Hello Gullik, > I feel you are into something here. From what I believe, it is not > the absolute pitch though (unless you have absolute hearing ?? ) > but the relation between various frequencies that is percieved > as on key or false.
Indeed. Still, there is a need to use absolute frequencies for a codec, so there's nothing wrong with supporting the absolute values by incorporating the 440 Hz and vary around it. > How would this impact the necessary math? Working from sampling, discrete > time, what is the "natural" result in frequency? > David already corrected me that the current Codec2 actually uses a log scale, which is good. I am going to look into it to see if the steps of the scale work, or if mild modifications would make it work better for music, if needed. (And I am checking up on non-Western musical scales.) Cheers, -Rick ------------------------------------------------------------------------------ Live Security Virtual Conference Exclusive live event will cover all the ways today's security and threat landscape has changed and how IT managers can respond. Discussions will include endpoint security, mobile security and the latest in malware threats. http://www.accelacomm.com/jaw/sfrnl04242012/114/50122263/ _______________________________________________ Freetel-codec2 mailing list Freetel-codec2@lists.sourceforge.net https://lists.sourceforge.net/lists/listinfo/freetel-codec2
