I recommend Joyce Wieland's film Solidarity the subject of which is the Dare Cookie Factory strike in Canada.
On Apr 8, 2018, at 4:08 PM, [email protected] wrote: > Send FrameWorks mailing list submissions to > [email protected] > > To subscribe or unsubscribe via the World Wide Web, visit > https://mailman-mail5.webfaction.com/listinfo/frameworks > or, via email, send a message with subject or body 'help' to > [email protected] > > You can reach the person managing the list at > [email protected] > > When replying, please edit your Subject line so it is more specific > than "Re: Contents of FrameWorks digest..." > > > Today's Topics: > > 1. Voice over (Mariah Garnett) > 2. Re: Voice over (Anthony Yanick) > 3. Re: Voice over (Shashwati Talukdar) > 4. Re: Voice over (lagonaboba) > 5. Re: Voice over (T. Siddle) > 6. Re: Voice over (Elizabeth McMahon) > 7. Voice over (Aman Wadhan) > 8. This week [April 8 - 15, 2018] in avant garde cinema > ([email protected]) > 9. Re: Voice over (Dennis Doros) > 10. Re: Voice over (Gene Youngblood) > 11. Re: Voice over (Surbhi Goel) > 12. Labor Movement films? (Brandon Walley) > 13. Re: Voice over (Gene Youngblood) > 14. Re: Labor Movement films? (mary billyou) > 15. Re: Labor Movement films? (William Wees, Dr.) > 16. Re: Labor Movement films? (Adam Hyman) > 17. Re: Labor Movement films? (Tara Nelson) > 18. Re: Labor Movement films? (Adam Hyman) > 19. Re: Voice over (Ignacio Tamarit) > 20. Re: Voice over (Robert Harris) > 21. Re: Labor Movement films? (Gail Silva) > 22. 35mm Steenbeck give away in Vienna (Mag.art. Nadine Taschler) > > > ---------------------------------------------------------------------- > > Message: 1 > Date: Sun, 8 Apr 2018 07:55:27 -0700 > From: Mariah Garnett <[email protected]> > To: [email protected] > Subject: [Frameworks] Voice over > Message-ID: <[email protected]> > Content-Type: text/plain; charset=us-ascii > > Hi! > Does anyone have recommendations of films that are all voice over that are > particularly great? > > ------------------------------ > > Message: 2 > Date: Sun, 8 Apr 2018 10:59:27 -0400 > From: Anthony Yanick <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Voice over > Message-ID: > <cabmr47phzkyxxm5n7gosghqahs97xs0ckvs4lmxylhwt2cp...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Chris Marker, Wim Wenders, https://vimeo.com/108736758... > > On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <[email protected]> > wrote: > >> Hi! >> Does anyone have recommendations of films that are all voice over that are >> particularly great? >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/f60baec8/attachment-0001.html> > > ------------------------------ > > Message: 3 > Date: Sun, 8 Apr 2018 23:05:50 +0800 > From: Shashwati Talukdar <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Voice over > Message-ID: > <cahmotkctkgqimp_b55-oyok-xub+quhg0s1mapp4odv_g+n...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Bill Brown > > regards, > > Shashwati Talukdar > ??? > ----------------------------------- > <https://www.facebook.com/fournineandahalf> <http://vimeo.com/shashwati> > <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US> > <https://twitter.com/cinedevi> > [image: Four Nine and a Half Pictures, Inc.] <http://fournineandahalf.com/> > <http://wallstories.fournineandahalf.com/> <http://dontbeatmesir.com> > http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/ > http://fournineandahalf.com > > On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <[email protected]> > wrote: > >> Chris Marker, Wim Wenders, https://vimeo.com/108736758... >> >> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <[email protected]> >> wrote: >> >>> Hi! >>> Does anyone have recommendations of films that are all voice over that >>> are particularly great? >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/22827e5d/attachment-0001.html> > > ------------------------------ > > Message: 4 > Date: Sun, 8 Apr 2018 11:12:49 -0400 > From: lagonaboba <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Voice over > Message-ID: <[email protected]> > Content-Type: text/plain; charset="utf-8" > > Universal Hotel, by Peter Thompson > Routine Pleasures, by Jean Pierre Gorin (almost all voiceover) > Jollies, by Sadie Benning > Vanalyne Green?s work (Spy in the House that Ruth Built > Las Hurdes, by Bunuel > > > >> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <[email protected]> wrote: >> >> Bill Brown >> >> regards, >> >> Shashwati Talukdar >> ??? >> ----------------------------------- >> <https://www.facebook.com/fournineandahalf> <http://vimeo.com/shashwati> >> <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US> >> <https://twitter.com/cinedevi> >> <http://fournineandahalf.com/> <http://wallstories.fournineandahalf.com/> >> <http://dontbeatmesir.com/> >> http://dontbeatmesir.com >> <http://dontbeatmesir.com/>http://wallstories.fournineandahalf.com/ >> <http://wallstories.fournineandahalf.com/>http://fournineandahalf.com >> <http://fournineandahalf.com/> >> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <[email protected] >> <mailto:[email protected]>> wrote: >> Chris Marker, Wim Wenders, https://vimeo.com/108736758. >> <https://vimeo.com/108736758.>.. >> >> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <[email protected] >> <mailto:[email protected]>> wrote: >> Hi! >> Does anyone have recommendations of films that are all voice over that are >> particularly great? >> _______________________________________________ >> FrameWorks mailing list >> [email protected] <mailto:[email protected]> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] <mailto:[email protected]> >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> <https://mailman-mail5.webfaction.com/listinfo/frameworks> >> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/bbeb4256/attachment-0001.html> > > ------------------------------ > > Message: 5 > Date: Sun, 08 Apr 2018 16:16:09 +0000 > From: "T. Siddle" <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Voice over > Message-ID: > <CAC8Zbi-OHg8WiHtUot9N6896AXOXL=mk3-_Vu=y-7grzpp2...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Blue, by Derek Jarman > The Black Tower, by John Smith > Black Swans at Night, by Fiona Trigg > > > On Sun, Apr 8, 2018 at 8:15 AM lagonaboba <[email protected]> wrote: > >> Universal Hotel, by Peter Thompson >> Routine Pleasures, by Jean Pierre Gorin (almost all voiceover) >> Jollies, by Sadie Benning >> Vanalyne Green?s work (Spy in the House that Ruth Built >> Las Hurdes, by Bunuel >> >> >> >> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <[email protected]> >> wrote: >> >> Bill Brown >> >> regards, >> >> Shashwati Talukdar >> ??? >> ----------------------------------- >> <https://www.facebook.com/fournineandahalf> <http://vimeo.com/shashwati> >> <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US> >> <https://twitter.com/cinedevi> >> [image: Four Nine and a Half Pictures, Inc.] >> <http://fournineandahalf.com/> <http://wallstories.fournineandahalf.com/> >> <http://dontbeatmesir.com/> >> http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/ >> http://fournineandahalf.com >> >> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <[email protected]> >> wrote: >> >>> Chris Marker, Wim Wenders, https://vimeo.com/108736758... >>> >>> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <[email protected] >>>> wrote: >>> >>>> Hi! >>>> Does anyone have recommendations of films that are all voice over that >>>> are particularly great? >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/ab104733/attachment-0001.html> > > ------------------------------ > > Message: 6 > Date: Sun, 8 Apr 2018 12:45:48 -0400 > From: Elizabeth McMahon <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Voice over > Message-ID: > <caggvsyxjuignzb5g4moyqdpktza08l6p3nlgsrnvhn_w04v...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Luis Bunuel's "Land Without Bread." > > Elizabeth McMahon > > On Sunday, April 8, 2018, Mariah Garnett <[email protected]> wrote: > >> Hi! >> Does anyone have recommendations of films that are all voice over that are >> particularly great? >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/c6e838e8/attachment-0001.html> > > ------------------------------ > > Message: 7 > Date: Sun, 8 Apr 2018 18:47:27 +0200 > From: Aman Wadhan <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: [Frameworks] Voice over > Message-ID: > <CAMi0ov_qnOz=a9zBQcP3iuhJktBCrGJ=ez3mci3i8kqeydb...