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This week [June 16 - 24, 2018] in avant garde cinema


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<http://www.microscopegallery.com/wp-content/uploads/2018/06/Bruce_Elijah.jpg> 
"Double Halves" Double Projections Works By Josh Guilford & andrew Ranville, 
Sarah Halpern, Bruce Mcclure, LíVia Sá, Audra Wolowiec [June 16, Brooklyn, New 
York] 

NEW CALLS FOR ENTRIES:
Black Maria Film Festival (Jersey City, NJ, USA; Deadline: October 15, 2018)
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 &readfile=1982.ann
Artifact Small Format Film Festival (Calgary; Deadline: November 01, 2018)
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Main Street Landing Gallery (Burlington, Vermont, USA; Deadline: December 31, 
2018)
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DEADLINES APPROACHING:
Edinburgh Short Film Festival 2018 (Musselburgh; Deadline: June 25, 2018)
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 &readfile=1962.ann
Coney Island Film Festival (Brooklyn, NY, USA; Deadline: June 22, 2018)
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Rencontres Internationales Sciences & Cinémas (RISC) (Marseille, France; 
Deadline: June 30, 2018)
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Events are sorted alphabetically BY CITY within each DATE.

This week's programs (summary): 

*       "Double Halves" Double Projections Works By Josh Guilford & andrew 
Ranville, Sarah Halpern, Bruce Mcclure, LíVia Sá, Audra Wolowiec [June 16, 
Brooklyn, New York] 
*       Risco Cinema - Program Post-Digital <>  [June 16, Rio de Janeiro - 
Brazil ] 
*       Cc35 - Light Terrors: New Expanded Cinema From Winnipeg <>  [June 17, 
Minneapolis, Minnesota] 
*       From the Vault: Intro To Archiving and Preservation For Film + video  
<> [June 21, Brooklyn, New York] 


SATURDAY, JUNE 16, 2018

6/16
Brooklyn, New York: Microscope Gallery
http://www.microscopegallery.com 
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7.30pm, 1329 Willoughby Avenue, #2B
"DOUBLE HALVES" DOUBLE PROJECTIONS WORKS BY JOSH GUILFORD & ANDREW RANVILLE, 
SARAH HALPERN, BRUCE MCCLURE, LíVIA Sá, AUDRA WOLOWIEC
An evening of new and recent double projection works for 16mm film and 35mm 
film slides. The varied works in “Double Halves” utilize two projections to 
form a whole – although not literally – with each side complementing the other 
or serving as a part of a single narrative, visual composition, or projection 
apparatus. Some of the works are projected with a prerecorded soundtrack, 
others include more performative elements and/or a live sound accompaniment. In 
contemplating the works by the five artists, we have tumbled deep into the 
rabbit hole where we are now asking ourselves whether double projection is the 
more logical presentation of a medium in which it could be argued that duality 
is ever present. The celluloid film itself has a head and a tail; the 
projection (usually) requires two reels, feed and take up; in theaters films 
are loaded on and projected from two projectors to avoid downtime for reel 
changes; etc. Is double projection two projections or one divided in half? Full 
program & artist bios at www.microscopegallery.com 
<http://www.microscopegallery.com> . tel:347.925.1433, 
i...@microscopegallery.com <mailto:i...@microscopegallery.com> . Admission $10, 
Student & Members $8. Nearest Subway: Jefferson St L (exit Starr Street). 
Please note our new temporary entrance, which is the first door before the 
construction if approaching from Wyckoff. 

6/16
Rio de Janeiro - Brazil : Risco Cinema
https://www.facebook.com/events/234184324033517/ 
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17h, Av. Infante Dom Henrique, 85
RISCO CINEMA - PROGRAM POST-DIGITAL
Brazilian Post-Digital Movies: Retrato de uma árvore bonita (2012, 3’) - Rafael 
Fernandes; Siso (2017, 3’20”) — Randolpho Lamonier; Procura-se clímax através 
de um binóculo (2017, 1’00”) - Jeannie Helleny; Queros (2016, 2’13”) — Julia 
Baumfeld; É saudade (2017, 2’12”) — Francisco Pereira; De Frente para o Mar 
(2017, 4’04”) — Dayane Gomes; Todas as casas menos a minha (2017,20 min) - 
Julia Baumfeld; Um (2017, 4’00”) — Victor Galvão; I dreamed I was Jeannie 
(2017, 1’04”) — Jeannie Helleny; Eu, robô (2017, 10’54”) — Sara Não Tem Nome. 


SUNDAY, JUNE 17, 2018

6/17
Minneapolis, Minnesota: Cellular Cinema
7pm, 810 W Lake St
CC35 - LIGHT TERRORS: NEW EXPANDED CINEMA FROM WINNIPEG
Cellular Cinema is delighted to welcome back some of our expanded cinema artist 
friends from across the border to the North, including Doreen Girard, 
Marie-France Hollier, Leslie Supnet, and Colby Richardson. Works presented this 
evening will include: Doreen Girard + Marie-France Hollier TITLE / INFO: 
SPECTRAL REPAIR | 28 min | Experimental | Overhead Projector | Colour | Sound 
SYNOPSIS: Hand-animated assemblage of refracted light projections, performed 
with multiple projectors and lenses, with live sound accompaniment by 
Marie-France Hollier. 


THURSDAY, JUNE 21, 2018

6/21
Brooklyn, New York: co sponsored by the Women's Film Preservation Fund
https://uniondocs.org/event/2018-06-21-from-the-vault-intro-to-archiving-and-preservation-for-film-video/
 
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7:30-10:00PM, UnionDocs, 322 UNION AVE, BROOKLYN, NY 11211
FROM THE VAULT: INTRO TO ARCHIVING AND PRESERVATION FOR FILM + VIDEO 
Now that you’ve finished your documentary feature and it’s a file on your hard 
drive, have you thought about how to make sure it will last? Do you have a 
movie, shot on film, that can no longer be shown because the print is in 
tatters and no one is screening 16mm anymore? Do you have a documentary master 
on an obsolescent videotape format? Have you ever wondered if storing your 
film, video or digital work in your home or studio is a good idea, and why 
placing it in an archive will insure its longevity? The Women’s Film 
Preservation Fund and UnionDocs are co-sponsoring a panel geared to film and 
video makers who want to learn more about preserving their work. Moving image 
archivists, preservationists, and filmmakers including Kelly Hayden, Bill 
Seery, Rufus de Rham, Pamela Cruz, and others will discuss these questions and 
more. Tickets: $10.00, free admission for UnionDocs members. Please join us! 

  _____  

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