Fischinger for sure. There’s a great paper on this by a British guy -  I heard 
him read at a conference, will try to remember the reference.

> On Oct 3, 2019, at 5:30 PM, [email protected] wrote:
> 
> Send FrameWorks mailing list submissions to
>    [email protected]
> 
> To subscribe or unsubscribe via the World Wide Web, visit
>    https://mailman-mail5.webfaction.com/listinfo/frameworks
> or, via email, send a message with subject or body 'help' to
>    [email protected]
> 
> You can reach the person managing the list at
>    [email protected]
> 
> When replying, please edit your Subject line so it is more specific
> than "Re: Contents of FrameWorks digest..."
> 
> 
> Today's Topics:
> 
>   1. Re: Filmmakers who use(d) visual scores or other forms    of
>      notation (Tara)
>   2. Re: Filmmakers who use(d) visual scores or other forms of
>      notation (Beebe, Roger W.)
>   3. Re: touring "A Roll for Peter" (Dominic Angerame)
>   4. Re: Filmmakers who use(d) visual scores or other forms of
>      notation (luis ?)
> 
> 
> ----------------------------------------------------------------------
> 
> Message: 1
> Date: Thu, 3 Oct 2019 08:44:49 -0400
> From: Tara <[email protected]>
> To: Experimental Film Discussion List <[email protected]>
> Subject: Re: [Frameworks] Filmmakers who use(d) visual scores or other
>    forms    of notation
> Message-ID: <[email protected]>
> Content-Type: text/plain; charset="utf-8"
> 
> Rose Lowder does not score her films before shooting. Her notebooks are 
> transcriptions of the films made after they are shot. 
> Tara Merenda Nelson
> 
>> On Oct 3, 2019, at 4:12 AM, Albert Alcoz <[email protected]> wrote:
>> 
>> Dear Alix,
>> 
>> Concerning this field the major recommendation would be the PhD dissertation 
>> written by Michelle Adrianna Puetz.
>> "Variable Area: Hearing and Seeing Sound in Structural Cinema, 1966?1978" is 
>> the title of an awesome study you can find online as a pdf.
>> 
>> In 2018 the (S8) film festival organized an exhibition curated by Gloria 
>> Vilches and Elena Duque named El cine en papel about this same idea.
>> There were drawing pieces and filmstrips by Lis Rhodes, Peter Kubelka, Rose 
>> Lowder, etc.. 
>> 
>> Other names that comes to mind: Bill Brand, Ladislav Galeta, Heinz Emigholz.
>> I'm not sure about it but maybe some of the filmmakers behind the Workshop 
>> of Film Form were working with visual scores too.
>> 
>> Albert 
>> 
>>> On Thu, Oct 3, 2019 at 3:56 AM FrameWorks Admin <[email protected]> 
>>> wrote:
>>> Dear Alix,
>>> I think there are many. Of course Paul Sharits, as can be seen in the 
>>> documentary on him by Fran?ois Miron.
>>> I have images from scores by Peter Kubelka, Peter Rose, Martin Arnold, 
>>> Joost Rekveld and even myself.
>>> There are also scores made a posteriori for example, by Huckleberry Lain of 
>>> Arnulf Rainer.
>>> - Pip Chodorov
>>> 
>>> 
>>>> On Oct 3, 2019, at 7:48 AM, Alix Blevins <[email protected]> wrote:
>>>> I'm working on a project and looking for references of filmmakers whose 
>>>> works employ visual scores and/or other graphic notation in making films 
>>>> (e.g. Kurt Kren, Rose Lowder). 
>>>> 
>>> 
>>> _______________________________________________
>>> FrameWorks mailing list
>>> [email protected]
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
>> 
>> -- 
>> http://visionaryfilm.net/
>> http://albertalcoz.com/
>> _______________________________________________
>> FrameWorks mailing list
>> [email protected]
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL: 
> <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20191003/01813f18/attachment-0001.html>
> 
> ------------------------------
> 
> Message: 2
> Date: Thu, 3 Oct 2019 13:09:44 +0000
> From: "Beebe, Roger W." <[email protected]>
> To: Experimental Film Discussion List <[email protected]>
> Subject: Re: [Frameworks] Filmmakers who use(d) visual scores or other
>    forms of notation
> Message-ID: <[email protected]>
> Content-Type: text/plain; charset="utf-8"
> 
> Not exactly what you?ve asked for, but there was a pretty interesting 
> exhibition of visual scores (for music) at the Miller Gallery at Carnegie 
> Mellon a few years ago:
> 
> http://millergallery.cfa.cmu.edu/exhibitions/aftersound/
> 
> FYI,
> Roger
> 
> From: FrameWorks <[email protected]> on behalf of Alix 
> Blevins <[email protected]>
> Reply-To: Experimental Film Discussion List <[email protected]>
> Date: Wednesday, October 2, 2019 at 6:48 PM
> To: "[email protected]" <[email protected]>
> Subject: [Frameworks] Filmmakers who use(d) visual scores or other forms of 
> notation
> 
> Hello Frameworks,
> 
> I'm working on a project and looking for references of filmmakers whose works 
> employ visual scores and/or other graphic notation in making films (e.g. Kurt 
> Kren, Rose Lowder).
