I recommend Joyce Wieland's film Solidarity the subject of which is the Dare 
Cookie Factory strike in Canada.

On Apr 8, 2018, at 4:08 PM, frameworks-requ...@jonasmekasfilms.com wrote:

> Send FrameWorks mailing list submissions to
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> 
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> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of FrameWorks digest..."
> 
> 
> Today's Topics:
> 
>   1. Voice over (Mariah Garnett)
>   2. Re: Voice over (Anthony Yanick)
>   3. Re: Voice over (Shashwati Talukdar)
>   4. Re: Voice over (lagonaboba)
>   5. Re: Voice over (T. Siddle)
>   6. Re: Voice over (Elizabeth McMahon)
>   7.  Voice over (Aman Wadhan)
>   8. This week [April 8 - 15, 2018] in avant garde cinema
>      (weeklylist...@hi-beam.net)
>   9. Re: Voice over (Dennis Doros)
>  10. Re: Voice over (Gene Youngblood)
>  11. Re: Voice over (Surbhi Goel)
>  12. Labor Movement films? (Brandon Walley)
>  13. Re: Voice over (Gene Youngblood)
>  14. Re: Labor Movement films? (mary billyou)
>  15. Re: Labor Movement films? (William Wees, Dr.)
>  16. Re: Labor Movement films? (Adam Hyman)
>  17. Re: Labor Movement films? (Tara Nelson)
>  18. Re: Labor Movement films? (Adam Hyman)
>  19. Re: Voice over (Ignacio Tamarit)
>  20. Re: Voice over (Robert Harris)
>  21. Re: Labor Movement films? (Gail Silva)
>  22. 35mm Steenbeck give away in Vienna (Mag.art. Nadine Taschler)
> 
> 
> ----------------------------------------------------------------------
> 
> Message: 1
> Date: Sun, 8 Apr 2018 07:55:27 -0700
> From: Mariah Garnett <mariah.garn...@gmail.com>
> To: frameworks@jonasmekasfilms.com
> Subject: [Frameworks] Voice over
> Message-ID: <daa85bc9-2ce9-4f8e-a23c-2035f0180...@gmail.com>
> Content-Type: text/plain;     charset=us-ascii
> 
> Hi!
> Does anyone have recommendations of films that are all voice over that are 
> particularly great?
> 
> ------------------------------
> 
> Message: 2
> Date: Sun, 8 Apr 2018 10:59:27 -0400
> From: Anthony Yanick <ajyan...@buffalo.edu>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Voice over
> Message-ID:
>       <cabmr47phzkyxxm5n7gosghqahs97xs0ckvs4lmxylhwt2cp...@mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> Chris Marker, Wim Wenders, https://vimeo.com/108736758...
> 
> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <mariah.garn...@gmail.com>
> wrote:
> 
>> Hi!
>> Does anyone have recommendations of films that are all voice over that are
>> particularly great?
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
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> ------------------------------
> 
> Message: 3
> Date: Sun, 8 Apr 2018 23:05:50 +0800
> From: Shashwati Talukdar <m...@shashwati.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Voice over
> Message-ID:
>       <cahmotkctkgqimp_b55-oyok-xub+quhg0s1mapp4odv_g+n...@mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> Bill Brown
> 
> regards,
> 
> Shashwati Talukdar
> ???
> -----------------------------------
> <https://www.facebook.com/fournineandahalf> <http://vimeo.com/shashwati>
> <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US>
> <https://twitter.com/cinedevi>
> [image: Four Nine and a Half Pictures, Inc.] <http://fournineandahalf.com/>
> <http://wallstories.fournineandahalf.com/> <http://dontbeatmesir.com>
> http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/
> http://fournineandahalf.com
> 
> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <ajyan...@buffalo.edu>
> wrote:
> 
>> Chris Marker, Wim Wenders, https://vimeo.com/108736758...
>> 
>> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <mariah.garn...@gmail.com>
>> wrote:
>> 
>>> Hi!
>>> Does anyone have recommendations of films that are all voice over that
>>> are particularly great?
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>> 
>> 
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> 
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> ------------------------------
> 
> Message: 4
> Date: Sun, 8 Apr 2018 11:12:49 -0400
> From: lagonaboba <lagonab...@gmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Voice over
> Message-ID: <411b3d23-3f8c-43f3-b1f2-152c259f3...@gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> Universal Hotel,  by Peter Thompson
> Routine Pleasures, by Jean Pierre Gorin (almost all voiceover)
> Jollies, by Sadie Benning
> Vanalyne Green?s work (Spy in the House that Ruth Built
> Las Hurdes, by Bunuel
> 
> 
> 
>> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <m...@shashwati.com> wrote:
>> 
>> Bill Brown
>> 
>> regards,
>> 
>> Shashwati Talukdar
>> ???
>> -----------------------------------
>> <https://www.facebook.com/fournineandahalf> <http://vimeo.com/shashwati> 
>> <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US> 
>> <https://twitter.com/cinedevi>
>> <http://fournineandahalf.com/> <http://wallstories.fournineandahalf.com/> 
>> <http://dontbeatmesir.com/>
>> http://dontbeatmesir.com 
>> <http://dontbeatmesir.com/>http://wallstories.fournineandahalf.com/ 
>> <http://wallstories.fournineandahalf.com/>http://fournineandahalf.com 
>> <http://fournineandahalf.com/>
>> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <ajyan...@buffalo.edu 
>> <mailto:ajyan...@buffalo.edu>> wrote:
>> Chris Marker, Wim Wenders, https://vimeo.com/108736758. 
>> <https://vimeo.com/108736758.>..
>> 
>> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <mariah.garn...@gmail.com 
>> <mailto:mariah.garn...@gmail.com>> wrote:
>> Hi!
>> Does anyone have recommendations of films that are all voice over that are 
>> particularly great?
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com>
>> https://mailman-mail5.webfaction.com/listinfo/frameworks 
>> <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>> 
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com <mailto:FrameWorks@jonasmekasfilms.com>
>> https://mailman-mail5.webfaction.com/listinfo/frameworks 
>> <https://mailman-mail5.webfaction.com/listinfo/frameworks>
>> 
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
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> ------------------------------
> 
> Message: 5
> Date: Sun, 08 Apr 2018 16:16:09 +0000
> From: "T. Siddle" <tsid...@gmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Voice over
> Message-ID:
>       <CAC8Zbi-OHg8WiHtUot9N6896AXOXL=mk3-_Vu=y-7grzpp2...@mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> Blue, by Derek Jarman
> The Black Tower, by John Smith
> Black Swans at Night, by Fiona Trigg
> 
> 
> On Sun, Apr 8, 2018 at 8:15 AM lagonaboba <lagonab...@gmail.com> wrote:
> 
>> Universal Hotel,  by Peter Thompson
>> Routine Pleasures, by Jean Pierre Gorin (almost all voiceover)
>> Jollies, by Sadie Benning
>> Vanalyne Green?s work (Spy in the House that Ruth Built
>> Las Hurdes, by Bunuel
>> 
>> 
>> 
>> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <m...@shashwati.com>
>> wrote:
>> 
>> Bill Brown
>> 
>> regards,
>> 
>> Shashwati Talukdar
>> ???
>> -----------------------------------
>> <https://www.facebook.com/fournineandahalf> <http://vimeo.com/shashwati>
>> <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US>
>> <https://twitter.com/cinedevi>
>> [image: Four Nine and a Half Pictures, Inc.]
>> <http://fournineandahalf.com/> <http://wallstories.fournineandahalf.com/>
>> <http://dontbeatmesir.com/>
>> http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/
>> http://fournineandahalf.com
>> 
>> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <ajyan...@buffalo.edu>
>> wrote:
>> 
>>> Chris Marker, Wim Wenders, https://vimeo.com/108736758...
>>> 
>>> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <mariah.garn...@gmail.com
>>>> wrote:
>>> 
>>>> Hi!
>>>> Does anyone have recommendations of films that are all voice over that
>>>> are particularly great?
>>>> _______________________________________________
>>>> FrameWorks mailing list
>>>> FrameWorks@jonasmekasfilms.com
>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>> 
>>> 
>>> 
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>> 
>>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
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> ------------------------------
> 
> Message: 6
> Date: Sun, 8 Apr 2018 12:45:48 -0400
> From: Elizabeth McMahon <elizmcma...@gmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Voice over
> Message-ID:
>       <caggvsyxjuignzb5g4moyqdpktza08l6p3nlgsrnvhn_w04v...@mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> Luis Bunuel's "Land Without Bread."
> 
> Elizabeth McMahon
> 
> On Sunday, April 8, 2018, Mariah Garnett <mariah.garn...@gmail.com> wrote:
> 
>> Hi!
>> Does anyone have recommendations of films that are all voice over that are
>> particularly great?
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
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> ------------------------------
> 
> Message: 7
> Date: Sun, 8 Apr 2018 18:47:27 +0200
> From: Aman Wadhan <amanwad...@gmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: [Frameworks]  Voice over
> Message-ID:
>       <CAMi0ov_qnOz=a9zBQcP3iuhJktBCrGJ=ez3mci3i8kqeydb...@mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> Patrick Keiller ('London', 'Robinson in Space', 'Robinson in Ruins').
> 
> And not to forget some of the most haunting voice-over performances ever --
> the films of Marguerite Duras ('Agatha et les lectures illimit?es', 'India
> Song').
> 
> On Sunday, April 8, 2018, T. Siddle <tsid...@gmail.com> wrote:
> 
>> Blue, by Derek Jarman
>> The Black Tower, by John Smith
>> Black Swans at Night, by Fiona Trigg
>> 
>> 
>> On Sun, Apr 8, 2018 at 8:15 AM lagonaboba <lagonab...@gmail.com> wrote:
>> 
>>> Universal Hotel,  by Peter Thompson
>>> Routine Pleasures, by Jean Pierre Gorin (almost all voiceover)
>>> Jollies, by Sadie Benning
>>> Vanalyne Green?s work (Spy in the House that Ruth Built
>>> Las Hurdes, by Bunuel
>>> 
>>> 
>>> 
>>> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <m...@shashwati.com>
>>> wrote:
>>> 
>>> Bill Brown
>>> 
>>> regards,
>>> 
>>> Shashwati Talukdar
>>> ???
>>> -----------------------------------
>>> <https://www.facebook.com/fournineandahalf> <http://vimeo.com/shashwati>
>>> <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US>
>>> <https://twitter.com/cinedevi>
>>> [image: Four Nine and a Half Pictures, Inc.]
