Not to forget, two exquisite films by D.A. Pennebaker, a jazz aficionado:
Daybreak Express (1953), a short featuring the NY City Third Avenue Elevated 
Train, cut to the music of Duke Ellington.
Lambert & Co. (1964) Documentary short featuring Dave Lambert (of Lambert, 
Hendricks, and Ross) auditions a new group at RCA studios. Lovely music and 
interactions between the 4 singers. 

In the profuse ecology of short films, some beautiful work gets lost or 
forgotten. Hope these don't.

Robert Withers
rob...@withersworks.com




On Nov 21, 2017, at 7:00 AM, frameworks-requ...@jonasmekasfilms.com wrote:

> Send FrameWorks mailing list submissions to
>       frameworks@jonasmekasfilms.com
> 
> To subscribe or unsubscribe via the World Wide Web, visit
>       https://mailman-mail5.webfaction.com/listinfo/frameworks
> or, via email, send a message with subject or body 'help' to
>       frameworks-requ...@jonasmekasfilms.com
> 
> You can reach the person managing the list at
>       frameworks-ow...@jonasmekasfilms.com
> 
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of FrameWorks digest..."
> Today's Topics:
> 
>   1. Jazz thread (Noe Kidder)
>   2. Parallel Editing (Kelsey Velez)
>   3. Call for entries: TR*MP TH*S! 2018 (Scott Stark)
>   4. Call for Lecturer in Screenwriting at Georgia State
>      University in Atlanta (Robbie Land)
>   5. Re: Parallel Editing (Dominic Angerame)
>   6. Re: Parallel Editing (Warren Cockerham)
>   7. Re: Parallel Editing (o...@thenowcorporation.com)
>   8. Re: Parallel Editing (Warren Cockerham)
>   9. Re: Parallel Editing (Amanda Christie)
> 
> From: Noe Kidder <noekid...@gmail.com>
> Subject: [Frameworks] Jazz thread
> Date: November 20, 2017 11:47:04 AM EST
> To: "frameworks@jonasmekasfilms.com" <frameworks@jonasmekasfilms.com>
> 
> 
> I think of Cassavetes
> This article may be of interest:  
> http://www.corpusfluxus.org/Pages/works_events/lectureMingus.html
> 
> On Mon, Nov 20, 2017 at 8:25 AM, <frameworks-requ...@jonasmekasfilms.com> 
> wrote:
> Send FrameWorks mailing list submissions to
>         frameworks@jonasmekasfilms.com
> 
> To subscribe or unsubscribe via the World Wide Web, visit
>         https://mailman-mail5.webfaction.com/listinfo/frameworks
> or, via email, send a message with subject or body 'help' to
>         frameworks-requ...@jonasmekasfilms.com
> 
> You can reach the person managing the list at
>         frameworks-ow...@jonasmekasfilms.com
> 
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of FrameWorks digest..."
> 
> Today's Topics:
> 
>    1. Re: Jazz Music and Avant-Garde Film (Jorge Lorenzo Flores Garza)
>    2. Farewell Party for Taka & Akiko Iimura TONIGHT 6-9pm,
>       Microscope Gallery in Brooklyn (LBurchill)
>    3. Re: Jack Stauffacher (Stephen Anker)
> 
> 
> ---------- Forwarded message ----------
> From: Jorge Lorenzo Flores Garza <jorgelore...@hotmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Cc: 
> Bcc: 
> Date: Sun, 19 Nov 2017 15:58:54 +0000
> Subject: Re: [Frameworks] Jazz Music and Avant-Garde Film
> Also, Adam Rosen and John Creson do very interesting live visuals for Micheal 
> Snow's and John Oswald's CCMC concerts up in Toronto nowadays.
> 
> 
> De: FrameWorks <frameworks-boun...@jonasmekasfilms.com> en nombre de Beebe, 
> Roger W. <beebe...@osu.edu>
> Enviado: jueves, 9 de noviembre de 2017 04:34 p. m.
> Para: Experimental Film Discussion List
> Asunto: Re: [Frameworks] Jazz Music and Avant-Garde Film
>  
> I think I saw Michael Snow’s name invoked somewhere in this thread, but I 
> don’t think anyone mentioned that he is himself a jazz musician.  I saw a 
> show at Hallwall’s in Buffalo years ago where Snow where they included a 
> piece called REVERBERLIN made of footage of a performance of his ensemble 
> CCMC:
> 
> http://www.hallwalls.org/media-arts/4675.html
> 
> Michael Snow - Beyond/In Western New York: Michael Snow - Film and Video - 
> 10/13/07
> www.hallwalls.org
> Beyond/In Western New York artist Michael Snow presents an evening of films 
> and videos featuring: THE LIVING ROOM (2002); TRIAGE (2004, with Carl Brown 
> and soundtrack by John Kamevaar); REVERBERLIN (2006, featuring CCMC -- an 
> improv ensemble founded by Snow in 1974).
