There's also Knox Harrington - a video artist. On Thu, Feb 15, 2018 at 8:56 AM, James Hansen <[email protected]> wrote:
> Michael Almereyda's Hamlet turns the title character into an experimental > film/video artist. Worth a look. > > > On Thu, Feb 15, 2018 at 7:00 AM, <[email protected]> > wrote: > >> Send FrameWorks mailing list submissions to >> [email protected] >> >> To subscribe or unsubscribe via the World Wide Web, visit >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> or, via email, send a message with subject or body 'help' to >> [email protected] >> >> You can reach the person managing the list at >> [email protected] >> >> When replying, please edit your Subject line so it is more specific >> than "Re: Contents of FrameWorks digest..." >> >> Today's Topics: >> >> 1. Fiction feature length films about Avant-Garde cinema >> (Albert Alcoz) >> 2. EDGE OF FRAME WEEKEND 2018 (Edwin Rostron) >> 3. Re: Fiction feature length films about Avant-Garde cinema >> (Pablo Marin) >> 4. Re: Fiction feature length films about Avant-Garde cinema >> (Pablo Marin) >> 5. Re: Fiction feature length films about Avant-Garde cinema >> (Scott Dorsey) >> 6. Re: Fiction feature length films about Avant-Garde cinema >> (Francisco Torres) >> 7. Re: Fiction feature length films about Avant-Garde cinema >> (Esperanza Collado) >> 8. Re: Fiction feature length films about Avant-Garde cinema >> (David Kidman) >> 9. Re: Fiction feature length films about Avant-Garde cinema >> (Christopher Ball) >> 10. Re: Fiction feature length films about Avant-Garde cinema >> (Pip Chodorov) >> 11. Re: Fiction feature length films about Avant-Garde cinema >> (Elena Duque) >> 12. Re: Fiction feature length films about Avant-Garde cinema >> (David Kidman) >> 13. Re: Fiction feature length films about Avant-Garde cinema >> (Cari Machet) >> 14. Sources for digital "prints" of avant garde classics (Elena Duque) >> 15. Re: Sources for digital "prints" of avant garde classics >> (Pip Chodorov) >> 16. Re: Sources for digital "prints" of avant garde classics >> (Elena Duque) >> >> >> ---------- Forwarded message ---------- >> From: Albert Alcoz <[email protected]> >> To: Experimental Film Discussion List <[email protected]> >> Cc: >> Bcc: >> Date: Wed, 14 Feb 2018 13:01:55 +0100 >> Subject: [Frameworks] Fiction feature length films about Avant-Garde >> cinema >> Hello, >> >> Do you recall any fiction feature length film that is a sort of tribute >> to Avant-Garde or experimental film? >> >> The other day, watching the film *Arrebato* (1980) by Iván Zulueta for >> ten times I was wondering about feature lengths films (on 35 mm or digital >> video) where one of the main topic is the practice of Avant-Garde film. We >> could say this Spanish film is a homage to experimental super 8 film. The >> main character does horror films and the other is learning how to use the >> "pause" and the interval timer with his Canon 1014. >> >> http://www.imdb.com/title/tt0078797/ >> >> I don't know if there are some other fiction films that could be >> understood under this idea. >> >> Maybe *Dreams that Money Can't Buy *(1947)? >> >> Do you have some other titles in mind? >> >> Thank you! >> >> Albert >> -- >> http://visionaryfilm.net/ <http://www.visionaryfilm.net/> >> http://albertalcoz.com/ <http://www.albertalcoz.com/> >> >> >> ---------- Forwarded message ---------- >> From: Edwin Rostron <[email protected]> >> To: [email protected] >> Cc: >> Bcc: >> Date: Wed, 14 Feb 2018 12:33:21 +0000 >> Subject: [Frameworks] EDGE OF FRAME WEEKEND 2018 >> *EDGE OF FRAME WEEKEND 2018 * >> >> *2-4 MARCH 2018, LONDON UK* >> >> *BFI SOUTHBANK, BARBICAN + CLOSE-UP* >> >> >> Edge of Frame presents a weekend of experimental and independent >> animation, screening over 60 works, with many of the artists in attendance. >> >> >> The Edge of Frame Weekend 2018 is a unique three-day celebration of >> experimental animation, featuring innovative, visionary and risk-taking >> work in a packed programme of screenings and discussion, with premieres of >> brand new films showing alongside classics of animated art. >> >> >> Following the success of the first Edge of Frame Weekend in 2016, the >> 2018 edition features six new screening programmes, at BFI Southbank, >> Barbican and Close-Up, including a retrospective of guest artist Peter >> Burr, guest-curated programmes from Herb Shellenberger and Alexander >> Stewart, plus an afternoon of talks illuminating the processes, histories >> and context of experimental animation. Leading