> 
> Any suggestions are appreciated!
> Alix Blevins
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL: 
> <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20191003/4b29cf94/attachment-0001.html>
> 
> ------------------------------
> 
> Message: 3
> Date: Thu, 3 Oct 2019 11:59:56 -0700
> From: Dominic Angerame <[email protected]>
> To: Experimental Film Discussion List <[email protected]>
> Subject: Re: [Frameworks] touring "A Roll for Peter"
> Message-ID: <[email protected]>
> Content-Type: text/plain; charset="utf-8"
> 
> Congrats on all this work promoting the reels in tribute to Peter Hutton. 
> Great job and I know this is a lot of work.
> 
> Dominic
> 
>> On Oct 2, 2019, at 8:55 PM, Eric Theise <[email protected]> wrote:
>> 
>> Hey Frameworkers,
>> 
>> A Roll for Peter, the Peter Hutton tribute compilation that crisscrossed 
>> North America during the first half of 2017, is on its way across the 
>> Atlantic and will screen in Grenoble on 11 Oct at Le 102. I had little to do 
>> with this; Joyce Lain? made it happen with an assist from Mark Street. I 
>> have updated http://erictheise.com/films/a-roll-for-peter/ 
>> <http://erictheise.com/films/a-roll-for-peter/> and 
>> https://www.facebook.com/arollforpeter/ 
>> <https://www.facebook.com/arollforpeter/> with the relevant info and wish 
>> I'd known to tell you earlier about the multi-city, multi-day focus on 
>> Hutton that went down at the end of September: 
>> https://www.videodrome2.fr/focus-sur-peter-hutton/ 
>> <https://www.videodrome2.fr/focus-sur-peter-hutton/>.
>> 
>> Eric
>> 
>> 
>> On Tue, Jan 24, 2017 at 3:16 PM Eric Theise <[email protected] 
>> <mailto:[email protected]>> wrote:
>> Another in my occasional updates about A Roll for Peter, the 16mm 
>> multi-maker Peter Hutton tribute project. A number of venues and dates have 
>> been added since my last email so here's the current list of upcoming 
>> screenings.
>> 
>>    1 March: Lexington Film League at 21c, Lexington, KY
>>    7 March: UWM Union Cinema, Milwaukee, WI
>>    13 March: Aggregate Space Gallery, Oakland, CA
>>    18 March: Echo Park Film Center, Los Angeles, CA
>>    1 April: Other Cinema, San Francisco, CA
>>    9 April: Hamilton College F.I.L.M. SERIES/Bradford Auditorium, Clinton, NY
>>    13 April, NW Film Forum, Seattle, WA
>>    23 April: Cellular Cinema/Bryant-Lake Bowl, Minneapolis, MN
>>    29 April: Iris Film Collective, Vancouver, BC
>>    5 May: Niagara Custom Lab, Toronto, ON
>>    12 May: Visions, Montr?al, QC
>> 
>> For information about Saturday's screening at Atlanta's Eyedrum please call 
>> the venue at (678) 813-7860 <tel:(678)%20813-7860>.
>> 
>> That's today's snapshot. The best places to track updates to the tour are 
>> http://erictheise.com/films/a-roll-for-peter/ 
>> <http://erictheise.com/films/a-roll-for-peter/> and 
>> https://www.facebook.com/arollforpeter/ 
>> <https://www.facebook.com/arollforpeter/> (and why not Like it while you're 
>> there?).
>> 
>> There are very few opportunities left for bookings in March, April, or May. 
>> If you run or know of a venue that would like to screen A Roll for Peter 
>> during the first three weeks of February, please be in touch, pronto.
>> 
>> The first two screenings of 2017, at UNEXPOSED Microcinema in Durham and 
>> Sunspot Cinema/UCF Art Gallery in Orlando, were well received. For the 
>> latter, feedback was: "so lovely? I wish I could see those films again! Such 
>> a great opportunity to see such an ephemeral program", for the former, 
>> simply, "f*cking killer".
>> 
>> Thanks!
