And Oscar Micheaux who appropriated the form to critique its white supremacist roots. See WITHIN OUR GATES and Lois Weber’s SUSPENSE as early examples of crosscutting/parallel editing that doesn’t propagate male/white supremacy. It’s high time we stopped giving DWG all the credit. It’s not that deserved.
- Warren Tampa, FL > On Nov 20, 2017, at 7:38 PM, Dominic Angerame <dominic.anger...@gmail.com> > wrote: > > look no further than DW Griffith who developed this fully. > >> On Mon, Nov 20, 2017 at 10:15 AM, Kelsey Velez <kelsve...@hotmail.com> wrote: >> I'm looking for instances of parallel editing in narrative cinema, if you >> please! >> >> >> Thanks, >> >> Kelsey >> >> >> _______________________________________________ >> FrameWorks mailing list >> FrameWorks@jonasmekasfilms.com >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks
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