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Patrick Keiller ('London', 'Robinson in Space', 'Robinson in Ruins'). > > And not to forget some of the most haunting voice-over performances ever -- > the films of Marguerite Duras ('Agatha et les lectures illimit?es', 'India > Song'). > > On Sunday, April 8, 2018, T. Siddle <[email protected]> wrote: > >> Blue, by Derek Jarman >> The Black Tower, by John Smith >> Black Swans at Night, by Fiona Trigg >> >> >> On Sun, Apr 8, 2018 at 8:15 AM lagonaboba <[email protected]> wrote: >> >>> Universal Hotel, by Peter Thompson >>> Routine Pleasures, by Jean Pierre Gorin (almost all voiceover) >>> Jollies, by Sadie Benning >>> Vanalyne Green?s work (Spy in the House that Ruth Built >>> Las Hurdes, by Bunuel >>> >>> >>> >>> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <[email protected]> >>> wrote: >>> >>> Bill Brown >>> >>> regards, >>> >>> Shashwati Talukdar >>> ??? >>> ----------------------------------- >>> <https://www.facebook.com/fournineandahalf> <http://vimeo.com/shashwati> >>> <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US> >>> <https://twitter.com/cinedevi> >>> [image: Four Nine and a Half Pictures, Inc.] >>> <http://fournineandahalf.com/> <http://wallstories.fournineandahalf.com/> >>> <http://dontbeatmesir.com/> >>> http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/ >>> http://fournineandahalf.com >>> >>> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <[email protected]> >>> wrote: >>> >>>> Chris Marker, Wim Wenders, https://vimeo.com/108736758... >>>> >>>> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett < >>>> [email protected]> wrote: >>>> >>>>> Hi! >>>>> Does anyone have recommendations of films that are all voice over that >>>>> are particularly great? >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> [email protected] >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>> >>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/3802860b/attachment-0001.html> > > ------------------------------ > > Message: 8 > Date: Sun, 8 Apr 2018 11:54:15 -0500 > From: <[email protected]> > To: "'Experimental Film Discussion List'" > <[email protected]> > Subject: [Frameworks] This week [April 8 - 15, 2018] in avant garde > cinema > Message-ID: <[email protected]> > Content-Type: text/plain; charset="utf-8" > > > > > > > > > <http://www.hi-beam.net/now.gif> > > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c5a32506d1&e=f36020cad0> > > > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=4ea710cbdc&e=f36020cad0> > > > > This week [April 8 - 15, 2018] in avant garde cinema > > > Enter your event announcements by going to the Flicker Weekly Listing Form > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=1664a45bfd&e=f36020cad0> > . > > To receive the weekly listing via email: Subscribe > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=979c557d79&e=f36020cad0> > . <http://shapeshifterscinema.com/img/becker-flowershop_165x245.jpg> > Shapeshifters Cinema Presents Tommy Becker <> [April 8, Oakland, CA] > > > <https://i1.wp.com/www.ercatx.org/wp-content/uploads/2018/03/RideLikeLightningStill3.jpeg> > > Lightning and Thunder: 16mm Films By Fern Silva <> [April 15, Austin, TX] > > DEADLINES APPROACHING: > Festival of (In)appropriation (Los Angeles, CA, USA; Deadline: May 01, 2018) > http://hi-beam.net/cgi-bin/ann.pl?type=calls > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=d95945a30e&e=f36020cad0> > &readfile=1969.ann > 5th Annual Flamingo Film Festival (Fort Lauderdale, FL USA; Deadline: April > 15, 2018) > http://hi-beam.net/cgi-bin/ann.pl?type=calls > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8fbc99df70&e=f36020cad0> > &readfile=1974.ann > > Events are sorted alphabetically BY CITY within each DATE. > > This week's programs (summary): > > * Rat Film <> [April 8, Los Angeles, California] > > * Harun Farocki: Program 1 <> [April 8, New York, NY] > > * Shapeshifters Cinema Presents Tommy Becker <> [April 8, Oakland, > CA] > > * History, Memory, Texture: Daniel Eisenberg's Persistence <> [April > 9, Oberlin, OH] > > * From the Collection of J. Hoberman: the Complete Works <> [April > 10, Brooklyn, NY] > > * History, Memory, Texture: A Luther Price Battle Royale Eulogy <> > [April 10, Oberlin, OH] > > * The Films of Larry Gottheim: Program 1 <> [April 12, New York, NY] > > * Metaphors On vision: Films By Stan Brakhage <> [April 13, Los > Angeles, California] > > * The Films of Larry Gottheim: Program 2 <> [April 13, New York, NY] > > * Metaphors On vision: Films By Stan Brakhage ? Selected Songs <> > [April 14, Los Angeles, California] > > * Ec: Dog Star Man <> [April 14, New York, NY] > > * The Films of Larry Gottheim: Program 3 <> [April 14, New York, NY] > > * The Films of Larry Gottheim: Program 4 <> [April 14, New York, NY] > > * Optronica2: Toons?N?Tunes With Goat Family + Rourke + 99 Hooker + <> > [April 14, San Francisco, California] > > * Lightning and Thunder: 16mm Films By Fern Silva <> [April 15, > Austin, TX] > > * Stan Brakhage: Life, Death, and the Elements <> [April 15, Los > Angeles, California] > > * Harun Farocki: Program 2 <> [April 15, New York, NY] > > * The Films of Larry Gottheim: Program 5 <> [April 15, New York, NY] > > * The Films of Larry Gottheim: Program 6 <> [April 15, New York, NY] > > > SUNDAY, APRIL 8, 2018 > > 4/8 > Los Angeles, California: Filmforum > http://www.lafilmforum.org/ > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=30a247f8e3&e=f36020cad0> > > 7:30 pm, Spielberg Theatre at the Egyptian, 6712 Hollywood Blvd. > RAT FILM > Creative Producers Riel Roch-Decter and Sebastian Pardo in person! Across > walls, fences, and alleys, rats not only expose our boundaries of separation > but make homes in them. "Rat Film" is a feature-length documentary that uses > the rat?as well as the humans that love them, live with them, and kill > them-to explore the history of Baltimore. "There's never been a rat problem > in Baltimore, it's always been a people problem.? ?It's one of the most > extraordinary, visionary inspirations in the recent cinema.? ? Richard Brody, > The New Yorker ?bracing, hallucinatory & daring ... mixes formal > experimentation with trenchant social commentary? ? Katie Walsh, Los Angeles > Times Trailer: http://www.memory.is/rat-film/trailer Tickets: $10 general; $6 > students/seniors; free for Filmforum members. Available in advance at > https://bpt.me/3374385 or at the door. > > 4/8 > New York, NY: Anthology Film Archives > http://www.anthologyfilmarchives.org/ > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a5f27ff3ff&e=f36020cad0> > > 2:00 PM, 32 Second Avenue > HARUN FAROCKI: PROGRAM 1 > Harun Farocki & Andrei Ujica VIDEOGRAMS OF A REVOLUTION / VIDEOGRAMME EINER > REVOLUTION (1992, 106 min, digital. In English and Romanian with English > subtitles.) "In Europe in the fall of 1989, history took place before our > very eyes. Farocki and Ujica's VIDEOGRAMS shows the Romanian revolution of > December 1989 in Bucharest in a new media-based form of historiography. > Demonstrators occupied the television station [in Bucharest] and broadcast > continuously for 120 hours, thereby establishing the television studio as a > new historical site. Between December 21, 1989 (the day of Ceaucescu's last > speech) and December 26, 1989 (the first televised summary of his trial), the > cameras recorded events at the most important locations in Bucharest, almost > without exception." -Dietrich Leder > > 4/8 > Oakland, CA: Shapeshifters Cinema > http://shapeshifterscinema.com/ > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=b5785e90b4&e=f36020cad0> > > 8pm, TAC: Temescal Art Center, 511 48th St > SHAPESHIFTERS CINEMA PRESENTS TOMMY BECKER > Tommy Becker returns to Shapeshifters to present new works from his > never-ending saga, "Tape Number One". TNO is a mix video tape that embraces > the deconstruction of song structure to create an expanded, conceptual > story-telling that blends the artist's poetics, songwriting, performance and > costuming with found footage and computer design. Live vocals and > instrumentation lead melodic soundtracks that articulate a visual swirling of > tragic comedy. Short works balance meaning with emotion and documentation > with design. For this show Becker will be premiering a new work, "Stars White > in a Blue Field", a work that contemplates patriotic values in our current > political quagmire along with his recent trilogy, "FLOWER SHOP (protection, > fear & escape)" and more.http://shapeshifterscinema.com/ > > > MONDAY, APRIL 9, 2018 > > 4/9 > Oberlin, OH: Oberlin College > 7:00 PM, 91 N. Main St., Art Building, Classroom 1 > HISTORY, MEMORY, TEXTURE: DANIEL EISENBERG'S PERSISTENCE > Daniel Eisenberg, Persistence, 1997, 86 minutes, 16mm. ?Eisenberg, the child > of Holocaust survivors, returns to Germany and Poland to make sense of a > history (at once personal and public) and its manifestation in both the > present and the past. His return to Europe, and especially the sites of his > ancestry and their aniihilation is by no means unique. However, Eisenberg > does it three times: 1981, 1987, 1997. The resulting films thus produce their > own historical trajectory and their own contribution to history. For part of > Eisenberg?s filmic strategy in Persistence was to create of establish filmic > documents of the present day which might by used by someone in the future. In > other words, just as Eisenberg himself has relied heavily on found footage, > there is a self-conscious awareness on his part of producing found > objects/footage for future use.? ?Nora Alter > > > TUESDAY, APRIL 10, 2018 > > 4/10 > Brooklyn, NY: Light Industry > http://www.lightindustry.org/ > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=329f5fb079&e=f36020cad0> > > 7:30, 155 Freeman Street > FROM THE COLLECTION OF J. HOBERMAN: THE COMPLETE WORKS > Calling All Girls, Jean Negulesco (uncredited), 1942, 16mm, 20 mins Red > Nightmare, George Waggner, 1962, 16mm, 29 mins The Girl from Chicago, Oscar > Micheaux, 1932, 16mm, 70 mins I'm more an accumulator than a collector, > having amassed a sizable amount of books and DVDs thanks to my various gigs. > How I wound up with these three films-pretty much the extent of my > "collection"-is something of a mystery, even to me. Back in the early 1970s, > I used to buy old telefilms and TV commercials cheap at Peerless Willoughby > for use in my own work. Calling All Girls-a fake documentary that is also a > compilation of Busby Berkeley's greatest hits-is something that I got *as a > work*, having seen it both