> 
> 
> FYI,
> Roger
> 
>> On Nov 9, 2017, at 11:21 AM, Esperanza Collado <esperanzacolla...@gmail.com> 
>> wrote:
>> 
>> Hey Albert,
>> 
>> What a great thread! Did anyone mention Shirley Clark? Can't remember the 
>> title. 
>> 
>> Also, some of the animated films of Suzan Pitt use jazz music. Asparagus for 
>> sure.
>> 
>> You may want to check Christopher McLain's works too... i could be wrong.
>> 
>> Will keep thinking...
>> 
>> 
>> 
>> El El jue, 9 nov 2017 a las 16:42, tanya g <golde...@gmail.com> escribió:
>> Albert,
>> 
>> Thank you for initiating this thread. I apologize if this was already 
>> mentioned but in my research I came across two others: Surprise Boogie 
>> (1956) direted by Albert Pierru and sponsored film Skyscraper by Clarke and 
>> Van Dyke from 1959, if memory serves.
>> 
>> Two non-avant garde that may be nonetheless of interest are:
>> 
>> Cry of Jazz (Ed Bland, 1959)
>> https://en.wikipedia.org/wiki/Cry_of_Jazz
>> 
>> Jammin' The Blues (1944)
>> https://www.youtube.com/watch?v=BIFJ81RIyVk
>> 
>> 
>> 
>> <Screen Shot 2017-11-09 at 10.40.43 AM.png>
>> 
>> On Wed, Nov 8, 2017 at 3:13 AM, Albert Alcoz <albertal...@gmail.com> wrote:
>> Hello,
>> 
>> I was wondering about the connections between jazz music and avant-garde 
>> film after watching Bridges-Go-Round (1958) by Shirley Clarke, with the 
>> soundtrack version created by Teo Macero.
>> 
>> There should be plenty of avant-garde and experimental films where the 
>> soundtrack is instrumental jazz music. Maybe the field of Visual Music 
>> should be the most represented but i'm sure there are other films like the 
>> one by Michael Snow that uses, in this case, free jazz music or 
>> improvisation.
>> 
>> Does anyone remember some other avant-garde films with jazz soundtracks? 
>> 
>> Right my list is as follows:
>> 
>> Begone Dull Care (1949) by Norman McLaren. Music by Oscar Peterson
>> 
>> Films No. 1 (1948) by Harry Smith. Music by Dizzy Gillespie
>> 
>> Chasse des Touches (1959) by Hy Hirsh. Music by Thelonious Monk
>> 
>> Catalog (1961) by John Whitney. Music by Ornette Coleman
>> 
>> New York Eye and Ear Control (1964) by Michael Snow. Music by Albert Ayler, 
>> Don Cherry, etc.
>> 
>> Thanks in advance,
>> 
>> Albert Alcoz
>> 
>> 
>> -- 
>> http://visionaryfilm.net/
>> http://albertalcoz.com/
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> -- 
>> Esperanza Collado
>> 
>> 
>> 
>> www.esperanzacollado.net
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
> ---------- Forwarded message ----------
> From: LBurchill <elle.burch...@gmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Cc: 
> Bcc: 
> Date: Sun, 19 Nov 2017 15:20:49 -0500
> Subject: [Frameworks] Farewell Party for Taka & Akiko Iimura TONIGHT 6-9pm, 
> Microscope Gallery in Brooklyn
> Hi,
> 
> If you are in New York please stop by the gallery between 6 & 9pm for a 
> goodbye party for Takahiko & Akiko Iimura before they return to Tokyo after 
> more than 50 years in New York.
> 
> There will be also projections of 16mm films and videos at various times 
> throughout the evening.
> 
> More info is here: https://goo.gl/ugKKTz
> 
> Microscope Gallery
> 1329 Willoughby Ave, 2B
> Brooklyn, NY 11237
> www.microscopegallery.com
> 
> 
> ---------- Forwarded message ----------
> From: Stephen Anker <san...@calarts.edu>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Cc: 
> Bcc: 
> Date: Sun, 19 Nov 2017 20:51:47 -0800
> Subject: Re: [Frameworks] Jack Stauffacher
> Sorry to hear this, Dominic, but thanks for letting us know.
> It's amazing that Jack lived until 97, and that he was vital until his last 
> years.
