from illustrator Simon Lutrin and a raffle! 
7-9PM, Saturday August 26th. $9 at the Door.

SUNDAY, AUGUST 27, 2017

8/27
Portland, Oregon: ANALOGICA
http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=da49da13da&e=4e65756555
8PM, Mister Theater 1847 E Burnside
ANALOGICA SELECTION
ANALOGICA SELECTION is the annual short film program promoted by Analogica, a 
no profit organization based in Italy that promotes the investigation and 
dissemination of analog practices in visual and sonic experiments. ANALOGICA 
SELECTION 6. Screening program 60' Sunday, August 27th 8 pm screening 7 pm 
doors open
------------------------------------------------------------

Let us know about your alternative film/video event!

Enter your event announcements by going to the Flicker Weekly Listing Form 
(http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=611673f46f&e=4e65756555)
 .

To receive the weekly listing via email, send a message to Subscribe 
(http://hi-beam.us9.list-manage2.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=5f2acb252c&e=4e65756555)
 . To unsubscribe see the link at the bottom of this email.

http://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=56cbed62a8&e=4e65756555



This email was sent to frameworks@jonasmekasfilms.com 
(mailto:frameworks@jonasmekasfilms.com)
why did I get this? 
(http://hi-beam.us9.list-manage1.com/about?u=e4e99825c1d97f8de6eaffad3&id=1aa4289c98&e=4e65756555&c=bed3b890ac)
     unsubscribe from this list 
(http://hi-beam.us9.list-manage.com/unsubscribe?u=e4e99825c1d97f8de6eaffad3&id=1aa4289c98&e=4e65756555&c=bed3b890ac)
     update subscription preferences 
(http://hi-beam.us9.list-manage.com/profile?u=e4e99825c1d97f8de6eaffad3&id=1aa4289c98&e=4e65756555)
Flicker . nowhere . San Francisco, CA 94110 . USA

Email Marketing Powered by MailChimp
http://www.mailchimp.com/monkey-rewards/?utm_source=freemium_newsletter&utm_medium=email&utm_campaign=monkey_rewards&aid=e4e99825c1d97f8de6eaffad3&afl=1
_______________________________________________
FrameWorks mailing list
FrameWorks@jonasmekasfilms.com
https://mailman-mail5.webfaction.com/listinfo/frameworks

Reply via email to