Then you should look for emulsions on the second-hand market.
Film is expensive, and the workflow is expensive.
M

On Thu, 22 Nov 2018 at 10:54, fracto <[email protected]> wrote:

> Dear Marco
> and if I'm quite poor ? :)
> G
>
> On Thu, 22 Nov 2018 at 10:24, Marco Poloni <[email protected]> wrote:
>
>> Hello,
>> congrats.
>> If you have the money, Kodak makes excellent emulsions, e.g.
>> KODAK VISION3 250D Color Negative Film 5207 / 7207
>> The question though is what you are going to do afterwards with the
>> material. Analog workflow or transfer to digital? If well scanned, 2K
>> resolution is perfect for 16mm footage. 4K will give you nothing more.
>> Best,
>> Marco
>>
>> On Thu, 22 Nov 2018 at 10:18, giuseppe boccassini <[email protected]>
>> wrote:
>>
>>> Dear all,
>>> I just got a Krasnogorsk K-316mm Semi Automatic Mechanical Movie
>>> Camera. Meteor-5-1 17-69 mm f/ 1.9 Lens.
>>> Do you have any special suggestion around how to use it or any sort of
>>> best solution in terms of film stock?
>>>
>>> Thank you
>>> all best
>>>
>>> --
>>> Giuseppe Boccassini
>>> *the tension to the invisible*
>>>
>>>
>>> filmmaker <http://giuseppeboccassini.com>
>>> lightcone <https://lightcone.org/en/filmmaker-3159-giuseppe-boccassini>
>>> fracto <http://fractofilm.com/>
>>> _______________________________________________
>>> FrameWorks mailing list
>>> [email protected]
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>>
>>
>>
>> --
>>
>>
>>
>> Marco Poloni
>> http://www.theanalogueislandbureau.net
>> gsm ch +41.78.6322028
>> gsm de +49.176.74110112
>> skype marpoloni
>> _______________________________________________
>> FrameWorks mailing list
>> [email protected]
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>
>
>
> --
> --
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> c/o Acud Macht Neu
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> 10119 Berlin
> www.fractofilm.com
>
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-- 



Marco Poloni
http://www.theanalogueislandbureau.net
gsm ch +41.78.6322028
gsm de +49.176.74110112
skype marpoloni
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