The End of Suburbia - Oil Depletion and the Collapse of the American Dream

(The Electric Wallpaper Co., c/o VisionTV, 80 Bond Street, Toronto,
Ontario, Canada, M5B 1X2, 87 minute DVD, web site:
www.endofsuburbia.com, US$27.75/C$34.50).

Reviewed by Thomas Wheeler
http://www.altpr.org/modules.php?op=modload&name=Sections&file=index&req=vie
warticle&artid=356&page=1

A simple fact of life is that any system based on the use of
nonrenewable resources is unsustainable. Despite all the warnings
that we are headed for an ecological and environmental perfect storm,
many Americans are oblivious to the flashing red light on the earth's
fuel gauge. Many feel the "American way of life" is an entitlement
that operates outside the laws of nature. At the Earth Summit in
1992, George H.W. Bush forcefully declared, "The American way of life
is not negotiable." That way of life requires a highly
disproportionate use of the world's nonrenewable resources. While
only containing 4% of the world population, the United States
consumes 25% of the world's oil. The centerpiece of that way of life
is suburbia. And massive amounts of nonrenewable fuels are required
to maintain the project of suburbia.

The suburban lifestyle is considered by many Americans to be an
accepted and normal way of life. But is this sprawling and
energy-intensive lifestyle sustainable? Few people are aware of how
their lives are dependent on cheap and abundant energy. It suggests
many Americans may be in for a rude awakening. In a fascinating new
documentary, The The End of Suburbia - Oil Depletion and the Collapse
of the American Dream, the central question is this: Does the
suburban way of life have a future? The answer is a resounding no.

Despite the serious subject matter the documentary is actually quite
engaging and entertaining. Not only is it informative for those
already familiar with the issues; it's also quite accessible and
enlightening for the uninitiated. It serves as great introduction and
a real eye-opener for people who are largely unfamiliar with the
topic of energy depletion and the impact it will have on their lives
and communities.

The End of Suburbia marshals an impressive array of evidence that the
growing energy demands of the "American dream" in suburbia will
eclipse our planet's ability to provide it. The suburban way of life
will soon become economically and ecologically impossible to
maintain. We will see the inevitable collapse of the suburban
lifestyle and the end of the American Dream. And it will happen
within our lifetimes.

How bad will it get? Put it this way. We may be looking at the mother
of all downsizings.

For those who are familiar with the issues of peak oil and resource
depletion, the usual suspects are here. They include Richard
Heinberg, Michael Klare, Matthew Simmons, Michael C. Ruppert, Julian
Darley, Dr. Colin Campbell, and Kenneth Deffeyes, among others. All
of these individuals provide valuable information and insights
concerning the coming energy crisis and the impact it will have on
the lives of people on the North American continent.

But the standout star of the film is author and critic of
contemporary culture, James Howard Kunstler. The sometimes humorous
and always entertaining presence of Kunstler is prominent throughout
the documentary-and for good reason. He grabs your attention. He
explains in refreshingly blunt, easy-to-comprehend language that
suburbia is screwed.

Kunstler calls the project of suburbia "the greatest misallocation of
resources in the history of the world" and says "America has
squandered its wealth in a living arrangement that has no future."
You immediately get the idea he's not exactly a fan of suburbia.

How and why did this happen? The End of Suburbia outlines the
seemingly rational and logical impulse behind the project of
suburbia, tracing the beginnings to the late 19th century when it was
originally envisioned as an alternative to city life and an escape
from the hideous aspects of industrialism. Modern suburbia traces its
beginnings to just after World War II when the suburban project took
off with a massive housing boom and the increasing dominance of the
automotive industry. This car-centered suburban project ended up
being the template for the massive development of the second half of
the 20th century. That project was wrapped up, packaged, and sold to
the American public as "The American Dream."

The End of Suburbia points out that the rise of the suburbs was made
possible by abundant and cheap oil. It allowed for a lifestyle where
millions of people can live many miles away from where they work and
where they shop for food and necessities. But the voracious and
expanding energy needs of our industrial society with its
ever-expanding consumer culture and increasingly affluent suburban
lifestyles are brushing up against the disturbing reality of finite
energy resources.

The biggest impact will be felt by those who currently live in the
sprawling suburbs of North America. The End of Suburbia also makes
clear that the effects of energy depletion go way beyond paying more
at the pump. It will come down to the question of how you will feed
yourself and your family.

Although the documentary mostly avoids the gloom and doom of some
peak oil theorists, it does occasionally touch on some of the darker
aspects of fossil fuel depletion, notably how it will impact food
production. The film briefly looks at the energy-intensive process
needed to bring food to supermarkets. Our modern industrial
agriculture relies heavily on petroleum for pesticides and natural
gas for fertilizer, not to mention the energy used in planting,
growing, harvesting, irrigating, packaging, processing and
transporting the food.

The End of Suburbia shows how the suburban way of life has become
normalized and reveals the enormous effort currently put forth to
maintain it. On a foreign policy level, it means continued aggressive
attempts to secure access to the remaining reserves of oil on the
planet in order to prop up and maintain this lifestyle. But the film
makes it crystal clear that suburban living has very poor prospects
for the future. Any attempt to maintain it will be futile. Kunstler
asserts that the suburbs will become "the slums of the future."

What about alternative sources of energy? The End of Suburbia points
out that no combination of alternative fuels can run and maintain our
current system as it is now. What about hydrogen, you ask? The film
does a great job of shooting down the hysterical applause for
hydrogen. The idea of a hydrogen economy is mostly fantasy. Hydrogen
is not a form of energy. It is a form of energy storage. It takes
more energy to make hydrogen than you actually get from hydrogen.
Same with ethanol. It is a net energy loser. It takes more gasoline
to create and fertilize the corn and convert it to alcohol than you
get from burning it. The documentary explores the potential
alternatives and comes to the conclusion there is no combination of
any alternatives that will allow us to continue consuming the way we
do.

What is in our future? The consensus from the experts in The End of
Suburbia is the suburbs will not survive the end of cheap and easily
accessible oil and natural gas. The massive downscaling of
America-voluntary or involuntary-will be the trend of the future.

Kunstler argues we can expect to see "globalization" to reverse
itself in the 21st century and he says one of the most important
tasks will be to prepare for a very different way of life. The
imminent decline of industrial civilization means we'll have to
organize human communities in a much different fashion from the
completely unsustainable, highly-centralized, earth-destroying,
globalized system we have now. There will need to be a move to much
smaller, human-scale, localized and decentralized systems that can
sustain themselves within their own landbase.

While The End of Suburbia doesn't provide any easy answers, it does
provide a much needed look at the reality of the situation many in
North America will be facing in the coming years. For that reason,
The End of Suburbia is one of the most important must-see
documentaries of the year.

******

This review appears in the Spring 2005 issue of Alternative Press Review




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