Wasn't there supposed to be a third principle in there somewhere?

"A theory that explains everything explains nothing."


On Fri, Jan 14, 2011 at 12:13 PM, Harry Pollard <[email protected]
> wrote:

> Assume there is no order in the universe. How can there be science the job
> of which is to find order.
>
>
>
> If two identical experiments produce different results again and again
> there is no point to further scientific experiments.
>
>
>
> Nothing can be certain any more if there isn’t an order.
>
>
>
> Why irregularities? They are presumably the normal situation. We can
> certainly speculate of various situations in the universe, but we do so as
> if we can find the order that exists.
>
>
>
> “Man’s desires are unlimited.”
>
>
>
> There is no limit to our desires. I may desire a Cadillac, but haven’t a
> chance of fulfilling the desire – but it doesn’t go away. If things change,
> perhaps it becomes more possible for me to get the car and I might well move
> it up my mental list. As earlier desires are satisfied, others spring up.
> There are no environmental limitations, just the personal limitations to
> satisfying the desires one has.
>
>
>
> I fear you haven’t “demonstrated above”. Artists may well find it difficult
> to satisfy their unlimited desires – as do we – but they try to accomplish
> their desires with the least exertion. They wouldn’t tie one hand behind
> their back to increase the exertion needed to finish their work. When a
> desire is perfection, no amount of exertion might be enough.
>
>
>
> If painting your house is fun for you, go ahead, but I doubt you will make
> it difficult for yourself to enjoy the fun. You will accomplish your desire
> with the least amount of exertion – if you know the least amount.
>
>
>
> I essentially doubled the size of my house myself. But crawling around in
> the space under the house to connect plumbing pipes is not fun. Adding gas
> heating to the new parts is not fun when you know that errors might kill
> your family later. Electric wiring is easier but takes much care.
>
>
>
> I think painting is drudgery but it has to be done. I’m happy it is fun for
> you.
>
>
>
> There are many other things I would prefer to do than paint my house.
>
>
>
> But, in all the things I do, I try to minimize the exertion I use to
> accomplish things and I can tell you now that you do the same.
>
>
>
> Harry
>
>
>
> ******************************
>
> Henry George School of Los Angeles
>
> Box 655  Tujunga  CA 91042
>
> (818) 352-4141
>
> ******************************
>
>
>
> *From:* [email protected] [mailto:
> [email protected]] *On Behalf Of *D and N
> *Sent:* Sunday, January 09, 2011 9:09 PM
> *To:* RE-DESIGNING WORK, INCOME DISTRIBUTION, EDUCATION
> *Subject:* [Futurework] A robot stole my job
>
>
>
> Hi Harry, and all others enjoying this discussion around Harry's statements
>
>  *The two major assumptions of all sciences may be;*
>
> * “There is an order in the universe.”*
>
> * “The mind of Man can discover that order.”*
>
> * The two assumptions of Political Economy are:*
>
> * “Man’s desires are unlimited.”*
>
> * “Man seeks to satisfy his desires with the least exertion.”*
>
> I'm happy to see that Harry qualified the first two assumptions with* 'may
> be'*. I believe as of the last century it was determined that a touch of
> disorder within our own universe made possible the universe we have come to
> know. Irregularities in the fledgling familiar universe caused slightly
> higher densities in some areas, thus locally slowing expansion and
> increasing gravitational attraction. Gravity draws matter together,
> collapses to form galaxies, then planets such as our own. In 2010 they
> released data based on seven years study of microwave temperature
> fluctuations dating back 13.7 billion years. A thousandth of a degree C. was
> apparently enough to form life-teeming galaxies like the Milky Way. Perhaps
> discovering this significant yet tiny fluctuation is on the path toward
> discovering how our own universe came about, but this only pertains to four
> measurable dimensions of discovery for now. If there are indeed seven other
> dimensions, as speculated, all of which are so small and curled up that it
> gives one's hair a perm just thinking about it, and science manages to
> unfurl and integrate these into an "M" theory to explain everything, there
> shall indeed be more information for our minds, though not necessarily
> discernible order. In this universe. The trick is that in most other
> universes, where fluctuations shortly after the big bang would have caused
> completely different systems or life design, the mind of 'man' would likely
> be incapable of any satisfying single set of natural laws to apply to it
> all.
>
> The second two assumptions most of the list have responded to with fine
> points and great personal style. The first statement, I think, is only
> generally true because we are limited by certain aspects of environment.
> Conceiving of a completely "remote" desire would be impossible without some
> seminal framework for said desire. I would suggest that unlimited desire be
> reserved for what you may consider to be the improbable, like perhaps the
> immortal "Q" on Star Trek, or humans in the heavenly "afterlife" acquainted
> with omniscience.
>
> The second assumption presuming to describe the conditions around
> satisfying desire within the realm of production is easily undone if one
> just stops to consider the artistic process, Harry's ability to create
> distracting replies being no exception amongst such endeavours. Take an
> artist's painting of a portrait, a landscape or abstract work. It is not
> only a mental exercise, it is also quite physical. The very best artists
> will make every effort to create something extraordinary--not just for
> others to buy, but for themselves to experience in accordance with their
> personal code of excellence before they can consider the work finished. A
> great recording artist or opera singer will strive for the finest possible
> performance created not by adequate practice or rendition, but by pushing
> themselves to the greatest possible interpretation of which they are capable
> within their own unique gift of presentation and physical ability. A great
> writer cannot produce a lazy book, Antonio Gaudi did not come by effortless
> masterpieces in architecture. Let's presume none of these examples mentioned
> thus far would be better suited to make money in any other fashion (highest
> and best use of talents),  though of course they could have picked tomatoes
> for Monsanto to help shareholders and CEOs and perhaps Harry's position.
>
> Exertion experienced within the process towards an end is often a big part
> of the joy in doing. Painting one's house, for example, although not as
> efficient as hiring pros, is not only productive--it's fun for many of us,
> and instills a sense of pride and connection to one's home. Exertion like
> this often teaches us skills, too, apart from possible future delegation of
> said task. Home decorating contributes to the very important sector of the
> economy known as real estate. Within that sector, we have not only
> commodities that directly affect countless other industries, but also house
> the very beings who dream the dreams. Exertion will never be only just
> adequate where it comes to teaching, nursing, gardening, psychotherapy, or
> even fly fishing, and getting these jobs done quickly is usually never the
> goal in mind. Though many tasks or jobs are conducted to achieve results,
> most things or goals for which we strive are not measured against time or
> effort, though they are often judged for finesse. They are tasks or
> occupations in which we lose ourselves in time in order that we eventually
> get to stand back and say, "good job".
>
> I believe Harry has a point where one has to admit that just getting the
> job done is all that counts, only efficiency pays, or they need a meal and
> are too tired to prepare a good one themselves. But as demonstrated above,
> there are many aspects to production or productivity in which this can never
> be the case.
>
> Cheers,
> Natalia Kuzmyn
>
>
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>


-- 
Sandwichman
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