>>> <http://fournineandahalf.com/> <http://wallstories.fournineandahalf.com/>
>>> <http://dontbeatmesir.com/>
>>> http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/
>>> http://fournineandahalf.com
>>> 
>>> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <ajyan...@buffalo.edu>
>>> wrote:
>>> 
>>>> Chris Marker, Wim Wenders, https://vimeo.com/108736758...
>>>> 
>>>> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <
>>>> mariah.garn...@gmail.com> wrote:
>>>> 
>>>>> Hi!
>>>>> Does anyone have recommendations of films that are all voice over that
>>>>> are particularly great?
>>>>> _______________________________________________
>>>>> FrameWorks mailing list
>>>>> FrameWorks@jonasmekasfilms.com
>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>> 
>>>> 
>>>> 
>>>> _______________________________________________
>>>> FrameWorks mailing list
>>>> FrameWorks@jonasmekasfilms.com
>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>> 
>>>> 
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>> 
>>> 
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>> 
>> 
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> ------------------------------
> 
> Message: 8
> Date: Sun, 8 Apr 2018 11:54:15 -0500
> From: <weeklylist...@hi-beam.net>
> To: "'Experimental Film Discussion List'"
>       <frameworks@jonasmekasfilms.com>
> Subject: [Frameworks] This week [April 8 - 15, 2018] in avant garde
>       cinema
> Message-ID: <0a1901d3cf5a$3a7811b0$af683510$@hi-beam.net>
> Content-Type: text/plain; charset="utf-8"
> 
> 
> 
> 
>       
> 
> 
> 
>  <http://www.hi-beam.net/now.gif> 
> 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c5a32506d1&e=f36020cad0>
>  
> 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4ea710cbdc&e=f36020cad0>
>  
> 
> 
> This week [April 8 - 15, 2018] in avant garde cinema
> 
> 
> Enter your event announcements by going to the Flicker Weekly Listing Form 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=1664a45bfd&e=f36020cad0>
>  .
> 
> To receive the weekly listing via email: Subscribe 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=979c557d79&e=f36020cad0>
>  .   <http://shapeshifterscinema.com/img/becker-flowershop_165x245.jpg> 
> Shapeshifters Cinema Presents Tommy Becker <>  [April 8, Oakland, CA] 
> 
>  
> <https://i1.wp.com/www.ercatx.org/wp-content/uploads/2018/03/RideLikeLightningStill3.jpeg>
>  
> Lightning and Thunder: 16mm Films By Fern Silva <>  [April 15, Austin, TX] 
> 
> DEADLINES APPROACHING:
> Festival of (In)appropriation (Los Angeles, CA, USA; Deadline: May 01, 2018)
> http://hi-beam.net/cgi-bin/ann.pl?type=calls 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d95945a30e&e=f36020cad0>
>  &readfile=1969.ann
> 5th Annual Flamingo Film Festival (Fort Lauderdale, FL USA; Deadline: April 
> 15, 2018)
> http://hi-beam.net/cgi-bin/ann.pl?type=calls 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8fbc99df70&e=f36020cad0>
>  &readfile=1974.ann
> 
> Events are sorted alphabetically BY CITY within each DATE.
> 
> This week's programs (summary): 
> 
> *        Rat Film <>  [April 8, Los Angeles, California] 
> 
> *        Harun Farocki: Program 1 <>  [April 8, New York, NY] 
> 
> *        Shapeshifters Cinema Presents Tommy Becker <>  [April 8, Oakland, 
> CA] 
> 
> *        History, Memory, Texture: Daniel Eisenberg's Persistence <>  [April 
> 9, Oberlin, OH] 
> 
> *        From the Collection of J. Hoberman: the Complete Works <>  [April 
> 10, Brooklyn, NY] 
> 
> *        History, Memory, Texture: A Luther Price Battle Royale Eulogy <>  
> [April 10, Oberlin, OH] 
> 
> *        The Films of Larry Gottheim: Program 1 <>  [April 12, New York, NY] 
> 
> *        Metaphors On vision: Films By Stan Brakhage <>  [April 13, Los 
> Angeles, California] 
> 
> *        The Films of Larry Gottheim: Program 2 <>  [April 13, New York, NY] 
> 
> *        Metaphors On vision: Films By Stan Brakhage ? Selected Songs <>  
> [April 14, Los Angeles, California] 
> 
> *        Ec: Dog Star Man <>  [April 14, New York, NY] 
> 
> *        The Films of Larry Gottheim: Program 3 <>  [April 14, New York, NY] 
> 
> *        The Films of Larry Gottheim: Program 4 <>  [April 14, New York, NY] 
> 
> *        Optronica2: Toons?N?Tunes With Goat Family + Rourke + 99 Hooker + <> 
>  [April 14, San Francisco, California] 
> 
> *        Lightning and Thunder: 16mm Films By Fern Silva <>  [April 15, 
> Austin, TX] 
> 
> *        Stan Brakhage: Life, Death, and the Elements <>  [April 15, Los 
> Angeles, California] 
> 
> *        Harun Farocki: Program 2 <>  [April 15, New York, NY] 
> 
> *        The Films of Larry Gottheim: Program 5 <>  [April 15, New York, NY] 
> 
> *        The Films of Larry Gottheim: Program 6 <>  [April 15, New York, NY] 
> 
> 
> SUNDAY, APRIL 8, 2018
> 
> 4/8
> Los Angeles, California: Filmforum
> http://www.lafilmforum.org/ 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=30a247f8e3&e=f36020cad0>
>  
> 7:30 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd.
> RAT FILM
> Creative Producers Riel Roch-Decter and Sebastian Pardo in person! Across 
> walls, fences, and alleys, rats not only expose our boundaries of separation 
> but make homes in them. "Rat Film" is a feature-length documentary that uses 
> the rat?as well as the humans that love them, live with them, and kill 
> them-to explore the history of Baltimore. "There's never been a rat problem 
> in Baltimore, it's always been a people problem.? ?It's one of the most 
> extraordinary, visionary inspirations in the recent cinema.? ? Richard Brody, 
> The New Yorker ?bracing, hallucinatory & daring ... mixes formal 
> experimentation with trenchant social commentary? ? Katie Walsh, Los Angeles 
> Times Trailer: http://www.memory.is/rat-film/trailer Tickets: $10 general; $6 
> students/seniors; free for Filmforum members. Available in advance at 
> https://bpt.me/3374385 or at the door. 
> 
> 4/8
> New York, NY: Anthology Film Archives
> http://www.anthologyfilmarchives.org/ 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a5f27ff3ff&e=f36020cad0>
>  
> 2:00 PM, 32 Second Avenue
> HARUN FAROCKI: PROGRAM 1
> Harun Farocki & Andrei Ujica VIDEOGRAMS OF A REVOLUTION / VIDEOGRAMME EINER 
> REVOLUTION (1992, 106 min, digital. In English and Romanian with English 
> subtitles.) "In Europe in the fall of 1989, history took place before our 
> very eyes. Farocki and Ujica's VIDEOGRAMS shows the Romanian revolution of 
> December 1989 in Bucharest in a new media-based form of historiography. 
> Demonstrators occupied the television station [in Bucharest] and broadcast 
> continuously for 120 hours, thereby establishing the television studio as a 
> new historical site. Between December 21, 1989 (the day of Ceaucescu's last 
> speech) and December 26, 1989 (the first televised summary of his trial), the 
> cameras recorded events at the most important locations in Bucharest, almost 
> without exception." -Dietrich Leder 
> 
> 4/8
> Oakland, CA: Shapeshifters Cinema
> http://shapeshifterscinema.com/ 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b5785e90b4&e=f36020cad0>
>  
> 8pm, TAC: Temescal Art Center, 511 48th St
> SHAPESHIFTERS CINEMA PRESENTS TOMMY BECKER
> Tommy Becker returns to Shapeshifters to present new works from his 
> never-ending saga, "Tape Number One". TNO is a mix video tape that embraces 
> the deconstruction of song structure to create an expanded, conceptual 
> story-telling that blends the artist's poetics, songwriting, performance and 
> costuming with found footage and computer design. Live vocals and 
> instrumentation lead melodic soundtracks that articulate a visual swirling of 
> tragic comedy. Short works balance meaning with emotion and documentation 
> with design. For this show Becker will be premiering a new work, "Stars White 
> in a Blue Field", a work that contemplates patriotic values in our current 
> political quagmire along with his recent trilogy, "FLOWER SHOP (protection, 
> fear & escape)" and more.http://shapeshifterscinema.com/ 
> 
> 
> MONDAY, APRIL 9, 2018
> 
> 4/9
> Oberlin, OH: Oberlin College
> 7:00 PM, 91 N. Main St., Art Building, Classroom 1
> HISTORY, MEMORY, TEXTURE: DANIEL EISENBERG'S PERSISTENCE
> Daniel Eisenberg, Persistence, 1997, 86 minutes, 16mm. ?Eisenberg, the child 
> of Holocaust survivors, returns to Germany and Poland to make sense of a 
> history (at once personal and public) and its manifestation in both the 
> present and the past. His return to Europe, and especially the sites of his 
> ancestry and their aniihilation is by no means unique. However, Eisenberg 
> does it three times: 1981, 1987, 1997. The resulting films thus produce their 
> own historical trajectory and their own contribution to history. For part of 
> Eisenberg?s filmic strategy in Persistence was to create of establish filmic 
> documents of the present day which might by used by someone in the future. In 
> other words, just as Eisenberg himself has relied heavily on found footage, 
> there is a self-conscious awareness on his part of producing found 
> objects/footage for future use.? ?Nora Alter 
> 
> 
> TUESDAY, APRIL 10, 2018
> 
> 4/10
> Brooklyn, NY: Light Industry
> http://www.lightindustry.org/ 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=329f5fb079&e=f36020cad0>
>  
> 7:30, 155 Freeman Street
> FROM THE COLLECTION OF J. HOBERMAN: THE COMPLETE WORKS
> Calling All Girls, Jean Negulesco (uncredited), 1942, 16mm, 20 mins Red 
> Nightmare, George Waggner, 1962, 16mm, 29 mins The Girl from Chicago, Oscar 
> Micheaux, 1932, 16mm, 70 mins I'm more an accumulator than a collector, 
> having amassed a sizable amount of books and DVDs thanks to my various gigs. 