in Ken Jacobs's class and as a short subject with > Putney Swope. My guess is that I saw it in a catalog and couldn't resist the > ridiculously low price, probably $20. It was an inspiration for my own > greatest hit, Mission to Mongo, and paid for itself many times over because I > used it regularly > in my Co > oper Union classes, always on a bill with MoMA's shortened Triumph of the > Will. I don't remember how I discovered the anti-Communist propaganda film > Red Nightmare, which I programmed for the Collective for Living Cinema in the > late '70s. I do recall that I was given the print by Joe Angier, a Binghamton > classmate then working in TV documentaries, after I helped him out with some > project or other. I used to show it in class also, mainly at NYU. Writing > this I realized for the first time that both it and Calling All Girls were > made by Warner Bros., my favorite studio. Perhaps there are other connections > as well. The Girl from Chicago was my only serious purchase-possibly costing > $100, most likely in the early 1980s. I guess I saw it in a catalogue (A new > and unknown Oscar Micheaux film!) but I must have sealed the deal over the > phone because I recall the seller asking with some surprise if I was white. > This one I screened for friends. I remember schlepping it over to show Greg > Ford an > d Ronnie Scheib, local film collectors, from whom I used to borrow a print of > The Next Voice You Hear for my NYU classes. Greg really got it: "It's Andy > Warhol," he said incredulously. And then there's the one that got away. In > the early '90s I received a message from a guy who had just inherited a > little building on E 4th Street across from Millennium that had evidently > been the office for the Ukrainian section of the Communist Party. There were > dozens of old movies. I poked around and amid the cans, mainly Soviet > Ukrainian features, I found something close to a lost film, namely a 16mm > print of Edgar G. Ulmer's Natalka Poltavka. I had it in my hands, I could > have walked out and I should have, instead of acting responsibly to contact > the neighborhood film archives and informing them of this trove of Ukrainian > films. So far as I know, nothing ever came of it. I regret it to this day and > especially today, thinking that I could have presented a legendary > double-bill of Oscar M > icheaux > and Edgar G. Ulmer. - JH > > 4/10 > Oberlin, OH: Oberlin College > 7:00 PM, 91 N. Main St., Art Building, Classroom 1 > HISTORY, MEMORY, TEXTURE: A LUTHER PRICE BATTLE ROYALE EULOGY > This evening offers a rare opportunity to witness six handmade 16mm films by > artist Luther Price. For the last several decades, Price has been making > original 16mm prints, meaning that he works directly on the film stock, > prints no negatives, and lets the ephemeral nature of the film take its > course. Each film print is a one-of-a-kind, unique object in and of itself. > Pushed to the brink of collapse by burying films in his garden (in the Garden > Films) or smothering their found footage in stunning layers of paint (in his > Inkblots), Price?s films levitate between projected film and material object. > This screening will feature a world-premiere double-projection of Burgen and > Tonic, his quasi-remake of Who?s Afraid of Virigina Woolf, as well as > examples of his Garden Films and Inkblots. Many prints have not been screened > since Price showed at the 2012 Whitney Biennial, and he has indicated the > prints need to go into retirement after this screening. Come say hello and > goodbye. > > > THURSDAY, APRIL 12, 2018 > > 4/12 > New York, NY: Anthology Film Archives > http://www.anthologyfilmarchives.org/ > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=6a7fe73e1e&e=f36020cad0> > > 8:00 PM, 32 Second Avenue > THE FILMS OF LARRY GOTTHEIM: PROGRAM 1 > These films, made 41 years apart, are radically different in conception. > Presented together, they reveal the links that proceed through the > development of what is a single project. CORN (1970, 11 min, 16mm) CORN came > out of a rejection of expressive camera work, sound, language, and editing. > This is a space of ceremony, of an offering, the transformation of ears of > corn into sustenance. It takes place within a space/time theater of slow > changes of light and shadow. The sinuous dance of steam is a counterpart to > the fog of FOG LINE. CHANTS AND DANCES FOR HAND (1991-2017, 40 min, digital) > This work comprises material shot in Haiti. There are scenes of Vodou > ceremonies, a violent uprising, of movie theaters, and images from my > personal life that include my Haitian son Hand. The soundtrack is simply what > accompanied the images. This is far from a "documentary" about Vodou. The > ceremony of possession extends into politics, war, cooking, the movies, and > the electronic nature of vid > eo. This > is also a meditation on death. The most important dance takes place in the > viewer's mind. > > > FRIDAY, APRIL 13, 2018 > > 4/13 > Los Angeles, California: Filmforum > http://www.lafilmforum.org/ > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=93e2368c2b&e=f36020cad0> > > 7:30 pm, UCLA Film & Television Archive, Billy Wilder Theatre, Hammer Museum, > 10899 Wilshire Blvd., > METAPHORS ON VISION: FILMS BY STAN BRAKHAGE > UCLA Film & Television Archive, Los Angeles Filmforum and Acropolis Cinema > present Metaphors on Vision: Films by Stan Brakhage Friday, April 13, 2018, > 7:30 pm At the UCLA Film & Television Archive, Billy Wilder Theatre, Hammer > Museum, 10899 Wilshire Blvd., Los Angeles CA 90024 Thomas Beard & Steve Anker > in person. "Imagine an eye unruled by man-made laws of perspective, an eye > unprejudiced by compositional logic, an eye which does not respond to the > name of everything but which must know each object encountered in life > through an adventure of perception." So begins Stan Brakhage?s classic > Metaphors on Vision. First published in 1963 as a special issue of Film > Culture, it stands as the major theoretical statement by one of avant-garde > cinema?s most influential figures, a treatise on mythopoeia and the nature of > visual experience written in a style as idiosyncratic as his art. By turns > lyrical, technical and philosophical, this is a collection to be shelved > alongside the commen > taries o > f Robert Bresson, Maya Deren, Sergei Eisenstein and Nagisa Oshima. After > being out of print for decades, the volume is now available again in a new > edition from Anthology Film Archives and Light Industry, overseen by its > original editor P. Adams Sitney. To celebrate its republication, the UCLA > Film & Television Archive presents a two-night program of key Brakhage films. > Tonight's program presents key early films that Stan Brakhage made while he > was writing Metaphors on Vision, works that inaugurated a radically new form > of first-person cinema. The film program will be preceded by a talk by Thomas > Beard. INFO: https://www.cinema.ucla.edu/events/2018/stan-brakhage Tickets: > $10 general advance purchase, $9 general at door; $8 non-UCLA > students/seniors/UCLA alumni; free for UCLA Students and Filmforum members. > Available in advance at > http://emarket.cinema.ucla.edu/ShoppingCenter/Details.aspx?ref=968 or at the > door. > > 4/13 > New York, NY: Anthology Film Archives > http://www.anthologyfilmarchives.org/ > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=17e945f9d2&e=f36020cad0> > > 7:30 PM, 32 Second Avenue > THE FILMS OF LARRY GOTTHEIM: PROGRAM 2 > THOUGHT (1970, 7.5 min, 16mm) The last of my continuous-shot silent films. > Now I was becoming aware of the implications of these works, and so I gave it > this title. HORIZONS (ELECTIVE AFFINITIES, PART 1) (1971-73, 75 min, 16mm) > HORIZONS is the result of a year spent filming landscape horizons. Motifs > such as animals, windows, fences, clotheslines, even some film friends and > family are included. The structure is based on rhyme schemes. I found > relationships between one shot and another that could be thought of as > "rhymes." Lines and borders play crucial roles. They call attention to the > structure of the film, which echoes the structures of the landscapes. The > film offers a field of relationships that extend out to the whole film, even > if only a few can be retained in the mind. The nature of these affinities led > to the series of films - the "Elective Affinities" - to which HORIZONS is the > "Overture." > > > SATURDAY, APRIL 14, 2018 > > 4/14 > Los Angeles, California: Filmforum > http://www.lafilmforum.org/ > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9c36c0abae&e=f36020cad0> > > 7:30 pm, UCLA Film & Television Archive, Billy Wilder Theatre, Hammer Museum, > 10899 Wilshire Blvd., > METAPHORS ON VISION: FILMS BY STAN BRAKHAGE ? SELECTED SONGS > ?The Songs? are inspired by the aesthetics of lyric poetry on the one hand, > and the tactics of ?home movies? on the other?.? ?Stan Brakhage In 1964, Stan > Brakhage, turning away from the epic 16mm forms of Dog Star Man (1961-64), > embraced the non-professional, home-movie regular 8mm format to create the > Songs (1964-67), a series of 31 remarkable films. Unparalleled for their > intimacy, poetic expression and depictions of daily life, these small-gauge > gems are Brakhage?s most celebrated and influential works. Tonight?s program > includes rarely screened 16mm versions of Songs 1-7 and the monumental > anti-war lament, Song 23: 23rd Psalm Branch, considered by many to be one of > Brakhage?s greatest films. Made in response to