Glen writes:

"I suppose we could argue that objectives and tasks are different things. But 
my counter would be that they're something like [near]duals, or there's 
something like a Curry-Howard correspondence between them ... objectives are 
the initial and target state and tasks are the paths through the state space 
that connect the initial and target state, perhaps even some kind of path 
integral. An objective with no (possible) path toward that end is not a 
well-formed objective."

Yeah, not clear where the intuition for infinite sampling (path integral) comes 
from in connecting the two.   Although sometimes it seems like I DO try 
everything. 
Given your remark about men possibly having a smaller number of objectives than 
women, why not turn over every damn rock?  :-)

"Unless the contexts for any 2 well-defined tasks can be unified, the context 
switch is pure overhead. And, usually, the contexts can be divided into parts, 
some of which are common to multiple tasks and some of which need to be 
switched out."

Even with no stateful change, there's the disruption of the "instruction cache" 
by jumping around a lot.   I would think there would be some analogous neural 
locality to different tasks too, and longer spreading signals to jump between 
different tasks.

"Narratives are inherently serial ... diachronic, more suited to the CPU, where 
context switching is fundamental, at least compared to more parallelizable 
things like POSETs. It wouldn't be surprising if people who believed humans 
were fundamentally narrative tended to disbelieve in human multi-tasking. It 
seems contradictory or paradoxical for someone who believes people are 
fundamentally story-tellers and, yet, also believe people are parallelist."

I think part of it is that the parallelist ways are harder to unpack and 
explain.  So when asked how it is one makes a judgement (say about a social 
situation), it is hard to start from the start.   That means bringing to bear 
the diachronic tools to rationalize a story.   I wonder how many good writers 
and artists are really diachronic.    I suspect they cannot be. 

"And *that* you can run on a treadmill at all says something about your 
architecture. I absolutely despise treadmills ... they violate everything I 
know (and hate/love) about running. What kind of monster are you?"

Controlled exertion.  What's not to love?   If I could do it hanging on a hook 
in a spacesuit, I would.   Snap off my head and do some work while the 
Neurallink driver pushes the body through spinal interfaces.  :-) 
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