Dear Esperanza,
I’m very interested to hear about this, when would the seminar take place? I’m
currently based in China, and will be back in UK during the summer.
I’ve written quite extensively about my own practice and its contexts - see
www.nickcopefilm.com <http://www.nickcopefilm.com/>, and my PhD “Northern
Industrial Scratch: A Visual Music Practice and its Contexts.
Also various publications about the work -
‘Electroacoustic Moviemaking: A Creative Media Practice Research Collaboration
Case Study.’ Journal article currently under review for Studies in Australasian
Cinema special issue on practice based research.
‘Revisiting Scratch Video’ and ‘Amen: Survive the Coming Hard Times’ video and
journal article of accompanying research contexts selected for publication in
‘Aesthetics/Politics/Activism/Art: What is Radical Film?’ Screenworks special
issue, the peer-reviewed online publication of practice research in film and
screen media, Volume 7.3, December 2017. http://screenworks.org.uk/
<http://screenworks.org.uk/>, ISSN 2514-3123.
‘Globus Hystericus’ video in collaboration with composer Professor Tim Howle,
and journal article of supporting research contexts, Sightlines: Film-making in
the Academy peer- reviewed online audiovisual journal, issue 1, Australian
Screen Production, Education & Research Association, November 2015, ISSN
978-0-9943365-1-4.
http://www.aspera.org.au/research/sightlines-globus-hystericus/
<http://www.aspera.org.au/research/sightlines-globus-hystericus/>
‘Electroacoustic Movies: A visual music practice and its contexts’ journal
article
Divergence Press: Issue 2 – Sound. Music. Image - online, open access,
peer-reviewed journal and resource hub for contemporary music, Centre for
Research in New Music, University of Huddersfield, May 2014, ISSN 2052-3467.
http://divergencepress.net/articles/2016/11/3/h4ju9gihvt68nfrukgto05fskaoipa
<http://divergencepress.net/articles/2016/11/3/h4ju9gihvt68nfrukgto05fskaoipa>
Kind regards,
Nick Cope
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