>> 
>> Eric
>> 
>> 
>> On Tue, Jan 3, 2017 at 3:28 PM, Eric Theise <[email protected] 
>> <mailto:[email protected]>> wrote:
>> I'm pleased to let you all know that the tour of A Roll for Peter, the Peter 
>> Hutton tribute film organized by Jennifer Reeves & Mark Street, has eight 
>> confirmed dates as we head into 2017, commencing with Friday the 13th of 
>> January at the UNEXPOSED Microcinema in Durham, NC.
>> 
>> For those of you who don't follow links, the dates/venues thus far are
>>    13 January: UNEXPOSED Microcinema, Durham, NC
>>    19 January: Sunspot Cinema/UCF Art Gallery, Orlando, FL
>>    25 January: Ohio State University, Columbus, OH
>>    25 February: Spectacle Society, Dallas, TX
>>    1 March: LFL at 21c, Lexington, KY
>>    7 March: UWM Union Cinema, Milwaukee, WI
>>    9 April: Hamilton College F.I.L.M. SERIES/Bradford Auditorium, Clinton, NY
>>    23 April: Cellular Cinema/Bryant-Lake Bowl, Minneapolis, MN
>> 
>> and if you do follow links, here's one to the most detailed and up-to-date 
>> page for the overall project:
>>    http://erictheise.com/films/a-roll-for-peter/ 
>> <http://erictheise.com/films/a-roll-for-peter/>
>> 
>> If you run a series and would like to present A Roll for Peter between now 
>> and late May 2017, please review the details at that page, then email me 
>> with some proposed dates.
>> 
>> I've been in touch with people in Albuquerque, Atlanta, Austin, Baltimore, 
>> Boston, Boulder, Buffalo, Chicago, Detroit, Iowa City, Knoxville, New 
>> Orleans, Portland (OR), Providence, San Francisco, Seattle, Toronto, and 
>> Tucson about screenings. Some cases: no reply; some cases: a date & location 
>> should be announced soon. If you'd like to see A Roll for Peter in one of 
>> those cities, email me OFF LIST and I'll let you know who I've been talking 
>> with.
>> 
>> If there's an additional city or venue where you would like the project 
>> shown, please reply or email me off list with your ideas and recommendations.
>> 
>> Thanks for your interest in and support of this project!
>> 
>> Eric
>> 
>> 
>> 
>> On Tue, Jan 3, 2017 at 3:28 PM, Eric Theise <[email protected] 
>> <mailto:[email protected]>> wrote:
>> I'm pleased to let you all know that the tour of A Roll for Peter, the Peter 
>> Hutton tribute film organized by Jennifer Reeves & Mark Street, has eight 
>> confirmed dates as we head into 2017, commencing with Friday the 13th of 
>> January at the UNEXPOSED Microcinema in Durham, NC.
>> 
>> For those of you who don't follow links, the dates/venues thus far are
>>    13 January: UNEXPOSED Microcinema, Durham, NC
>>    19 January: Sunspot Cinema/UCF Art Gallery, Orlando, FL
>>    25 January: Ohio State University, Columbus, OH
>>    25 February: Spectacle Society, Dallas, TX
>>    1 March: LFL at 21c, Lexington, KY
>>    7 March: UWM Union Cinema, Milwaukee, WI
>>    9 April: Hamilton College F.I.L.M. SERIES/Bradford Auditorium, Clinton, NY
>>    23 April: Cellular Cinema/Bryant-Lake Bowl, Minneapolis, MN
>> 
>> and if you do follow links, here's one to the most detailed and up-to-date 
>> page for the overall project:
>>    http://erictheise.com/films/a-roll-for-peter/ 
>> <http://erictheise.com/films/a-roll-for-peter/>
>> 
>> If you run a series and would like to present A Roll for Peter between now 
>> and late May 2017, please review the details at that page, then email me 
>> with some proposed dates.
>> 
>> I've been in touch with people in Albuquerque, Atlanta, Austin, Baltimore, 
>> Boston, Boulder, Buffalo, Chicago, Detroit, Iowa City, Knoxville, New 
>> Orleans, Portland (OR), Providence, San Francisco, Seattle, Toronto, and 
>> Tucson about screenings. Some cases: no reply; some cases: a date & location 
>> should be announced soon. If you'd like to see A Roll for Peter in one of 
>> those cities, email me OFF LIST and I'll let you know who I've been talking 
>> with.
>> 
>> If there's an additional city or venue where you would like the project 
>> shown, please reply or email me off list with your ideas and recommendations.
>> 
>> Thanks for your interest in and support of this project!