> How I wound up with these three films-pretty much the extent of my 
> "collection"-is something of a mystery, even to me. Back in the early 1970s, 
> I used to buy old telefilms and TV commercials cheap at Peerless Willoughby 
> for use in my own work. Calling All Girls-a fake documentary that is also a 
> compilation of Busby Berkeley's greatest hits-is something that I got *as a 
> work*, having seen it both in Ken Jacobs's class and as a short subject with 
> Putney Swope. My guess is that I saw it in a catalog and couldn't resist the 
> ridiculously low price, probably $20. It was an inspiration for my own 
> greatest hit, Mission to Mongo, and paid for itself many times over because I 
> used it regularly 
> in my Co
> oper Union classes, always on a bill with MoMA's shortened Triumph of the 
> Will. I don't remember how I discovered the anti-Communist propaganda film 
> Red Nightmare, which I programmed for the Collective for Living Cinema in the 
> late '70s. I do recall that I was given the print by Joe Angier, a Binghamton 
> classmate then working in TV documentaries, after I helped him out with some 
> project or other. I used to show it in class also, mainly at NYU. Writing 
> this I realized for the first time that both it and Calling All Girls were 
> made by Warner Bros., my favorite studio. Perhaps there are other connections 
> as well. The Girl from Chicago was my only serious purchase-possibly costing 
> $100, most likely in the early 1980s. I guess I saw it in a catalogue (A new 
> and unknown Oscar Micheaux film!) but I must have sealed the deal over the 
> phone because I recall the seller asking with some surprise if I was white. 
> This one I screened for friends. I remember schlepping it over to show Greg
>  Ford an
> d Ronnie Scheib, local film collectors, from whom I used to borrow a print of 
> The Next Voice You Hear for my NYU classes. Greg really got it: "It's Andy 
> Warhol," he said incredulously. And then there's the one that got away. In 
> the early '90s I received a message from a guy who had just inherited a 
> little building on E 4th Street across from Millennium that had evidently 
> been the office for the Ukrainian section of the Communist Party. There were 
> dozens of old movies. I poked around and amid the cans, mainly Soviet 
> Ukrainian features, I found something close to a lost film, namely a 16mm 
> print of Edgar G. Ulmer's Natalka Poltavka. I had it in my hands, I could 
> have walked out and I should have, instead of acting responsibly to contact 
> the neighborhood film archives and informing them of this trove of Ukrainian 
> films. So far as I know, nothing ever came of it. I regret it to this day and 
> especially today, thinking that I could have presented a legendary 
> double-bill of Oscar M
> icheaux 
> and Edgar G. Ulmer. - JH 
> 
> 4/10
> Oberlin, OH: Oberlin College
> 7:00 PM, 91 N. Main St., Art Building, Classroom 1
> HISTORY, MEMORY, TEXTURE: A LUTHER PRICE BATTLE ROYALE EULOGY
> This evening offers a rare opportunity to witness six handmade 16mm films by 
> artist Luther Price. For the last several decades, Price has been making 
> original 16mm prints, meaning that he works directly on the film stock, 
> prints no negatives, and lets the ephemeral nature of the film take its 
> course. Each film print is a one-of-a-kind, unique object in and of itself. 
> Pushed to the brink of collapse by burying films in his garden (in the Garden 
> Films) or smothering their found footage in stunning layers of paint (in his 
> Inkblots), Price?s films levitate between projected film and material object. 
> This screening will feature a world-premiere double-projection of Burgen and 
> Tonic, his quasi-remake of Who?s Afraid of Virigina Woolf, as well as 
> examples of his Garden Films and Inkblots. Many prints have not been screened 
> since Price showed at the 2012 Whitney Biennial, and he has indicated the 
> prints need to go into retirement after this screening. Come say hello and 
> goodbye. 
> 
> 
> THURSDAY, APRIL 12, 2018
> 
> 4/12
> New York, NY: Anthology Film Archives
> http://www.anthologyfilmarchives.org/ 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6a7fe73e1e&e=f36020cad0>
>  
> 8:00 PM, 32 Second Avenue
> THE FILMS OF LARRY GOTTHEIM: PROGRAM 1
> These films, made 41 years apart, are radically different in conception. 
> Presented together, they reveal the links that proceed through the 
> development of what is a single project. CORN (1970, 11 min, 16mm) CORN came 
> out of a rejection of expressive camera work, sound, language, and editing. 
> This is a space of ceremony, of an offering, the transformation of ears of 
> corn into sustenance. It takes place within a space/time theater of slow 
> changes of light and shadow. The sinuous dance of steam is a counterpart to 
> the fog of FOG LINE. CHANTS AND DANCES FOR HAND (1991-2017, 40 min, digital) 
> This work comprises material shot in Haiti. There are scenes of Vodou 
> ceremonies, a violent uprising, of movie theaters, and images from my 
> personal life that include my Haitian son Hand. The soundtrack is simply what 
> accompanied the images. This is far from a "documentary" about Vodou. The 
> ceremony of possession extends into politics, war, cooking, the movies, and 
> the electronic nature of vid
> eo. This
>  is also a meditation on death. The most important dance takes place in the 
> viewer's mind. 
> 
> 
> FRIDAY, APRIL 13, 2018
> 
> 4/13
> Los Angeles, California: Filmforum
> http://www.lafilmforum.org/ 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=93e2368c2b&e=f36020cad0>
>  
> 7:30 pm, UCLA Film & Television Archive, Billy Wilder Theatre, Hammer Museum, 
> 10899 Wilshire Blvd., 
> METAPHORS ON VISION: FILMS BY STAN BRAKHAGE
> UCLA Film & Television Archive, Los Angeles Filmforum and Acropolis Cinema 
> present Metaphors on Vision: Films by Stan Brakhage Friday, April 13, 2018, 
> 7:30 pm At the UCLA Film & Television Archive, Billy Wilder Theatre, Hammer 
> Museum, 10899 Wilshire Blvd., Los Angeles CA 90024 Thomas Beard & Steve Anker 
> in person. "Imagine an eye unruled by man-made laws of perspective, an eye 
> unprejudiced by compositional logic, an eye which does not respond to the 
> name of everything but which must know each object encountered in life 
> through an adventure of perception." So begins Stan Brakhage?s classic 
> Metaphors on Vision. First published in 1963 as a special issue of Film 
> Culture, it stands as the major theoretical statement by one of avant-garde 
> cinema?s most influential figures, a treatise on mythopoeia and the nature of 
> visual experience written in a style as idiosyncratic as his art. By turns 
> lyrical, technical and philosophical, this is a collection to be shelved 
> alongside the commen
> taries o
> f Robert Bresson, Maya Deren, Sergei Eisenstein and Nagisa Oshima. After 
> being out of print for decades, the volume is now available again in a new 
> edition from Anthology Film Archives and Light Industry, overseen by its 
> original editor P. Adams Sitney. To celebrate its republication, the UCLA 
> Film & Television Archive presents a two-night program of key Brakhage films. 
> Tonight's program presents key early films that Stan Brakhage made while he 
> was writing Metaphors on Vision, works that inaugurated a radically new form 
> of first-person cinema. The film program will be preceded by a talk by Thomas 
> Beard. INFO: https://www.cinema.ucla.edu/events/2018/stan-brakhage Tickets: 
> $10 general advance purchase, $9 general at door; $8 non-UCLA 
> students/seniors/UCLA alumni; free for UCLA Students and Filmforum members. 
> Available in advance at 
> http://emarket.cinema.ucla.edu/ShoppingCenter/Details.aspx?ref=968 or at the 
> door. 
> 
> 4/13
> New York, NY: Anthology Film Archives
> http://www.anthologyfilmarchives.org/ 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=17e945f9d2&e=f36020cad0>
>  
> 7:30 PM, 32 Second Avenue
> THE FILMS OF LARRY GOTTHEIM: PROGRAM 2
> THOUGHT (1970, 7.5 min, 16mm) The last of my continuous-shot silent films. 
> Now I was becoming aware of the implications of these works, and so I gave it 
> this title. HORIZONS (ELECTIVE AFFINITIES, PART 1) (1971-73, 75 min, 16mm) 
> HORIZONS is the result of a year spent filming landscape horizons. Motifs 
> such as animals, windows, fences, clotheslines, even some film friends and 
> family are included. The structure is based on rhyme schemes. I found 
> relationships between one shot and another that could be thought of as 
> "rhymes." Lines and borders play crucial roles. They call attention to the 
> structure of the film, which echoes the structures of the landscapes. The 
> film offers a field of relationships that extend out to the whole film, even 
> if only a few can be retained in the mind. The nature of these affinities led 
> to the series of films - the "Elective Affinities" - to which HORIZONS is the 
> "Overture." 
> 
> 
> SATURDAY, APRIL 14, 2018
> 
> 4/14
> Los Angeles, California: Filmforum
> http://www.lafilmforum.org/ 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9c36c0abae&e=f36020cad0>
>  
> 7:30 pm, UCLA Film & Television Archive, Billy Wilder Theatre, Hammer Museum, 
> 10899 Wilshire Blvd., 
> METAPHORS ON VISION: FILMS BY STAN BRAKHAGE ? SELECTED SONGS
> ?The Songs? are inspired by the aesthetics of lyric poetry on the one hand, 
> and the tactics of ?home movies? on the other?.? ?Stan Brakhage In 1964, Stan 
> Brakhage, turning away from the epic 16mm forms of Dog Star Man (1961-64), 
> embraced the non-professional, home-movie regular 8mm format to create the 
> Songs (1964-67), a series of 31 remarkable films. Unparalleled for their 
> intimacy, poetic expression and depictions of daily life, these small-gauge 
> gems are Brakhage?s most celebrated and influential works. Tonight?s program 
> includes rarely screened 16mm versions of Songs 1-7 and the monumental 
> anti-war lament, Song 23: 23rd Psalm Branch, considered by many to be one of 
> Brakhage?s greatest films. Made in response to the Vietnam War, 23rd Psalm 
> Branch reverberates with as much urgency today as when it was first shown 
> more than a half century ago. Series curated by Steve Anker and Thomas Beard. 
> INFO: https://www.cinema.ucla.edu/events/2018/stan-brakhage Tickets: $10 
> general adva
> nce purc
> hase, $9 general at door; $8 non-UCLA students/seniors/UCLA alumni; free for 
> UCLA Students and Filmforum members. Available in advance at 
> http://emarket.cinema.ucla.edu/ShoppingCenter/Details.aspx?ref=969 or at the 
> door. 