the Vietnam War, 23rd Psalm > Branch reverberates with as much urgency today as when it was first shown > more than a half century ago. Series curated by Steve Anker and Thomas Beard. > INFO: https://www.cinema.ucla.edu/events/2018/stan-brakhage Tickets: $10 > general adva > nce purc > hase, $9 general at door; $8 non-UCLA students/seniors/UCLA alumni; free for > UCLA Students and Filmforum members. Available in advance at > http://emarket.cinema.ucla.edu/ShoppingCenter/Details.aspx?ref=969 or at the > door. > > 4/14 > New York, NY: Anthology Film Archives > http://www.anthologyfilmarchives.org/ > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=3122dc015a&e=f36020cad0> > > 3:00 PM, 32 Second Avenue > EC: DOG STAR MAN > by Stan Brakhage. A masterwork in which all of Brakhage's techniques achieve > a complex synthesis to produce one of cinema's supreme epic poems. "The film > breathes and is an organic and surging thing??? it is a colossal lyrical > adventure-dance of image in every variation of color." -Michael McClure, > ARTFORUM > > 4/14 > New York, NY: Anthology Film Archives > http://www.anthologyfilmarchives.org/ > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=21749927af&e=f36020cad0> > > 5:00 PM, 32 Second Avenue > THE FILMS OF LARRY GOTTHEIM: PROGRAM 3 > HARMONICA (1971, 10.5 min, 16mm) The final continuous-shot film, now with > sound, which is produced by the car and the people inside. The car window > acts as a screen that separates the inner world from the outside. Some of the > sound is created when the performer breaks through that plane. He is the > first of many avatars, doubles of me that appear in many of my films and led > to my later attraction to ceremonial possession. MOUCHES VOLANTES (ELECTIVE > AFFINITIES, PART 2) (1976, 69 min, 16mm) The beautiful, evocative musical > tale Angelina Johnson narrates about her relationship with the blues singer > Blind Willie Johnson is matched, frame-by-frame, with films of my family. > Echoing the title - which translates to "Flying Gnats" and was taken from > Helmholtz - I attended to snow, the surf, the sand, tiny specks flying in > front of the subject, leading the subject to follow them. They always > escaped. They were in the eye itself. As the retina turned to catch them, > they seemed to fly awa > y. This > embodied the paradox of inside and outside that was already a presence in my > work and was to reemerge in other forms. Like HORIZONS, this film creates a > dance between the flow of images that pass by and the memory of other related > images, nearby or distant. Rhymes and relationships led me to the notion of > affinities, which in turn suggested the title, "Elective Affinities," a > reference to Goethe. The notion of affinities also applies to personal > connections of myself with Angelina and Blind Willie Johnson, blindness, > blackness, and other motifs. > > 4/14 > New York, NY: Anthology Film Archives > http://www.anthologyfilmarchives.org/ > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=31e0dd8519&e=f36020cad0> > > 7:30 PM, 32 Second Avenue > THE FILMS OF LARRY GOTTHEIM: PROGRAM 4 > FOUR SHADOWS (ELECTIVE AFFINITIES, PART 3) (1978, 64 min, 16mm) Comprising > four image sections and four sound sections linked in all their combinations, > FOUR SHADOWS establishes affinities between and across the various visual and > aural elements. As the film progresses, the viewer can imaginatively > "re-play" material from other sections that have affinities with what is on > the screen and soundtrack at any given moment. The Wordsworth passage is read > each time by four readers for whom English is not their native language, > including Jonas Mekas, Peter Kubelka, Klaus Wyborny, Heinz Emigholz, and Taka > Iimura. MNEMOSYNE MOTHER OF MUSES (1986, 18 min, 16mm) There is a double > retrograde motion. A flow of images goes forward, linked to a sound track > that goes backwards. Then the directions are reversed. I was influenced by a > passage in Heidegger in which he calls attention to the Ancient Greeks > conceiving of the goddess of memory as the mother of the muses. There is a > sense of loss a > nd recov > ery - the need to go back and its impossibility except in art. > > 4/14 > San Francisco, California: Other Cinema > http://www.othercinema.com/ > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9f18baf675&e=f36020cad0> > > 8 PM, 992 Valencia Street > OPTRONICA2: TOONS?N?TUNES WITH GOAT FAMILY + ROURKE + 99 HOOKER + > Our LIVE A/V series returns with a trio of electrifying performances that > fuse spoken/sung-word with (mostly animated) movies. Jeremy Rourke makes good > on his ?i?ll be around? promise with a loop back through our venue, yodeling > amidst an ensemble of energized stop-motion works and fork-plucked harp > melodies. The Goat Family do-si-dos beneath a dynamic screen, these > much-loved local folks humming and strumming in experimental Jug Band style. > Flying all the way in from New York, the veteran synth-player/poet 99 Hooker > closes the show with a repertoire of his most obsessive pixilations, his > Reanimatrix avatar dream come true, re-mixing and re-animating critters. $9 > > > SUNDAY, APRIL 15, 2018 > > 4/15 > Austin, TX: Experimental Response Cinema > http://ercatx.org > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=a2d87d3c81&e=f36020cad0> > > 8pm, grayDUCK Gallery, 2213 E Cesar Chavez St > LIGHTNING AND THUNDER: 16MM FILMS BY FERN SILVA > FILMMAKER IN PERSON! Experimental Response Cinema is proud to welcome Fern > Silva for an in-person screening of a selection of his 16mm works. With his > distinct sonic and cinematographic language, Silva's films describe the > hybrid mythologies of globalism. His films consider methods of narrative, > ethnographic, and documentary filmmaking as the starting point for structural > experimentation. Ride Like Lightning, Crash Like Thunder-2017-8.5mins: Framed > within the vision of the Hudson River School and the legend of Rip Van > Winkle, Ride Like Lightning, Crash Like Thunder unfolds as a storm approaches > on the horizon. An uncertain future is in store as the creeping hand of > history disrupts nature and civility in the Hudson River regions of Upstate > New York. The Watchmen-2017-10mins.: In The Watchmen, pulsating orbs, > panopticons, roadside rest stops, and subterranean labyrinths confront the > scope of human consequences and the entanglement of our seeking bodies. > Wayward Fronds -2015-13 > .5mins: > Mermaids flip a tale of twin detriments, domiciles cradle morph invaders, > crocodile trails swallow two-legged twigs in a fecund mash of nature's > outlaws??? down in the Everglades. Tender Feet-2013-10.5: Tender Feet was > shot on the road in the southwest leading up to the not quite so cataclysmic > and transformative events anticipated to take place around Dec. 21st 2012. As > digits flipped on the odometer, so did the days in the Mayan calendar > shedding light and darkness on charred forests, arid landscapes, falling > stars, destructive vortexes, fortune telling traffic signs, and ticking time > bombs??? Concrete Parlay-2012-18mins.: Carried by the frenetic energy of a > magic carpet, Concrete Parlay is a metaphysical flight that weaves among > visual kernels of the anthropic and biological worlds. From prehistoric > horseshoe crabs strewn among modern refuse, stoic pyramids foregrounded by > golf course maintenance, mystic rituals evoking avian gestures, to > contemporary political upheaval e > qualized > by natural phenomena-the poetic equivalence among images transcends > particular umwelten, as the disorienting whirl of the compass connotes the > kinetic nature of existence. -Aily Nash Passage Upon the Plume-2011-6.5mins.: > "Those who go thither, they return not again." Plumes dust the arid land, > east to west, shapeshifting as they lift in ascension. Something lowers. An > ark ran aground where revolution took root: ropes raise stones in baskets. > Hearts heavier and lighter than the feather, permitted passage. Tethered or > freed, resting from life or dawning anew. -Charity Coleman > > 4/15 > Los Angeles, California: Filmforum > http://www.lafilmforum.org/ > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=9ebc1436da&e=f36020cad0> > > 7:30 pm, Echo Park Film Center, 1200 N. Alvarado St. > STAN BRAKHAGE: LIFE, DEATH, AND THE ELEMENTS > Los Angeles Filmforum and Acropolis Cinema present Stan Brakhage: Life, > Death, And The Elements New Restorations From The Academy Film Archive > Sunday, April 15, 2018, 7:30 pm At the Echo Park Film Center, 1200 N. > Alvarado St., Los Angeles CA 90026 All 16mm prints of restored films! With > Mark Toscano and others in person. Touching on some of Stan Brakhage?s > (1933-2003) most recurring and fundamental themes, this selection of five > films pairs an early, celebrated masterpiece (Scenes From Under Childhood) > and a truly monumental but neglected work made the year before his death > (Panels for the Walls of Heaven). Three other short films - all distinctly > visually striking and reflecting a palpable viscerality - balance out this > program of new restorations from the Academy Film Archive, the majority > appearing here in their first public screenings in the Academy?s new 16mm > prints. INFO: www.lafilmforum.org <http://www.lafilmforum.org> , > 323-377-7238 Tickets: $10 general; $6 students/ > seniors; > free for Filmforum members. Available in advance at > https://brakhagelife.bpt.me or at the door. > > 4/15 > New York, NY: Anthology Film Archives > http://www.anthologyfilmarchives.org/ > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=8bd5994821&e=f36020cad0> > > 2:00 PM, 32 Second Avenue > HARUN FAROCKI: PROGRAM 2 > BEDTIME STORIES: SHIPS / EINSCHLAFGESCHICHTEN (1977, 3 min, 16mm-to-digital. > In German with English subtitles.) AS YOU SEE / WIE MAN SIEHT (1986, 72 min, > 16mm-to-digital. In German with English subtitles.) "[This] is an > action-filled feature film. It reflects upon girls in porn magazines to whom > names are ascribed and about the nameless dead in mass graves, upon machines > that are so ugly that coverings have to be used to protect the workers' eyes, > upon engines that are too beautiful to be hidden under the hoods of cars, > upon labor techniques that either cling to the notion of the hand and the > brain working together or want to do away with it. My film AS YOU SEE is an > essay film. The contemporary opinion industry is like a huge mouth, or maybe > a paper shredder. I compose a new text out of these scraps and thus stage a > paper-chase. My film is made up of many details and creates a lot of > image-image and word-image and word-word relationships among them. So there's > a lot to chew > on. I se > arched for and found a form in which one can make a little money go a long > way." -Harun Farocki > > 4/15 > New York, NY: Anthology Film Archives > http://www.anthologyfilmarchives.org/ > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=15fc2e7bce&e=f36020cad0> > > 5:00 PM, 32 Second Avenue > THE FILMS OF LARRY GOTTHEIM: PROGRAM 5 > FOG LINE (1970, 10.5 min, 16mm, b&w) The fog lifts on a scene. The trees > stand there, manifesting their being. They have a soft shape without outline. > The power lines relate to drawing rather than painting, the controlling mind > rather than the imagination. The viewer is invited to explore the screen, > looking here and there, each person following a different path. DOORWAY > (1970, 7.5 min, 16mm, b&w) Finally I moved the camera, in a slow pan from one > side of the wide door of my wife's pottery studio to the other. The doorway > separates inside from outside. There is a pulse of vision that emanates out > from the camera, making a moving cow stand frozen behind another. NATURAL > SELECTION (1983, 35 min, 16mm) Alfons Schilling uses his sculptural viewing > devices to experience landscapes. My students film him. Translation issues > lead us to think about glossolalia, speaking in tongues. We are invited to > the laboratory of Andr?? Roch Lecours, who studies the relationship between > glossolali > a and th > e brain. I edited the film adding my own material. Alfons and Roch become > avatars of my self. SORRY/HEAR US (1984, 8 min, 16mm) We deconstruct a poem's > language by playing it backwards until some words emerge from the backward > text. The students create images that illustrate this new text. Total running > time: ca. 65 min. > > 4/15 > New York, NY: Anthology Film Archives > http://www.anthologyfilmarchives.org/ > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=c19c684e4d&e=f36020cad0> > > 7:30 PM, 32 Second Avenue > THE FILMS OF LARRY GOTTHEIM: PROGRAM 6 > THE RED THREAD (1987, 17 min, 16mm) My actual image appears as an ironic > avatar of my real filmmaker self. It is challenged by a weaver with whom I > fell into a relationship. The real me, the filmmaker me, is there, for > example in the piano passages and above all with the children in the > schoolyard, a ceremonial dance. TREE OF KNOWLEDGE (ELECTIVE AFFINITIES, PART > 4) (1980, 60 min, 16mm) A documentary film about paranoid conditions is > matched to a flow of images of an apple tree in my back yard filmed wildly > and without forethought. The radical breaking of the previous passivity of > the camera had deep psychological dimensions. Stockyard sounds are inserted, > as are images of children from a film about the seasons. They are the ones > who are learning and also part of the didactic mechanics of the film. So are > the paranoid patients. > > _____ > > Let us know about your alternative film/video event! > > Enter your event announcements by going to the Flicker Weekly Listing Form > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=10820da8d3&e=f36020cad0> > . > > To receive the weekly listing via email, send a message to Subscribe > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=45f4ce32ec&e=f36020cad0> > . To unsubscribe see the link at the bottom of this email. > > <https://hi-beam.us9.list-manage.com/track/click?u=e4e99825c1d97f8de6eaffad3&id=acf17fb79e&e=f36020cad0> > > > > > > > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/4a42cdd8/attachment-0001.html> > > ------------------------------ > > Message: 9 > Date: Sun, 8 Apr 2018 13:23:05 -0400 > From: Dennis Doros <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Voice over > Message-ID: > <CAPiNLPKP7VVCSHUabhwXYeQ6mzYjrd7wMr96nkxmPc8-T3=a...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Margot Benacerraf's ARAYA. > > Luc Besson's ATLANTIS > > Leo Hurwitz NATIVE LAND (can't remember if it's 100% voice-over). STRANGE > VICTORY is about 90% voice-over. > > > ? > > Fondest regards, > Dennis Doros, Co-owner > *Milestone Film & Video ? *PO Box 128 ? Harrington Park, NJ 07640 > Phone: +1 (201) 767-3117 ? Email: [email protected] ? www.milestone.film > > President, *Association of Moving Image Archivists* > [email protected] ? www.amianet.org > *AMIA 2018 ? 11/28 ? 12/1 Portland, OR* > > JOIN MILESTONE'S MAILING LIST TODAY! > <http://milestonefilms.us3.list-manage1.com/subscribe/post?u=4a0b9e434a9f3e8603c29806e&id=f30d1906e2> > Support us on Facebook > <http://www.facebook.com/pages/Milestone-Film/22348485426> and Twitter > <https://twitter.com/#!/MilestoneFilms>! > > > > > > On Sun, Apr 8, 2018 at 12:47 PM, Aman Wadhan <[email protected]> wrote: > >> Patrick Keiller ('London', 'Robinson in Space', 'Robinson in Ruins'). >> >> And not to forget some of the most haunting voice-over performances ever >> -- the films of Marguerite Duras ('Agatha et les lectures illimit?es', >> 'India Song'). >> >> >> On Sunday, April 8, 2018, T. Siddle <[email protected]> wrote: >> >>> Blue, by Derek Jarman >>> The Black Tower, by John Smith >>> Black Swans at Night, by Fiona Trigg >>> >>> >>> On Sun, Apr 8, 2018 at 8:15 AM lagonaboba <[email protected]> wrote: >>> >>>> Universal Hotel, by Peter Thompson >>>> Routine Pleasures, by Jean Pierre Gorin (almost all voiceover) >>>> Jollies, by Sadie Benning >>>> Vanalyne Green?s work (Spy in the House that Ruth Built >>>> Las Hurdes, by Bunuel >>>> >>>> >>>> >>>> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <[email protected]> >>>> wrote: >>>> >>>> Bill Brown >>>> >>>> regards, >>>> >>>> Shashwati Talukdar >>>> ??? >>>> ----------------------------------- >>>> <https://www.facebook.com/fournineandahalf> <http://vimeo.com/shashwati> >>>> <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US> >>>> <https://twitter.com/cinedevi> >>>> [image: Four Nine and a Half Pictures, Inc.] >>>> <http://fournineandahalf.com/> >>>> <http://wallstories.fournineandahalf.com/> <http://dontbeatmesir.com/> >>>> http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/ >>>> http://fournineandahalf.com >>>> >>>> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <[email protected]> >>>> wrote: >>>> >>>>> Chris Marker, Wim Wenders, https://vimeo.com/108736758... >>>>> >>>>> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett < >>>>> [email protected]> wrote: >>>>> >>>>>> Hi! >>>>>> Does anyone have recommendations of films that are all voice over that >>>>>> are particularly great? >>>>>> _______________________________________________ >>>>>> FrameWorks mailing list >>>>>> [email protected] >>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>> >>>>> >>>>> >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> [email protected] >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/5fcef522/attachment-0001.html> > > ------------------------------ > > Message: 10 > Date: Sun, 8 Apr 2018 12:41:47 -0600 > From: Gene Youngblood <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Voice over > Message-ID: <[email protected]> > Content-Type: text/plain; charset="utf-8" > > Chris Marker, especially Sans Soliel? > > Gene & Jane Youngblood > (505) 395-6370 home > > On April 8, 2018 at 10:50:23 AM, Aman Wadhan ([email protected]) wrote: > > Patrick Keiller ('London', 'Robinson in Space', 'Robinson in Ruins'). > > And not to forget some of the most haunting voice-over performances ever -- > the films of Marguerite Duras ('Agatha et les lectures illimit?es', 'India > Song'). > > On Sunday, April 8, 2018, T. Siddle <[email protected]> wrote: > Blue, by Derek Jarman > The Black Tower, by John Smith? > Black Swans at Night, by Fiona Trigg > > > On Sun, Apr 8, 2018 at 8:15 AM lagonaboba <[email protected]> wrote: > Universal Hotel, ?by Peter Thompson > Routine Pleasures, by Jean Pierre Gorin (almost all voiceover) > Jollies, by Sadie Benning > Vanalyne Green?s work (Spy in the House that Ruth Built > Las Hurdes, by Bunuel > > > > On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <[email protected]> wrote: > > Bill Brown > > regards, > > Shashwati Talukdar > ??? > ----------------------------------- > > > http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/http://fournineandahalf.com > > On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <[email protected]> wrote: > Chris Marker,?Wim Wenders,?https://vimeo.com/108736758... > > On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <[email protected]> > wrote: > Hi! > Does anyone have recommendations of films that are all voice over that are > particularly great? > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/cfe51851/attachment-0001.html> > > ------------------------------ > > Message: 11 > Date: Mon, 9 Apr 2018 00:15:40 +0530 > From: Surbhi Goel <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Voice over > Message-ID: > <cafdyjlwcvcp-kuyf-afvuoc3qyxe6v4zhymteeph8gmhjun...