Perhaps these aren’t contemporary enough, but Al Jarnow’s Celestial Navigation (1984) includes a clock, a “clock” (Stonehenge), and uses the camera to repurpose his studio into another marker of time. Also, Len Lye’s trade Tattoo (1937) has a lot of imagery of clock faces.
Ruth http://www.randommotion.com <http://www.randommotion.com/> blogs.evergreen.edu/hayesr <http://blogs.evergreen.edu/hayesr> > On Oct 27, 2018, at 5:07 AM, Albert Alcoz <[email protected] > <mailto:[email protected]>> wrote: > > Hello frameworkers, > > > I’m trying to write a short article in spanish about different notions of > time concerning contemporary experimental film and video. Since the concept > of “time related to cinema” is almost impossible to delimit I have decided to > concentrate just about the clock. > > > So, i’m searching films and videos where the clock is an important > object/issue for the development of the piece. By now I have just found > appropiation works as 60 Seconds (2002) by Christoph Girardet and The Clock > (2012) by Christian Marclay but i’m sure there are dozens. > > > There’s a brilliant film by Chris Gallagher named Time Being (2009) that > could also be useful to theorize some ideas but I need some more titles. > > > Any suggestions? > > > Thank you all, > > > Best, > > Albert > > > -- > http://visionaryfilm.net/ <http://www.visionaryfilm.net/> > http://albertalcoz.com/ <http://www.albertalcoz.com/> > _______________________________________________ > FrameWorks mailing list > [email protected] <mailto:[email protected]> > https://mailman-mail5.webfaction.com/listinfo/frameworks > <https://mailman-mail5.webfaction.com/listinfo/frameworks>
_______________________________________________ FrameWorks mailing list [email protected] https://mailman-mail5.webfaction.com/listinfo/frameworks