> 
> 4/14
> New York, NY: Anthology Film Archives
> http://www.anthologyfilmarchives.org/ 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3122dc015a&e=f36020cad0>
>  
> 3:00 PM, 32 Second Avenue
> EC: DOG STAR MAN
> by Stan Brakhage. A masterwork in which all of Brakhage's techniques achieve 
> a complex synthesis to produce one of cinema's supreme epic poems. "The film 
> breathes and is an organic and surging thing??? it is a colossal lyrical 
> adventure-dance of image in every variation of color." -Michael McClure, 
> ARTFORUM 
> 
> 4/14
> New York, NY: Anthology Film Archives
> http://www.anthologyfilmarchives.org/ 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=21749927af&e=f36020cad0>
>  
> 5:00 PM, 32 Second Avenue
> THE FILMS OF LARRY GOTTHEIM: PROGRAM 3
> HARMONICA (1971, 10.5 min, 16mm) The final continuous-shot film, now with 
> sound, which is produced by the car and the people inside. The car window 
> acts as a screen that separates the inner world from the outside. Some of the 
> sound is created when the performer breaks through that plane. He is the 
> first of many avatars, doubles of me that appear in many of my films and led 
> to my later attraction to ceremonial possession. MOUCHES VOLANTES (ELECTIVE 
> AFFINITIES, PART 2) (1976, 69 min, 16mm) The beautiful, evocative musical 
> tale Angelina Johnson narrates about her relationship with the blues singer 
> Blind Willie Johnson is matched, frame-by-frame, with films of my family. 
> Echoing the title - which translates to "Flying Gnats" and was taken from 
> Helmholtz - I attended to snow, the surf, the sand, tiny specks flying in 
> front of the subject, leading the subject to follow them. They always 
> escaped. They were in the eye itself. As the retina turned to catch them, 
> they seemed to fly awa
> y. This 
> embodied the paradox of inside and outside that was already a presence in my 
> work and was to reemerge in other forms. Like HORIZONS, this film creates a 
> dance between the flow of images that pass by and the memory of other related 
> images, nearby or distant. Rhymes and relationships led me to the notion of 
> affinities, which in turn suggested the title, "Elective Affinities," a 
> reference to Goethe. The notion of affinities also applies to personal 
> connections of myself with Angelina and Blind Willie Johnson, blindness, 
> blackness, and other motifs. 
> 
> 4/14
> New York, NY: Anthology Film Archives
> http://www.anthologyfilmarchives.org/ 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=31e0dd8519&e=f36020cad0>
>  
> 7:30 PM, 32 Second Avenue
> THE FILMS OF LARRY GOTTHEIM: PROGRAM 4
> FOUR SHADOWS (ELECTIVE AFFINITIES, PART 3) (1978, 64 min, 16mm) Comprising 
> four image sections and four sound sections linked in all their combinations, 
> FOUR SHADOWS establishes affinities between and across the various visual and 
> aural elements. As the film progresses, the viewer can imaginatively 
> "re-play" material from other sections that have affinities with what is on 
> the screen and soundtrack at any given moment. The Wordsworth passage is read 
> each time by four readers for whom English is not their native language, 
> including Jonas Mekas, Peter Kubelka, Klaus Wyborny, Heinz Emigholz, and Taka 
> Iimura. MNEMOSYNE MOTHER OF MUSES (1986, 18 min, 16mm) There is a double 
> retrograde motion. A flow of images goes forward, linked to a sound track 
> that goes backwards. Then the directions are reversed. I was influenced by a 
> passage in Heidegger in which he calls attention to the Ancient Greeks 
> conceiving of the goddess of memory as the mother of the muses. There is a 
> sense of loss a
> nd recov
> ery - the need to go back and its impossibility except in art. 
> 
> 4/14
> San Francisco, California: Other Cinema
> http://www.othercinema.com/ 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9f18baf675&e=f36020cad0>
>  
> 8 PM, 992 Valencia Street
> OPTRONICA2: TOONS?N?TUNES WITH GOAT FAMILY + ROURKE + 99 HOOKER +
> Our LIVE A/V series returns with a trio of electrifying performances that 
> fuse spoken/sung-word with (mostly animated) movies. Jeremy Rourke makes good 
> on his ?i?ll be around? promise with a loop back through our venue, yodeling 
> amidst an ensemble of energized stop-motion works and fork-plucked harp 
> melodies. The Goat Family do-si-dos beneath a dynamic screen, these 
> much-loved local folks humming and strumming in experimental Jug Band style. 
> Flying all the way in from New York, the veteran synth-player/poet 99 Hooker 
> closes the show with a repertoire of his most obsessive pixilations, his 
> Reanimatrix avatar dream come true, re-mixing and re-animating critters. $9 
> 
> 
> SUNDAY, APRIL 15, 2018
> 
> 4/15
> Austin, TX: Experimental Response Cinema
> http://ercatx.org 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a2d87d3c81&e=f36020cad0>
>  
> 8pm, grayDUCK Gallery, 2213 E Cesar Chavez St
> LIGHTNING AND THUNDER: 16MM FILMS BY FERN SILVA
> FILMMAKER IN PERSON! Experimental Response Cinema is proud to welcome Fern 
> Silva for an in-person screening of a selection of his 16mm works. With his 
> distinct sonic and cinematographic language, Silva's films describe the 
> hybrid mythologies of globalism. His films consider methods of narrative, 
> ethnographic, and documentary filmmaking as the starting point for structural 
> experimentation. Ride Like Lightning, Crash Like Thunder-2017-8.5mins: Framed 
> within the vision of the Hudson River School and the legend of Rip Van 
> Winkle, Ride Like Lightning, Crash Like Thunder unfolds as a storm approaches 
> on the horizon. An uncertain future is in store as the creeping hand of 
> history disrupts nature and civility in the Hudson River regions of Upstate 
> New York. The Watchmen-2017-10mins.: In The Watchmen, pulsating orbs, 
> panopticons, roadside rest stops, and subterranean labyrinths confront the 
> scope of human consequences and the entanglement of our seeking bodies. 
> Wayward Fronds -2015-13
> .5mins: 
> Mermaids flip a tale of twin detriments, domiciles cradle morph invaders, 
> crocodile trails swallow two-legged twigs in a fecund mash of nature's 
> outlaws??? down in the Everglades. Tender Feet-2013-10.5: Tender Feet was 
> shot on the road in the southwest leading up to the not quite so cataclysmic 
> and transformative events anticipated to take place around Dec. 21st 2012. As 
> digits flipped on the odometer, so did the days in the Mayan calendar 
> shedding light and darkness on charred forests, arid landscapes, falling 
> stars, destructive vortexes, fortune telling traffic signs, and ticking time 
> bombs??? Concrete Parlay-2012-18mins.: Carried by the frenetic energy of a 
> magic carpet, Concrete Parlay is a metaphysical flight that weaves among 
> visual kernels of the anthropic and biological worlds. From prehistoric 
> horseshoe crabs strewn among modern refuse, stoic pyramids foregrounded by 
> golf course maintenance, mystic rituals evoking avian gestures, to 
> contemporary political upheaval e
> qualized
>  by natural phenomena-the poetic equivalence among images transcends 
> particular umwelten, as the disorienting whirl of the compass connotes the 
> kinetic nature of existence. -Aily Nash Passage Upon the Plume-2011-6.5mins.: 
> "Those who go thither, they return not again." Plumes dust the arid land, 
> east to west, shapeshifting as they lift in ascension. Something lowers. An 
> ark ran aground where revolution took root: ropes raise stones in baskets. 
> Hearts heavier and lighter than the feather, permitted passage. Tethered or 
> freed, resting from life or dawning anew. -Charity Coleman 
> 
> 4/15
> Los Angeles, California: Filmforum
> http://www.lafilmforum.org/ 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9ebc1436da&e=f36020cad0>
>  
> 7:30 pm, Echo Park Film Center, 1200 N. Alvarado St.
> STAN BRAKHAGE: LIFE, DEATH, AND THE ELEMENTS
> Los Angeles Filmforum and Acropolis Cinema present Stan Brakhage: Life, 
> Death, And The Elements New Restorations From The Academy Film Archive 
> Sunday, April 15, 2018, 7:30 pm At the Echo Park Film Center, 1200 N. 
> Alvarado St., Los Angeles CA 90026 All 16mm prints of restored films! With 
> Mark Toscano and others in person. Touching on some of Stan Brakhage?s 
> (1933-2003) most recurring and fundamental themes, this selection of five 
> films pairs an early, celebrated masterpiece (Scenes From Under Childhood) 
> and a truly monumental but neglected work made the year before his death 
> (Panels for the Walls of Heaven). Three other short films - all distinctly 
> visually striking and reflecting a palpable viscerality - balance out this 
> program of new restorations from the Academy Film Archive, the majority 
> appearing here in their first public screenings in the Academy?s new 16mm 
> prints. INFO: www.lafilmforum.org <http://www.lafilmforum.org>  , 
> 323-377-7238 Tickets: $10 general; $6 students/
> seniors;
>  free for Filmforum members. Available in advance at 
> https://brakhagelife.bpt.me or at the door. 
> 
> 4/15
> New York, NY: Anthology Film Archives
> http://www.anthologyfilmarchives.org/ 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8bd5994821&e=f36020cad0>
>  
> 2:00 PM, 32 Second Avenue
> HARUN FAROCKI: PROGRAM 2
> BEDTIME STORIES: SHIPS / EINSCHLAFGESCHICHTEN (1977, 3 min, 16mm-to-digital. 
> In German with English subtitles.) AS YOU SEE / WIE MAN SIEHT (1986, 72 min, 
> 16mm-to-digital. In German with English subtitles.) "[This] is an 
> action-filled feature film. It reflects upon girls in porn magazines to whom 
> names are ascribed and about the nameless dead in mass graves, upon machines 
> that are so ugly that coverings have to be used to protect the workers' eyes, 
> upon engines that are too beautiful to be hidden under the hoods of cars, 
> upon labor techniques that either cling to the notion of the hand and the 
> brain working together or want to do away with it. My film AS YOU SEE is an 
> essay film. The contemporary opinion industry is like a huge mouth, or maybe 
> a paper shredder. I compose a new text out of these scraps and thus stage a 
> paper-chase. My film is made up of many details and creates a lot of 
> image-image and word-image and word-word relationships among them. So there's 
> a lot to chew 
> on. I se
> arched for and found a form in which one can make a little money go a long 
> way." -Harun Farocki 
> 
> 4/15
> New York, NY: Anthology Film Archives
> http://www.anthologyfilmarchives.org/ 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=15fc2e7bce&e=f36020cad0>
>  
> 5:00 PM, 32 Second Avenue
> THE FILMS OF LARRY GOTTHEIM: PROGRAM 5
> FOG LINE (1970, 10.5 min, 16mm, b&w) The fog lifts on a scene. The trees 
> stand there, manifesting their being. They have a soft shape without outline. 
