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This week [February 3 - 11, 2018] in avant garde cinema


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Stinky Wieners and Dreamy Beavers: 16mm Films By Curt Mcdowell <>  [February 4, 
Austin, Texas 78702] 

  
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Sight Unseen Presents Horizontal Portraits By Eva Marie Rødbro <>  [February 5, 
The SNF Parkway / Maryland Film Festival, Baltimore, Maryland 21201] 

  
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Xy Chromosome: Films By Lynne Sachs and Mark Street <>  [February 7, Boston, 
Massachusetts 02115] 

NEW CALLS FOR ENTRIES:
Winnipeg Underground Film Festival (Winnipeg, MB, Canada; Deadline: March 31, 
2018)
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 &readfile=1966.ann
The 2018 West Virginia Mountaineer Short Film Festival (Morgantown, West 
Virginia, USA; Deadline: March 19, 2018)
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Milwaukee Underground Film Festival (Milwaukee, WI; Deadline: February 19, 2018)
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Festival of (In)appropriation (Los Angeles, CA, USA; Deadline: May 01, 2018)
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DEADLINES APPROACHING:
That One Film Festival (Muncie, Indiana; Deadline: February 05, 2018)
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Oscillation Transia Film Festival (USA; Deadline: February 21, 2018)
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Milwaukee Underground Film Festival (Milwaukee, WI; Deadline: February 19, 2018)
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Events are sorted alphabetically BY CITY within each DATE.

This week's programs (summary): 

*       Stinky Wieners and Dreamy Beavers: 16mm Films By Curt Mcdowell <>  
[February 4, Austin, Texas 78702] 
*       Yes: victoria Keddie / Scott Kiernan <>  [February 5, Brooklyn, New 
York] 
*       Observing the Avant-Garde: Peter Moore  <> &Amp; the 1960s: A Slide 
Lecture By Barbara Moore [February 5, New York, NY] 
*       Sight Unseen Presents Horizontal Portraits By Eva Marie Rødbro <>  
[February 5, The SNF Parkway / Maryland Film Festival, Baltimore, Maryland 
21201] 
*       Xy Chromosome: Films By Lynne Sachs and Mark Street <>  [February 7, 
Boston, Massachusetts 02115] 
*       Sound Art China <>  [February 7, Cambridge, Massachusetts 02142] 
*       Mark E. Smith Tribute: Hail the New Puritan <>  [February 9, Brooklyn, 
New York 11222] 
*       Diffraktion #8 <>  [February 10, Berlin, Germany] 
*       Black Maria Film Festival Premiere <>  [February 10, Hoboken] 
*       Metaphors On vision 1: Early Stan Brakhage <>  [February 11, Austin, 
Texas 78752] 
*       Various Positions: Works From Double Negative  <> [February 11, Los 
Angeles, California] 
*       Black Maria Fim Festival Opening Weekend Matinee <>  [February 11, West 
Orange] 


SUNDAY, FEBRUARY 4, 2018

2/4
Austin, Texas 78702: Experimental Response Cinema
http://ercatx.org 
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7:30pm, Ground Floor Theatre, 979 Springdale Rd Suite 122 
STINKY WIENERS AND DREAMY BEAVERS: 16MM FILMS BY CURT MCDOWELL
Experimental Response Cinema is proud to present a rare screening of the works 
of the late Curt McDowell, all presented in 16mm film. The program will be 
introduced by Curran Nault of OUTsider Fest and author of the recent Queercore: 
Queer Punk Media Subculture (Routledge, 2017). "Curt McDowell worked in San 
Francisco from the late 1960s until his death in 1987- a period that witnessed 
the Summer of Love, gay liberation, and the onset of AIDS, to which he 
succumbed at the age of forty-two. The author of numerous films that recast the 
American dream of plenty in pansexual terms, McDowell, like so many artists of 
his generation, indulged in the era's carnal abundance, and his appetites and 
experiences are reflected in the work, which alternates between the revealing 
and the puerile. His short films, such as Weiners and Buns Musical (1972) and 
Loads (1980), celebrate sex as well as genre riffing and autobiographical 
narratives (McDowell's insatiable desire for seducing straight men is 
explicitly documented in his 16-mm works), and bear the influences of Jack 
Smith's lush, DIY camp aesthetic, Rainer Werner Fassbinder's explosive 
melodrama, and Nan Goldin's glimpses of countercultural bohemia." - Glen 
Helfand, ArtForum All works shown in 16mm film! Program includes the following 
titles: 1. Ainslie Trailer (1972) 2. Confessions (1971) 3. Wieners and Buns 
Musical (1972) 4. True Blue and Dreamy (1973) 5. Dora Myrtle (1973) 6. The Mean 
Brothers "Get Stood Up" (1973) 7. Stinky-Butt (1974) 8. Beaver Fever (1974) 
total running time 74 minutes 