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > *Encounters at the End* of the *World (*Werner Herzog, 2007) > > not exactly voice over in traditional sense but, Tarkovsky's father > reciting his poetry in Zerkalo makes for a haunting soulful voice-over > > > best regards, > Surbhi > > On 8 April 2018 at 22:53, Dennis Doros <[email protected]> wrote: > >> Margot Benacerraf's ARAYA. >> >> Luc Besson's ATLANTIS >> >> Leo Hurwitz NATIVE LAND (can't remember if it's 100% voice-over). STRANGE >> VICTORY is about 90% voice-over. >> >> >> ? >> >> Fondest regards, >> Dennis Doros, Co-owner >> *Milestone Film & Video ? *PO Box 128 ? Harrington Park, NJ 07640 >> Phone: +1 (201) 767-3117 ? Email: [email protected] ? www.milestone.film >> >> President, *Association of Moving Image Archivists* >> [email protected] ? www.amianet.org >> *AMIA 2018 ? 11/28 ? 12/1 Portland, OR* >> >> JOIN MILESTONE'S MAILING LIST TODAY! >> <http://milestonefilms.us3.list-manage1.com/subscribe/post?u=4a0b9e434a9f3e8603c29806e&id=f30d1906e2> >> Support us on Facebook >> <http://www.facebook.com/pages/Milestone-Film/22348485426> and Twitter >> <https://twitter.com/#!/MilestoneFilms>! >> >> >> >> >> >> On Sun, Apr 8, 2018 at 12:47 PM, Aman Wadhan <[email protected]> wrote: >> >>> Patrick Keiller ('London', 'Robinson in Space', 'Robinson in Ruins'). >>> >>> And not to forget some of the most haunting voice-over performances ever >>> -- the films of Marguerite Duras ('Agatha et les lectures illimit?es', >>> 'India Song'). >>> >>> >>> On Sunday, April 8, 2018, T. Siddle <[email protected]> wrote: >>> >>>> Blue, by Derek Jarman >>>> The Black Tower, by John Smith >>>> Black Swans at Night, by Fiona Trigg >>>> >>>> >>>> On Sun, Apr 8, 2018 at 8:15 AM lagonaboba <[email protected]> wrote: >>>> >>>>> Universal Hotel, by Peter Thompson >>>>> Routine Pleasures, by Jean Pierre Gorin (almost all voiceover) >>>>> Jollies, by Sadie Benning >>>>> Vanalyne Green?s work (Spy in the House that Ruth Built >>>>> Las Hurdes, by Bunuel >>>>> >>>>> >>>>> >>>>> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <[email protected]> >>>>> wrote: >>>>> >>>>> Bill Brown >>>>> >>>>> regards, >>>>> >>>>> Shashwati Talukdar >>>>> ??? >>>>> ----------------------------------- >>>>> <https://www.facebook.com/fournineandahalf> >>>>> <http://vimeo.com/shashwati> >>>>> <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US> >>>>> <https://twitter.com/cinedevi> >>>>> [image: Four Nine and a Half Pictures, Inc.] >>>>> <http://fournineandahalf.com/> >>>>> <http://wallstories.fournineandahalf.com/> <http://dontbeatmesir.com/> >>>>> http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/ >>>>> http://fournineandahalf.com >>>>> >>>>> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <[email protected]> >>>>> wrote: >>>>> >>>>>> Chris Marker, Wim Wenders, https://vimeo.com/108736758... >>>>>> >>>>>> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett < >>>>>> [email protected]> wrote: >>>>>> >>>>>>> Hi! >>>>>>> Does anyone have recommendations of films that are all voice over >>>>>>> that are particularly great? >>>>>>> _______________________________________________ >>>>>>> FrameWorks mailing list >>>>>>> [email protected] >>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>>> >>>>>> >>>>>> >>>>>> _______________________________________________ >>>>>> FrameWorks mailing list >>>>>> [email protected] >>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>> >>>>>> >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> [email protected] >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>>> >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> [email protected] >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180409/123b891a/attachment-0001.html> > > ------------------------------ > > Message: 12 > Date: Sun, 8 Apr 2018 15:23:06 -0400 > From: Brandon Walley <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: [Frameworks] Labor Movement films? > Message-ID: > <CABat=4jowst6cym6kcogflxdafscfikp1pbpnpkwmeg+mee...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Looking for experimental, nonfiction, feature or shorts that deal with the > works right, labor unions or related for a May Day screening. Suggestions? > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/f9c724dc/attachment-0001.html> > > ------------------------------ > > Message: 13 > Date: Sun, 8 Apr 2018 13:27:49 -0600 > From: Gene Youngblood <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Voice over > Message-ID: <[email protected]> > Content-Type: text/plain; charset="utf-8" > > Hollis Frampton, Nostalgia > > Gene & Jane Youngblood > (505) 395-6370 home > > On April 8, 2018 at 12:47:54 PM, Surbhi Goel ([email protected]) wrote: > > Encounters at the End?of the?World (Werner Herzog, 2007) > > not exactly voice over in traditional sense but, Tarkovsky's father reciting > his poetry in Zerkalo makes for a haunting soulful voice-over > > > best regards,? > Surbhi > > On 8 April 2018 at 22:53, Dennis Doros <[email protected]> wrote: > Margot Benacerraf's ARAYA. > > Luc Besson's ATLANTIS > > Leo Hurwitz NATIVE LAND (can't remember if it's 100% voice-over). STRANGE > VICTORY is about 90% voice-over. > > > ? > > Fondest regards, > Dennis Doros, Co-owner? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? > Milestone Film & Video ??PO Box 128 ??Harrington Park, NJ 07640 > Phone: +1 (201) 767-3117 ??Email:[email protected]???www.milestone.film > > President,?Association of Moving Image Archivists > [email protected]???www.amianet.org > AMIA 2018 ? 11/28 ? 12/1 Portland, OR > > JOIN MILESTONE'S MAILING LIST TODAY! > Support us on?Facebook?and?Twitter! > > > > > > On Sun, Apr 8, 2018 at 12:47 PM, Aman Wadhan <[email protected]> wrote: > Patrick Keiller ('London', 'Robinson in Space', 'Robinson in Ruins'). > > And not to forget some of the most haunting voice-over performances ever -- > the films of Marguerite Duras ('Agatha et les lectures illimit?es', 'India > Song'). > > > On Sunday, April 8, 2018, T. Siddle <[email protected]> wrote: > Blue, by Derek Jarman > The Black Tower, by John Smith? > Black Swans at Night, by Fiona Trigg > > > On Sun, Apr 8, 2018 at 8:15 AM lagonaboba <[email protected]> wrote: > Universal Hotel, ?by Peter Thompson > Routine Pleasures, by Jean Pierre Gorin (almost all voiceover) > Jollies, by Sadie Benning > Vanalyne Green?s work (Spy in the House that Ruth Built > Las Hurdes, by Bunuel > > > > On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <[email protected]> wrote: > > Bill Brown > > regards, > > Shashwati Talukdar > ??? > ----------------------------------- > > > http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/http://fournineandahalf.com > > On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <[email protected]> wrote: > Chris Marker,?Wim Wenders,?https://vimeo.com/108736758... > > On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett <[email protected]> > wrote: > Hi! > Does anyone have recommendations of films that are all voice over that are > particularly great? > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/57555a69/attachment-0001.html> > > ------------------------------ > > Message: 14 > Date: Sun, 8 Apr 2018 15:43:17 -0400 > From: mary billyou <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Labor Movement films? > Message-ID: > <caghq9yz8pbudkofyu4kzvyvo22noa36jmnpuu-od3rvu-qm...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Abigail Child's *Acts and Intermissions* > > On Sun, Apr 8, 2018 at 3:23 PM, Brandon Walley <[email protected]> wrote: > >> Looking for experimental, nonfiction, feature or shorts that deal with the >> works right, labor unions or related for a May Day screening. Suggestions? >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > > > -- > > > > > > www.marybillyou.com > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/5efccc33/attachment-0001.html> > > ------------------------------ > > Message: 15 > Date: Sun, 8 Apr 2018 20:05:02 +0000 > From: "William Wees, Dr." <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Labor Movement films? > Message-ID: > > <yqbpr0101mb174750dff5423f2258287ddf87...