> The power lines relate to drawing rather than painting, the controlling mind 
> rather than the imagination. The viewer is invited to explore the screen, 
> looking here and there, each person following a different path. DOORWAY 
> (1970, 7.5 min, 16mm, b&w) Finally I moved the camera, in a slow pan from one 
> side of the wide door of my wife's pottery studio to the other. The doorway 
> separates inside from outside. There is a pulse of vision that emanates out 
> from the camera, making a moving cow stand frozen behind another. NATURAL 
> SELECTION (1983, 35 min, 16mm) Alfons Schilling uses his sculptural viewing 
> devices to experience landscapes. My students film him. Translation issues 
> lead us to think about glossolalia, speaking in tongues. We are invited to 
> the laboratory of Andr?? Roch Lecours, who studies the relationship between 
> glossolali
> a and th
> e brain. I edited the film adding my own material. Alfons and Roch become 
> avatars of my self. SORRY/HEAR US (1984, 8 min, 16mm) We deconstruct a poem's 
> language by playing it backwards until some words emerge from the backward 
> text. The students create images that illustrate this new text. Total running 
> time: ca. 65 min. 
> 
> 4/15
> New York, NY: Anthology Film Archives
> http://www.anthologyfilmarchives.org/ 
> <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c19c684e4d&e=f36020cad0>
>  
> 7:30 PM, 32 Second Avenue
> THE FILMS OF LARRY GOTTHEIM: PROGRAM 6
> THE RED THREAD (1987, 17 min, 16mm) My actual image appears as an ironic 
> avatar of my real filmmaker self. It is challenged by a weaver with whom I 
> fell into a relationship. The real me, the filmmaker me, is there, for 
> example in the piano passages and above all with the children in the 
> schoolyard, a ceremonial dance. TREE OF KNOWLEDGE (ELECTIVE AFFINITIES, PART 
> 4) (1980, 60 min, 16mm) A documentary film about paranoid conditions is 
> matched to a flow of images of an apple tree in my back yard filmed wildly 
> and without forethought. The radical breaking of the previous passivity of 
> the camera had deep psychological dimensions. Stockyard sounds are inserted, 
> as are images of children from a film about the seasons. They are the ones 
> who are learning and also part of the didactic mechanics of the film. So are 
> the paranoid patients. 
> 
>  _____  
> 
> Let us know about your alternative film/video event! 
> 
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> 
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>  
> 
> 
> 
> 
> 
> 
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> ------------------------------
> 
> Message: 9
> Date: Sun, 8 Apr 2018 13:23:05 -0400
> From: Dennis Doros <milefi...@gmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Voice over
> Message-ID:
>       <CAPiNLPKP7VVCSHUabhwXYeQ6mzYjrd7wMr96nkxmPc8-T3=a...@mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> Margot Benacerraf's ARAYA.
> 
> Luc Besson's ATLANTIS
> 
> Leo Hurwitz NATIVE LAND (can't remember if it's 100% voice-over). STRANGE
> VICTORY is about 90% voice-over.
> 
> 
> ?
> 
> Fondest regards,
> Dennis Doros, Co-owner
> *Milestone Film & Video ? *PO Box 128 ? Harrington Park, NJ 07640
> Phone: +1 (201) 767-3117 ? Email: milefi...@gmail.com ? www.milestone.film
> 
> President, *Association of Moving Image Archivists*
> amiapresid...@amianet.org ? www.amianet.org
> *AMIA 2018 ? 11/28 ? 12/1 Portland, OR*
> 
> JOIN MILESTONE'S MAILING LIST TODAY!
> <http://milestonefilms.us3.list-manage1.com/subscribe/post?u=4a0b9e434a9f3e8603c29806e&id=f30d1906e2>
> Support us on Facebook
> <http://www.facebook.com/pages/Milestone-Film/22348485426> and Twitter
> <https://twitter.com/#!/MilestoneFilms>!
> 
> 
> 
> 
> 
> On Sun, Apr 8, 2018 at 12:47 PM, Aman Wadhan <amanwad...@gmail.com> wrote:
> 
>> Patrick Keiller ('London', 'Robinson in Space', 'Robinson in Ruins').
>> 
>> And not to forget some of the most haunting voice-over performances ever
>> -- the films of Marguerite Duras ('Agatha et les lectures illimit?es',
>> 'India Song').
>> 
>> 
>> On Sunday, April 8, 2018, T. Siddle <tsid...@gmail.com> wrote:
>> 
>>> Blue, by Derek Jarman
>>> The Black Tower, by John Smith
>>> Black Swans at Night, by Fiona Trigg
>>> 
>>> 
>>> On Sun, Apr 8, 2018 at 8:15 AM lagonaboba <lagonab...@gmail.com> wrote:
>>> 
>>>> Universal Hotel,  by Peter Thompson
>>>> Routine Pleasures, by Jean Pierre Gorin (almost all voiceover)
>>>> Jollies, by Sadie Benning
>>>> Vanalyne Green?s work (Spy in the House that Ruth Built
>>>> Las Hurdes, by Bunuel
>>>> 
>>>> 
>>>> 
>>>> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <m...@shashwati.com>
>>>> wrote:
>>>> 
>>>> Bill Brown
>>>> 
>>>> regards,
>>>> 
>>>> Shashwati Talukdar
>>>> ???
>>>> -----------------------------------
>>>> <https://www.facebook.com/fournineandahalf> <http://vimeo.com/shashwati>
>>>> <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US>
>>>> <https://twitter.com/cinedevi>
>>>> [image: Four Nine and a Half Pictures, Inc.]
>>>> <http://fournineandahalf.com/>
>>>> <http://wallstories.fournineandahalf.com/> <http://dontbeatmesir.com/>
>>>> http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/
>>>> http://fournineandahalf.com
>>>> 
>>>> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <ajyan...@buffalo.edu>
>>>> wrote:
>>>> 
>>>>> Chris Marker, Wim Wenders, https://vimeo.com/108736758...
>>>>> 
>>>>> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <
>>>>> mariah.garn...@gmail.com> wrote:
>>>>> 
>>>>>> Hi!
>>>>>> Does anyone have recommendations of films that are all voice over that
>>>>>> are particularly great?
>>>>>> _______________________________________________
>>>>>> FrameWorks mailing list
>>>>>> FrameWorks@jonasmekasfilms.com
>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>>> 
>>>>> 
>>>>> 
>>>>> _______________________________________________
>>>>> FrameWorks mailing list
>>>>> FrameWorks@jonasmekasfilms.com
>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>> 
>>>>> 
>>>> _______________________________________________
>>>> FrameWorks mailing list
>>>> FrameWorks@jonasmekasfilms.com
>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>> 
>>>> 
>>>> _______________________________________________
>>>> FrameWorks mailing list
>>>> FrameWorks@jonasmekasfilms.com
>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>> 
>>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> 
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> 
> ------------------------------
> 
> Message: 10
> Date: Sun, 8 Apr 2018 12:41:47 -0600
> From: Gene Youngblood <ato...@comcast.net>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Voice over
> Message-ID: <etpan.5aca626b.2c5f895e.12...@comcast.net>
> Content-Type: text/plain; charset="utf-8"
> 
> Chris Marker, especially Sans Soliel?
> 
> Gene & Jane Youngblood
> (505) 395-6370 home
> 
> On April 8, 2018 at 10:50:23 AM, Aman Wadhan (amanwad...@gmail.com) wrote:
> 
> Patrick Keiller ('London', 'Robinson in Space', 'Robinson in Ruins').
> 
> And not to forget some of the most haunting voice-over performances ever -- 
> the films of Marguerite Duras ('Agatha et les lectures illimit?es', 'India 
> Song').
> 
> On Sunday, April 8, 2018, T. Siddle <tsid...@gmail.com> wrote:
> Blue, by Derek Jarman
> The Black Tower, by John Smith?
> Black Swans at Night, by Fiona Trigg
> 
> 
> On Sun, Apr 8, 2018 at 8:15 AM lagonaboba <lagonab...@gmail.com> wrote:
> Universal Hotel, ?by Peter Thompson
> Routine Pleasures, by Jean Pierre Gorin (almost all voiceover)
> Jollies, by Sadie Benning
> Vanalyne Green?s work (Spy in the House that Ruth Built
> Las Hurdes, by Bunuel
> 
> 
> 
> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <m...@shashwati.com> wrote:
> 
> Bill Brown
> 
> regards,
> 
> Shashwati Talukdar
> ???
> -----------------------------------
> 
> 
> http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/http://fournineandahalf.com
> 
> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <ajyan...@buffalo.edu> wrote:
> Chris Marker,?Wim Wenders,?https://vimeo.com/108736758...
> 
> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <mariah.garn...@gmail.com> 
> wrote:
> Hi!
> Does anyone have recommendations of films that are all voice over that are 
> particularly great?
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> _______________________________________________  
> FrameWorks mailing list  
> FrameWorks@jonasmekasfilms.com  
> https://mailman-mail5.webfaction.com/listinfo/frameworks  
> -------------- next part --------------
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> 
> ------------------------------
> 
> Message: 11
> Date: Mon, 9 Apr 2018 00:15:40 +0530
> From: Surbhi Goel <surbh...@gmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Voice over
> Message-ID:
>       <cafdyjlwcvcp-kuyf-afvuoc3qyxe6v4zhymteeph8gmhjun...@mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> *Encounters at the End* of the *World (*Werner Herzog, 2007)
> 
> not exactly voice over in traditional sense but, Tarkovsky's father
> reciting his poetry in Zerkalo makes for a haunting soulful voice-over
> 
> 
> best regards,
> Surbhi
> 
> On 8 April 2018 at 22:53, Dennis Doros <milefi...@gmail.com> wrote:
> 
>> Margot Benacerraf's ARAYA.
>> 
>> Luc Besson's ATLANTIS
>> 
>> Leo Hurwitz NATIVE LAND (can't remember if it's 100% voice-over). STRANGE
>> VICTORY is about 90% voice-over.
>> 
>> 
>> ?
>> 
>> Fondest regards,
>> Dennis Doros, Co-owner
>> *Milestone Film & Video ? *PO Box 128 ? Harrington Park, NJ 07640
>> Phone: +1 (201) 767-3117 ? Email: milefi...@gmail.com ? www.milestone.film
>> 
>> President, *Association of Moving Image Archivists*
>> amiapresid...@amianet.org ? www.amianet.org
>> *AMIA 2018 ? 11/28 ? 12/1 Portland, OR*
>> 
>> JOIN MILESTONE'S MAILING LIST TODAY!
>> <http://milestonefilms.us3.list-manage1.com/subscribe/post?u=4a0b9e434a9f3e8603c29806e&id=f30d1906e2>
>> Support us on Facebook
>> <http://www.facebook.com/pages/Milestone-Film/22348485426> and Twitter
>> <https://twitter.com/#!/MilestoneFilms>!