MONDAY, FEBRUARY 5, 2018

2/5
Brooklyn, New York: Microscope Gallery
http://www.microscopegallery.com 
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7:30pm, 1329 Willoughby Ave 2B
YES: VICTORIA KEDDIE / SCOTT KIERNAN
Artists in person! A screening of new and recent short video works by New York 
artists Victoria Keddie and Scott Kiernan. The two collaborate together as 
E.S.P. TV – a residency based laboratory for video making, broadcasting, and 
performance operating off of a mobile TV studio – however the night is focused 
entirely on their individual practices. Keddie is concerned with “the 
fluctuations of electromagnetic activity, stereoscopic image and dimensional 
spaces, satellite debris and collision, image and sound synchronicity and 
collapse, time sensitivity, and the body in relation to the machine”. Kiernan 
is interested in the way “meaning shifts through stages of translation via 
technology, speech and syntax.” In both of their works, the medium of analog 
video – often synthesized to its breaking point in vibrant color gammas and 
processed soundtracks – is proven to be far from an exhausted medium, but one 
that has much left to be revealed. General Admission $8
, Students & Members 
$6. Nearest subway: Jefferson St. L (exit Starr Street). 

2/5
New York, NY: Anthology Film Archives
http://www.anthologyfilmarchives.org/ 
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7:30 PM, 32 Second Avenue
OBSERVING THE AVANT-GARDE: PETER MOORE & THE 1960S: A SLIDE LECTURE BY BARBARA 
MOORE
Anthology welcomes back Barbara Moore, director of the Peter Moore Archive, who 
will mine this rich photographic performance history for a lecture chock full 
of both iconic images and numerous surprises. The presentation will include 
early, historic performance works by famous, infamous, obscure, and cult 
figures ranging from Yoko Ono to Anna Halprin (pictured above), George Brecht 
to James Lee Byars, Max Neuhaus to Meredith Monk, and everyone in-between. This 
program is part of Carnegie Hall's city-wide festival, "The '60s: The Years 
That Changed America." For more info visit: carnegiehall.org/60s 