contemporary animators will >> present new and recent works, including Peter Millard, Natalia Stuyk, >> Jonathan Hodgson, Steve Reinke, Julian Gallese and Vicky Smith. Guest >> Curators Herb Shellenberger and Alexander Stewart have programmed >> screenings especially for the Weekend, exploring ‘The Animated Body’ and >> the highly original and influential experimental animation output of >> California Institute of the Arts. The Weekend begins with an afternoon of >> talks from a selection of leading artists, critics, academics and curators. >> >> >> “*Delving into the many offerings of Edge of Frame demonstrates the >> rewards of taking a chance, of welcoming strange ideas and experiencing new >> things.*” - Little White Lies >> >> >> The Edge of Frame Weekend 2018 is curated by Edwin Rostron, and is >> supported by Jerwood Charitable Foundation, Royal College of Art, and using >> public funding by the National Lottery through Arts Council England. >> >> >> Full programme information can be found here: >> www.edgeofframe.co.uk/edge-of-frame-weekend-2018 >> >> >> >> >> ---------- Forwarded message ---------- >> From: Pablo Marin <[email protected]> >> To: Experimental Film Discussion List <[email protected]>, >> Albert Alcoz <[email protected]> >> Cc: >> Bcc: >> Date: Wed, 14 Feb 2018 15:07:53 +0000 (UTC) >> Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde >> cinema >> Hi Albert, >> >> >> Mmm... David Holzman's Diary? >> >> Maybe some Godard would fit as well... >> >> Best! >> Pablo. >> >> Sent from Yahoo Mail on Android >> <https://overview.mail.yahoo.com/mobile/?.src=Android> >> >> On Wed, 14 Feb 2018 at 9:02, Albert Alcoz >> <[email protected]> wrote: >> Hello, >> >> Do you recall any fiction feature length film that is a sort of tribute >> to Avant-Garde or experimental film? >> >> The other day, watching the film *Arrebato* (1980) by Iván Zulueta for >> ten times I was wondering about feature lengths films (on 35 mm or digital >> video) where one of the main topic is the practice of Avant-Garde film. We >> could say this Spanish film is a homage to experimental super 8 film. The >> main character does horror films and the other is learning how to use the >> "pause" and the interval timer with his Canon 1014. >> >> http://www.imdb.com/title/tt0078797/ >> >> I don't know if there are some other fiction films that could be >> understood under this idea. >> >> Maybe *Dreams that Money Can't Buy *(1947)? >> >> Do you have some other titles in mind? >> >> Thank you! >> >> Albert >> -- >> http://visionaryfilm.net/ <http://www.visionaryfilm.net/> >> http://albertalcoz.com/ <http://www.albertalcoz.com/> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >> >> ---------- Forwarded message ---------- >> From: Pablo Marin <[email protected]> >> To: Experimental Film Discussion List <[email protected]>, >> Albert Alcoz <[email protected]> >> Cc: >> Bcc: >> Date: Wed, 14 Feb 2018 15:07:53 +0000 (UTC) >> Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde >> cinema >> Hi Albert, >> >> >> Mmm... David Holzman's Diary? >> >> Maybe some Godard would fit as well... >> >> Best! >> Pablo. >> >> Sent from Yahoo Mail on Android >> <https://overview.mail.yahoo.com/mobile/?.src=Android> >> >> On Wed, 14 Feb 2018 at 9:02, Albert Alcoz >> <[email protected]> wrote: >> Hello, >> >> Do you recall any fiction feature length film that is a sort of tribute >> to Avant-Garde or experimental film? >> >> The other day, watching the film *Arrebato* (1980) by Iván Zulueta for >> ten times I was wondering about feature lengths films (on 35 mm or digital >> video) where one of the main topic is the practice of Avant-Garde film. We >> could say this Spanish film is a homage to experimental super 8 film. The >> main character does horror films and the other is learning how to use the >> "pause" and the interval timer with his Canon 1014. >> >> http://www.imdb.com/title/tt0078797/ >> >> I don't know if there are some other fiction films that could be >> understood under this idea. >> >> Maybe *Dreams that Money Can't Buy *(1947)? >> >> Do you have some other titles in mind? >> >> Thank you! >> >> Albert >> -- >> http://visionaryfilm.net/ <http://www.visionaryfilm.net/> >> http://albertalcoz.com/ <http://www.albertalcoz.com/> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >> >> ---------- Forwarded message ---------- >> From: Scott Dorsey <[email protected]> >> To: [email protected], [email protected] >> Cc: >> Bcc: >> Date: Wed, 14 Feb 2018 10:22:32 -0500 >> Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde >> cinema >> SORT OF MAYBE: A Zed And Two Noughts. >> --scott >> >> >> >> ---------- Forwarded message ---------- >> From: Francisco Torres <[email protected]> >> To: Experimental Film Discussion List <[email protected]> >> Cc: >> Bcc: >> Date: Wed, 14 Feb 2018 12:36:47 -0400 >> Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde >> cinema >> After the Fox 1966 >> >> https://www.youtube.com/watch?v=sqZKUx91MFI >> >> >> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=icon> >> Virus-free. >> www.avast.com >> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=link> >> <#m_-6344328656977651671_m_-4900773302067182882_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2> >> >> 2018-02-14 11:22 GMT-04:00 Scott Dorsey <[email protected]>: >> >>> SORT OF MAYBE: A Zed And Two Noughts. >>> --scott >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> >> >> >> ---------- Forwarded message ---------- >> From: Esperanza Collado <[email protected]> >> To: Experimental Film Discussion List <[email protected]> >> Cc: >> Bcc: >> Date: Wed, 14 Feb 2018 20:09:32 +0100 >> Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde >> cinema >> Not sure if *We Can't Go Back Home Again* by Nicholas Ray could be >> understood as such but for sure it plays with those ideas perhaps in an >> inverted way. >> >> 2018-02-14 17:36 GMT+01:00 Francisco Torres <[email protected]>: >> >>> After the Fox 1966 >>> >>> https://www.youtube.com/watch?v=sqZKUx91MFI >>> >>> >>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=icon> >>> Virus-free. >>> www.avast.com >>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=link> >>> <#m_-6344328656977651671_m_-517154522408719428_m_-5538893534397020501_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2> >>> >>> 2018-02-14 11:22 GMT-04:00 Scott Dorsey <[email protected]>: >>> >>>> SORT OF MAYBE: A Zed And Two Noughts. >>>> --scott >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> >> >> -- >> Esperanza Collado >> >> >> >> www.esperanzacollado.net >> >> >> ---------- Forwarded message ---------- >> From: David Kidman <[email protected]> >> To: Experimental Film Discussion List <[email protected]> >> Cc: >> Bcc: >> Date: Wed, 14 Feb 2018 22:36:05 +0100 >> Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde >> cinema >> Isn’t Mulholland Drive a remake of Meshes of the Afternoon? >> D >> >> On 14 Feb 2018, at 20:09, Esperanza Collado <[email protected]> >> wrote: >> >> Not sure if *We Can't Go Back Home Again* by Nicholas Ray could be >> understood as such but for sure it plays with those ideas perhaps in an >> inverted way. >> >> 2018-02-14 17:36 GMT+01:00 Francisco Torres <[email protected]>: >> >>> After the Fox 1966 >>> >>> https://www.youtube.com/watch?v=sqZKUx91MFI >>> >>> >>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=icon> >>> Virus-free. >>> www.avast.com >>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=link> >>> <#m_-6344328656977651671_m_5894967899793976723_m_-5538893534397020501_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2> >>> >>> 2018-02-14 11:22 GMT-04:00 Scott Dorsey <[email protected]>: >>> >>>> SORT OF MAYBE: A Zed And Two Noughts. >>>> --scott >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> >> >> -- >> Esperanza Collado >> >> >> >> www.esperanzacollado.net >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >> >> ---------- Forwarded message ---------- >> From: Christopher Ball <[email protected]> >> To: Experimental Film Discussion List <[email protected]> >> Cc: >> Bcc: >> Date: Wed, 14 Feb 2018 20:20:45 -0500 >> Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde >> cinema >> I always thought that the first few minutes of Lost Highway was a tribute >> to Meshes of the Afternoon >> >> On Wed, Feb 14, 2018 at 4:36 PM, David Kidman <[email protected]> >> wrote: >> >>> Isn’t Mulholland Drive a remake of Meshes of the Afternoon? >>> D >>> >>> On 14 Feb 2018, at 20:09, Esperanza Collado <[email protected]> >>> wrote: >>> >>> Not sure if *We Can't Go Back Home Again* by Nicholas Ray could be >>> understood as such but for sure it plays with those ideas perhaps in an >>> inverted way. >>> >>> 2018-02-14 17:36 GMT+01:00 Francisco Torres <[email protected]>: >>> >>>> After the Fox 1966 >>>> >>>> https://www.youtube.com/watch?v=sqZKUx91MFI >>>> >>>> >>>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=icon> >>>> Virus-free. >>>> www.avast.com >>>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=link> >>>> <#m_-6344328656977651671_m_-1142427959457747747_m_-1565755734410787956_m_-5538893534397020501_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2> >>>> >>>> 2018-02-14 11:22 GMT-04:00 Scott Dorsey <[email protected]>: >>>> >>>>> SORT OF MAYBE: A Zed And Two Noughts. >>>>> --scott >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> [email protected] >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>> >>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>>> >>> >>> >>> -- >>> Esperanza Collado >>> >>> >>> >>> www.esperanzacollado.net >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> >> >> ---------- Forwarded message ---------- >> From: Pip Chodorov <[email protected]> >> To: Experimental Film Discussion List <[email protected]> >> Cc: >> Bcc: >> Date: Wed, 14 Feb 2018 22:40:50 +0100 >> Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde >> cinema >> No that was Lost Highway >> P >> >> >> At 22:36 +0100 14/02/18, David Kidman wrote: >> >>> Isn¹t Mulholland Drive a remake of Meshes of the Afternoon? >>> D >>> >> >> >> >> >> ---------- Forwarded message ---------- >> From: Elena Duque <[email protected]> >> To: Experimental Film Discussion List <[email protected]> >> Cc: >> Bcc: >> Date: Wed, 14 Feb 2018 22:50:58 +0100 >> Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde >> cinema >> Man with a Movie Camera, by Dziga Vertov? >> >> El 14 feb. 2018 22:36, "David Kidman" <[email protected]> escribió: >> >>> Isn’t Mulholland Drive a remake of Meshes of the Afternoon? >>> D >>> >>> On 14 Feb 2018, at 20:09, Esperanza Collado <[email protected]> >>> wrote: >>> >>> Not sure if *We Can't Go Back Home Again* by Nicholas Ray could be >>> understood as such but for sure it plays with those ideas perhaps in an >>> inverted way. >>> >>> 2018-02-14 17:36 GMT+01:00 Francisco Torres <[email protected]>: >>> >>>> After the Fox 1966 >>>> >>>> https://www.youtube.com/watch?v=sqZKUx91MFI >>>> >>>> >>>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=icon> >>>> Virus-free. >>>> www.avast.com >>>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=link> >>>> <#m_-6344328656977651671_m_5827360382058120236_m_-8519533045866090684_m_-5538893534397020501_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2> >>>> >>>> 2018-02-14 11:22 GMT-04:00 Scott Dorsey <[email protected]>: >>>> >>>>> SORT OF MAYBE: A Zed And Two Noughts. >>>>> --scott >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> [email protected] >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>> >>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>>> >>> >>> >>> -- >>> Esperanza Collado >>> >>> >>> >>> www.esperanzacollado.net >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> >> ---------- Forwarded message ---------- >> From: David Kidman <[email protected]> >> To: Experimental Film Discussion List <[email protected]> >> Cc: >> Bcc: >> Date: Thu, 15 Feb 2018 05:20:26 +0100 >> Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde >> cinema >> I hesitated to put them both forward, but definitely both. >> There is also 12 monkeys as a fully paid-up La Jetée remake. >> >> D >> >> >> On 15 Feb 2018, at 02:20, Christopher Ball <[email protected]> wrote: >> >> I always thought that the first few minutes of Lost Highway was a tribute >> to Meshes of the Afternoon >> >> On Wed, Feb 14, 2018 at 4:36 PM, David Kidman <[email protected]> >> wrote: >> >>> Isn’t Mulholland Drive a remake of Meshes of the Afternoon? >>> D >>> >>> On 14 Feb 2018, at 20:09, Esperanza Collado <[email protected]> >>> wrote: >>> >>> Not sure if *We Can't Go Back Home Again* by Nicholas Ray could be >>> understood as such but for sure it plays with those ideas perhaps in an >>> inverted way. >>> >>> 2018-02-14 17:36 GMT+01:00 Francisco Torres <[email protected]>: >>> >>>> After the Fox 1966 >>>> >>>> https://www.youtube.com/watch?v=sqZKUx91MFI >>>> >>>> >>>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=icon> >>>> Virus-free. >>>> www.avast.com >>>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=link> >>>> <#m_-6344328656977651671_m_-8261593820970771445_m_-1565755734410787956_m_-5538893534397020501_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2> >>>> >>>> 2018-02-14 11:22 GMT-04:00 Scott Dorsey <[email protected]>: >>>> >>>>> SORT OF MAYBE: A Zed And Two Noughts. >>>>> --scott >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> [email protected] >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>> >>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>>> >>> >>> >>> -- >>> Esperanza Collado >>> >>> >>> >>> www.esperanzacollado.net >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >> >> ---------- Forwarded message ---------- >> From: Cari Machet <[email protected]> >> To: Experimental Film Discussion List <[email protected]> >> Cc: >> Bcc: >> Date: Thu, 15 Feb 2018 03:08:30 +0300 >> Subject: Re: [Frameworks] Fiction feature length films about Avant-Garde >> cinema >> american beauty >> >> On Thu, Feb 15, 2018 at 12:36 AM, David Kidman <[email protected]> >> wrote: >> >>> Isn’t Mulholland Drive a remake of Meshes of the Afternoon? >>> D >>> >>> >>> On 14 Feb 2018, at 20:09, Esperanza Collado <[email protected]> >>> wrote: >>> >>> Not sure if *We Can't Go Back Home Again* by Nicholas Ray could be >>> understood as such but for sure it plays with those ideas perhaps in an >>> inverted way. >>> >>> 2018-02-14 17:36 GMT+01:00 Francisco Torres <[email protected]>: >>> >>>> After the Fox 1966 >>>> >>>> https://www.youtube.com/watch?v=sqZKUx91MFI >>>> >>>> >>>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=icon> >>>> Virus-free. >>>> www.avast.com >>>> <https://www.avast.com/sig-email?utm_medium=email&utm_source=link&utm_campaign=sig-email&utm_content=webmail&utm_term=link> >>>> <#m_-6344328656977651671_m_5014463858626612486_m_-8272286775255177780_m_-5538893534397020501_DAB4FAD8-2DD7-40BB-A1B8-4E2AA1F9FDF2> >>>> >>>> 2018-02-14 11:22 GMT-04:00 Scott Dorsey <[email protected]>: >>>> >>>>> SORT OF MAYBE: A Zed And Two Noughts. >>>>> --scott >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> [email protected] >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>> >>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>>> >>> >>> >>> -- >>> Esperanza Collado >>> >>> >>> >>> www.esperanzacollado.net >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> >> >> -- >> >> <https://about.me/carimachet?promo=email_sig&utm_source=product&utm_medium=email_sig&utm_campaign=gmail_api&utm_content=thumb> >> cari machet >> about.me/carimachet >> <https://about.me/carimachet?promo=email_sig&utm_source=product&utm_medium=email_sig&utm_campaign=gmail_api&utm_content=thumb> >> >> >> ---------- Forwarded message ---------- >> From: Elena Duque <[email protected]> >> To: Experimental Film Discussion List <[email protected]> >> Cc: >> Bcc: >> Date: Thu, 15 Feb 2018 12:28:25 +0100 >> Subject: [Frameworks] Sources for digital "prints" of avant garde classics >> Dear Frameworkers >> >> I am trying to put together a couple of programs as a sort of >> introduction to experimental cinema for the audience of a small festival in >> a small town. They don't have the possibility to project in 16mm or 35mm >> (not this year at least), so I need to find digital files available to rent >> and screen. I have been browsing through the catalogues of all the >> cooperatives and distributors I could think of, but I am still missing some >> things I consider important. For instance, Stan Brakhage and Marie Menken. >> Do you know of any source, cooperative, distributor or individual, where I >> can find digital "prints" to rent? >> >> Thank you very much in advance! >> >> -- >> Elena Duque Viña >> Telf: (+34) 605431072 <+34%20605%2043%2010%2072> >> http://cargocollective.com/elenaduque <[email protected]> >> >> >> ---------- Forwarded message ---------- >> From: Pip Chodorov <[email protected]> >> To: Experimental Film Discussion List <[email protected]> >> Cc: >> Bcc: >> Date: Thu, 15 Feb 2018 12:39:42 +0100 >> Subject: Re: [Frameworks] Sources for digital "prints" of avant garde >> classics >> Dear Elena, >> >> Many filmmakers don't want their films shown digitally. A good example is >> Stan Brakhage. It really denatures the intended image. Other filmmakers are >> more tolerant, such as Jonas Mekas. It is a big debate. >> >> At Re:Voir in Paris we have digital files for our VOD platform and >> DVD/Blu-Ray publishing but these are meant only for home video, and though >> we do get requests for screenings we always encourage programmers to screen >> film prints from the coops. A 16mm projector is really quite affordable. >> But if the programmers insist and if the filmmakers agree, we can rent >> files. >> >> In any case it is important to write in your screening programs and to >> tell the audience that you are showing electronic reproductions. Just as if >> you go to a museum you expect to see original paintings, not photocopies, >> so reproductions would be indicated on the title card. It is important to >> educate your audience and show