>> 
>> 
>> 
>> 
>> 
>> On Sun, Apr 8, 2018 at 12:47 PM, Aman Wadhan <amanwad...@gmail.com> wrote:
>> 
>>> Patrick Keiller ('London', 'Robinson in Space', 'Robinson in Ruins').
>>> 
>>> And not to forget some of the most haunting voice-over performances ever
>>> -- the films of Marguerite Duras ('Agatha et les lectures illimit?es',
>>> 'India Song').
>>> 
>>> 
>>> On Sunday, April 8, 2018, T. Siddle <tsid...@gmail.com> wrote:
>>> 
>>>> Blue, by Derek Jarman
>>>> The Black Tower, by John Smith
>>>> Black Swans at Night, by Fiona Trigg
>>>> 
>>>> 
>>>> On Sun, Apr 8, 2018 at 8:15 AM lagonaboba <lagonab...@gmail.com> wrote:
>>>> 
>>>>> Universal Hotel,  by Peter Thompson
>>>>> Routine Pleasures, by Jean Pierre Gorin (almost all voiceover)
>>>>> Jollies, by Sadie Benning
>>>>> Vanalyne Green?s work (Spy in the House that Ruth Built
>>>>> Las Hurdes, by Bunuel
>>>>> 
>>>>> 
>>>>> 
>>>>> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <m...@shashwati.com>
>>>>> wrote:
>>>>> 
>>>>> Bill Brown
>>>>> 
>>>>> regards,
>>>>> 
>>>>> Shashwati Talukdar
>>>>> ???
>>>>> -----------------------------------
>>>>> <https://www.facebook.com/fournineandahalf>
>>>>> <http://vimeo.com/shashwati>
>>>>> <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US>
>>>>> <https://twitter.com/cinedevi>
>>>>> [image: Four Nine and a Half Pictures, Inc.]
>>>>> <http://fournineandahalf.com/>
>>>>> <http://wallstories.fournineandahalf.com/> <http://dontbeatmesir.com/>
>>>>> http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/
>>>>> http://fournineandahalf.com
>>>>> 
>>>>> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <ajyan...@buffalo.edu>
>>>>> wrote:
>>>>> 
>>>>>> Chris Marker, Wim Wenders, https://vimeo.com/108736758...
>>>>>> 
>>>>>> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <
>>>>>> mariah.garn...@gmail.com> wrote:
>>>>>> 
>>>>>>> Hi!
>>>>>>> Does anyone have recommendations of films that are all voice over
>>>>>>> that are particularly great?
>>>>>>> _______________________________________________
>>>>>>> FrameWorks mailing list
>>>>>>> FrameWorks@jonasmekasfilms.com
>>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>>>> 
>>>>>> 
>>>>>> 
>>>>>> _______________________________________________
>>>>>> FrameWorks mailing list
>>>>>> FrameWorks@jonasmekasfilms.com
>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>>> 
>>>>>> 
>>>>> _______________________________________________
>>>>> FrameWorks mailing list
>>>>> FrameWorks@jonasmekasfilms.com
>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>> 
>>>>> 
>>>>> _______________________________________________
>>>>> FrameWorks mailing list
>>>>> FrameWorks@jonasmekasfilms.com
>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>> 
>>>> 
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>> 
>>> 
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> 
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> 
> ------------------------------
> 
> Message: 12
> Date: Sun, 8 Apr 2018 15:23:06 -0400
> From: Brandon Walley <brand...@gmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: [Frameworks] Labor Movement films?
> Message-ID:
>       <CABat=4jowst6cym6kcogflxdafscfikp1pbpnpkwmeg+mee...@mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> Looking for experimental, nonfiction, feature or shorts that deal with the
> works right, labor unions or related for a May Day screening. Suggestions?
> -------------- next part --------------
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> 
> ------------------------------
> 
> Message: 13
> Date: Sun, 8 Apr 2018 13:27:49 -0600
> From: Gene Youngblood <ato...@comcast.net>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Voice over
> Message-ID: <etpan.5aca6d35.7a1498a5.12...@comcast.net>
> Content-Type: text/plain; charset="utf-8"
> 
> Hollis Frampton, Nostalgia
> 
> Gene & Jane Youngblood
> (505) 395-6370 home
> 
> On April 8, 2018 at 12:47:54 PM, Surbhi Goel (surbh...@gmail.com) wrote:
> 
> Encounters at the End?of the?World (Werner Herzog, 2007)
> 
> not exactly voice over in traditional sense but, Tarkovsky's father reciting 
> his poetry in Zerkalo makes for a haunting soulful voice-over
> 
> 
> best regards,?
> Surbhi
> 
> On 8 April 2018 at 22:53, Dennis Doros <milefi...@gmail.com> wrote:
> Margot Benacerraf's ARAYA.
> 
> Luc Besson's ATLANTIS
> 
> Leo Hurwitz NATIVE LAND (can't remember if it's 100% voice-over). STRANGE 
> VICTORY is about 90% voice-over.
> 
> 
> ?
> 
> Fondest regards,
> Dennis Doros, Co-owner? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?
> Milestone Film & Video ??PO Box 128 ??Harrington Park, NJ 07640
> Phone: +1 (201) 767-3117 ??Email:?milefi...@gmail.com???www.milestone.film
> 
> President,?Association of Moving Image Archivists
> amiapresid...@amianet.org???www.amianet.org
> AMIA 2018 ? 11/28 ? 12/1 Portland, OR
> 
> JOIN MILESTONE'S MAILING LIST TODAY!
> Support us on?Facebook?and?Twitter!
> 
> 
> 
> 
> 
> On Sun, Apr 8, 2018 at 12:47 PM, Aman Wadhan <amanwad...@gmail.com> wrote:
> Patrick Keiller ('London', 'Robinson in Space', 'Robinson in Ruins').
> 
> And not to forget some of the most haunting voice-over performances ever -- 
> the films of Marguerite Duras ('Agatha et les lectures illimit?es', 'India 
> Song').
> 
> 
> On Sunday, April 8, 2018, T. Siddle <tsid...@gmail.com> wrote:
> Blue, by Derek Jarman
> The Black Tower, by John Smith?
> Black Swans at Night, by Fiona Trigg
> 
> 
> On Sun, Apr 8, 2018 at 8:15 AM lagonaboba <lagonab...@gmail.com> wrote:
> Universal Hotel, ?by Peter Thompson
> Routine Pleasures, by Jean Pierre Gorin (almost all voiceover)
> Jollies, by Sadie Benning
> Vanalyne Green?s work (Spy in the House that Ruth Built
> Las Hurdes, by Bunuel
> 
> 
> 
> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <m...@shashwati.com> wrote:
> 
> Bill Brown
> 
> regards,
> 
> Shashwati Talukdar
> ???
> -----------------------------------
> 
> 
> http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/http://fournineandahalf.com
> 
> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <ajyan...@buffalo.edu> wrote:
> Chris Marker,?Wim Wenders,?https://vimeo.com/108736758...
> 
> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <mariah.garn...@gmail.com> 
> wrote:
> Hi!
> Does anyone have recommendations of films that are all voice over that are 
> particularly great?
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> _______________________________________________  
> FrameWorks mailing list  
> FrameWorks@jonasmekasfilms.com  
> https://mailman-mail5.webfaction.com/listinfo/frameworks  
> -------------- next part --------------
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> 
> ------------------------------
> 
> Message: 14
> Date: Sun, 8 Apr 2018 15:43:17 -0400
> From: mary billyou <mbill...@gmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Labor Movement films?
> Message-ID:
>       <caghq9yz8pbudkofyu4kzvyvo22noa36jmnpuu-od3rvu-qm...@mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> Abigail Child's *Acts and Intermissions*
> 
> On Sun, Apr 8, 2018 at 3:23 PM, Brandon Walley <brand...@gmail.com> wrote:
> 
>> Looking for experimental, nonfiction, feature or shorts that deal with the
>> works right, labor unions or related for a May Day screening. Suggestions?
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> 
> 
> 
> -- 
> 
> 
> 
> 
> 
> www.marybillyou.com
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> 
> ------------------------------
> 
> Message: 15
> Date: Sun, 8 Apr 2018 20:05:02 +0000
> From: "William Wees, Dr." <william.w...@mcgill.ca>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Labor Movement films?
> Message-ID:
>       
> <yqbpr0101mb174750dff5423f2258287ddf87...@yqbpr0101mb1747.canprd01.prod.outlook.com>
>       
> Content-Type: text/plain; charset="iso-8859-1"
> 
> Solidarity
> by Joyce Wieland<http://www.cfmdc.org/filmmaker/1350>
> Canada / 10:40 / 1973 / sound / colour
> A film on the Dare strike of the early 1970s. Hundreds of feet and legs, 
> milling, marching and picketing with the word Solidarity superimposed on the 
> screen. The soundtrack is an organizer's speech on the labour situation. Like 
> her films "Rat Life and Diet in North America," "Pierre Vallieres" and 
> "Reason Over Passion," Solidarity combines a political awareness, an 
> aesthetic viewpoint and a sense of humour unique in Wieland's work.
> 
> 
>> From the online catalogue of the Canadian Filmmakers Distribution Centre.
> 
> 
> --Bill Wees
> 
> William C. Wees
> Emeritus Professor
> McGill University
> 
> 
> 
> ________________________________
> From: FrameWorks <frameworks-boun...@jonasmekasfilms.com> on behalf of mary 
> billyou <mbill...@gmail.com>
> Sent: April 8, 2018 3:43 PM
> To: Experimental Film Discussion List
> Subject: Re: [Frameworks] Labor Movement films?
> 
> Abigail Child's Acts and Intermissions
> 
> On Sun, Apr 8, 2018 at 3:23 PM, Brandon Walley 
> <brand...@gmail.com<mailto:brand...@gmail.com>> wrote:
> Looking for experimental, nonfiction, feature or shorts that deal with the 
> works right, labor unions or related for a May Day screening. Suggestions?
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com<mailto:FrameWorks@jonasmekasfilms.com>
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
> 
> --
> 
> 
> 
> 
> 
> www.marybillyou.com<http://www.marybillyou.com>
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> 
> ------------------------------
> 
> Message: 16
> Date: Sun, 08 Apr 2018 13:32:59 -0700
> From: Adam Hyman <a...@lafilmforum.org>
> To: "Experimental Film Discussion List
>       <frameworks@jonasmekasfilms.com>" <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Labor Movement films?
> Message-ID: <d6efca49.7e45b%a...@lafilmforum.org>
> Content-Type: text/plain; charset="us-ascii"
> 
> Newsreel and Third World Newsreel and lots of films.
> I just showed San Francisco State: On Strike that is one.
