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Sent: Thursday, December 02, 2010 4:56 PM
Subject: [TriumphOfContent] Royal wedding? It's the bland leading the bland


  



  


Royal wedding? It's the bland leading the bland


Kate Middleton is the perfect people's princess for this dull, conservative
land

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        Comments (
<http://www.guardian.co.uk/uk/2010/nov/26/kate-middleton-conservative-style#
start-of-comments> 149)

*        <http://www.guardian.co.uk/profile/suzannemoore> moore 

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*       Suzanne Moore <http://www.guardian.co.uk/profile/suzannemoore>  

*       guardian.co.uk <http://www.guardian.co.uk/> , Friday 26 November
2010 22.00 GMT 

*       Article history
<http://www.guardian.co.uk/uk/2010/nov/26/kate-middleton-conservative-style#
history-link-box>  

 Kate Middleton and Prince William
<http://static.guim.co.uk/sys-images/Guardian/Pix/pictures/2010/11/26/129080
0020712/Kate-Middleton-and-Prince-007.jpg> Kate Middleton and Prince
William. Photograph: Suzanne Plunkett/Reuters 

Had I recently arrived from a land far away - and indeed it's a long time
since I have been in this newspaper - I wouldn't have much trouble telling
you which government is in power. I would simply glance around at people's
homes, the clothes they wear, the programmes they watch on TV, and I would
see as clear as day that conservative taste stalks the land. It was creeping
up on us before the Tories were elected but now it is triumphant. In its
understated way of course. Conservative taste does not present itself as
anything but good taste. It is just "classic". It is nice, cosy, comfortable
rather than sexy. It is simply the way things should be.

To see it in action just look at the swish of the Middleton hair. Of course
this lovely young woman has lovely hair which has been blow-dried into
glossy swishiness. This is the pinnacle of her achievement and every woman
in the land should aspire to it. I'm afraid its enough to make me want get a
mohican; if you are not born into it, what is now middle class just looks
middle-aged.

This may, of course, be about my refusal to age gracefully, but why,
watching this hard-edged girl and diffident young manboy, did I feel unable
to place them generationally? They don't resemble any young people I know.
It was her tights that did it - flesh-coloured. Opaques would bring down the
monarchy <http://www.guardian.co.uk/uk/monarchy> .

But what do I know? Fashion editors liked the dress. Possibly "surrendered
wife" is the look du jour. Of course it's all nice enough in a middle-aged
"don't frighten the horses" Tory spouse way.

This is why the image didn't chime with the sycophantic write-ups. And why
indifference rather than ecstasy is the more common reaction to this
wedding. On one hand we are told Kate is a modern girl, on the other she
seems to have no opinions and only a pretend job. Her forthcoming role as
wedding mannequin and unbreakable ornament may indeed be her heart's desire
but I see no way in which it could be described as modern. The whole circus
does not take us a step further towards a bicycling monarchy, instead it
simply shores up the royal carriage rather well.

Cameron banged the table in delight at the news. No wonder! Away with that
"people's princess" lark, for here we have a fittingly Tory princess. Us
proles must not only be happy with a long weekend but also strangely
grateful that William has deigned to marry one of us!

One of the sleights of hand that current political discourse is pulling off
nicely is the ever elastic definition of middle class. Thus a woman whose
school fees cost as much as the average salary is deemed middle class. This
is blatantly rubbish. She is just less posh than many of the cabinet. But it
is in the interests of this government that more and more of us define
ourselves this way. As a result we define ourselves against the poor, those
on benefit or in council housing.

These days though, we don't just reveal our class through politics or
wealth, but through the myriad decisions we make about how we live. We do it
through what we consume and what we aspire to. And it's in these areas that
the conservative sensibility is rising to the fore. There is far more to it
than the Bodenisation of all Cameron surveys. There is a real lurch to the
middlebrow right across culture. We have given up and stepped back from the
more minimalist, brutalist lines of 90s decor in our homes. Yes, we like it
clean and airy but we also like a bit of clutter. If you are very rich you
have a few antiques mixed in with the modernism. If not you can buy new
stuff that's been pre-distressed. Crafts are making a comeback, hardly
surprising in a recession, but also to do with a vision of homeliness. On
cue, Kirstie Allsopp - no longer fuelling property speculation - is here to
tell us how to stencil blinds and haggle at car boot sales. Home-making is
not to be sneered at but is very time-consuming. Only women who don't have
to work can turn themselves into a full-time arts and crafts movement.

Musical taste is also being frozen into a never-ending parade of blandness
via the Cowellisation of the industry. The X Factor is not about music but
entertainment and operates to close down parameters. It depends on dire,
middlebrow reinterpretations of the classics removed from any context. We
suddenly have to accept that Elton John is up there as a classic songwriter
with the Beatles. Take That are as important as Nirvana. Why? The nearest
The X Factor gets to contemporary music is when some contestant is allowed
to "rap". This is music for people who don't like music. Then there is
always Strictly Come Dancing, another show that looks back, not forwards, to
when men were men and women sequined ostriches.

This blanding out of popular culture extends right across the board. We now
favour art that is about beauty and uplift rather than shocking
conceptualism. Indeed the enfants terribles of the art world have become
domesticated. Tracey Emin is hanging out with Tories and bemoaning
higher-rate taxation while Cameron hands out graffiti art by a Banksy
collaborator as a gift. The appropriation of the avant garde into the
mainstream is not new. The prevalence of Conservative style is the norm to
which we all aspire.

This is a style that explicitly represses sex and money. Bling is for those
who don't have wealth. Sex is about Sam Cam style prettiness and should not
be overt. It's about cleanliness and enormous amounts of grooming. No wonder
that every subculture at some point makes women look properly dirty with
smeared mascara and messed-up hair.

Conservative style is about everything being in the right place whereas real
style depends on interesting juxtapositions. It is about more than buying a
Heals kitchen or getting a nice blow-dry. These conventions are deadening
and restrictive. During a recession nostalgia sells, but nostalgia for what
exactly?

Get your Emma Bridgewater cups on your Cath Kidston tablecloth and make
cupcakes in your Issa dress, while listening to a middle of the road Bowie
cover if you must. But this is not fashion. Or actual taste. It is buying
into a vision of classlessness that has been defined entirely by the upper
middle class as just the way things are. It is heart-stoppingly dull. These
signs and rituals of respectability are part of the dominant consensus. This
blanding out is a narrowing down of what culture can do. Of what life can
be.

So away with the floral oven gloves! The down-home, retro, neutered
aesthetics of conservatism are as deadly as their politics. Resist on every
front.

http://www.guardian.co.uk/uk/2010/nov/26/kate-middleton-conservative-style

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