Hoping someone or some of you here might be able to help with a vague
question that's been burning in my head since seeing The Otolith Group's
video installation "The Third Part of the Third Measure" and a panel
discussion on the work/Eastman at the Berlinale last month. Did Eastman and
Tony Conrad ever have any crossover, affinity for, or association with each
other at Buffalo?

Cheers,
Christopher
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