Dear Frameworkers, Has anyone worked with closed captioning and applied it to an experimental film in a way that you felt captured the sound design of your project? I'm thinking particularly of films that rely on ambient sound and/or music rather than dialogue. The examples I've seen have been narrative films where dialogue, music and major sound "spots" have been described in words onscreen. I'd be interested in examples that are more integrative, if possible, that is, where the verbal description of an ambient soundtrack tries to communicate the ideas behind the uses of sound.
Many thanks, CC -- Caryn Cline Experimental Filmmaker & Teacher "a proud member of the reality-based community" vimeo.com/carynyc film still from "We Will Not Be Silent" (2017)
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