2/5
The SNF Parkway / Maryland Film Festival, Baltimore, Maryland 21201: Sight 
Unseen
http://sightunseenbaltimore.com 
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7:30, 5 West North Avenue 
SIGHT UNSEEN PRESENTS HORIZONTAL PORTRAITS BY Eva Marie Rødbro
Sight Unseen presents Horizontal Portraits, Films by Danish filmmaker, Eva 
Marie Rødbro. PROGRAM I Touched Her Legs, 15 minutes, 2010 An extraordinary 
portrait of a group of Southern teens hanging out in cars, rooms, and 
neighborhood yards in humid pool-party weather. Rødbro creates a deft and 
skillful montage in which animals, insects children and adolescents all inhabit 
an environment easily and warmly shared. Through subtly glancing shots taken at 
oblique angles and in brief bursts, I Touched Her Legs reaches directly into 
the soul of this small band of friends and explains everything that is 
important without a single dull expository declaration on their circumstances. 
- Winner of The Barbara Aronofsky Latham Award Emerging Experimental Video 
Artist 49th AAFF - Winner of Most Inventive Film Award OFF 2011 - Nominated: 
NEW:VISION award CPH:DOX 2010 We Chose The Milky Way, 28 minutes, 2015 Scenes 
from life on another planet, where a hedonistic civilization of young women 
decorate themselves with artificial nails, white clothes and a fake tan before 
taking the limo to the city. But Eva Marie Rødbro's film is from the suburbs 
of Copenhagen, and is shaped by its environment. In other words, an unplacable, 
anthropological mutation of a bling hip hop video, social-realist science 
fiction and a documentary version of 'Spring Breakers', whose surreal shock 
cuts place us as participants, rather than mere spectators, in a world where 
everything is artificial � except the friendships. In a number of films, 
Rødbro has documented the restlessness, fragility and self-destructive feeling 
of invincibility of youth and early adulthood. Her film school graduation film 
lives up to all the promises that her previous work of photographs and short 
films has made, and is an extremely style-conscious and intelligent study of a 
lifestyle and an environment, where pure excess is elevated to an existential 
principle. Winner of George Manupelli Founder's Spirit Award at the Ann Arbor 
Film Festival 2016 Dan Mark, 30 minutes, 2014 In this film E M R has directed 
the camera towards a young boy who lives in the same house as herself in 
Copenhagen's Vesterbro district. His name is Dan Mark - nothing less! - and his 
life is a state of constant action, which in no small bit is due to his 
diagnosed ADHD, but which can't reduce him to a social case study. On the 
contrary, Rødbro is at a highly energetic eye level with the young man, whose 
parents and friends pour good advice down on him about the life that he is 
about to become adult in. A piece of modern street documentary by one of the 
Danish film scene's most promising names Kriger, 25 minutes, 2013 A young man 
and his friends spend a week of nightly escapism before a big secret party. 
Fuck You Kiss Me, 6 minutes, 2008 A black and white rhythmic poem in a post 
card from urban Greenland touching upon rites of passage and young love. 
Charlottenborg the spring exhibition 2009 CPH:DOX Short Dox Award 2009 
nominated Politikens Talent Award 2009 winner Young Talent NFM (NL) 2009 


WEDNESDAY, FEBRUARY 7, 2018

2/7
Boston, Massachusetts 02115: MassArt Film Society
http://massartfilmsociety.blogspot.com/ 
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8pm, 621 Huntington Ave 
XY CHROMOSOME: FILMS BY LYNNE SACHS AND MARK STREET
Program: Sliding off the Edge of the World, by Mark Street, 7 min, 16mm (from 
35mm), 2000. Same Stream Twice by Lynne Sachs, 4 min, 16mm b&w and color on 
digital, 2012. And Then We Marched by Lynne Sachs, 3 min, Super 8mm on digital, 
2017. Carolee, Barbara & Gunvor (SNEAK PREVIEW) by Lynne Sachs, 8 min, Super 
8mm and 16mm film transferred to digital, 2018. Vera Drake, Drowning by Mark 
Street, 3 min, digital, 2012. Zoom by Mark Street, 6 min, digital, 2018. After 
Synchromy by Mark Street, 6 min, digital, 2015. Winterwheat by Mark Street, 7 
min, 16mm film, 1989. Drift and Bough by Lynne Sachs, 7 min, Super 8mm, 2014. 
Starfish Aorta Colossus by Lynne Sachs with Sean Hanley, 5 min, 2015. The X Y 
Chromosome Project by Lynne Sachs and Mark Street, 11 min, 2007. 

2/7
Cambridge, Massachusetts 02142: Le Laboratoire Cambridge
7:30 PM EST, 650 E Kendall St 
SOUND ART CHINA
Sound art didn't exist in China until three decades ago. Even Sound art China 
was born outside of academic, and contemporary art global market, it still 
draws international attention. As a curator and artist, Wenhua's talk will 
trace some historical and artistic impacts of the recent emerging sound art 
scene in China, discuss its key artists and their influences as well as also 
raise the question of the future of Sound art in China. Wenhua Shi pursues a 
poetic approach to moving image making, and investigates conceptual depth in 
film, video, interactive installations and sound sculptures. His work has been 
presented at museums, galleries, and film festivals, including the 
International Film Festival in Rotterdam, the European Media Art Festival, the 
Athens Film and Video Festival, the Ann Arbor Film Festival, Pacific Film 
Archive, West Bund 2013: a Biennale of Architecture and Contemporary art, 
Shanghai, Shenzhen & Hong Kong Bi-City Biennale of Urbanism, and the Arsenale 
of Venice in Italy. He has received awards including the New York Foundation 
for the Arts, the New York State Council on the Arts, and Juror's Awards from 
the Black Maria Film and Video Festival. Recently he presented a solo show, A 
Year from Monday, at Squeaky Wheel Film and Media Art Center in Buffalo, NY and 
a solo screening, Autumn Air, at Massachusetts College of Art and Design, 
Boston, MA. 