> What a great inspiration for these anti-humane, greedy times.
> Steve
> 
> On Fri, Nov 17, 2017 at 5:51 PM, Dominic Angerame 
> <dominic.anger...@gmail.com> wrote:
> Noted San Francisco printer, Jack Stauffacher passed away at the age of 97 at 
> his home in Tiburon, California. Jack was well known amongst the art and 
> experimental cinema scene in San Francisco since the 1940s.
> 
> His brother Frank Stauffacher started the film experimental cinematheque 
> series "Art in Cinema" in 1947 at the San Francisco Museum of Modern Art.
> 
> 
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
> 
> 
> From: Kelsey Velez <kelsve...@hotmail.com>
> Subject: [Frameworks] Parallel Editing
> Date: November 20, 2017 1:15:26 PM EST
> To: "frameworks@jonasmekasfilms.com" <frameworks@jonasmekasfilms.com>
> 
> 
> I'm looking for instances of parallel editing in narrative cinema, if you 
> please!
> 
> Thanks,
> Kelsey
> 
> 
> 
> From: "Scott Stark" <sst...@hi-beam.net>
> Subject: [Frameworks] Call for entries: TR*MP TH*S! 2018
> Date: November 20, 2017 3:10:32 PM EST
> To: "'Experimental Film Discussion List'" <frameworks@jonasmekasfilms.com>
> 
> 
> Hi friends, I am posting this here as a call for entries, but also looking 
> for suggestions – works should be relevant but not necessarily new.
>  
> Also posted here: http://www.ercatx.org/trmp-ths-call-for-entries/
>  
> Thanks, Scott
>  
> Scott Stark
> scottstark.com
> Experimental Response Cinema
> Flicker
>  
> TR*MP TH*S! 
> Call for Entries
> 
> NO SUBMISSION FEE!
> DEADLINE: Dec. 20, 2017
> Experimental Response Cinema seeks experimental film and video works for a 
> program entitled TR*MP TH*S!, in commemoration of the one year anniversary of 
> the presidency of Donald J. Trump. We are looking for works that respond to 
> the first year of Trump presidency, or that touch on issues of racism, 
> sexism, homophobia, religious intolerance, environmental degradation, 
> corporate greed, Wall Street malfeasance, gun violence, corruption, voter 
> suppression, foreign intervention in elections, defunding health care, human 
> rights, income inequality, BLM…  well it’s an endless list, not to mention 
> buffoonery, narcissism, pathology, lies, obsessive twittery…
> Works need not be new.
> TR*MP TH*S, a follow up to our successful F*CK TR*MP program the night before 
> the 2017 inauguration, will be screened in Austin, Texas on the 
> administration’s one-year anniversary.
> Cathartic as well as a call to action, this screening of short films will 
> address the current political landscape in ways both playful and incisive, 
> affirming creativity as a vital and necessary response in the face of lies, 
> corporate greed, bigotry and willful ignorance.
> To submit, send an email to ad...@ercatx.org with a link to a preview of your 
> work, with a password if necessary. There is no submission fee.
> The screening will be admission by donation, and a small honorarium will be 
> paid for all included entries.
> RESIST! TR*MP TH*S!
>  
>  
> 
> 
> 
> From: Robbie Land <scoutf...@gmail.com>
> Subject: [Frameworks] Call for Lecturer in Screenwriting at Georgia State 
> University in Atlanta
> Date: November 20, 2017 6:22:27 PM EST
> To: frameworks <frameworks@jonasmekasfilms.com>
> 
> 
> Lecturer in Screenwriting 
> Be part of the School of Film, Media & Theatre’s growing faculty at Georgia 
> State University, an enterprising Research I university in Atlanta. Our next 
> Lecturer in Screenwriting will play a central role in the school’s 
> contributions to Georgia State’s strategic goals of highlighting the arts and 
> media as vital to the quality of all major cities and demonstrating that 
> students from all backgrounds can achieve academic and career success at high 
> rates. Opportunities for growth and support in this position include 
> university-level teaching fellowships and grants through the Center for 
> Excellence in Teaching and Learning, leadership in instructional innovation 
> through our active learning classroom program, and successive promotion to 
> the ranks of Senior Lecturer and Principal Senior Lecturer. 
> The Film and Media faculty and the Theatre faculty at Georgia State 
> University merged in July 2017 to form the School of Film, Media & Theatre. 
