"As to the creative content that you see displayed in the culmination of
works of genius, how a scientist's questions or a painter's every brush
stroke vibrate with their whole way of seeing the world, you got me.  I
don't know how that works." 

 

I think this creative content emerges from two interacting "facts" qualities
of their experience:

1.       Some people come to such an acceptance and trust in their own
sensibility, you might say their unique or individual sensibility, that they
use it every day and in everything they do. It becomes the primary means of
problem solving, exploring and celebrating life.

2.       They receive enough positive acceptance and reinforcement from some
others, even a few, even one other in the world.

Many people who achieve these two qualities of experience are still ignored
and lost to history. 

 

The thing many of us have been missing all along is that genius is not the
exception but the rule of all life.maybe especially, although I am not sure
of that, human life. I think it is genius to survive each and every time it
happens and not a lack of genius but a tragedy when one doesn't survive.
While it is genius and creative to survive most of us are not valued or
respected for our accomplishment.

 

From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
Of Phil Henshaw
Sent: Monday, July 28, 2008 6:24 PM
To: 'The Friday Morning Applied Complexity Coffee Group'
Subject: Re: [FRIAM] The Brain and Creativity

 

The study of individual events is of the accumulative creative processes of
development.     I'm not sure what makes us think creativity happens in a
'flash' without preceding and following long chains of accumulative
development, but it's an illusion that it happens bye itself.    Maybe the
appearance that the flash of insight or creativity happens 'out of the blue'
comes from how exploratory processes follow a path that then telegraph where
they're headed once they take off, and then getting there is experienced as
a sudden confirmation, having the whole path culminate in an instant, or
something like that.    

 

There are moments where the excitement level rises sharply, for sure, but
invariably that is based on a rather long accumulation of digression and
digestion, to then also invariably be followed by a rather long accumulative
process of completion and connection.    There's no reason the middle point
should get the credit in my book.    The "ah ha" instant is only a little
pleasant flashing thing in the middle of long and complex history of groping
around and asking the unanswered questions.    Without those fore and aft
parts of the exploratory process there'd be nothing to "break through" and
produce the "flash" as far as I  can tell.    

 

As to the creative content that you see displayed in the culmination of
works of genius, how a scientist's questions or a painter's every brush
stroke vibrate with their whole way of seeing the world, you got me.  I
don't know how that works.

 

Phil

 

From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
Of Orlando Leibovitz
Sent: Sunday, July 27, 2008 11:04 PM
To: The Friday Morning Applied Complexity Coffee Group
Subject: [FRIAM] The Brain and Creativity

 

The July 28 2008 issue of the New Yorker contains an article titled The
Eureka Hunt: Why Do Good Ideas Come To Us When They Do. See
http://www.newyorker.com/reporting/2008/07/28/080728fa_fact_lehrer  for an
abstract.

Although the article talks about human insight I think it touches on human
creativity. I am interested in anyone's description (definition) of
creativity and a comparison of creativity in art and science. I would also
appreciate any thoughts about the  creative differences and/or similarities
that may exist in different cultures.

My own feeling is that creativity, for example, in visual art and in
theoretical physics contains the same attributes. Einstein was as much an
artist as a physicist. I realize theoretical physics must deal with the
"real world" but the process of original discovery seems the same to me.

O

-- 

Orlando Leibovitz

[EMAIL PROTECTED]

www.orlandoleibovitz.com

Studio Telephone: 505-820-6183

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