@yqbpr0101mb1747.canprd01.prod.outlook.com> > > Content-Type: text/plain; charset="iso-8859-1" > > Solidarity > by Joyce Wieland<http://www.cfmdc.org/filmmaker/1350> > Canada / 10:40 / 1973 / sound / colour > A film on the Dare strike of the early 1970s. Hundreds of feet and legs, > milling, marching and picketing with the word Solidarity superimposed on the > screen. The soundtrack is an organizer's speech on the labour situation. Like > her films "Rat Life and Diet in North America," "Pierre Vallieres" and > "Reason Over Passion," Solidarity combines a political awareness, an > aesthetic viewpoint and a sense of humour unique in Wieland's work. > > >> From the online catalogue of the Canadian Filmmakers Distribution Centre. > > > --Bill Wees > > William C. Wees > Emeritus Professor > McGill University > > > > ________________________________ > From: FrameWorks <[email protected]> on behalf of mary > billyou <[email protected]> > Sent: April 8, 2018 3:43 PM > To: Experimental Film Discussion List > Subject: Re: [Frameworks] Labor Movement films? > > Abigail Child's Acts and Intermissions > > On Sun, Apr 8, 2018 at 3:23 PM, Brandon Walley > <[email protected]<mailto:[email protected]>> wrote: > Looking for experimental, nonfiction, feature or shorts that deal with the > works right, labor unions or related for a May Day screening. Suggestions? > > _______________________________________________ > FrameWorks mailing list > [email protected]<mailto:[email protected]> > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > -- > > > > > > www.marybillyou.com<http://www.marybillyou.com> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/76c8590f/attachment-0001.html> > > ------------------------------ > > Message: 16 > Date: Sun, 08 Apr 2018 13:32:59 -0700 > From: Adam Hyman <[email protected]> > To: "Experimental Film Discussion List > <[email protected]>" <[email protected]> > Subject: Re: [Frameworks] Labor Movement films? > Message-ID: <d6efca49.7e45b%[email protected]> > Content-Type: text/plain; charset="us-ascii" > > Newsreel and Third World Newsreel and lots of films. > I just showed San Francisco State: On Strike that is one. > Mayday, on the Black Panther in 1969, is another. > Lots more. > > From: FrameWorks <[email protected]> on behalf of > William Wees <[email protected]> > Reply-To: "Experimental Film Discussion List > <[email protected]>" <[email protected]> > Date: Sunday, April 8, 2018 at 1:05 PM > To: "Experimental Film Discussion List <[email protected]>" > <[email protected]> > Subject: Re: [Frameworks] Labor Movement films? > > Solidarity > by Joyce Wieland <http://www.cfmdc.org/filmmaker/1350> > Canada / 10:40 / 1973 / sound / colour > A film on the Dare strike of the early 1970s. Hundreds of feet and legs, > milling, marching and picketing with the word Solidarity superimposed on the > screen. The soundtrack is an organizer's speech on the labour situation. > Like her films "Rat Life and Diet in North America," "Pierre Vallieres" and > "Reason Over Passion," Solidarity combines a political awareness, an > aesthetic viewpoint and a sense of humour unique in Wieland's work. > > >> From the online catalogue of the Canadian Filmmakers Distribution Centre. > > > > --Bill Wees > William C. Wees > Emeritus Professor > McGill University > > > > > From: FrameWorks <[email protected]> on behalf of mary > billyou <[email protected]> > Sent: April 8, 2018 3:43 PM > To: Experimental Film Discussion List > Subject: Re: [Frameworks] Labor Movement films? > > Abigail Child's Acts and Intermissions > > On Sun, Apr 8, 2018 at 3:23 PM, Brandon Walley <[email protected]> wrote: >> Looking for experimental, nonfiction, feature or shorts that deal with the >> works right, labor unions or related for a May Day screening. Suggestions? >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > > > -- > > > > > > www.marybillyou.com <http://www.marybillyou.com> > _______________________________________________ FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/c89e8e1c/attachment-0001.html> > > ------------------------------ > > Message: 17 > Date: Sun, 8 Apr 2018 16:33:34 -0400 > From: Tara Nelson <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Labor Movement films? > Message-ID: > <CALr5TsjKptpDO-M=17oaizsz5viq2mx0xkbnffj_vsjqmy3...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > Check out the Labor Film Series at the Dryden Theater, programmed by Jurij > Meden. > > https://www.eastman.org/film-series/labor-film-series > > On Sun, Apr 8, 2018 at 3:23 PM, Brandon Walley <[email protected]> wrote: > >> Looking for experimental, nonfiction, feature or shorts that deal with the >> works right, labor unions or related for a May Day screening. Suggestions? >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/073f79a1/attachment-0001.html> > > ------------------------------ > > Message: 18 > Date: Sun, 08 Apr 2018 13:34:25 -0700 > From: Adam Hyman <[email protected]> > To: "Experimental Film Discussion List > <[email protected]>" <[email protected]> > Subject: Re: [Frameworks] Labor Movement films? > Message-ID: <d6efcabf.7e45f%[email protected]> > Content-Type: text/plain; charset="us-ascii" > > Sent too soon. Links: > https://www.twn.org/ > > http://www.newsreel.org/ > > > > From: FrameWorks <[email protected]> on behalf of Adam > Hyman <[email protected]> > Reply-To: "Experimental Film Discussion List > <[email protected]>" <[email protected]> > Date: Sunday, April 8, 2018 at 1:32 PM > To: "Experimental Film Discussion List <[email protected]>" > <[email protected]> > Subject: Re: [Frameworks] Labor Movement films? > > Newsreel and Third World Newsreel and lots of films. > I just showed San Francisco State: On Strike that is one. > Mayday, on the Black Panther in 1969, is another. > Lots more. > > From: FrameWorks <[email protected]> on behalf of > William Wees <[email protected]> > Reply-To: "Experimental Film Discussion List > <[email protected]>" <[email protected]> > Date: Sunday, April 8, 2018 at 1:05 PM > To: "Experimental Film Discussion List <[email protected]>" > <[email protected]> > Subject: Re: [Frameworks] Labor Movement films? > > Solidarity > by Joyce Wieland <http://www.cfmdc.org/filmmaker/1350> > Canada / 10:40 / 1973 / sound / colour > A film on the Dare strike of the early 1970s. Hundreds of feet and legs, > milling, marching and picketing with the word Solidarity superimposed on the > screen. The soundtrack is an organizer's speech on the labour situation. > Like her films "Rat Life and Diet in North America," "Pierre Vallieres" and > "Reason Over Passion," Solidarity combines a political awareness, an > aesthetic viewpoint and a sense of humour unique in Wieland's work. > > >> From the online catalogue of the Canadian Filmmakers Distribution Centre. > > > > --Bill Wees > William C. Wees > Emeritus Professor > McGill University > > > > > From: FrameWorks <[email protected]> on behalf of mary > billyou <[email protected]> > Sent: April 8, 2018 3:43 PM > To: Experimental Film Discussion List > Subject: Re: [Frameworks] Labor Movement films? > > Abigail Child's Acts and Intermissions > > On Sun, Apr 8, 2018 at 3:23 PM, Brandon Walley <[email protected]> wrote: >> Looking for experimental, nonfiction, feature or shorts that deal with the >> works right, labor unions or related for a May Day screening. Suggestions? >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > > > > -- > > > > > > www.marybillyou.com <http://www.marybillyou.com> > _______________________________________________ FrameWorks mailing list > [email protected]https://mailman-mail5.webfaction.com/listinfo/ > frameworks > _______________________________________________ FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/5f501de0/attachment-0001.html> > > ------------------------------ > > Message: 19 > Date: Sun, 08 Apr 2018 21:17:26 +0000 > From: Ignacio Tamarit <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Voice over > Message-ID: > <capnvr4r9yarr8zvcdxkxwgsfvrpg3swytqi3dkstqf7mxyv...@mail.gmail.com> > Content-Type: text/plain; charset="utf-8" > > REcreation by Bob Breer > Taller by Narcisa Hirsch > > El dom., 8 abr. 2018 4:31 p. m., Gene Youngblood <[email protected]> > escribi?: > >> Hollis Frampton, Nostalgia >> >> Gene & Jane Youngblood >> (505) 395-6370 home >> >> On April 8, 2018 at 12:47:54 PM, Surbhi Goel ([email protected]) wrote: >> >> * Encounters at the End* of the *World (*Werner Herzog, 2007) >> >> not exactly voice over in traditional sense but, Tarkovsky's father >> reciting his poetry in Zerkalo makes for a haunting soulful voice-over >> >> >> best regards, >> Surbhi >> >> On 8 April 2018 at 22:53, Dennis Doros <[email protected]> wrote: >> >>> Margot Benacerraf's ARAYA. >>> >>> Luc Besson's ATLANTIS >>> >>> Leo Hurwitz NATIVE LAND (can't remember if it's 100% voice-over). STRANGE >>> VICTORY is about 90% voice-over. >>> >>> >>> ? >>> >>> Fondest regards, >>> Dennis Doros, Co-owner >>> *Milestone Film & Video ? *PO Box 128 ? Harrington Park, NJ 07640 >>> Phone: +1 (201) 767-3117 ? Email: [email protected] ? >>> www.milestone.film >>> >>> President, *Association of Moving Image Archivists* >>> [email protected] ? www.amianet.org >>> *AMIA 2018 ? 11/28 ? 12/1 Portland, OR* >>> >>> JOIN MILESTONE'S MAILING LIST TODAY! >>> <http://milestonefilms.us3.list-manage1.com/subscribe/post?u=4a0b9e434a9f3e8603c29806e&id=f30d1906e2> >>> Support us on Facebook >>> <http://www.facebook.com/pages/Milestone-Film/22348485426> and Twitter >>> <https://twitter.com/#!