> The new school has over 900 majors and houses a Ph.D. program in Moving Image 
> Studies, master’s programs in film/media production and studies, and 
> undergraduate programs in film/media and theatre. We are located in the heart 
> of the third largest media-producing capital in America. The School of Film, 
> Media & Theatre is dedicated to broadening the range of voices heard in 
> American culture (including perspectives that are often marginalized because 
> of race, gender, age, class, rural status, gender identity, ethnicity, body 
> image, disability, sexual orientation, military status, religion, or 
> political orientation) and to critically examining the functions of 
> mainstream visual storytelling in our culture. The School of Film, Media & 
> Theatre is part of the College of the Arts, which was established in 2016 and 
> also includes the Ernest G. Welch School of Art & Design, the School of 
> Music, the Center for Collaborative & International Arts (CENCIA), and the 
> Center for Educational Partnerships in Music. In addition to offering some of 
> the university’s most popular majors, the college connects faculty and 
> students with Atlanta’s thriving arts scene and booming film and music 
> industries. Georgia State University is a national leader in using innovation 
> to drive student success. Enrolling and graduating one of the nation’s most 
> diverse student bodies, Georgia State provides its world-class faculty and 
> more than 50,000 students unsurpassed research, teaching, and learning 
> opportunities in one of the 21st century’s great global cities. In 2017, U.S. 
> News & World Report ranked Georgia State as #4 in Most Innovative Schools, #8 
> in Best Undergraduate Teaching, and #11 in Campus Ethnic Diversity among 
> national universities. 
> Responsibilities 
> The selected candidate can anticipate teaching screenwriting courses at the 
> graduate and undergraduate level; potentially supervising master’s level 
> screenwriting theses; and participating in service at the department, 
> college, and/or university levels. 
> Qualifications 
> Essential Qualifications 
> · 18 hours of graduate study in screenwriting or a related field; 
> · An emerging record of achievement in screenwriting (feature films; 
> broadcast/cable/web television; film festivals; screenwriting competitions; 
> development/distribution contracts); 
> · An ability to teach screenwriting for episodic/serial television, feature 
> films, and/or short films 
> 
> Preferred Qualifications 
> · A significant record of achievement in screenwriting; 
> · M.F.A. or Ph.D. degree in screenwriting or a closely related field; 
> · Experience in teaching screenwriting for episodic/serial television, 
> feature films, and/or short films; 
> · A demonstrated commitment to diversity 
> 
> Application Procedure 
> Submit: 1) a letter of application addressing the essential and preferred 
> qualifications as well as your teaching philosophy and your past and/or 
> potential contributions to diversity and inclusion through teaching; 2) 
> curriculum vitae; 3) a writing sample; and 4) at least two letters of 
> recommendation. Applicants should send their materials to randerso...@gsu.edu 
> or to the following address: 
> Attn: Regina Anderson 
> College of the Arts-Film, Media & Theatre 
> Georgia State University 
> P.O. Box 5060 
> Atlanta, GA 30303 
> 
> Review of applications will begin immediately and continue until the position 
> is filled. Questions about the position should be addressed to Prof. Ly 
> Bolia, lybo...@gsu.edu. To ensure consideration, please submit all materials 
> by December 1, 2017. Should you be recommended for a position, an offer of 
> employment will be conditional on background verification. 
> Georgia State University is an Equal Opportunity Employer and does not 
> discriminate against applicants due to race, ethnicity, gender, veteran 
> status, or on the basis of disability or any other federal, state, or local 
> protected class. As a campus with a diverse student body, we encourage 
> applications from women, minorities, and individuals with a history of 
> mentoring under-represented minorities in Screenwriting.
> 
> 
> 
> From: Dominic Angerame <dominic.anger...@gmail.com>
> Subject: Re: [Frameworks] Parallel Editing
> Date: November 20, 2017 7:38:33 PM EST
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> 
> 
> look no further than DW Griffith who developed this fully.
> 
> On Mon, Nov 20, 2017 at 10:15 AM, Kelsey Velez <kelsve...@hotmail.com> wrote:
> I'm looking for instances of parallel editing in narrative cinema, if you 
> please!
> 
> Thanks,
> Kelsey
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
> 
> 
> From: Warren Cockerham <warrencocker...@gmail.com>
> Subject: Re: [Frameworks] Parallel Editing
> Date: November 20, 2017 8:29:28 PM EST
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> 
> 
> And Oscar Micheaux who appropriated the form to critique its white 
> supremacist roots. See WITHIN OUR GATES and Lois Weber’s SUSPENSE as early 
> examples of crosscutting/parallel editing that doesn’t propagate male/white 
> supremacy. It’s high time we stopped giving DWG all the credit. It’s not that 
> deserved. 
