This one is for Ray...
 
M
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From: [email protected]
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Subject: [TriumphOfContent] BBC E-mail: From South Africa's townships to the
opera house** From South Africa's townships to the opera house **
 
 Tim Whewell meets opera star Pauline Malefane, perhaps the greatest success
story to have come out of the vast, impoverished South African township of
Khayelitsha.
< http://news.
<http://news.bbc.co.uk/go/em/fr/-/2/hi/programmes/newsnight/8739017.stm>
bbc.co.uk/go/em/fr/-/2/hi/programmes/newsnight/8739017.stm >

 


>From South Africa's townships to the opera house



South Africa's diva: Pauline Malefane


Tim Whewell  
 
BBC Newsnight, South Africa
  <http://news.bbcimg.co.uk/shared/img/999999.gif> 


Opera star Pauline Malefane is perhaps the greatest success story to have
come out of the vast, impoverished South African township of Khayelitsha.

She has sung in theatres and concert halls from New York to Tokyo.

And today she is the joint founder of a Cape Town theatre company that aims
to tap South Africa's rich choral tradition, and the wealth of other
artistic talent in the townships, to create a new kind of accessible drama,
breaking down barriers between South Africans and helping to build a sense
of nationhood.

When we meet she is visiting Manyano High School in the sprawling Cape Town
township where she grew up, to conduct an impromptu singing masterclass.

  <http://news.bbcimg.co.uk/shared/img/o.gif>   
  <http://news.bbcimg.co.uk/nol/shared/img/v3/start_quote_rb.gif>  When I
decided I wanted to do music I could see the confusion in my parents' faces:
'You want to do what?'
<http://news.bbcimg.co.uk/nol/shared/img/v3/end_quote_rb.gif> 

Pauline Malefane

As she bounces lightly on the balls of her feet, the soprano notes that have
captivated audiences all over the world fill the small, bare classroom.

Four rows of young faces stare back at her, a mixture of admiration and
intense concentration.

These teenagers are the heirs to the South African tradition of communal
singing that incredibly attracts as many people to choir festivals here as
it does to football matches.

Rejuvenation

Pauline's theatre company, Isango Portobello, is based nearby in a new
theatre - named after the legendary South African playwright Athol Fugard.

Opera star Pauline Malefane conducts a masterclass at Manyano High School

It opened earlier this year in District Six, the once vibrant, multi-ethnic
district that was bulldozed by the apartheid authorities in the 1960s to
achieve racial segregation in Cape Town, but is now slowly coming back to
life.

"Claiming it back is very important, and very important to the company," the
Fugard's co-founder, Mark Dornford-May tells me. He hails from Yorkshire but
has lived in South Africa for more than a decade.

"It gives a spiritual sense to what we're trying to achieve. We have to
create, we have to help this new nation - and it is a new nation because
before it was split into so many groups."

But as well as aiming to help change how South Africa sees itself, the
Fugard Theatre and its resident company, Isango Portobello, is about
transforming individual lives.

And few have been transformed more than Pauline Malefane's.

Early life

She and her brother and sister grew up in Khayelitsha in the 1980s in a
small two-room house without electricity at a time when the township - like
all others in South Africa - saw running battles between protesters and the
apartheid police.

Pauline's mother and father ran a small taxi firm and were shocked at her
choice of career.

"When I decided I wanted to do music I could see the confusion in my
parents' faces. 'You want to do what? And how will you survive? We have
struggled all these years, and you want to sing? And opera? We have never
even heard of opera.'"

But Pauline persevered and later became the heroine of Khayelitsha when she
played the title role in an award-winning Xhosa-language version of Bizet's
Carmen, filmed entirely in the township.

Since then her performances in the highly-demanding role of Queen of the
Night in Mozart's Magic Flute have also won critical acclaim in London and
beyond.

Changing attitudes

Mark Dornford-May is not just Pauline's co-director at the theatre, he is
also now her husband.


 The Dornford-May family
<http://news.bbcimg.co.uk/media/images/48131000/jpg/_48131957_dornford-mayfa
mily.jpg> 
The Dornford-May family describe themselves as a "rainbow family"

The couple have recently had their third child and Mark believes their
"rainbow family", as well as their work in the theatre, is part of what
South Africa is trying to achieve.

"If we go out as a family, in certain areas people still stare at us," he
says. "But the move is gradually towards a much more relaxed and mixed
culture. In 50 or 60 years time you'll get South Africans of every colour
with fantastic names like Bungiwe Smith - those are going to be the norms."

More important though is how the theatre can transform lives in a country
where all public performances were once segregated, and where the arts have
long been a political tool in the battle for change.

Pauline remembers the excitement when her film "U-Carmen eKhayelitsha"
(Carmen from Khayelitsha) premiered in the township, with 3,000 people
attending the screening in just one day.

But what she really wants is to change attitudes so that South Africans from
all backgrounds will come to see her perform without invitations or
complimentary tickets.

"It's not a matter of getting a bus and loading it with blacks and taking it
to the theatre," she says.

"It's a matter of getting people to understand that things have changed,
it's OK to go into a theatre, you are allowed."


  _____  

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