/MilestoneFilms>! >>> >>> >>> >>> >>> >>> On Sun, Apr 8, 2018 at 12:47 PM, Aman Wadhan <[email protected]> >>> wrote: >>> >>>> Patrick Keiller ('London', 'Robinson in Space', 'Robinson in Ruins'). >>>> >>>> And not to forget some of the most haunting voice-over performances ever >>>> -- the films of Marguerite Duras ('Agatha et les lectures illimit?es', >>>> 'India Song'). >>>> >>>> >>>> On Sunday, April 8, 2018, T. Siddle <[email protected]> wrote: >>>> >>>>> Blue, by Derek Jarman >>>>> The Black Tower, by John Smith >>>>> Black Swans at Night, by Fiona Trigg >>>>> >>>>> >>>>> On Sun, Apr 8, 2018 at 8:15 AM lagonaboba <[email protected]> wrote: >>>>> >>>>>> Universal Hotel, by Peter Thompson >>>>>> Routine Pleasures, by Jean Pierre Gorin (almost all voiceover) >>>>>> Jollies, by Sadie Benning >>>>>> Vanalyne Green?s work (Spy in the House that Ruth Built >>>>>> Las Hurdes, by Bunuel >>>>>> >>>>>> >>>>>> >>>>>> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <[email protected]> >>>>>> wrote: >>>>>> >>>>>> Bill Brown >>>>>> >>>>>> regards, >>>>>> >>>>>> Shashwati Talukdar >>>>>> ??? >>>>>> ----------------------------------- >>>>>> <https://www.facebook.com/fournineandahalf> >>>>>> <http://vimeo.com/shashwati> >>>>>> <https://www.linkedin.com/profile/preview?vpa=pub&locale=en_US> >>>>>> <https://twitter.com/cinedevi> >>>>>> [image: Four Nine and a Half Pictures, Inc.] >>>>>> <http://fournineandahalf.com/> >>>>>> <http://wallstories.fournineandahalf.com/> <http://dontbeatmesir.com/> >>>>>> http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/ >>>>>> http://fournineandahalf.com >>>>>> >>>>>> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick <[email protected]> >>>>>> wrote: >>>>>> >>>>>>> Chris Marker, Wim Wenders, https://vimeo.com/108736758... >>>>>>> >>>>>>> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett < >>>>>>> [email protected]> wrote: >>>>>>> >>>>>>>> Hi! >>>>>>>> Does anyone have recommendations of films that are all voice over >>>>>>>> that are particularly great? >>>>>>>> _______________________________________________ >>>>>>>> FrameWorks mailing list >>>>>>>> [email protected] >>>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>>>> >>>>>>> >>>>>>> >>>>>>> _______________________________________________ >>>>>>> FrameWorks mailing list >>>>>>> [email protected] >>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>>> >>>>>>> >>>>>> _______________________________________________ >>>>>> FrameWorks mailing list >>>>>> [email protected] >>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>> >>>>>> >>>>>> _______________________________________________ >>>>>> FrameWorks mailing list >>>>>> [email protected] >>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>> >>>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>> >>>> >>> >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> >>> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks >> > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/a44acd3b/attachment-0001.html> > > ------------------------------ > > Message: 20 > Date: Sun, 8 Apr 2018 17:51:29 -0400 > From: Robert Harris <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Voice over > Message-ID: <[email protected]> > Content-Type: text/plain; charset="utf-8" > > Sink or Swim, Su Friedrich > > > >> On Apr 8, 2018, at 5:17 PM, Ignacio Tamarit <[email protected]> >> wrote: >> >> REcreation by Bob Breer >> Taller by Narcisa Hirsch >> >> El dom., 8 abr. 2018 4:31 p. m., Gene Youngblood <[email protected]> >> escribi?: >>> Hollis Frampton, Nostalgia >>> >>> Gene & Jane Youngblood >>> (505) 395-6370 home >>> >>>> On April 8, 2018 at 12:47:54 PM, Surbhi Goel ([email protected]) wrote: >>>> >>>> Encounters at the End of the World (Werner Herzog, 2007) >>>> >>>> not exactly voice over in traditional sense but, Tarkovsky's father >>>> reciting his poetry in Zerkalo makes for a haunting soulful voice-over >>>> >>>> >>>> best regards, >>>> Surbhi >>>> >>>>> On 8 April 2018 at 22:53, Dennis Doros <[email protected]> wrote: >>>>> Margot Benacerraf's ARAYA. >>>>> >>>>> Luc Besson's ATLANTIS >>>>> >>>>> Leo Hurwitz NATIVE LAND (can't remember if it's 100% voice-over). STRANGE >>>>> VICTORY is about 90% voice-over. >>>>> >>>>> >>>>> ? >>>>> >>>>> Fondest regards, >>>>> Dennis Doros, Co-owner >>>>> Milestone Film & Video ? PO Box 128 ? Harrington Park, NJ 07640 >>>>> Phone: +1 (201) 767-3117 ? Email: [email protected] ? www.milestone.film >>>>> >>>>> President, Association of Moving Image Archivists >>>>> [email protected] ? www.amianet.org >>>>> AMIA 2018 ? 11/28 ? 12/1 Portland, OR >>>>> >>>>> JOIN MILESTONE'S MAILING LIST TODAY! >>>>> Support us on Facebook and Twitter! >>>>> >>>>> >>>>> >>>>> >>>>> >>>>>> On Sun, Apr 8, 2018 at 12:47 PM, Aman Wadhan <[email protected]> >>>>>> wrote: >>>>>> Patrick Keiller ('London', 'Robinson in Space', 'Robinson in Ruins'). >>>>>> >>>>>> And not to forget some of the most haunting voice-over performances ever >>>>>> -- the films of Marguerite Duras ('Agatha et les lectures illimit?es', >>>>>> 'India Song'). >>>>>> >>>>>> >>>>>>> On Sunday, April 8, 2018, T. Siddle <[email protected]> wrote: >>>>>>> Blue, by Derek Jarman >>>>>>> The Black Tower, by John Smith >>>>>>> Black Swans at Night, by Fiona Trigg >>>>>>> >>>>>>> >>>>>>>> On Sun, Apr 8, 2018 at 8:15 AM lagonaboba <[email protected]> wrote: >>>>>>>> Universal Hotel, by Peter Thompson >>>>>>>> Routine Pleasures, by Jean Pierre Gorin (almost all voiceover) >>>>>>>> Jollies, by Sadie Benning >>>>>>>> Vanalyne Green?s work (Spy in the House that Ruth Built >>>>>>>> Las Hurdes, by Bunuel >>>>>>>> >>>>>>>> >>>>>>>> >>>>>>>>> On Apr 8, 2018, at 11:05 AM, Shashwati Talukdar <[email protected]> >>>>>>>>> wrote: >>>>>>>>> >>>>>>>>> Bill Brown >>>>>>>>> >>>>>>>>> regards, >>>>>>>>> >>>>>>>>> Shashwati Talukdar >>>>>>>>> ??? >>>>>>>>> ----------------------------------- >>>>>>>>> >>>>>>>>> >>>>>>>>> http://dontbeatmesir.comhttp://wallstories.fournineandahalf.com/http://fournineandahalf.com >>>>>>>>> >>>>>>>>>> On Sun, Apr 8, 2018 at 10:59 PM, Anthony Yanick >>>>>>>>>> <[email protected]> wrote: >>>>>>>>>> Chris Marker, Wim Wenders, https://vimeo.com/108736758... >>>>>>>>>> >>>>>>>>>>> On Sun, Apr 8, 2018 at 10:55 AM, Mariah Garnett >>>>>>>>>>> <[email protected]> wrote: >>>>>>>>>>> Hi! >>>>>>>>>>> Does anyone have recommendations of films that are all voice over >>>>>>>>>>> that are particularly great? >>>>>>>>>>> _______________________________________________ >>>>>>>>>>> FrameWorks mailing list >>>>>>>>>>> [email protected] >>>>>>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>>>>>> >>>>>>>>>> >>>>>>>>>> _______________________________________________ >>>>>>>>>> FrameWorks mailing list >>>>>>>>>> [email protected] >>>>>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>>>>>> >>>>>>>>> >>>>>>>>> _______________________________________________ >>>>>>>>> FrameWorks mailing list >>>>>>>>> [email protected] >>>>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>>>> >>>>>>>> _______________________________________________ >>>>>>>> FrameWorks mailing list >>>>>>>> [email protected] >>>>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>> >>>>>> _______________________________________________ >>>>>> FrameWorks mailing list >>>>>> [email protected] >>>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>>> >>>>> >>>>> >>>>> _______________________________________________ >>>>> FrameWorks mailing list >>>>> [email protected] >>>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>>>> >>>> >>>> _______________________________________________ >>>> FrameWorks mailing list >>>> [email protected] >>>> https://mailman-mail5.webfaction.com/listinfo/frameworks >>> _______________________________________________ >>> FrameWorks mailing list >>> [email protected] >>> https://mailman-mail5.webfaction.com/listinfo/frameworks >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180408/3ffb89af/attachment-0001.html> > > ------------------------------ > > Message: 21 > Date: Sun, 8 Apr 2018 15:12:32 -0700 > From: Gail Silva <[email protected]> > To: Experimental Film Discussion List <[email protected]> > Subject: Re: [Frameworks] Labor Movement films? > Message-ID: <[email protected]> > Content-Type: text/plain; charset=utf-8 > > Check with SF Labor Fest ? they have an archive going back over 24 years of > their past festival offerings. > > http://www.laborfest.net/about-laborfest/ > >> On Apr 8, 2018, at 12:23 PM, Brandon Walley <[email protected]> wrote: >> >> Looking for experimental, nonfiction, feature or shorts that deal with the >> works right, labor unions or related for a May Day screening. Suggestions? >> _______________________________________________ >> FrameWorks mailing list >> [email protected] >> https://mailman-mail5.webfaction.com/listinfo/frameworks > > > > > ------------------------------ > > Message: 22 > Date: Mon, 9 Apr 2018 01:08:39 +0200 > From: "Mag.art. Nadine Taschler" <[email protected]> > To: [email protected], "Filmkoop Wien" > <[email protected]>, "Verteiler Farocki und Maren" > <[email protected]>, "Doris Lagler" <[email protected]>, > "Frameworks Frameworks List" <[email protected]>, "Klasse > Medien Constanze " <[email protected]> > Subject: [Frameworks] 35mm Steenbeck give away in Vienna > Message-ID: > > <trinity-3e60f664-184e-4b44-8cab-4754de63b932-1523228918956@3c-app-gmx-bs35> > > Content-Type: text/plain; charset="us-ascii" > > An HTML attachment was scrubbed... > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180409/59defe29/attachment.html> > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: IMAGE 2018-03-27 21_31_43.jpg > Type: image/jpeg > Size: 179851 bytes > Desc: not available > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180409/59defe29/attachment.jpg> > -------------- next part -------------- > A non-text attachment was scrubbed... > Name: IMAGE 2018-03-27 21_31_50.jpg > Type: image/jpeg > Size: 115365 bytes > Desc: not available > URL: > <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20180409/59defe29/attachment-0001.jpg> > > ------------------------------ > > Subject: Digest Footer > > _______________________________________________ > FrameWorks mailing list > [email protected] > https://mailman-mail5.webfaction.com/listinfo/frameworks > > > ------------------------------ > > End of FrameWorks Digest, Vol 95, Issue 6 > ***************************************** _______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks
