I can't tell.  While what little I know about the deep dive on Copyright,
it is a very murky and often contradictory aspect of law.  Sorta like the
2nd Amendment: something written by the founders in a time when the context
it was addressing was quite different from what we have now.
And I have no idea how well ChatGPT can or does write in the first person.
And the answer is?????
TJ

On Sat, Dec 17, 2022 at 12:42 AM Stephen Guerin <stephen.gue...@simtable.com>
wrote:

> Tom,
>
> What do you think? Was this PhD proposal written by a person or ChatGPT?
>
> The Metaphysics and Ethics of Copyright
>>
>> Abstract
>>
>> My project is motivated by a host of problems that arise in the
>> literature of U.S. copyright law, including legal decisions and established
>> doctrines that are alternatively arbitrary, counterintuitive, and
>> contradictory. The central argument of my dissertation is that these
>> problems arise from a failure in copyright law to recognize the nature of
>> its objects, authored works, and that a coherent and stable approach to
>> copyright must be built upon such an understanding. To this end, I outline
>> a multidimensional ontology of authored works suitable for grounding the
>> central principles and practical application of copyright.
>>
>> Centrally, I contend, a reasonable understanding of copyright depends on
>> grasping four dimensions of the nature of authored works:
>>
>>    1. their atomic dimension, including the parts of which they are
>>    composed, and the selection and arrangement of these parts;
>>    2. their causal dimension, including their contexts of creation and
>>    instantiation, and the weak and strong historical links that connect a
>>    given work to others (building here on the work of Jerrold Levinson);
>>    3. their abstract dimension, in particular, pace Nelson Goodman,
>>    Jerrold Levinson, and Mark Sagoff, that all such works are best understood
>>    as type/token entities capable of multiple instantiation; and
>>    4. their categorial dimension, drawing on the work of Kendall Walton,
>>    such that multiple works belonging to mutually-exclusive categories can be
>>    embodied in the same physical object.
>>
>> On an understanding of these factors, I establish conditions for the
>> copyrightability of authored works, for the infringement of these
>> copyrights, and for the creation of derivative works.
>>
>> Finally, I consider the right of copyright. First showing how the
>> strongest contenders for grounding this right—the Lockean and
>> Constitutional approaches—fail to align with our understanding of authored
>> works, I proceed to sketch an alternative approach to grounding the right
>> of copyright—a right based on the author's creativity as realized in the
>> authored work—building on the ontological account outlined above.
>>
>
>
>
> _______________________________________________________________________
> stephen.gue...@simtable.com <stephen.gue...@simtable.com>
> CEO, https://www.simtable.com <http://www.simtable.com/>
> 1600 Lena St #D1, Santa Fe, NM 87505
> office: (505)995-0206 mobile: (505)577-5828
>
>
> On Fri, Dec 16, 2022 at 11:08 PM Tom Johnson <jtjohnson...@gmail.com>
> wrote:
>
>>
>> https://www.facebook.com/5722102/posts/pfbid0D8i4GuCUJeRsDJjM1JJtfkDYDMCb7Y7RdK2EoyVhRuctg9z2fhvpo1bB2WAxGBzcl/?sfnsn=mo&mibextid=ijjfgs
>>
>> =======================
>> Tom Johnson
>> Inst. for Analytic Journalism
>> Santa Fe, New Mexico
>> 505-577-6482
>> =======================
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