Hi Gene, It's bit of a tangent - but here are two recent films I made using my own hackneyed attempt at a 16mm optical printer, the second of I've shown quite extensively on 16mm.
Here <https://www.newcontemporaries.org.uk/news/bnc17-artist-interview-seth-pimlott> is an interview that talks a little about my approach. https://www.youtube.com/watch?v=3U1nmDzb9JE http://sethpimlott.com/cold-specks---season-of-doubt.html Very best, Seth On Sun, 29 Mar 2020 at 21:25, Gene Youngblood <ato...@comcast.net> wrote: > Mark and Scott, Thanks to both of you. It is indeed the technique I also > find in Kuchar. > > > On March 29, 2020 at 2:14:05 PM, Scott Dorsey (klu...@panix.com) wrote: > > I think they are talking about using a digital simulation of the large > shutter > angle technique. > --scott > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > > _______________________________________________ > FrameWorks mailing list > FrameWorks@jonasmekasfilms.com > https://mailman-mail5.webfaction.com/listinfo/frameworks > -- Seth Pimlott www.sethpimlott.com mobile: +447962786801 address: Vault 5 Somerset House Studios Somerset House West Service Yard London, London WC2R 1LA United Kingdom
_______________________________________________ FrameWorks mailing list FrameWorks@jonasmekasfilms.com https://mailman-mail5.webfaction.com/listinfo/frameworks