FRIDAY, FEBRUARY 9, 2018

2/9
Brooklyn, New York 11222: Light Industry
http://www.lightindustry.org/ 
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7:30, 155 Freeman St 
MARK E. SMITH TRIBUTE: HAIL THE NEW PURITAN
Hail the New Puritan, Charles Atlas, 1986, digital projection, 85 mins. 
Introduced by Tobi Haslett, Charles Atlas's Hail the New Puritan now looks like 
a glinting frieze from a vanished London, a film that hymns the beau monde of 
the demimonde while tracking a day in the life of the choreographer Michael 
Clark. Atlas, valiant practitioner of dance for camera, here presents a kind of 
faux cinéma vérité as he snatches up samples of Thatcher-era cool: nightlife 
icons like Leigh Bowery, Trojan, and Rachel Auburn primp and bicker; the drag 
queen Lana Pellay gives Clark a regal kiss on the cheek; and Clark himself, 
smirking through an interview with a square reporter, gives a little summa of 
why he loves the Manchester post-punk band The Fall. Mark E. Smith, the 
rat-faced raconteur and mastermind of the group, makes his own cameo. Joined by 
his then wife and bandmate Brix, Smith wears tweed and delivers a few lines of 
gnomic, jagged dialogue with put-on pomp. Brix chimes in, as does a 
slick-looking Clark. The whole thing sounds like a Fall track: "Pop art, nor 
ghoulish tinkering, is not science." 


SATURDAY, FEBRUARY 10, 2018

2/10
Berlin, Germany: LaborBerlin
http://www.laborberlin-film.org/ 
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7:00 pm, CRCLR, Rollbergstraße 26
DIFFRAKTION #8
LaborBerlin e.V. is proud to present the eighth edition of DIFFRAKTION, the 
annual showcase highlighting new works by LaborBerlin members on Saturday, 10 
February 2018. This year, the program emphasizes the boundary-breaking output 
of LaborBerlin members by showcasing film installations and live cinema 
performances alongside a screening of films. Works will be projected on diverse 
formats such as super 8, 16mm, slide film and digital. With work by Michel 
Balagué, Clara Bausch, Alix Blevins, Igor and Ivan Buharov, Lazarus Dance, 
Distruktur, Dr. Globus & Bruchstücke, Laurence Favre, Adam Goodwin, Luisa 
Greenfield, Arne Hector, Thiebault Imm, Tomasz Konart, Amélie Legrand, Sara 
Lehn, Deborah S Phillips, Jan Rehwinkel, Björn Speidel, Gioigios Stavridis, 
Minze Tummescheit, Sophie Watzlawick, Johnny Welch. 

2/10
Hoboken: Black Maria FIlm Festival
http://blackmaria.org 
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7:00PM, Hoboken Historical Museum, 1301 Hudson St., Hoboken, NJ
BLACK MARIA FILM FESTIVAL PREMIERE
The Hoboken Historical Museum is proud once again to host the 2018 premiere of 
New Jersey's own Black Maria Film Festival on Saturday, February 10, at 7 pm. 
Space is limited. Tickets are $10 in advance, $15 at the door. For advance 
tickets go to the Museum website: https://www.hobokenmuseum.org, click on 
Events > Upcoming Events > Black Maria Film Festival Premiere> Click to Reserve 
a Seat. The Littleman Parking-Independence Garage (Shipyard Lane, at 12th St.) 
offers 3 hours of free parking with Museum validation. 2018 Jury's Stellar 
Award-Winning films will be featured, and filmmakers from as far away as 
Vancouver, Canada will be joining us for the Q & A. The program will be 
presented in-person by Festival director Jane Steuerwald. The Black Maria Film 
Festival is an international juried film competition that focuses on short 
films, including those that shine a light on issues and struggles within 
contemporary society. Its touring programs include provocative works by diverse 
filmmakers from across the U.S. and around the world. The Festival's home is NJ 
City University in Jersey City, NJ and was named for Thomas Edison's West 
Orange film studio dubbed the "Black Maria" due to its resemblance to a type of 
black-box police paddy wagon known as a "black maria." For further information, 
contact the Hoboken Historical Museum, 201-656-2240, www.hobokenmuseum.org 
<http://www.hobokenmuseum.org> ; or Jane Steuerwald, Black Maria Film Festival 
Executive Director, j...@blackmariafilmfestival.org 
<mailto:j...@blackmariafilmfestival.org> , www.blackmaria.org 
<http://www.blackmaria.org> . 


