Hi all, Looking for any examples of "screenwriting" (or any kind of pre-visualization writing, whatever form it might take) of experimental films. I'm thinking in the line of Hollis Frampton's *Zorn's Lemma* notes or William Greaves' treatment of *Symbiopsychotaxiplasm*. I'm particularly interested in non-narrative films, films without pre-written dialogue, and a diversity of makers-- i.e. time period, mode, gender, sexuality, nationality, race, age, etc.
Thanks! -Billy Palumbo
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