> Mayday, on the Black Panther in 1969, is another.
> Lots more.
> 
> From:  FrameWorks <frameworks-boun...@jonasmekasfilms.com> on behalf of
> William Wees <william.w...@mcgill.ca>
> Reply-To:  "Experimental Film Discussion List
> <frameworks@jonasmekasfilms.com>" <frameworks@jonasmekasfilms.com>
> Date:  Sunday, April 8, 2018 at 1:05 PM
> To:  "Experimental Film Discussion List <frameworks@jonasmekasfilms.com>"
> <frameworks@jonasmekasfilms.com>
> Subject:  Re: [Frameworks] Labor Movement films?
> 
> Solidarity
> by Joyce Wieland <http://www.cfmdc.org/filmmaker/1350>
> Canada / 10:40 / 1973 / sound / colour
> A film on the Dare strike of the early 1970s. Hundreds of feet and legs,
> milling, marching and picketing with the word Solidarity superimposed on the
> screen. The soundtrack is an organizer's speech on the labour situation.
> Like her films "Rat Life and Diet in North America," "Pierre Vallieres" and
> "Reason Over Passion," Solidarity combines a political awareness, an
> aesthetic viewpoint and a sense of humour unique in Wieland's work.
> 
> 
>> From the online catalogue of the Canadian Filmmakers Distribution Centre.
> 
> 
> 
> --Bill Wees
> William C. Wees
> Emeritus Professor
> McGill University
> 
> 
> 
> 
> From: FrameWorks <frameworks-boun...@jonasmekasfilms.com> on behalf of mary
> billyou <mbill...@gmail.com>
> Sent: April 8, 2018 3:43 PM
> To: Experimental Film Discussion List
> Subject: Re: [Frameworks] Labor Movement films?
> 
> Abigail Child's Acts and Intermissions
> 
> On Sun, Apr 8, 2018 at 3:23 PM, Brandon Walley <brand...@gmail.com> wrote:
>> Looking for experimental, nonfiction, feature or shorts that deal with the
>> works right, labor unions or related for a May Day screening. Suggestions?
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
> 
> 
> 
> -- 
> 
> 
> 
> 
> 
> www.marybillyou.com <http://www.marybillyou.com>
> _______________________________________________ FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
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> 
> ------------------------------
> 
> Message: 17
> Date: Sun, 8 Apr 2018 16:33:34 -0400
> From: Tara Nelson <brendamere...@gmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Labor Movement films?
> Message-ID:
>       <CALr5TsjKptpDO-M=17oaizsz5viq2mx0xkbnffj_vsjqmy3...@mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> Check out the Labor Film Series at the Dryden Theater, programmed by Jurij
> Meden.
> 
> https://www.eastman.org/film-series/labor-film-series
> 
> On Sun, Apr 8, 2018 at 3:23 PM, Brandon Walley <brand...@gmail.com> wrote:
> 
>> Looking for experimental, nonfiction, feature or shorts that deal with the
>> works right, labor unions or related for a May Day screening. Suggestions?
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> 
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> ------------------------------
> 
> Message: 18
> Date: Sun, 08 Apr 2018 13:34:25 -0700
> From: Adam Hyman <a...@lafilmforum.org>
> To: "Experimental Film Discussion List
>       <frameworks@jonasmekasfilms.com>" <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Labor Movement films?
> Message-ID: <d6efcabf.7e45f%a...@lafilmforum.org>
> Content-Type: text/plain; charset="us-ascii"
> 
> Sent too soon.  Links:
> https://www.twn.org/
> 
> http://www.newsreel.org/
> 
> 
> 
> From:  FrameWorks <frameworks-boun...@jonasmekasfilms.com> on behalf of Adam
> Hyman <a...@lafilmforum.org>
> Reply-To:  "Experimental Film Discussion List
> <frameworks@jonasmekasfilms.com>" <frameworks@jonasmekasfilms.com>
> Date:  Sunday, April 8, 2018 at 1:32 PM
> To:  "Experimental Film Discussion List <frameworks@jonasmekasfilms.com>"
> <frameworks@jonasmekasfilms.com>
> Subject:  Re: [Frameworks] Labor Movement films?
> 
> Newsreel and Third World Newsreel and lots of films.
> I just showed San Francisco State: On Strike that is one.
> Mayday, on the Black Panther in 1969, is another.
> Lots more.
> 
> From:  FrameWorks <frameworks-boun...@jonasmekasfilms.com> on behalf of
> William Wees <william.w...@mcgill.ca>
> Reply-To:  "Experimental Film Discussion List
> <frameworks@jonasmekasfilms.com>" <frameworks@jonasmekasfilms.com>
> Date:  Sunday, April 8, 2018 at 1:05 PM
> To:  "Experimental Film Discussion List <frameworks@jonasmekasfilms.com>"
> <frameworks@jonasmekasfilms.com>
> Subject:  Re: [Frameworks] Labor Movement films?
> 
> Solidarity
> by Joyce Wieland <http://www.cfmdc.org/filmmaker/1350>
> Canada / 10:40 / 1973 / sound / colour
> A film on the Dare strike of the early 1970s. Hundreds of feet and legs,
> milling, marching and picketing with the word Solidarity superimposed on the
> screen. The soundtrack is an organizer's speech on the labour situation.
> Like her films "Rat Life and Diet in North America," "Pierre Vallieres" and
> "Reason Over Passion," Solidarity combines a political awareness, an
> aesthetic viewpoint and a sense of humour unique in Wieland's work.
> 
> 
>> From the online catalogue of the Canadian Filmmakers Distribution Centre.
> 
> 
> 
> --Bill Wees
> William C. Wees
> Emeritus Professor
> McGill University
> 
> 
> 
> 
> From: FrameWorks <frameworks-boun...@jonasmekasfilms.com> on behalf of mary
> billyou <mbill...@gmail.com>
> Sent: April 8, 2018 3:43 PM
> To: Experimental Film Discussion List
> Subject: Re: [Frameworks] Labor Movement films?
> 
> Abigail Child's Acts and Intermissions
> 
> On Sun, Apr 8, 2018 at 3:23 PM, Brandon Walley <brand...@gmail.com> wrote:
>> Looking for experimental, nonfiction, feature or shorts that deal with the
>> works right, labor unions or related for a May Day screening. Suggestions?
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
> 
> 
> 
> -- 
> 
> 
> 
> 
> 
> www.marybillyou.com <http://www.marybillyou.com>
> _______________________________________________ FrameWorks mailing list
> FrameWorks@jonasmekasfilms.comhttps://mailman-mail5.webfaction.com/listinfo/
> frameworks
> _______________________________________________ FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
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> ------------------------------
> 
> Message: 19
> Date: Sun, 08 Apr 2018 21:17:26 +0000
> From: Ignacio Tamarit <tamarit.igna...@gmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Voice over
> Message-ID:
>       <capnvr4r9yarr8zvcdxkxwgsfvrpg3swytqi3dkstqf7mxyv...@mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> REcreation by Bob Breer
> Taller by Narcisa Hirsch
> 
> El dom., 8 abr. 2018 4:31 p. m., Gene Youngblood <ato...@comcast.net>
> escribi?:
> 
>> Hollis Frampton, Nostalgia
>> 
>> Gene & Jane Youngblood
>> (505) 395-6370 home
>> 
>> On April 8, 2018 at 12:47:54 PM, Surbhi Goel (surbh...@gmail.com) wrote:
>> 
>> * Encounters at the End* of the *World (*Werner Herzog, 2007)
>> 
>> not exactly voice over in traditional sense but, Tarkovsky's father
>> reciting his poetry in Zerkalo makes for a haunting soulful voice-over
>> 
>> 
>> best regards,
>> Surbhi
>> 
>> On 8 April 2018 at 22:53, Dennis Doros <milefi...@gmail.com> wrote:
>> 
>>> Margot Benacerraf's ARAYA.
>>> 
>>> Luc Besson's ATLANTIS
>>> 
>>> Leo Hurwitz NATIVE LAND (can't remember if it's 100% voice-over). STRANGE
>>> VICTORY is about 90% voice-over.
>>> 
>>> 
>>> ?
>>> 
>>> Fondest regards,
>>> Dennis Doros, Co-owner
>>> *Milestone Film & Video ? *PO Box 128 ? Harrington Park, NJ 07640
>>> Phone: +1 (201) 767-3117 ? Email: milefi...@gmail.com ?
>>> www.milestone.film
>>> 
>>> President, *Association of Moving Image Archivists*
>>> amiapresid...@amianet.org ? www.amianet.org
>>> *AMIA 2018 ? 11/28 ? 12/1 Portland, OR*
>>> 
>>> JOIN MILESTONE'S MAILING LIST TODAY!
>>> <http://milestonefilms.us3.list-manage1.com/subscribe/post?u=4a0b9e434a9f3e8603c29806e&id=f30d1906e2>
>>> Support us on Facebook
>>> <http://www.facebook.com/pages/Milestone-Film/22348485426> and Twitter
>>> <https://twitter.com/#!/MilestoneFilms>!
>>> 
>>> 
>>> 
>>> 
>>> 
>>> On Sun, Apr 8, 2018 at 12:47 PM, Aman Wadhan <amanwad...@gmail.com>
>>> wrote:
>>> 
>>>> Patrick Keiller ('London', 'Robinson in Space', 'Robinson in Ruins').
>>>> 
>>>> And not to forget some of the most haunting voice-over performances ever
>>>> -- the films of Marguerite Duras ('Agatha et les lectures illimit?es',
>>>> 'India Song').
>>>> 
>>>> 
>>>> On Sunday, April 8, 2018, T. Siddle <tsid...@gmail.com> wrote:
>>>> 
>>>>> Blue, by Derek Jarman
>>>>> The Black Tower, by John Smith
>>>>> Black Swans at Night, by Fiona Trigg
>>>>> 
>>>>> 
>>>>> On Sun, Apr 8, 2018 at 8:15 AM lagonaboba <lagonab...@gmail.com> wrote:
>>>>> 
>>>>>> Universal Hotel,  by Peter Thompson
>>>>>> Routine Pleasures, by Jean Pierre Gorin (almost all voiceover)
>>>>>> Jollies, by Sadie Benning
>>>>>> Vanalyne Green?s work (Spy in the House that Ruth Built
>>>>>> Las Hurdes, by Bunuel
>>>>>> 
>>>>>> 
>>>>>> 
>>>>>> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <m...@shashwati.com>
>>>>>> wrote:
>>>>>> 
>>>>>> Bill Brown
>>>>>> 
>>>>>> regards,
>>>>>> 
>>>>>> Shashwati Talukdar
>>>>>> ???
>>>>>> -----------------------------------
>>>>>> <https://www.facebook.com/fournineandahalf>
>>>>>> <http://vimeo.com/shashwati>
>>>>>> <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US>
>>>>>> <https://twitter.com/cinedevi>
>>>>>> [image: Four Nine and a Half Pictures, Inc.]
>>>>>> <http://fournineandahalf.com/>
>>>>>> <http://wallstories.fournineandahalf.com/> <http://dontbeatmesir.com/>
>>>>>> http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/
>>>>>> http://fournineandahalf.com
>>>>>> 
>>>>>> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <ajyan...@buffalo.edu>
>>>>>> wrote:
>>>>>> 
>>>>>>> Chris Marker, Wim Wenders, https://vimeo.com/108736758...
>>>>>>> 
>>>>>>> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <
>>>>>>> mariah.garn...@gmail.com> wrote:
>>>>>>> 
>>>>>>>> Hi!
>>>>>>>> Does anyone have recommendations of films that are all voice over
>>>>>>>> that are particularly great?
>>>>>>>> _______________________________________________
>>>>>>>> FrameWorks mailing list
>>>>>>>> FrameWorks@jonasmekasfilms.com
>>>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>>>>> 
>>>>>>> 
>>>>>>> 
>>>>>>> _______________________________________________
>>>>>>> FrameWorks mailing list
>>>>>>> FrameWorks@jonasmekasfilms.com
>>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>>>> 
>>>>>>> 
>>>>>> _______________________________________________
>>>>>> FrameWorks mailing list
>>>>>> FrameWorks@jonasmekasfilms.com
>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>>> 
>>>>>> 
>>>>>> _______________________________________________
>>>>>> FrameWorks mailing list
>>>>>> FrameWorks@jonasmekasfilms.com
>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>>> 
>>>>> 
>>>> _______________________________________________
>>>> FrameWorks mailing list
>>>> FrameWorks@jonasmekasfilms.com
>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>> 
>>>> 
>>> 
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>> 
>>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
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> ------------------------------
> 
> Message: 20
> Date: Sun, 8 Apr 2018 17:51:29 -0400
> From: Robert Harris <lagonab...@gmail.com>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Voice over
> Message-ID: <c59d62b7-1bbb-4281-9f24-5cd913570...@gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> Sink or Swim, Su Friedrich
> 
> 
> 
>> On Apr 8, 2018, at 5:17 PM, Ignacio Tamarit <tamarit.igna...@gmail.com> 
>> wrote:
>> 
>> REcreation by Bob Breer
>> Taller by Narcisa Hirsch
>> 
>> El dom., 8 abr. 2018 4:31 p. m., Gene Youngblood <ato...@comcast.net> 
>> escribi?:
>>> Hollis Frampton, Nostalgia
>>> 
>>> Gene & Jane Youngblood
>>> (505) 395-6370 home
>>> 
>>>> On April 8, 2018 at 12:47:54 PM, Surbhi Goel (surbh...@gmail.com) wrote:
>>>> 
>>>> Encounters at the End of the World (Werner Herzog, 2007)
>>>> 
>>>> not exactly voice over in traditional sense but, Tarkovsky's father 
>>>> reciting his poetry in Zerkalo makes for a haunting soulful voice-over
>>>> 
>>>> 
>>>> best regards, 
>>>> Surbhi
>>>> 
>>>>> On 8 April 2018 at 22:53, Dennis Doros <milefi...@gmail.com> wrote:
>>>>> Margot Benacerraf's ARAYA.
>>>>> 
>>>>> Luc Besson's ATLANTIS
>>>>> 
>>>>> Leo Hurwitz NATIVE LAND (can't remember if it's 100% voice-over). STRANGE 
>>>>> VICTORY is about 90% voice-over.
>>>>> 
>>>>> 
>>>>> ?
>>>>> 
>>>>> Fondest regards,
>>>>> Dennis Doros, Co-owner                                         
>>>>> Milestone Film & Video ? PO Box 128 ? Harrington Park, NJ 07640
>>>>> Phone: +1 (201) 767-3117 ? Email: milefi...@gmail.com ? www.milestone.film
>>>>> 
>>>>> President, Association of Moving Image Archivists
>>>>> amiapresid...@amianet.org ? www.amianet.org
>>>>> AMIA 2018 ? 11/28 ? 12/1 Portland, OR
>>>>> 
>>>>> JOIN MILESTONE'S MAILING LIST TODAY!
>>>>> Support us on Facebook and Twitter!
>>>>> 
>>>>> 
>>>>> 
>>>>> 
>>>>> 
>>>>>> On Sun, Apr 8, 2018 at 12:47 PM, Aman Wadhan <amanwad...@gmail.com> 
>>>>>> wrote:
>>>>>> Patrick Keiller ('London', 'Robinson in Space', 'Robinson in Ruins').
>>>>>> 
>>>>>> And not to forget some of the most haunting voice-over performances ever 
>>>>>> -- the films of Marguerite Duras ('Agatha et les lectures illimit?es', 
>>>>>> 'India Song').
>>>>>> 
>>>>>> 
>>>>>>> On Sunday, April 8, 2018, T. Siddle <tsid...@gmail.com> wrote:
>>>>>>> Blue, by Derek Jarman
>>>>>>> The Black Tower, by John Smith 
>>>>>>> Black Swans at Night, by Fiona Trigg
>>>>>>> 
>>>>>>> 
>>>>>>>> On Sun, Apr 8, 2018 at 8:15 AM lagonaboba <lagonab...@gmail.com> wrote:
>>>>>>>> Universal Hotel,  by Peter Thompson
>>>>>>>> Routine Pleasures, by Jean Pierre Gorin (almost all voiceover)
>>>>>>>> Jollies, by Sadie Benning
>>>>>>>> Vanalyne Green?s work (Spy in the House that Ruth Built
>>>>>>>> Las Hurdes, by Bunuel
>>>>>>>> 
>>>>>>>> 
>>>>>>>> 
>>>>>>>>> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <m...@shashwati.com> 
>>>>>>>>> wrote:
>>>>>>>>> 
>>>>>>>>> Bill Brown
>>>>>>>>> 
>>>>>>>>> regards,
>>>>>>>>> 
>>>>>>>>> Shashwati Talukdar
>>>>>>>>> ???
>>>>>>>>> -----------------------------------
>>>>>>>>> 
>>>>>>>>> 
>>>>>>>>> http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/http://fournineandahalf.com
>>>>>>>>> 
>>>>>>>>>> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick 
>>>>>>>>>> <ajyan...@buffalo.edu> wrote:
>>>>>>>>>> Chris Marker, Wim Wenders, https://vimeo.com/108736758...
>>>>>>>>>> 
>>>>>>>>>>> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett 
>>>>>>>>>>> <mariah.garn...@gmail.com> wrote:
>>>>>>>>>>> Hi!
>>>>>>>>>>> Does anyone have recommendations of films that are all voice over 
>>>>>>>>>>> that are particularly great?
>>>>>>>>>>> _______________________________________________
>>>>>>>>>>> FrameWorks mailing list
>>>>>>>>>>> FrameWorks@jonasmekasfilms.com
>>>>>>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>>>>>>> 
>>>>>>>>>> 
>>>>>>>>>> _______________________________________________
>>>>>>>>>> FrameWorks mailing list
>>>>>>>>>> FrameWorks@jonasmekasfilms.com
>>>>>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>>>>>>> 
>>>>>>>>> 
>>>>>>>>> _______________________________________________
>>>>>>>>> FrameWorks mailing list
>>>>>>>>> FrameWorks@jonasmekasfilms.com
>>>>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>>>>> 
>>>>>>>> _______________________________________________
>>>>>>>> FrameWorks mailing list
>>>>>>>> FrameWorks@jonasmekasfilms.com
>>>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>>> 
>>>>>> _______________________________________________
>>>>>> FrameWorks mailing list
>>>>>> FrameWorks@jonasmekasfilms.com
>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>>> 
>>>>> 
>>>>> 
>>>>> _______________________________________________
>>>>> FrameWorks mailing list
>>>>> FrameWorks@jonasmekasfilms.com
>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>>> 
>>>> 
>>>> _______________________________________________ 
>>>> FrameWorks mailing list 
>>>> FrameWorks@jonasmekasfilms.com 
>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks 
>>> _______________________________________________
>>> FrameWorks mailing list
>>> FrameWorks@jonasmekasfilms.com
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
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> ------------------------------
> 
> Message: 21
> Date: Sun, 8 Apr 2018 15:12:32 -0700
> From: Gail Silva <g...@gailsilva.org>
> To: Experimental Film Discussion List <frameworks@jonasmekasfilms.com>
> Subject: Re: [Frameworks] Labor Movement films?
> Message-ID: <fdc1af99-107e-489f-8de7-72044bbe6...@gailsilva.org>
> Content-Type: text/plain;     charset=utf-8
> 
> Check with SF Labor Fest ? they have an archive going back over 24 years of 
> their past festival offerings.
> 
> http://www.laborfest.net/about-laborfest/
> 
>> On Apr 8, 2018, at 12:23 PM, Brandon Walley <brand...@gmail.com> wrote:
>> 
>> Looking for experimental, nonfiction, feature or shorts that deal with the 
>> works right, labor unions or related for a May Day screening. Suggestions?
>> _______________________________________________
>> FrameWorks mailing list
>> FrameWorks@jonasmekasfilms.com
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> 
> 
> ------------------------------
> 
> Message: 22
> Date: Mon, 9 Apr 2018 01:08:39 +0200
> From: "Mag.art. Nadine Taschler" <nadine.tasch...@gmx.net>
> To: fo...@filmlabs.org, "Filmkoop Wien"
>       <filmkoopw...@googlegroups.com>, "Verteiler Farocki  und Maren"
>       <filmkla...@lists.akbild.ac.at>, "Doris Lagler" <lag...@mdw.ac.at>,
>       "Frameworks Frameworks List" <frameworks@jonasmekasfilms.com>, "Klasse
>       Medien Constanze " <med...@lists.akbild.ac.at>
> Subject: [Frameworks] 35mm Steenbeck give away in Vienna
> Message-ID:
>       
> <trinity-3e60f664-184e-4b44-8cab-4754de63b932-1523228918956@3c-app-gmx-bs35>
>       
> Content-Type: text/plain; charset="us-ascii"
> 
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> ------------------------------
> 
> Subject: Digest Footer
> 
> _______________________________________________
> FrameWorks mailing list
> FrameWorks@jonasmekasfilms.com
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> ------------------------------
> 
> End of FrameWorks Digest, Vol 95, Issue 6
> *****************************************


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