SUNDAY, FEBRUARY 11, 2018

2/11
Austin, Texas 78752: Experimental Response Cinema
http://ercatx.org 
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=550c163835&e=f36020cad0>
 
7pm, AFS Cinema, 6406 N IH-35 Suite 3100 
METAPHORS ON VISION 1: EARLY STAN BRAKHAGE
Experimental Response Cinema is thrilled to kick off a three-evening series of 
works by the legendary filmmaker Stan Brakhage, in commemoration of the 
republication of his seminal 1963 book Metaphors on Vision, a project of 
Anthology Film Archives and Light Industry. Program 1, copresented by the 
Austin Film Society, includes some of Brakhage's earliest work, which are 
discussed in the book. Light Industry's Thomas Beard will introduce all three 
programs. Other programs: Monday, Feb. 12 at grayDUCK Gallery; and Tuesday, 
Feb. 13 at Masur Gallery, Lockhart, TX. All films will be shown on 16mm film. 
Window Water Baby Moving (1959) Anticipation of the Night (1958) Mothlight 
(1963) The Dead (1960) 

2/11
Los Angeles, California: Filmforum
http://www.lafilmforum.org/ 
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=7b55e5cfa6&e=f36020cad0>
 
7:30 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd.
VARIOUS POSITIONS: WORKS FROM DOUBLE NEGATIVE 
Tickets: $10 general; $6 students/seniors; free for Filmforum members. 
Available in advance at https://bpt.me/3321463 or at the door. Filmforum 
welcomes filmmaker Daïchi Saïto from Montreal in the first of two programs. 
Saïto is part of Double Negative, a Montreal-based film collective dedicated to 
the creation and dissemination of experimental cinema. This first program with 
Saïto showcases a selection of films made by present and past members of the 
collective. Founded in 2004 and run without external funding, Double Negative 
maintains a shared studio space for analog filmmaking in the Mile End 
neighborhood of Montreal. Its activities over the years have contributed to the 
renewed interest in celluloid in the local artistic community. It’s a 
remarkable array of hand-crafted celluloid-based films. 

2/11
West Orange: Black Maria FIlm Festival
http://blackmaria.org 
<https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=def57c999c&e=f36020cad0>
 
2:00PM, AMC Dine-In Theater, Essex Green 9, 495 Prospect Ave, West Orange, NJ
BLACK MARIA FIM FESTIVAL OPENING WEEKEND MATINEE
Sponsored by the West Orange Film Society, the Black Maria Film Festival 
returns to the AMC Dine-In Theatre, Essex Green 9, in honor of Thomas Edison's 
birthday, on Sunday, February 11th, at 2 pm. Tickets are $12 at the door and 
are also available through Fandango, http://www.fandango.com, AMC Dine-In 
Theater, Essex Green 9, W. Orange, NJ. The films will be presented in-person by 
Festival director Jane Steuerwald. Leading the program is "The Washing Society" 
- Jury's Stellar Award for Documentary - by Lynne Sachs and Lizzie Olesker of 
Brooklyn, NY. Ms. Sachs and Ms. Olesker will be present for a Q & A with the 
audience. 2018 Jury's Choice Award-winning films will also be featured. The 
Black Maria Film Festival is an international juried film competition that 
focuses on short films, including those that shine a light on issues and 
struggles within contemporary society. Its touring programs include provocative 
works by diverse filmmakers from across the U.S. and around the world. For 
further information, contact the West Orange Arts Council, http://woarts.org; 
(973) 325-0151, i...@woarts.org <mailto:i...@woarts.org> ; or Jane Steuerwald, 
Black Maria Film Festival Executive Director, j...@blackmariafilmfestival.org 
<mailto:j...@blackmariafilmfestival.org> , www.blackmariafilmfestival.org 
<http://www.blackmariafilmfestival.org> . 

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