The NYT wrote:
> One of the striking things about the scenes from France is how thoroughly
> the rioters have assimilated hip-hop and rap culture. It's not only that
> they use the same hand gestures as American rappers, wear the same clothes
> and necklaces, play the same video games, and sit with the same sorts of
> car stereos at full blast. It's that they seem to have adopted the same
> poses of exaggerated manhood, the same attitudes about women, money and
> the police. They seem to have replicated the same sort of gang culture,
> the same romantic visions of gunslinging drug dealers.

No wonder -- they've grown up (well, sort of..) with the same Hollywood
movies and music.


> the culture of resistance

Excuse me, but what do these brainwashed pawns, dancing like puppets on a
string even without having a string attached, have to do with _resistance_??
First of all they should resist the brainwashing from Hollywood...


> This is a reminder that for all the talk about American cultural hegemony,
> American countercultural hegemony has always been more powerful.

Orwellian nonsense so typical of the NYT.  This "counterculture" happens
to come from the same studios as the "cultural hegemony" !


> In other words, what we are seeing in France will be familiar to anyone who
> watched gangsta culture rise in this country. You take a population of young
> men who are oppressed by racism and who face limited opportunities, and you
> present them with a culture that encourages them to become exactly the sort
> of people the bigots think they are -- and you call this proud self-assertion
> and empowerment. You take men who are already suspected by the police because
> of their color, and you romanticize and encourage criminality so they will be
> really despised and mistreated. You tell them to defy oppression by embracing
> self-destruction.

"You" refers to Hollywood.


> In America, at least, gangsta rap is sort of a game. The gangsta fan ends up
> in college or law school.

Or in the Superdome of New Orleans...

Chris





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