>> 
>> Eric
>> 
>> 
>> _______________________________________________
>> FrameWorks mailing list
>> [email protected]
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL: 
> <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20191003/5c332671/attachment-0001.html>
> 
> ------------------------------
> 
> Message: 4
> Date: Thu, 3 Oct 2019 23:29:37 +0200
> From: "luis ?" <[email protected]>
> To: Experimental Film Discussion List <[email protected]>
> Subject: Re: [Frameworks] Filmmakers who use(d) visual scores or other
>    forms of notation
> Message-ID:
>    <CAOe=jtk_pc3461babjxqabg6r1jnk_0mjqcohf-w+qbjxz5...@mail.gmail.com>
> Content-Type: text/plain; charset="utf-8"
> 
> Dear Alix,
> 
> I?m working in some film scores...specially in visual scores for film
> performances....Compositions to be interpreted in live by myself and/or
> for/with others filmmakers/performers with projectors , slide, film,
> lights... Let me know if you are interested in this kind of graphic
> notations. I could send you more information.
> 
> My best
> -------------
> Luis Mac?as
> 
> 
> El jue., 3 oct. 2019 a las 10:12, Albert Alcoz (<[email protected]>)
> escribi?:
> 
>> Dear Alix,
>> 
>> Concerning this field the major recommendation would be the PhD
>> dissertation written by Michelle Adrianna Puetz.
>> "Variable Area: Hearing and Seeing Sound in Structural Cinema, 1966?1978"
>> is the title of an awesome study you can find online as a pdf.
>> 
>> In 2018 the (S8) film festival organized an exhibition curated by Gloria
>> Vilches and Elena Duque named *El cine en papel *about this same idea.
>> There were drawing pieces and filmstrips by Lis Rhodes, Peter Kubelka,
>> Rose Lowder, etc..
>> 
>> Other names that comes to mind: Bill Brand, Ladislav Galeta, Heinz
>> Emigholz.
>> I'm not sure about it but maybe some of the filmmakers behind the Workshop
>> of Film Form <https://monoskop.org/Workshop_of_Film_Form> were working
>> with visual scores too.
>> 
>> Albert
>> 
>> On Thu, Oct 3, 2019 at 3:56 AM FrameWorks Admin <[email protected]>
>> wrote:
>> 
>>> Dear Alix,
>>> I think there are many. Of course Paul Sharits, as can be seen in the
>>> documentary on him by Fran?ois Miron.
>>> I have images from scores by Peter Kubelka, Peter Rose, Martin Arnold,
>>> Joost Rekveld and even myself.
>>> There are also scores made a posteriori for example, by Huckleberry Lain
>>> of Arnulf Rainer.
>>> - Pip Chodorov
>>> 
>>> 
>>>> On Oct 3, 2019, at 7:48 AM, Alix Blevins <[email protected]> wrote:
>>>> I'm working on a project and looking for references of filmmakers whose
>>> works employ visual scores and/or other graphic notation in making films
>>> (e.g. Kurt Kren, Rose Lowder).
>>>> 
>>> 
>>> _______________________________________________
>>> FrameWorks mailing list
>>> [email protected]
>>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>>> 
>> 
>> 
>> --
>> http://visionaryfilm.net/ <http://www.visionaryfilm.net/>
>> http://albertalcoz.com/ <http://www.albertalcoz.com/>
>> _______________________________________________
>> FrameWorks mailing list
>> [email protected]
>> https://mailman-mail5.webfaction.com/listinfo/frameworks
>> 
> -------------- next part --------------
> An HTML attachment was scrubbed...
> URL: 
> <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20191003/2f1e151c/attachment.html>
> -------------- next part --------------
> A non-text attachment was scrubbed...
> Name: IMG_6238.JPG
> Type: image/jpeg
> Size: 1823374 bytes
> Desc: not available
> URL: 
> <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20191003/2f1e151c/attachment.jpe>
> -------------- next part --------------
> A non-text attachment was scrubbed...
> Name: IMG_6248.JPG
> Type: image/jpeg
> Size: 769525 bytes
> Desc: not available
> URL: 
> <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20191003/2f1e151c/attachment-0001.jpe>
> -------------- next part --------------
> A non-text attachment was scrubbed...
> Name: IMG_6241.JPG
> Type: image/jpeg
> Size: 2079051 bytes
> Desc: not available
> URL: 
> <http://mailman-mail5.webfaction.com/pipermail/frameworks/attachments/20191003/2f1e151c/attachment-0002.jpe>
> 
> ------------------------------
> 
> Subject: Digest Footer
> 
> _______________________________________________
> FrameWorks mailing list
> [email protected]
> https://mailman-mail5.webfaction.com/listinfo/frameworks
> 
> 
> ------------------------------
> 
> End of FrameWorks Digest, Vol 113, Issue 4
> ******************************************

_______________________________________________
FrameWorks mailing list
[email protected]
https://mailman-mail5.webfaction.com/listinfo/frameworks

Reply via email to