> 
> - Warren
> Tampa, FL
> 
> On Nov 20, 2017, at 7:38 PM, Dominic Angerame <dominic.anger...@gmail.com> 
> wrote:
> 
>> look no further than DW Griffith who developed this fully.
>> 
>> On Mon, Nov 20, 2017 at 10:15 AM, Kelsey Velez <kelsve...@hotmail.com> wrote:
>> I'm looking for instances of parallel editing in narrative cinema, if you 
>> please!
>> 
>> Thanks,
>> Kelsey
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
> From: "o...@thenowcorporation.com" <o...@thenowcorporation.com>
> Subject: Re: [Frameworks] Parallel Editing
> Date: November 20, 2017 8:45:26 PM EST
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> 
> 
> yes. and the Baptism scene in The Godfather.
> 
> owen
> 
> 
>> On Nov 20, 2017, at 7:38 PM, Dominic Angerame <dominic.anger...@gmail.com> 
>> wrote:
>> 
>> look no further than DW Griffith who developed this fully.
>> 
>> On Mon, Nov 20, 2017 at 10:15 AM, Kelsey Velez <kelsve...@hotmail.com> wrote:
>> I'm looking for instances of parallel editing in narrative cinema, if you 
>> please!
>> 
>> 
>> Thanks,
>> 
>> Kelsey
>> 
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
> 
> 
> From: Warren Cockerham <warrencocker...@gmail.com>
> Subject: Re: [Frameworks] Parallel Editing
> Date: November 20, 2017 8:53:34 PM EST
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> 
> 
> The problem with Kelsey’s inquiry is it’s much too broad. There are literally 
> millions of narrative examples in film and television. Every popular tv show 
> is parallel edited.  Instead of listing millions of examples, is there 
> something more nuanced that you’re after here, Kelsey? 
> 
>> On Nov 20, 2017, at 8:45 PM, "o...@thenowcorporation.com" 
>> <o...@thenowcorporation.com> wrote:
>> 
>> yes. and the Baptism scene in The Godfather.
>> 
>> owen
>> 
>> 
>>> On Nov 20, 2017, at 7:38 PM, Dominic Angerame <dominic.anger...@gmail.com> 
>>> wrote:
>>> 
>>> look no further than DW Griffith who developed this fully.
>>> 
>>> On Mon, Nov 20, 2017 at 10:15 AM, Kelsey Velez <kelsve...@hotmail.com> 
>>> wrote:
>>> I'm looking for instances of parallel editing in narrative cinema, if you 
>>> please!
>>> 
>>> 
>>> Thanks,
>>> 
>>> Kelsey
>>> 
>>> 
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>> 
>>> 
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
> 
> From: Amanda Christie <ama...@amandadawnchristie.ca>
> Subject: Re: [Frameworks] Parallel Editing
> Date: November 20, 2017 9:42:20 PM EST
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> 
> 
> thank you warren…
> 
> on both counts… 
> of
> 
> A) steering things away from the DWG
> ..&..
> B) pointing out how uselessly broad the initial question was.
> 
> please narrow it down kelsey… what are you really after?
> 
> adc
> 
> 
> 
>> On Nov 20, 2017, at 8:53 PM, Warren Cockerham <warrencocker...@gmail.com> 
>> wrote:
>> 
>> The problem with Kelsey’s inquiry is it’s much too broad. There are 
>> literally millions of narrative examples in film and television. Every 
>> popular tv show is parallel edited.  Instead of listing millions of 
>> examples, is there something more nuanced that you’re after here, Kelsey? 
>> 
>>> On Nov 20, 2017, at 8:45 PM, "o...@thenowcorporation.com" 
>>> <o...@thenowcorporation.com> wrote:
>>> 
>>> yes. and the Baptism scene in The Godfather.
>>> 
>>> owen
>>> 
>>> 
>>>> On Nov 20, 2017, at 7:38 PM, Dominic Angerame <dominic.anger...@gmail.com> 
>>>> wrote:
>>>> 
>>>> look no further than DW Griffith who developed this fully.
>>>> 
>>>> On Mon, Nov 20, 2017 at 10:15 AM, Kelsey Velez <kelsve...@hotmail.com> 
>>>> wrote:
>>>> I'm looking for instances of parallel editing in narrative cinema, if you 
>>>> please!
>>>> 
>>>> 
>>>> Thanks,
>>>> 
>>>> Kelsey
>>>> 
>>>> 
>>>> _______________________________________________
>>>> FrameWorks mailing list
>>>> FrameWorks@jonasmekasfilms.com
>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>> 
>>>> 
>>>> _______________________________________________
>>>> FrameWorks mailing list
>>>> FrameWorks@jonasmekasfilms.com
>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>> 
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks

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