them films on film! >> >> Pip Chodorov >> >> >> >> >> At 12:28 +0100 15/02/18, Elena Duque wrote: >> >>> I am trying to put together a couple of programs as a sort of >>> introduction to experimental cinema for the audience of a small festival in >>> a small town. They don't have the possibility to project in 16mm or 35mm >>> (not this year at least), so I need to find digital files available to rent >>> and screen. I have been browsing through the catalogues of all the >>> cooperatives and distributors I could think of, but I am still missing some >>> things I consider important. For instance, Stan Brakhage and Marie Menken. >>> Do you know of any source, cooperative, distributor or individual, where I >>> can find digital "prints" to rent? >>> >> >> >> >> ---------- Forwarded message ---------- >> From: Elena Duque <[email protected]> >> To: Experimental Film Discussion List <[email protected]> >> Cc: >> Bcc: >> Date: Thu, 15 Feb 2018 12:53:03 +0100 >> Subject: Re: [Frameworks] Sources for digital "prints" of avant garde >> classics >> Thanks, Pip >> >> I totally understand that, and I work for a festival that is very aware >> of that ((S8) Mostra de Cinema Periférico in A Coruña). Ideally, I would >> suggest them to project in 16mm, but this is a test screening in a small >> Spanish town, happening in a month and a half thanks to a venue they just >> got recently. So, there is no time and no money for this edition (besides >> of getting a projector, it would be necessary to hire a projectionist and >> pay for the shipping of the prints), but hopefully we will be able to that >> properly next year. So, I'm trying to do my best with what's available, in >> a place with no avant garde screenings tradition whatsoever. It is >> important to be aware of the context, and as much as I think that the >> analog screening is a totally different experience, I think this is better >> than nothing. We go little by little, trying to create a new audience that >> does not exist now! >> >> Given that, thank you very much for your suggestion! I will look through >> your catalogue and maybe I will make you some enquiries, trying to be >> respectful to all the filmmakers involved. >> >> Cheers! >> >> 2018-02-15 12:39 GMT+01:00 Pip Chodorov <[email protected]>: >> >>> Dear Elena, >>> >>> Many filmmakers don't want their films shown digitally. A good example >>> is Stan Brakhage. It really denatures the intended image. Other filmmakers >>> are more tolerant, such as Jonas Mekas. It is a big debate. >>> >>> At Re:Voir in Paris we have digital files for our VOD platform and >>> DVD/Blu-Ray publishing but these are meant only for home video, and though >>> we do get requests for screenings we always encourage programmers to screen >>> film prints from the coops. A 16mm projector is really quite affordable. >>> But if the programmers insist and if the filmmakers agree, we can rent >>> files. >>> >>> In any case it is important to write in your screening programs and to >>> tell the audience that you are showing electronic reproductions. Just as if >>> you go to a museum you expect to see original paintings, not photocopies, >>> so reproductions would be indicated on the title card. It is important to >>> educate your audience and show them films on film! >>> >>> Pip Chodorov >>> >>> >>> >>> >>> At 12:28 +0100 15/02/18, Elena Duque wrote: >>> >>>> I am trying to put together a couple of programs as a sort of >>>> introduction to experimental cinema for the audience of a small festival in >>>> a small town. They don't have the possibility to project in 16mm or 35mm >>>> (not this year at least), so I need to find digital files available to rent >>>> and screen. I have been browsing through the catalogues of all the >>>> cooperatives and distributors I could think of, but I am still missing some >>>> things I consider important. For instance, Stan Brakhage and Marie Menken. >>>> Do you know of any source, cooperative, distributor or individual, where I >>>> can find digital "prints" to rent? >>>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> >> >> >> -- >> Elena Duque Viña >> Telf: (+34) 605431072 <+34%20605%2043%2010%2072> >> http://cargocollective.com/elenaduque <[email protected]> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > > -- > James Hansen > Visiting Assistant Professor > Modern and Contemporary Art > Department of Art > Oberlin College > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > >
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